the Lebanese-American artist presents sixty years of works on paper using ink, pastels, watercolours, gouache, leporellos, and Asian papers, including mountains, cosmic abstractions, and two tapestries based on her cartoons

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

stretching from the 1930s to the early 21st century, and focusing on Freud’s mastery of drawing in all its forms, the first UK museum exhibition to focus on his works on paper includes pieces never previously on display

the British artist’s first solo exhibition presents new work “that positions painting as one conduit within a broader circuitry of images, sounds, and interfaces, redirecting attention from discrete objects to the configurational field”

“situated between monochrome and geometric abstraction, between image and object, these series invite us to consider the image from a perspective that moves beyond traditional debates around color, abstraction, or representation” - Eric Nava Muñoz

Henry Crespo, Sergio Marrero, Andy Mendoza, Harold Ramírez, Linet Sánchez - five young Cuban artists who celebrate “connection, hope, and the will to keep creating while the light of day still lingers”

an exhibition featuring work selected by the artist to highlight key stages and developments in his career, spanning from the mid 1960s to the present day, and marking his thirteenth solo show with the gallery

curated by Catherine Lampert, over forty of the most ambitious works by one of Britain’s most significant 20th-century painters, known for his painstaking technique often taking months or years to complete a piece

a new series of Fugues inspired by Venice’s reflections and silence, blending influences from Titian to Monet in paintings that evoke water’s depth and pictorial surfaces as interfaces between sea and sky

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

paintings by Nessi drawn from her work on landscape and urban motifs in an exhibition organized around place rather than chronology

the first exhibition to focus on the decades-long evolution of one of Beuys’ major late sculptural motifs is centred around the rarely shown monumental Bathtub, on view in the UK for the first time, and shown alongside its key precursors

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

the French-Ivorian artist’s first solo exhibition - “her sculptural practice begins with personal archives and the textures of domestic life. Through processes of carving and assembling, she reanimates these remnants into new, enigmatic forms”

two bodies of work see Einarsson examining how linguistic and visual structures both shape our understanding of the world and mask systems of power

an installation of new paintings of abstracted landscapes on paper and panel alongside mixed media works and objects - “in Helene Billgren’s artistry, even the most insignificant and fragile can become important and meaningful”

works by eight artists ”focussing on the raw mechanics of making — the calibration, structural clarity and material decisions that define each practice”

Lima presents a garden filled with “architectural-sculptures”, transforming the gallery space into a habitat for birds, squirrels, rodents and their predators - straw hats become perches and invite interaction

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

more than ninety works by a dozen contemporary artists in a major group exhibition examining political dissent and erasure through the idea of collage

new paintings by Raedecker, whose work “is driven as much by the craft and process of making as it is by the image”

the first exhibition dedicated entirely to the Freeman Bentley’s paintings on paper, and the motif of reflection within her work

in an exhibition titled after the neurological condition, Alison Blickle and Irini Karayannopoulou “join forces in an act of painterly sisterhood; a transcontinental communion rooted in shared mythologies and a mutual devotion to the feminine image”

small-scale sculptures and paintings from antiquity to modernity showing scale not as a limitation but “an invitation to look closely ... celebrating intimacy, precision, and sensitivity”

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

following a Paris residency, the Brazil-based Mestre explores architecture, painting, and sculpture as a route to mediate between culture and nature

stretching from the 1930s to the early 21st century, and focusing on Freud’s mastery of drawing in all its forms, the first UK museum exhibition to focus on his works on paper includes pieces never previously on display

the first major UK museum exhibition of the American artist’s photographic portraits includes her first major work, and pieces both in dialogue with each other as well as with works from the permanent Collection

