ceramic assemblage sculptures and large-scale drawings by the British artist, exploring “how we are coping a quarter of the way through the 21st century – a time marked by psychological overload, acceleration and a pervasive sense of inertia”

Schneider’s first solo exhibition at the gallery centres his ongoing Gesamtkunstwerk “Haus u r” with two livestream projections shown for the first time, alongside key works from the house

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

recent pieces by the Brooklyn-based abstract painter whose work enigmatically resembles geographical maps, aerial views, circuit boards, and coding systems, exploring race, culture, and systems of societal classification

“Nagels work reminds me of storms. The ones that leave you a bit bruised but with a fresh oxyden. Invigorated … I am full of admiration. Do not change a thing” - Morten Løbner Espersen

covering nearly three decades, new paintings and key sculptural works exploring personal memories, myth, and the female body over the passing of time

the first major UK museum exhibition of the American artist’s photographic portraits includes her first major work, and pieces both in dialogue with each other as well as with works from the permanent Collection

new paintings that explore the visual and linguistic density of the contemporary city, “a layered system of signs, where language, image, and architecture intersect”

“drawing from fragments of daily observation, Tuapennot constructs layered visual narratives in which global brand symbols, youth fashion, cartoon figures, and spontaneous text collide”

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

“dense pictorial fields built through the accumulation of figures, signs, fragments of text, and symbolic forms … compositions populated by animals, hybrid figures, and totemic structures”

paintings centered on the theme of “Night dancing” and exploring the relationships between humans and nature, movement and space, and color and form, in an exhibition inspired by the poetry of Ian Hamilton Finlay

the paintings in this exhibition depict “children and landscapes shaped by war’s trauma, capturing forced stillness, protection, and resilience through dynamic brushwork and grounded materials from Ukraine’s landscape”

“five paintings and ceramic panel works exploring landscapes through layered paint and textured resin, capturing natural phenomena and time’s accumulation in shifting scenes”

in association with Waqas Wajahat, New York, an ambitious body of painting spanning four decades in the internationally acclaimed female artist’s first comprehensive solo exhibition in Korea

an exhibition highlighting five major figures of the prominent South Korean movement - Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-keun, and Chung Sang-Hwa

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

exploring Kounellis’s experiments in painting and music, an exhibition and performance programme in dialogue with Christian Marclay

master prints by Dan Flavin, Donald Judd, Ellsworth Kelly, and Frank Stella in this group exhibition exploring “the materiality of color”

referencing both décor (ornamentation) and corps (the body), Pini’s exhibition of sculpture, photography, and relief places symbolic bodies in space and plays with “their fragile yet imposing nature to create what is perhaps a theatrical experience”

“at the intersection of personal history and broader geopolitical realities, Diack’s practice engages questions of contemporary becoming of Senegal, of Africa, and of a globalised world”

an ambitious exhibition celebrating two centuries since the dawn of photography

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

Weems’ debut exhibition with the gallery in London presents recent and significant bodies of work reflecting on migration, belonging, and the enduring afterlives of the Atlantic passage

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

Herbst’s inaugural solo exhibition with the gallery presents recent paintings created with her own “generative system” that allows narratives and visuals to emerge through a theatrical staging with repetition, variation, and play

new and existing works centred on a monumental body of paintings shown for the first in its entirety in Syed’s first solo exhibition at the gallery

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

new works in Adam’s debut solo exhibition in New York examining “how paintings can emerge from a black ground, using darkness, not as absence, but as a generative foundation from which color, gesture, and form unfold”

an exhibition focusing on Yamamoto’s photographs of owls - gelatin silver prints printed by the artist reveal his deep respect, depicting not only the owls’ beauty and grace, but also their eccentricity, companionship and individuality

an exhibition dedicated to the work of the late artist highlighting his handling of vibrant color in often abstract compositions, including photographs and notebooks from recent discoveries in the artist’s archive by his son

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

outstanding images by Niépce, Daguerre, Fox Talbot, Fizeau, Le Gray, Frith, Piot, and Greene in an exhibition exploring the origins of photography - “the magic of early photographs intertwines with the spirit of discovery”

to mark his 88th birthday, an exhibition of new etchings and aquatints by Baselitz that “establishes a dialogue between two of his most famous motifs: the eagle and Elke [his wife]”

with the first screening of a filmed interview, an array of archival documents, and a selection of artworks and artist tools, this exhibition explores “the echoes, parallels, and differences that construct[ed] the relationship between the two friends”

curated by Elisabetta Bresciani, Magda Blasinska reflects on the rhythmic and structural patterns underlying woven surfaces, while Adia Wahid explores architectural memory through shifting geometric forms inspired by Islamic art

