drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

an exhibition of gouaches, drawings, lithographs, and tapestry work by one of the central figures in twentieth-century modernism

these new paintings by the Japanese artist blur the boundary between figuration and abstraction with work that is introspective and reflective, focusing on phenomena observable in his everyday environment

“structure and depth develop through the superimposition of gestures, sweeps and loops … colours accumulate at the edges of the picture surface, while traces of successive layers converge into lines of demarcation” - Mareike Dittmer

new paintings and works on paper - “Sanditz has spent more than two decades making landscape painting with a palette that runs hot and synthetic, closer to Kool-Aid, while maintaining an active dialogue with the paintings of the Hudson River School”

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

the gallery’s first collaboration with the artist brings together thirteen paintings created between 2020 and 2026 and centres on Qi Lei’s recent reflections on music, painting, and time

Op de Beeck’s first solo exhibition with the gallery “reminds us that wonder has not disappeared. It is found precisely where things begin to fade, at the threshold between presence and disappearance” - Ruud Priem, curator

an exhibition of new paintings and works on paper by Pozanti - “she builds forms that shift fluidly between flower, body, and current, resisting fixed identity in favour of continuous transformation”

an exhibition of Janice Guy, Joe Mama-Nitzberg, Shaun Pierson, and David Seidner - four photographers “sharing an approach to portraiture that rejects notions of idealization”

projected light installations of geometric shapes specially designed for the architecture and specific characteristics of the location in which they are created - alongside works made from sheets of bent and cut stainless steel

fourteen artists who explore transformation through material process and altered perception - “throughout the exhibition, light changes the encounter with each work and draws attention to the physical properties of its materials”

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

guest curated by Dr. Jiyoon Lee, an exhibition of major new sculptures and recent work in the gallery’s first exhibition with one of the most influential artists of her generation

Afro-Caribbean American multidisciplinary portrait artist Lopez works with communities historically rendered invisible - people she has met and engaged with whose presence carries cultural memory, resilience, vulnerability, and unmistakable swag

“Enoc came up with a painting process as if he’d plugged into an early moog synthesizer. It straddled the line between abstraction and representation … making him an artist who feeds the hand that shakes him” - Richard Prince

the first solo exhibition in London since 2015 of the celebrated Colombian artist has a scenography by Cécile Degos and presents a major selection of paintings, drawings, and sculptures produced over almost six decades

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

across both Bethnal Green spaces, new sculptures by Warren - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren

new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models”

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

Biała and Orving reveal - with a tenderness, playfulness and ingenuity that matches their subject - the risks and rewards of our fundamentally and irrevocably interconnected lives” - Rebecca Birrell, PhD.

paintings by the two artists, whose works challenge the conventional approaches to figures and identity which tend to be singular and teleological, and suggest that everyone is “Me & My Plurals”

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

an exhibition of works by Defne Tesal and Stephan Baumkötter - “in both artists’ work, depth emerges through material, touch and repetition rather than illusion. The surface becomes a space in itself: layered, tactile and open to continued looking”

curated by An Jo Fermon, an exhibition of Caziel’s abstract painting and Isabelle Nothomb’s ceramics - “each chose as a core practice the stripping away of noise to focus on raw sensory perception, space, and being”

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives”

“both Olúlòde and Reeve construct worlds where movement guides the viewer. Olúlòde’s figures swim, Reeve’s fabrics float in the wind … they explore intimacy from different starting points, but both culminate in a grasping, a holding, a unity, a beauty”

“like Foucault’s pendulum, which moves in an ellipse as it oscillates between its outer limits, Zio Ziegler’s 'The Tesseract' swings the viewer in whirling, elliptical fashion from one aesthetic mode to another” - Jeffrey Richmond-Moll, Ph.D.

“in this new body of work the artist reflects on the emotional contradiction of nostalgia - the impossibility of fully recapturing the dazzling immediacy of an experience once it had passed, and the lingering desire to try”

in the artists' first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time.

“from the early 1990s, Bulloch glimpsed the twenty-first century. The central subject of her work is the condition of the human being caught within an automated society” - Nicolas Bourriaud

works by Rafaela de Ascanio, Mónica Figueroa, Marco Kalach, Romana Londi, Hala Matta, Tori Pounds, Kitty Rice, and Isabella Vella approach the figure as something continually transformed by emotion, memory, mythology and the natural world

spanning a hundred years of work, a rare opportunity to see exceptional pieces - many rarely shown outside Japan - by some of the most important figures in twentieth and twenty-first centuries Japanese ceramics

“the gallery takes on the appearance of … an apartment-like setting where architecture, objects, and natural light become part of a choreography unfolding over time”

an intimate work on paper by Bonnard shown with new paintings by Absher and Fell, made in direct response to his work - the three share a belief in colour as a carrier of feeling and memory

curated by Michèle Lamy an exhibition of new editions of iconic functional artworks placed in conversation with pieces from Owens and Lamy’s own contemporary art collection

a focused exhibition of large-scale paintings by the leading figure of Lyrical Abstraction - “expansive fields of stained color, shifting horizons, and atmospheric depth reveal the immersive power of Landfield’s work at monumental scale”

“inspired by the power of light and heat in producing remarkable objects of contemporary craftsmanship - from the flames of a potter’s kiln and the illumination that vitalizes functional artworks to the intense temperatures that mold glass and metal”

