in an exhibition held across this and the 60 Three Colts Lane space, Eichwald’s work “engages critically with the visual language of Abstract Expressionism and Art Informel, replacing their seriousness with self-doubt and humour”

Braeckman’s first solo exhibition in the UK presents recent works situated within the broader arc of his practice - “with their haunting stillness and ashen, moody dispositions, Braeckman’s images appear suspended outside place and narrative”

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

“Lou’s new works radiate a palpable sense of joy and freedom as she allows her medium to emote on its own terms … through processes of accumulation and care, Lou demonstrates how a material - as small, solid, inert as a glass bead - can amplify painting”

“for this project - another in my Imaginary Architecture series - I chose to explore iridescent clouds, sometimes known as \"rainbow clouds\", a meteorological phenomenon characterised by vibrant, colourful bands appearing on thin, semi-transparent clouds

the Yorkshire-based sculptor’s debut solo exhibition explores the tension and connections between sculpture and architecture

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye - “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes”

in an exhibition held across this and the Studio M space, Eichwald’s work “engages critically with the visual language of Abstract Expressionism and Art Informel, replacing their seriousness with self-doubt and humour”

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

Henry Crespo, Sergio Marrero, Andy Mendoza, Harold Ramírez, Linet Sánchez - five young Cuban artists who celebrate “connection, hope, and the will to keep creating while the light of day still lingers”

a group exhibition by Brush Tu founders Boniface Maina, David Thuku, and Michael Musyoka

“working fluidly between painting and installation [Song E Yoon] investigates the relationship between material and immaterial, visible, and invisible dimensions”

“Lou’s new works radiate a palpable sense of joy and freedom as she allows her medium to emote on its own terms … through processes of accumulation and care, Lou demonstrates how a material - as small, solid, inert as a glass bead - can amplify painting”

“this is not an exhibition of historical antiquities, but perhaps a declaration of love … about what today’s generation of artists can do with ceramics”

an exhibition by the Danish ceramic artist - “delicate porcelain pieces where colour, texture, and form converge in a quiet, concentrated expression”

new abstract and figurative watercolour on paper compositions drawing on the rhythmic, patterned textiles of checks, tartans, and plaids continue Weaver’s ongoing concern with colour, gesture, geometry, and line

new paintings and sculptures as Eisenman concentrates on three sites of middle-class living: home, work, beach

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

“the title of Rob Ball’s exhibition offers a compelling way into a fifteen-year photographic journey that includes over 100 seaside resorts, from the damp, neon-lit promenades of Blackpool to the fading ‘Doo-Wop’ motels of Wildwood, New Jersey”

“using ceramic waste, metal, fused glass, and found objects, Harvey creates landscapes and forms that reflect on time and change”

ten watercolor works on panel, developing Qian Qian’s concept of a “practice-based cosmology”, not a representation of a world already known, but a landscape of consciousness - unstable, generative, and not yet fully understood

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

a group exhibition by Brush Tu founders Boniface Maina, David Thuku, and Michael Musyoka

titled after the fan culture term for a non-official version of a story, four artists who approach repetition as a method of revision, and explore how repeated gestures, processes, and images allow for small shifts to emerge through sustained attention

“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” - Louisa Mahoney

an ambitious exhibition celebrating two centuries since the dawn of photography

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

taking place across all three of the gallery’s international spaces, the second edition of its annual presentation of the finest Australian First Nations works of art

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

an exhibition dedicated to one of the most significant 20th-century Sri Lankan painters, a founder-member of the influential ’43 Group and pioneering figure in the development of abstraction in South Asia

organized by Carlo Knoell, the gallery’s first exhibition dedicated to the radical Italian artist brings new focus to her wildly original experimentations in paint, textile, sculpture, and bricolage

Akashi’s first exhibition with the gallery in New York reflects on heirlooms, not as tokens of nostalgia but as material conditions in which matter itself carries history forward

new paintings by Mollett - “these are works much concerned with grasping the intangible … she is an artist whose work argues for her medium’s necessity, for painting’s unique ability to illuminate” - Tom Morton

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

curated by Seohyun Kang, works by Song E Yoon and Frédéric Bruly Bouabré exploring humanity’s engagement with memory, recording, and the passage of time