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

an exhibitions conceived around pivotal events in the work of leading Latin American modernists - specific years, journeys, returns, or historical junctures that crystallized artistic language and redirected careers

an exhibition of outstanding Italian and Spanish paintings including Old Master works rarely seen outside of museums

a solo exhibition dedicated to the central figure of Arte Povera, centred on one of his most intense and complex “igloos—an in-between work, poised at the threshold of architecture, living organism, and thought”

titled after the Virginia Woolf novel, “the exhibition foregrounds the performative and narrative capacities of art, emphasising the pause within the creative process as a space for reflection”

covering nearly sixty years of her paintings on canvas, clayboard and paper, this is the first major monographic exhibition in Europe devoted to the visionary American abstract painter

the first solo exhibition with the gallery of the late major figure who “contributed decisively to the birth of a new kind of geometric art” - Domitille D’Orgeval

paintings, wall sculptures, and installations spanning the 1960s through the 2000s in an exhibition examining the evolution of Burwell’s practice, highlighting her evolution from the two-dimensional to the three-dimensional

painting in dialogue with an imposing sculptural installation as the Paris-based artist’s exhibition takes over both gallery spaces - “Linard Osorio’s singular body of work is born out of a fortuitous command of his chance operations”

the fourth edition of the gallery’s acclaimed performance series presents a collaboration between Linard Osorio’s site-responsive installation and Etay Axelroad’s choreography

works from across the renowned counter-culture illustrator’s sixty-year career

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

more than twenty artists in a curatorial project and art installation focussing on the artist’s studio in the 21st Century

curated in collaboration with the artist, and including pieces not publicly shown before, a rare opportunity to see Whiteread’s drawings shown alongside a related selection of her sculptures

Abramović’s photography and Kucsora’s works on canvas together explore “the lingering vibration that remains once an intense encounter has slipped into the past tense”

Mushtaq’s first exhibition with the gallery explores notions of nationhood and identity through the lens of her home country of Pakistan

Patil’s first solo exhibition in Switzerland presents sculpture, painting, drawing, video, and immersive installation in a powerful meditation on labor, migration, and visibility

conceived as a metaphorical river, RÍO flows through cascades, forests, and tropical jungles - employing textiles, painting, porcelain, and video, the exhibition conjures memory, emotion, and material transformation

Chan’s first solo exhibition in New York presents new paintings and drawings that meditate on movement, longing, and the quiet intensity of everyday experience

“this exhibition opens like a landscape. We can follow Valentin Carron down the slope … This exhibition is a window onto our ability to survive the slipping away of our dreams”

an exhibition bringing together artists who use small-scale formats to create concentrated, self-contained scenes, exploring how small spaces can hold entire worlds of memory and imagination

collages on paper, wall paintings, carpet inlays, curtains, projections, films, and photographs, exploring the sculptural potential of architecture

“in Miryam Haddad’s painting, the multiplicity of sensory interactions unsettles us and offers no promise of comfort” - Marie Muracciole

new work in an exhibition which marks Flad’s return to Taipei after a six-year interval

referencing “both the etymology of “window” and the metaphor of architectural openings … windows, screens, and thresholds operate as formal and conceptual devices - structures that frame vision while signaling movement, migration, and communication”

in the multidisciplinary artist’s first solo exhibition outside of the country, new paintings and sculptures exploring identity, personal memory, and popular culture in Puerto Rico and its diaspora

this joint booth with BorzoGallery brings together a focused selection of post-war and contemporary masters central to the European and international avant-garde

exploring Japanese and British ceramics through the Modern period, this exhibition examines a relationship based on knowledge-sharing and mutual respect

“Orchard extends the modern project into the present tense, her complex compositions demonstrating that painting remains capable of addressing the deepest human concerns … through the disciplined organization of visual means” - Max Weintraub

with the debut of new work - including an installation of fifty stars of tree branches - this exhibition explores Pivi\'s “unique ability to transform wonder into a potent tool for political and spiritual reflection”