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

using “a curatorial logic of figural counterpoints”, an exhibition exploring the resonance, and even figural coincidences, between the works of the two artists

“expanding the palette beyond the template of four primary Yolŋu colours - black, red, yellow and white - allows the story to come alive … an old song in a fresh key” - Will Stubbs

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

colored pencil drawings and layered acrylic and vinyl paintings by Steffen Kern and Jonah Gebka which explore images in a state of suspension - where narratives are not fully formed, but held in latency

an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

curated by Isaac Ji, this exhibition re-imagines the gallery space as a “darkroom of perception”

new paintings by the British artist who draws inspiration from the landscapes and artistic heritage of the South of France to reinterpret classical principles of composition and light through the language of contemporary abstraction

colored pencil drawings and layered acrylic and vinyl paintings by Steffen Kern and Jonah Gebka which explore images in a state of suspension - where narratives are not fully formed, but held in latency

master prints by Dan Flavin, Donald Judd, Ellsworth Kelly, and Frank Stella in this group exhibition exploring “the materiality of color”

an exhibition bringing together works that reflect the breadth and character of British figurative art across the twentieth century

“conceived as a relational environment rather than a sequence of discrete objects, the interplay between the two artists’ works positions sculpture and tapestry in relation to one another through proximity, scale, and surface”

exploring Kounellis’s experiments in painting and music, an exhibition and performance programme in dialogue with Christian Marclay

“drawing from fragments of daily observation, Tuapennot constructs layered visual narratives in which global brand symbols, youth fashion, cartoon figures, and spontaneous text collide”

“positioning colour as a structural and conceptual force rather than decoration, the exhibition brings together works in which colour expands, fragments, or dissolves, alongside monochrome compositions that emphasise line, tone, and form”

“alternate views on reality in post-war France”

new paintings that explore the visual and linguistic density of the contemporary city, “a layered system of signs, where language, image, and architecture intersect”

“the exhibition title reflects the logic of the work itself. Each canvas unfolds as a process rather than a fixed image, in which accumulation, erasure, and reconstruction allow the painting to emerge over time”

significant artistic achievements and pivotal paintings from the radical final chapter of Dubuffet’s career in a celebration of the gallery’s over 50 year relationship with the artist, since hosting his first British solo exhibition in 1972

“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” - Louisa Mahoney

Weems’ debut exhibition with the gallery in London presents recent and significant bodies of work reflecting on migration, belonging, and the enduring afterlives of the Atlantic passage

the renowned figurative artist’s first exhibition in Los Angeles presents his documentation of a stay in Detroit, with a single focus on John Mcintyre, a Detroit-based tattoo artist and member of a local medieval fighting team

recent pieces by the Brooklyn-based abstract painter whose work enigmatically resembles geographical maps, aerial views, circuit boards, and coding systems, exploring race, culture, and systems of societal classification

the London and Sussex-based 3D-artist’s first exhibition at the gallery in New Bond Street centres on works created from books

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“for his first solo exhibition at Bigaignon … Pimentão invites us to consider drawing not only as an object to be seen, but as something that acts, resonates, and takes form”

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

curated by Elisabetta Bresciani, Magda Blasinska reflects on the rhythmic and structural patterns underlying woven surfaces, while Adia Wahid explores architectural memory through shifting geometric forms inspired by Islamic art

Crenshaw’s portraits of immigrants and cigarette stubs, in thrifted picture frames, explore themes of displacement, resilience, value, and disposability

“an intimate series of portrait paintings born from a radical shift in practice and a contemporary experiment in collaboration”

“I have continued to use 4.5 cm as the module and the paintings are always grey. I use these two constant elements to discover different ways of making the paintings” - Charlton

“for this project - another in my Imaginary Architecture series - I chose to explore iridescent clouds, sometimes known as "rainbow clouds," a meteorological phenomenon characterised by vibrant, colourful bands appearing on thin, semi-transparent clouds”