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

new paintings, in Gunderson’s first solo exhibition with the gallery, continuing her exploration of the haptic with works that shift and respond to their surroundings through richly worked surfaces and a deeply hued palette

paintings by the two artists, whose works challenge the conventional approaches to figures and identity which tend to be singular and teleological, and suggest that everyone is “Me & My Plurals”

in this special Paris Pop-up Project to coincide with Art Basel Paris, the gallery focuses on important works by Dayanita Singh, Małgorzata Mirga-Tas, Tacita Dean, and Cornelia Parker

developed with curator Fiona Rogers, artist Justine Kurland, and collaborator and collector Sarah Miller Meigs, a group show exploring feminist strategies of collage

new and recent photographs by Core that examine the expressive qualities of plants and perennials, both as types and as singular forms, documenting varieties she has cultivated in her garden at different stages in their life-cycle

fourteen artists who explore transformation through material process and altered perception - “throughout the exhibition, light changes the encounter with each work and draws attention to the physical properties of its materials”

curated by Susanna Brown , an exploration of queer identity, community, and love through the lens of one of Britain’s foremost photographers

the gallery’s first exhibition of the Argentine-British artist and filmmaker is an almost museological presentation of works from her ongoing project exploring the ethics of photographing animals

an exhibition of Janice Guy, Joe Mama-Nitzberg, Shaun Pierson, and David Seidner - four photographers “sharing an approach to portraiture that rejects notions of idealization”

curated by Guillaume Logé and inspired by his forthcoming book of the same title - “spanning from ancient arts to contemporary creation, the exhibition brings together works from different periods in a dialogue centered on nature and love”

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

“Testino invites us into a world traced by his signature light and eye, offering at once the contemporary impact of his art and a poignant memento mori, a reminder of the significance of art’s eternal pursuit of beauty and joy, conquering time’

in the gallery’s new Seoul location, an exhibition by the acclaimed British artist presenting a major new moving image piece alongside a series of expanded photographic works, sculptures, and frottages

the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time”

“Bradley has created intimate installations that explore memory and identity through photography from her archive, which she has juxtaposed with recent sculptures … these ‘memory rooms’ offer personal, interior spaces for self-reflection”

titled after an optical phenomenon that occurs twice each year inside Palma Cathedral, the gallery begins its collaboration with VHILS with an exhibition of work including carved doors, billboards, ceramic tile panels, and architectural debris

new paintings from the ongoing Bondage Baggage series alongside the debut of new sculptural and video works in an exhibition which examines migration as a condition of simultaneous perceptions, where multiple histories, and systems of knowledge coexist

six emerging Chinese artists selected from over a thousand open-call submissions make their debut on London's global art stage

Kid’s fourth solo exhibition with the gallery - “conceived around the first presentation of works from his new LIFE series, the exhibition places a focused selection of works from the past decade into dialogue with this new body of work”

an exhibition celebrating the acclaimed Brazilian artist’s enduring practice - spanning sixty years with early prints and works on paper from the 1960s and 70s, photography from the late 70s through the 80s, and sculpture from 1990 to the present

earthworks, sculpture, tapestry, ceramics, and large-scale outdoor installations by world-renowned artists, all placed in conversation with the Foundation’s 70-acre estate

in its own dedicated and expansive space at the gallery, the Amsterdam-based studio unveil a new, interactive, and large-scale installation that “captures the movement of wind through the use of glass and light”

Henrot’s first public exhibition in NYC brings a group of sculptures of dogs to the entrance of Central Park - each born out of visual references including Saul Steinberg drawings, Tex Avery cartoons, ancient Egyptian sculpture, dog show competitions, …

in Collins’ first solo exhibition at the gallery he considers the “attic” as a metaphor for memory - “a space at the peripheries and recesses of consciousness where stories germinate, mutate and become myth”

with pieces by Edgar Degas, Elisabeth Frink, Kenneth Armitage, Reg Butler, and William Turnbull, a 20th Century masterpiece exhibition presented as part of the gallery’s wider spotlight on sculpture

Indiana’s first monographic exhibition with the gallery - “the technique, if successful, is that happy transmutation of the lost into the found, junk into art, the neglected into the wanted, the unloved into the loved, dross into gold, hence: alchemy”

addressing historical and modern slavery, migration, and the brutal realities of postcolonial Africa, the internationally renowned artist’s iconic masks made of repurposed plastic containers reflect on the precarious nature of the world we inhabit

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

new and recent works on canvas by the multidisciplinary artist “whose approach is inspired by the visual fragments of everyday life, the energy of the city, and overlooked details within our surroundings”

titled after Gilles Deleuze’s writing on the fold, and curated by Dr. Alfredo Cramerotti and Auronda Scalera, an exhibition bringing together six artists who explore how histories, materials, and cultural knowledge survive transformation

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

this major selection of paintings and works on paper “invites us to look anew at a history we may think we already know: not as three separate trajectories, but as a constellation shaped by friendship, admiration and the circulation of ideas”

six emerging Chinese artists selected from over a thousand open-call submissions make their debut on London's global art stage

drawing on the gallery’s location, an exhibition of new paintings and performance making a connection between British military history and the histories of labour, craft, and production of Savile Row itself

new paintings by Magill - “the drama is these paintings is released and withheld … there is no simple meaning; instead there is much ambiguity and strange, coiled beauty” - Colm Tóibín

titled from Clarice Lispector’s posthumous novel, Sintura’s first solo exhibition at the gallery presents a series of new paintings - “an attempt to unite form, material, and subject in order to bring something elusive and hard to grasp to light”

new paintings by Evans, landscapes, waterways, moonlit scenes, and botanical paintings - “Evans has increasingly reduced and abstracted the natural world, distilling familiar subjects into arrangements of color, shape, line, and pattern”