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528 West 26th Street, NY 10001, New York, United States
Open: Tue-Sat 10am-6pm


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Pinaree Sanpitak: Fragile Narratives

Galerie Lelong & Co., New York

Thu 24 Oct 2024 to Sat 7 Dec 2024

528 West 26th Street, NY 10001 Pinaree Sanpitak: Fragile Narratives

Tue-Sat 10am-6pm

Artist: Pinaree Sanpitak

Galerie Lelong & Co., New York, presents a solo exhibition by Pinaree Sanpitak, her first with the gallery and first in New York since 2017. Entitled Fragile Narratives in reference to the personal and profound experiences of womanhood conveyed by the works on view, and the serenity and sensitivity with which Sanpitak handles them, the exhibition presents new paintings and sculptures. The works on view exemplify Sanpitak’s visual language, innovative use of material, and unflinching endeavors to represent through her practice her experiences of womanhood and the connections between the bodily, self, spiritual and sacred.

Artworks

Pinaree Sanpitak

24 Indian metal containers, mulberry paper, needle, 24 bases diameter 36 cm, motor. Kinetic base by Studiomake. Paper layers by Rattawalee Chanchawvalit, Ubonlux Suwattanachoa

Pinaree Sanpitak

Acrylic and pencil on canvas

78 3/4 × 78 3/4 in

Pinaree Sanpitak

Acrylic, feathers, and fabric on canvas

59 × 78 3/4 in

Pinaree Sanpitak

Acrylic, pencil, colored pencil, and fabric on canvas

78 3/4 × 78 3/4 in

Pinaree Sanpitak

Acrylic and mawata on canvas

59 × 78 3/4 in

Pinaree Sanpitak

Acrylic and mawata on canvas

59 × 78 3/4 in

Installation Views

In a selection of new paintings from the Womanly Bodies series, Sanpitak employs mawata silk to create dimensional and sensual forms that call to mind the feminine body. In these monochromatic paintings, a pearlescent background juxtaposes the natural fiber, deftly merging the aesthetic with the organic. Other paintings on view depict the recognizable forms of breasts and vessels, rendered in the artist’s distinct minimal style that reduces them to their most basic essence, continuing her captivation with the body’s wide-ranging potential across the sacred and profane. With a palette largely consisting of shades of grey, Sanpitak uses varying opacity to create depth in her compositions. In one such work, Body Drops (2023), subtle variations in tone and texture distinguish Sanpitak’s forms from the background; these breast-like forms are in turn covered by a shape reminiscent of those found in the Womanly Bodies series, rendered in pencil hatching.

The smaller gallery space will be enlivened by works from Sanpitak’s Balancing Act series. Sculptures composed of painted water vessels and mulberry paper move lightly atop kinetic bases. Vibrantly colored and worn, Sanpitak places these utilitarian objects in a jovial context; should these containers be full, their constant movement would cause them to spill over. As they delightfully engage the sense of sight, the vessels also appeal to the ears as the motors of the bases create a soft but insistent sound. Balancing Act epitomizes Sanpitak’s ongoing interest in rendering unfamiliar the familiar through abstraction and movement.

Installation view, Galerie Lelong & Co., New York, Pinaree Sanpitak: Fragile Narratives, October 24 – December 7, 2024. Courtesy Galerie Lelong & Co., New York. Photo: Jon Cancro.

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