“Benito treats painting as a space where the things he adores have the possibility of cohabitation … literary extracts, personal experiences and references to other artists’ work are painted along with each other”

presented with Matthew Marks Gallery, sculpture and drawing - including works on view in London for the first time - in an exhibition of the influential and relentlessly inventive LA-based artist

new photographs of London by Riddy - “both a description of place and a kind of social survey”

Braeckman’s first solo exhibition in the UK presents recent works situated within the broader arc of his practice - “with their haunting stillness and ashen, moody dispositions, Braeckman’s images appear suspended outside place and narrative”

“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits”

large-format paintings create a loosely immersive installation on the gallery’s ground floor, accompanied by a video performance inviting the audience into the artist’s personal universe

Schneider’s first solo exhibition at the gallery centres on his ongoing Gesamtkunstwerk “Haus u r” - with two livestream projections, shown for the first time, alongside key works from the house

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

more than three decades of paintings, sculptures, and mixed-media works - “the exhibition emerges from Tyson’s foundational conviction that the universe operates as a single generative system”

organized by Carlo Knoell, the gallery’s first exhibition dedicated to the radical Italian artist brings new focus to her wildly original experimentations in paint, textile, sculpture, and bricolage

“beyond the gay images from the 1970s, I look further back to Whistler, Sargent, Montesquiou, and Proust to locate the atmosphere in which to portray this physicality” - P.

“the internationally renowned Italian artist explores the subtle connections between nature, science, and poetry through matter [as] the exhibition space transforms into a poetic garden, where forms and structures are continually reinvented”

a monograph exhibition dedicated to this major figure in twentieth-century modern art

the renowned figurative artist’s first exhibition in Los Angeles presents his documentation of a stay in Detroit, with a single focus on John Mcintyre, a Detroit-based tattoo artist and member of a local medieval fighting team

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

new sculptures continuing Dávila’s exploration of the fundamental act of placing one thing in relation to another, working through deliberate acts of positioning and arrangement so that relationships, tensions, and meanings emerge

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

“Ahn continues to summon the ordinary, the anonymous, and the ghostly within the urban landscape of her everyday life in the UK”

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

“this is not an exhibition of historical antiquities, but perhaps a declaration of love … about what today’s generation of artists can do with ceramics”

new paintings and sculptures as Eisenman concentrates on three sites of middle-class living: home, work, beach

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

“using ceramic waste, metal, fused glass, and found objects, Harvey creates landscapes and forms that reflect on time and change”

ten watercolor works on panel, developing Qian Qian’s concept of a “practice-based cosmology”, not a representation of a world already known, but a landscape of consciousness - unstable, generative, and not yet fully understood

an ambitious exhibition celebrating two centuries since the dawn of photography

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

an expansive exhibition covering five decades of the work of one of the most influential and essential artists of the 20th Century

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

taking place across all three of the gallery’s international spaces, the second edition of its annual presentation of the finest Australian First Nations works of art

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

organized by Carlo Knoell, the gallery’s first exhibition dedicated to the radical Italian artist brings new focus to her wildly original experimentations in paint, textile, sculpture, and bricolage

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

an exhibition dedicated to one of the most significant 20th-century Sri Lankan painters, a founder-member of the influential ’43 Group and pioneering figure in the development of abstraction in South Asia

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

outstanding images by Niépce, Daguerre, Fox Talbot, Fizeau, Le Gray, Frith, Piot, and Greene in an exhibition exploring the origins of photography - “the magic of early photographs intertwines with the spirit of discovery”

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

a two-person exhibition of still life artist Carin Gerard and landscapist Rebecca Stenn - “the exhibition plays on the juxtapositions, while uniting themes of color, form, and technique”

“Hutchison’s mixed media constructions and Pastine’s oils on canvas and paper alchemically transcend their materiality, dissolving into hazy implications of perpetual vistas and limitless color fields”

“Rocha and Linington make visible how a place persists within you, continuing to shape and inform you, even as it evolves into something you no longer entirely recognise” - Sofia Hallstrom

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

“using ceramic waste, metal, fused glass, and found objects, Harvey creates landscapes and forms that reflect on time and change”

new oil paintings depicting doors left ajar and offering a glimpse into an ambiguous and surreal terrain beyond - transforming the gallery into a labyrinth of thresholds

large-format paintings create a loosely immersive installation on the gallery’s ground floor, accompanied by a video performance inviting the audience into the artist’s personal universe

recent pieces by the Brooklyn-based abstract painter whose work enigmatically resembles geographical maps, aerial views, circuit boards, and coding systems, exploring race, culture, and systems of societal classification

“working with imitation gold leaf on Belgian linen, [Vermeulen] uses sweat as an oxidising force, producing corrosive imprints that register physical presence over time”

new works by Simonsen - paintings rooted in the practice of drawing that explore nature through vivid color fields and layered botanical forms, blending observation and imagination into immersive, atmospheric landscapes

curated by Dr. Sophie Bostock and presented in collaboration with Galerie Ary Jan and Kent Antiques, a significant group of paintings and works on paper that collectively examine the visual and cultural frameworks of 19th-century Orientalism

a group exhibition by Brush Tu founders Boniface Maina, David Thuku, and Michael Musyoka

including many pieces not previously exhibited, and covering thirty years of work by the painter often seen as an ‘artist’s artist’ - “Oxlade’s paintings echo the vast, often glorious muddle of our existence” - Jennifer Higgie

new paintings “seeded in the quiet depths of winter, born from a period of hibernation and recovery, and emerg[ing] now in the season of rebirth” in Smorczewski’s first solo exhibition in the UK