“a book / exhibition of 24 drawings about love … an intensely sensitive suite of drawings inspired by the Passion of Christ and dedicated to all outsiders”

the British multidisciplinary artist captures subtle, absurd disruptions - small fractures in the ordinary that reveal tension, humour, and the poetic instability of everyday life

new photographs of London by Riddy - “both a description of place and a kind of social survey”

the Montreal-born, London-based artist’s first solo exhibition with the gallery in New York “proposes painting as a medium uniquely capable of holding disparate registers within a single, shifting field of vision”

new paintings - dramatically scaled roses, peonies, daisies, tulips, and poppies erupt beyond the canvas - engaging the Old Masters to address contemporary preoccupations with the self, the body, and ecological anxiety about the fate of the natural world

Schneider’s first solo exhibition at the gallery centres his ongoing Gesamtkunstwerk “Haus u r” with two livestream projections shown for the first time, alongside key works from the house

curated by Richard Boch, works by twenty photographers who captured the vibrant essence of New York City nightlife during the mid-Seventies and early Eighties

an ambitious exhibition celebrating two centuries since the dawn of photography

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

moving image, photography, and painting and assemblage in a group exhibition of Jenna Bliss, Buck Ellison and Jasmine Gregory, three emerging artists whose practices interrogate ideas of class, inheritance and assumed values through representational media

curated by Diana Kudaibergen, the Kazakh artist works with video, Al-driven cyber textiles, photography, and immersive sound to create a contemporary, technological, and philosophical world where water, myth, and the feminine intersect across Central Asia

photographs recording fleeting scenes which might go unnoticed, in the first London exhibition by the Irish artist

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

an exhibition focusing on Yamamoto’s photographs of owls - gelatin silver prints printed by the artist reveal his deep respect, depicting not only the owls’ beauty and grace, but also their eccentricity, companionship and individuality

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

the British multidisciplinary artist captures subtle, absurd disruptions - small fractures in the ordinary that reveal tension, humour, and the poetic instability of everyday life

new paintings and sculptures anchored by a film based on a civil rights text against lynching, in the Los Angeles–based artist’s first solo exhibition with the gallery

an exhibition of one of the leading figures on the international contemporary scene, recognized for his research into light, space, and landscape - “this is neither a systematic inquiry nor a photographic project … what emerges is an experience” - Ozzola

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

life-size reproductions of now-closed nightclub or community establishment doors, alongside bronze casts of shoes, continue Connor’s exploration of peripheral forms and spatial details in sites of exchange and communication

an installation that sees Andrew draw on romanticised historical images of Aboriginal people - disrupting, reframing, and transforming them through new symbolic interventions

over thirty works by more than twenty artists in an exhibition honoring the man widely regarded as the first mega-dealer of the modern era, who is one of the gallery’s greatest inspirations and a defining figure in the modern art world

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

new work in an exhibition which marks Flad’s return to Taipei after a six-year interval

curated by Jihyun Kim, an exhibition “that imagines the future of ceramics through the lens of bio-futurism … how ceramic practice might evolve in the year 2126”

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

major paintings from across Kossoff’s career in this rare and substantial exhibition of the leading figure of postwar British art, presented in partnership with his Estate

a group exhibition by Brush Tu founders Boniface Maina, David Thuku, and Michael Musyoka

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

the gallery’s new season opens with a special presentation of ‘Work No. 3891: Half the air in a given space’ - one of Creed’s most celebrated works - and a selection of wall paintings

“Ha Chong-Hyun continues to push the boundaries of abstraction beyond clear-cut conceptual apprehension, inviting the viewer into a direct encounter where mind and matter meet” - Pieter Vermeulen

Andrews’ Migrant Series traces Black, White, and Cherokee migration routes through ink drawings and collage paintings using textile fragments and painted canvas to depict hardship, resilience, and hope in human migration experiences

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture

raw plaster sculptures alongside limited edition prints and drawings - “Love invites viewers to feel those emotional states that flow not just between us but throughout our wider ecology where fragility, tenderness and strength understand each other”

new works in Adam’s debut solo exhibition in New York examining “how paintings can emerge from a black ground, using darkness, not as absence, but as a generative foundation from which color, gesture, and form unfold”

Braeckman’s first solo exhibition in the UK presents recent works situated within the broader arc of his practice - “with their haunting stillness and ashen, moody dispositions, Braeckman’s images appear suspended outside place and narrative”