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

outstanding images by Niépce, Daguerre, Fox Talbot, Fizeau, Le Gray, Frith, Piot, and Greene in an exhibition exploring the origins of photography - “the magic of early photographs intertwines with the spirit of discovery”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

a two-person exhibition of still life artist Carin Gerard and landscapist Rebecca Stenn - “the exhibition plays on the juxtapositions, while uniting themes of color, form, and technique”

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

as part of the series marking the gallery’s 50th anniversary “two artists whose practices … converge in their investigation of form in relation to nature and to the structures that organize the visual field”

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

Moritz is a Vienna-based visual artist working across photography, video, and artificial intelligence whose work addresses underlying fears, and destabilizes fixed ideas of identity and gender

shown for the first time, unique oversized dye-transfer prints by Eggleston taken in the late sixties and early seventies - rare works distinguished by their scale, chromatic intensity, and material presence.

sculptures, paintings, and prints by five key artists from the gallery’s program who were at the avant-garde of American art during the 1960s and 70s

the American artist’s first solo exhibition in Milan presents new paintings alongside an important watercolour by Turner in a dialogue between her atmospheric renderings merging figuration with abstract geometries and his visionary approach to landscape

new and recent woodcuts by Baumgartner - monumental seascapes and landscapes in both black and white and color which explore the contemporary perception of time, and the fragile space between control and uncertainty

large-scale photographs of trees from the last two decades, exploring the relationship between landscape and culture in the US

new works alongside prints and editions made over the last five years spanning the full breadth of the Opie’s multifaceted practice

“working with imitation gold leaf on Belgian linen, [Vermeulen] uses sweat as an oxidising force, producing corrosive imprints that register physical presence over time”

the Iranian-American artist’s first exhibition with the gallery builds on her ongoing series examining her parents’ experiences of political exile following the 1979 Iranian Revolution and broader systems of geopolitics, displacement, and care

an exhibition focusing on Yamamoto’s photographs of owls - gelatin silver prints printed by the artist reveal his deep respect, depicting not only the owls’ beauty and grace, but also their eccentricity, companionship and individuality

Hajallie’s first solo exhibition with the gallery uses portraiture to examine the internal landscape of loss and celebrate pioneering Black cultural figures, family members, and his own experience as a British man of Sierra Leonean and Lebanese heritage

the first solo show in London dedicated to the self-proclaimed court painter of Austria, Siam, and Italy - the autodidact artist who spent twenty-four years in an asylum

“these are, above all, abstract works, and as such are committed to full pictorial disclosure … for all their undoubted poise and beauty, Sandström’s paintings have a restless quality” - Tom Morton

across both gallery spaces, and on the centenary of her birth, the gallery celebrates Szapocznikow’s work with a chronological journey through her creations from 1946 to 1972

across both gallery spaces, and on the centenary of her birth, the gallery celebrates Szapocznikow’s work with a chronological journey through her creations from 1946 to 1972

Karner’s new body of work explores water as life, resource, symbol, danger, and endangered ecosystem through participatory sculptures inspired by animal and plant forms

Moritz is a Vienna-based visual artist working across photography, video, and artificial intelligence whose work addresses underlying fears, and destabilizes fixed ideas of identity and gender

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

alongside one of her renowned glass sculptures, never before exhibited works on paper from Horn’s new series exploring repetition and the written word as a medium

an expansive exhibition covering five decades of the work of one of the most influential and essential artists of the 20th Century

large and smaller scale steel sculptures and prints as the internationally renowned artist explores clothing, commerce and emblems of wealth as reflected in fashion and dress

new paintings - “vivid, figurative scenes of striking intensity” - drawn from two years of research into ancestral customs and rituals across Diagne’s homeland of Senegal

nineteen works by the Belgian painter exploring mythologized French women including Joan of Arc and Bardot to examine how the authority of the gaze shapes their iconic images and collective memory

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

“Bozó’s images might appear to resemble storyboard frames from Hanna-Barbera or Disney cartoons, they in fact have more in common with Cy Twombly’s scribbles and gestures, Jackson Pollock’s splatter paintings or William de Kooning” - Saša Bogojev

the first exhibition of Baxter at the gallery stands as a tribute to the artist, who sadly passed away in March of this year

