the third part of the gallery’s intercontinental series returns to the East with the theme of “unbound” - pointing to ink’s vital capacity to be reborn through breakthrough

the last instalment of a three-continent, three-chapter retrospective of Chadwick’s work curated by Matthieu Poirier brings together sculptures from the late part of his career, examining the period in which his work reached its fullest maturity

in his first solo exhibition in Shanghai for over a decade, new works from the acclaimed artist’s celebrated Landline series

Cherry’s first solo exhibition in China brings together sculpture, sound, and olfactory elements to reflect on the mutable threshold between the conscious and subconscious, the seen and unseen, the self and the other

oil paintings and cut-canvas collages by the American artist - “with pointed ambiguity, Trampler playfully challenges us to examine our interpretations of the pieces it presents” - Masha Strasburger

the first solo exhibition in mainland China of Wesselmann’s work spans four decades and explores the progression of his oeuvre and the bodies of work that have defined it

presented with TURN Gallery, an exhibition of new work “Manion’s canvased sculptures are solely constructed vessels that summon a calmness of observation and travel across emotional and physical realms

curated by Hélène Giannecchini, the gallery presents the first exhibition in Germany dedicated to the late Canadian-born photographer and writer

new paintings, in Gunderson’s first solo exhibition with the gallery, continuing her exploration of the haptic with works that shift and respond to their surroundings through richly worked surfaces and a deeply hued palette

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

titled after an optical phenomenon that occurs twice each year inside Palma Cathedral, the gallery begins its collaboration with VHILS with an exhibition of work including carved doors, billboards, ceramic tile panels, and architectural debris

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

“named for a street in Amagansett that leads to the ocean, ‘Atlantic Ave’ seeks to articulate the quiet splendor of a moment spent in nature, as well as the timeless rhythms that undergird these single experiences” - Louisa Mahoney

new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models”

“Dobokay examines the limits of the photographic medium, the exhaustion of chemical processes, the material structure of the image, and the paradox of repetition that can never produce exactly the same result twice”

more than a dozen new paintings exploring the human condition through our ongoing and complicated relationship with the land in Telfair’s first solo exhibition with the gallery

a major survey of over 400 years of still life painting, tracing the changing essence and status of the genre from the 16th century to the present

curated in collaboration with Jane Alison, the gallery presents the first exhibition dedicated to Erica Brausen, a trailblazing gallerist of the post-war era, and founder of the legendary Hanover Gallery in London’s Mayfair

including rarely seen works, this exhibition of paintings and works on paper by the Abstract Expressionist and portraitist highlights the breadth of de Kooning’s practice across abstraction, representation, and portraiture

conceived of as a love letter to New York and a return to the subject of the city that launched Wiley’s career, new paintings and oil studies on paper shown alongside a film that delves into the histories and lives of several of the individuals portrayed

this landmark exhibition focuses on the smaller-scale paintings of the late 1960s and 1970s by these two indelible figures of postwar art, juxtaposing their work and exploring their uniting artistic affinities

in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

the Spanish artist’s first New York exhibition with the gallery debuts an immersive dome installation alongside four wall-based sculptures exploring the shifting boundaries between the built and natural worlds

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

in collaboration with MB Abram, an exhibition of paintings from Baeder’s personal collection, including his final series of matchbook covers completed in 2018

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

new installation, sculpture, and moving image by the two artists

paintings, monoprints, and etchings by Michael Cox and Sophie Ives - depicting respectively the backs of paintings and the backs of women

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

curated by Arne Glimcher, an exhibition of paintings and works on paper by two of the central protagonists of Abstract Expressionism

marking fifty years of the duo’s artistic partnership and including previously unseen portraits, this exhibition reveals the full breadth of their world, from popular devotion to pop culture

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting

the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives”

“based on folklore, shamanism and embodied knowledges, the exhibition explores the states of emergence and transformation through new and selected works spanning freehand machine embroidery, textiles, ceramics, sculpture and drawing”

curated by Hélène Giannecchini, the gallery presents the first exhibition in Germany dedicated to the late Canadian-born photographer and writer

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

the gallery’s first exhibition of this leading figure in contemporary sculpture, who has helped redefine the place of ceramics in contemporary art over the past twenty years