Wang’s first collaboration with the gallery presents a survey of his painting from 2008 to the present - in particular his inquiry into Post-Orientalism and modes of non-iconic existence

for this first exhibition in Paris, oil paintings and watercolours by Wittwer inspired by great French masters including Paul Cézanne, Henri Fantin-Latour, and Nicolas Poussin

an exhibition exploring the late Canadian artist’s longstanding relationship to the natural world through two major bodies of work related to trees - accompanied by a new “accidental novella” in 100-word bursts by Max Porter

the first major UK museum exhibition of the American artist’s photographic portraits includes her first major work, and pieces both in dialogue with each other as well as with works from the permanent Collection

curated by Richard Boch, works by twenty photographers who captured the vibrant essence of New York City nightlife during the mid-Seventies and early Eighties

titled after a late photobook by Frank, this exhibition “explores people and places across his long and multifaceted life through images and fragments of memory presented through the artist’s original maquette”

alongside new photographic works, the world premiere of Julien’s acclaimed five-screen film installation - “a vivid, sweeping, visual poem about change, what it means to transform, to adapt and to survive”

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

the acclaimed Hong Kong-born art director and multidisciplinary artist explores parallel dimensions of reality, where myth, memory and technology converge

recent and new sculptures showing the evolution of Lucien’s practice over the last few years - “grounded in a poetic meditation on memory and placemaking through architectural vernacular forms”

an exhibition featuring work selected by the artist to highlight key stages and developments in his career, spanning from the mid 1960s to the present day, and marking his thirteenth solo show with the gallery

“two wooden arches flank the entrances to the exhibition, marking points of passage … four trompe l\'œil frescoes depicting a seascape creates this setting, and mirrored surfaces affixed to two central pillars reflect and multiply the viewer’s presence”

working across installation, moving image, sculpture, drawing, and performance, Williams explores “food” - specifically butter - through a feminist lens to examine collective consumption, excess, and waste

works by Tonico Lemos Auad, Pearl Alcock, Lubaina Himid, Barbara Levittoux-Świderska, Marlow Moss, and Paul Thek mark “the intervals between falling and rising, moments shaped by gravity: like the tide”

Alice Wilson, Alison Wilding, Dominic Beattie, Fabian Peake, Karolina Albricht, Maud Cotter, Mhairi Vari, Neil Zakiewicz, Nicky Hirst, Phyllida Barlow, and Richard Woods question the traditional hierarchies of painting, sculpture, and design

continuing the gallery’s series exploring the use of a single colour - this time looking at one of the most symbolic in the history of art - an exhibition of works by an international collection of modern masters and contemporary artists

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

titled after a Duke Ellington quote, Seakgoe\'s debut solo exhibition forms part of her ongoing work with linguistic relativity, referencing Black thought, literature, and music

“two wooden arches flank the entrances to the exhibition, marking points of passage … four trompe l\'œil frescoes depicting a seascape creates this setting, and mirrored surfaces affixed to two central pillars reflect and multiply the viewer’s presence”

with the debut of new work - including an installation of fifty stars of tree branches - this exhibition explores Pivi\'s “unique ability to transform wonder into a potent tool for political and spiritual reflection”

“Orchard extends the modern project into the present tense, her complex compositions demonstrating that painting remains capable of addressing the deepest human concerns … through the disciplined organization of visual means” - Max Weintraub

exceptional paintings, works on paper, and sculptures by George C. Ault, Milton Avery, George Bellows, Oscar Bluemner, Stuart Davis, Charles Demuth, Arthur Dove, Marsden Hartley, Edward Hopper, Walt Kuhn, Georgia O’Keeffe, and Charles Sheeler

new paintings with controlled brushwork and vibrant colors, featuring cropped figures and coded gestures that explore narrative, authority, and meaning through fragmented images and posture

this solo exhibition of new paintings continues Zaidi’s practice of world-making, envisioning surreal, imagined topographies shaped by memory and myth

in JR's first solo exhibition with the gallery in Los Angeles, large-scale photographic works realised across California transform built environments into spaces of visibility, memory and community

an exhibition featuring work selected by the artist to highlight key stages and developments in his career, spanning from the mid 1960s to the present day, and marking his thirteenth solo show with the gallery