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

Chakraborty’s first solo show in France “places the landscape, understood as territory, memory, and political space, at the center [and] reveals these entangled histories of capital, extraction, and control embedded within both landscapes and bodies”

on show for the first time at Petworth - and extending thoughout the house and grounds - towering sculptures by the renowned ceramicist

one of Spain’s most internationally acclaimed contemporary artists, Aragó “explores voyages between sky and sea, employing mechanical elements such as propellers, submarines, and airplanes to construct a poetic narrative of time, space, and life”

the Yorkshire-based sculptor’s debut solo exhibition explores the tension and connections between sculpture and architecture

works by Manon Steyaert, Gwenyth Fugard, and Vasylyna Vrublevska, three distinct artistic voices in an exploration of texture, materiality, and subtle transformation

part of the inaugural Mallorca PhotoFest, an exhibition focused on Olaf’s still lifes - “a meditation on time and its resistance”

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

Braeckman’s first solo exhibition in the UK presents recent works situated within the broader arc of his practice - “with their haunting stillness and ashen, moody dispositions, Braeckman’s images appear suspended outside place and narrative”

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

double-sided photographs by the French artist, reflecting on the act of capturing movement and the ethical and formal implications of image-making

“known for his atmospheric nocturnal scenes and psychologically charged portraits, Hido now turns toward the expanded visual form of collages and explores the shifting terrain between memory, place, and narrative”

new photographs of London by Riddy - “both a description of place and a kind of social survey”

an ambitious exhibition celebrating two centuries since the dawn of photography

Sütunç's process-oriented practice uses sculpture, photography, video, installation, and text to explore different ways of being in the world through carrying, relationality, and fragility

a group exhibition which examines how eleven contemporary artists reduce figurative forms - embracing design and line to create non-objective work, communicating an essence that reaches beyond the surface of the canvas

moving image, photography, and painting and assemblage in a group exhibition of three emerging artists whose practices interrogate ideas of class, inheritance and assumed values through representational media

large and smaller scale steel sculptures and prints as the internationally renowned artist explores clothing, commerce and emblems of wealth as reflected in fashion and dress

an exhibition presenting works where marble, stone, steel, and oil are subjected to forces testing matter, exploring the unstable threshold before and after rupture under pressure

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

over thirty works by more than twenty artists in an exhibition honoring the man widely regarded as the first mega-dealer of the modern era, who is one of the gallery’s greatest inspirations and a defining figure in the modern art world

Akashi’s first exhibition with the gallery in New York reflects on heirlooms, not as tokens of nostalgia but as material conditions in which matter itself carries history forward

bronze sculptures, two large stained-glass windows, drawings, and an imposing print centred around birds and their symbolic meanings - as Smith “projects the feelings that drive her - fears, desires or dreams - onto these animal figures”

Agematsu’s first solo exhibition with the gallery and in Germany is in two parts, the first featuring a year of “zips” - tiny devotional sculptures made of detritus from New York’s streets inside the cellophane sleeves of cigarette packs

in the inaugural exhibition at the gallery’s new location on Pall Mall, works by modern and contemporary gallery artists, tracing the development of their practices over time with early works brought into dialogue with recent ones

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

new paintings focusing on the Shinto ritual ceremonial dance “kagura” - something Yamashita has been working on since 2024 - shown alongside paintings that draw on classical snow scenes and waterside settings

nineteen works by the Belgian painter exploring mythologized French women including Joan of Arc and Bardot to examine how the authority of the gaze shapes their iconic images and collective memory

new paintings - “vivid, figurative scenes of striking intensity” - drawn from two years of research into ancestral customs and rituals across Diagne’s homeland of Senegal

an exhibition examining one among the most unconventional artists of the post-war period and his “disquieting and prophetic pictorial vision … grasping the tensions between humanity and technology long before their full contemporary manifestation”

an exhibition focussing on an intense three-year period Rego spent in her London studio, devoting herself almost exclusively to drawing and lithography

bronze sculptures, two large stained-glass windows, drawings, and an imposing print centred around birds and their symbolic meanings - as Smith “projects the feelings that drive her - fears, desires or dreams - onto these animal figures”

Chillida’s work on paper was an important part of his creative process, and this exhibition focusses on rare etchings from the 1960s and 70s

new paintings by Lyons examining how animals have shaped the human world materially, technologically, and philosophically