“through constructed forms, Maw creates lines that float, intersect, and cast shadows, allowing drawing to occupy space as a material presence”

new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models”

these new paintings by Bas focus on overlooked characters - “capturing the interactions that make a transaction possible and the brief window that exposes a person\'s vulnerability or confidence”

the debut of ambitious sculptural and video work as Winder-Lind draws both on a 19th century English fable and the fabric of the gallery to create an entire world rendered in vivid and whimsical detail

new paintings, fiber works, and sculptures by Tomory Dodge, Rema Ghuloum, Christy Matson, David McDonald, Aaron Morse, Laurie Nye, Sophie Treppendahl, and Sung Jik Yang - eight artists who explore personal expression and object-making

a single installation of 100 self-made spirit levels - “in a wonky world, on a round planet, with a serious abscence of level–headedness globally, this would seem a timely show”

a new exhibition of woodcut prints by the Sydney-based artist, made in collaboration with master printer Adrian Kellett of Melbourne’s Sunshine Editions

small-scale works by over 50 artists, bringing together painting, drawing, printmaking, collage, sculpture, and mixed media

“spanning ceramics, metal and neon, the exhibition considers the point as both a mark and a moment: something carved, excavated, recorded, created or reached”

the London-based artist draws on found photography, early internet aesthetics, and tabloid culture to explore the relationship between personal image-making and public memory

“one of the most important figures in photographic art. He takes his time over his work, creating an environment of silence. The contemplative depth of his images exudes an intense serenity”

developed with curator Fiona Rogers, artist Justine Kurland, and collaborator and collector Sarah Miller Meigs, a group show exploring feminist strategies of collage

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

new works by Sepuya that offer a concentrated insight into two decades of his practice, including the first presentation of his “Portfolio” series

conceived specially for the gallery’s spaces in Cologne, an exhibition by one of Germany’s foremost contemporary artists of colour photographs from 1983 to 2021 that focus on spatial situations of transition

spanning four millennia, a major exhibition bringing together ancient Egyptian artefacts with nineteenth- and twentieth-century paintings, drawings, rare books, and photographs to examine how Egypt was made, buried, recovered, and repeatedly reimagined

“I’ve long photographed small, ambiguous objects and detritus. Their ambiguity was essential to their appeal to me. Their methods of capture were particularly bent on distorting and rewriting details” - Oelbaum

with pieces by Edgar Degas, Elisabeth Frink, Kenneth Armitage, Reg Butler, and William Turnbull, a 20th Century masterpiece exhibition presented as part of the gallery’s wider spotlight on sculpture

“an enigmatically powerful array of paintings and sculptures that collectively propel [Kato’s] exploration of form, color, and spatiality into new realms of consciousness” - Michelle Yun Mapplethorpe

the first European solo exhibition of the Mexican Surrealist painter and sculptor brings together paintings, works on paper, and painted ostrich eggs – the first time that this sculptural part of Bassi’s practice has been publicly presented

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

new sculpture and paintings that conjure imagined celestial landscapes and topographies, in the celebrated Beijing-based artist’s first New York City exhibition in over a decade

new works exploring the intersections of power, wealth, and control with ecology, domesticity, and politics of everyday life - “mending becomes an act of care and resourcefulness, while acknowledging vulnerability and the possibility of repair”

spanning the Main Gallery and the Fire Station, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

with glass and metal sculptures, ceramic sculptures with integrated sound, paintings, fabric works printed with images from his family archive, and video works, Ngoya explores his identity through family history

“sculpture is the underlying principle of François’ practice, informing his work across photography, video, installation and performance. His research centres on matter, space and the relations that emerge between forms, volumes and surfaces”

“spanning ceramics, metal and neon, the exhibition considers the point as both a mark and a moment: something carved, excavated, recorded, created or reached”

“across the exhibition as a whole, a family of plinths, animals and gestures of affection takes shape, each containing its own worlds: worlds of colour, contaminated and transformed” - Julia Marchand

“Chevalley uses fiction and a variety of artistic forms to contemplate alternative ways of existing with the environment that surrounds us … his work suggests that we view the world differently” - Nicolas Trembley

new work that takes the Star Quilt through a series of material transformations - mirrored installations and works on paper that show the enduring symbolic resonance of the stars

new portraits and still lifes bringing personal recollections into conversation with art-historical references, rendered in Obijiaku’s distinctive linework and graphic compositions

“I’ve long photographed small, ambiguous objects and detritus. Their ambiguity was essential to their appeal to me. Their methods of capture were particularly bent on distorting and rewriting details” - Oelbaum

across two venues, Ruby’s latest works on paper, together with ceramics, and the first exhibition of new spray paintings in nearly a decade

thirteen artistic positions that explore the space between dream and reality, abstraction and figuration - “works that do not depict the world as it is, but as it can be remembered, felt, dreamed, and imagined”

the gallery’s first exhibition dedicated to one of the most remarkable yet relatively little-known representatives of Swiss Surrealism - a deliberate contribution to establishing his position as a significant part of the history of Swiss art

in collaboration with MB Abram, an exhibition of paintings from Baeder’s personal collection, including his final series of matchbook covers completed in 2018