“known for his atmospheric nocturnal scenes and psychologically charged portraits, Hido now turns toward the expanded visual form of collages and explores the shifting terrain between memory, place, and narrative”

the Brooklyn-based painter’s debut UK solo exhibition “reflects on the role of imagination as a survival mechanism … these vivid, energetic works bring joy and humour to the everyday” - Sam Hanson, curator

an exhibition of fifty-six photographs from the groundbreaking project by Sultan and Mandel, first published in 1977

Zhang’s debut exhibition on the West Coast presents abstract portraits which are rooted in figuration while exploring abstraction’s power to communicate the human condition

a group exhibition bringing into dialogue pioneering figures of Pop with a younger generation to examine how consumption, sexuality, and social behaviour are both staged and contested

Tran uses lime plaster and layered washes to create liminal grey spaces that resist visual control and evoke complex histories, in this exhibition drawn from her series examing the history of the US chemical bombardment of Vietnam and its euphemisms

“beyond the gay images from the 1970s, I look further back to Whistler, Sargent, Montesquiou, and Proust to locate the atmosphere in which to portray this physicality” - P.

new large-scale “topographic portraits” by Sambunaris - highly detailed and dramatically composed photographs examining changes to the landscape of the American West resulting from human intervention

Bartley’s photographs evoke classic still-life, color field painting and minimalism while examining the formal and poetic qualities of the book as an object itself rather than as simply a conveyor of information

Cole’s first exhibition at the gallery sees the American artist translating the external world into uncanny, psychologically charged paintings of interior spaces

an archivally-driven exhibition of over 200 objects - costume designs, photographs, drawings, garments, jewelry, artworks - from the 50s-70s, exploring the central role of costume design in Saar’s early career and throughout her life

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

“one cannot move through the exhibition - which Calleja conceived with the cabinet of curiosities in mind - without savoring the charged pleasure of works whose messages seem to answer one another” - Éric Troncy

an exhibition highlighting the founding members of the late-1950s group ZERO - “as our world continues to erode amid cascading crises and devastating wars, the ZERO group’s project might yet inspire through its unshakeable optimism” - Matthieu Jacquet

Winter’s first solo exhibition in Germany presents his black-and-white photographs focusing on 1970s America and Southern Europe, capturing urban and rural environments, everyday objects, and ambiguous visual relations in a perceptive form of storytelling

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light

an exhibition with works by over thirty artists

major works from three significant series by Drühl - silicone paintings, lacquer paintings, and sculpture

an ambitious exhibition celebrating two centuries since the dawn of photography

a group exhibition which examines how eleven contemporary artists reduce figurative forms - embracing design and line to create non-objective work, communicating an essence that reaches beyond the surface of the canvas

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

monumental new sculptures, the British Nigerian artist’s largest works to date, are finished with a metallic glaze that reflects the body, and shown alongside a film produced in Ọṣun-Ọṣogbo, a sacred site of the Yoruba fertility goddess Osun

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

Winter’s first solo exhibition in Germany presents his black-and-white photographs focusing on 1970s America and Southern Europe, capturing urban and rural environments, everyday objects, and ambiguous visual relations in a perceptive form of storytelling

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light

Sütunç's process-oriented practice uses sculpture, photography, video, installation, and text to explore different ways of being in the world through carrying, relationality, and fragility

Bartley’s photographs evoke classic still-life, color field painting and minimalism while examining the formal and poetic qualities of the book as an object itself rather than as simply a conveyor of information

an exhibition of fifty-six photographs from the groundbreaking project by Sultan and Mandel, first published in 1977

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

in Garaicoa’s first solo exhibition at the gallery’s NY viewing room, reliefs combining painting and photography, and sculptural models using nineteenth-century French engravings, reflect his interest in how the city and its architecture reflect society

curated by Qi Chao, this group exhibition with DAZHI, Ding Hongdan, Jing Ao, Liang Yuanwei, Wenjue, and Xu Qu examines which aspects of human thought and artistic creation remain uniquely human

a group exhibition bringing into dialogue pioneering figures of Pop with a younger generation to examine how consumption, sexuality, and social behaviour are both staged and contested

new wall-mounted, hand-painted sculptures as Cowan transforms regular studio items through the process of casting to examine their nature and how we look at and think about them

in an expansion of his practice, Otero’s UK debut presents deeply personal work completed during a residency at the gallery in Somerset, translating his fascination with process, materiality and time into sculptural installations and moving image

across both gallery spaces, and on the centenary of her birth, the gallery celebrates Szapocznikow’s work with a chronological journey through her creations from 1946 to 1972

centred around three monumental sculptures, a landmark exhibition focussing on Kapoor’s recent work as well as his seminal early pieces

curated by Imani Mason Jordan, thirteen artists in sculpture exhibition with performance, writing, photography and video - “these are practices that do not try to represent the world, but actively reconfigure it”

curated by Thierry Raspail, Lee Mingwei’s first exhibition at the gallery’s Paris space presents interactive works as “he questions the world and offers no answer. And this way he questions us too”

the gallery launches its exhibition programme with painting, sculpture, and mixed media work by five contemporary artists who explore the liminal state as a productive site of possibility

“Bozó’s images might appear to resemble storyboard frames from Hanna-Barbera or Disney cartoons, they in fact have more in common with Cy Twombly’s scribbles and gestures, Jackson Pollock’s splatter paintings or William de Kooning” - Saša Bogojev

”simple, reduced compositions exist alongside dense, multilayered structures; monochrome palettes contrast with the emergence of more vibrant hues; intimate formats coexist with larger, more expansive works”

“Benito treats painting as a space where the things he adores have the possibility of cohabitation … literary extracts, personal experiences and references to other artists’ work are painted along with each other”

alongside one of her renowned glass sculptures, never before exhibited works on paper from Horn’s new series exploring repetition and the written word as a medium

Campbell explores evolutionary history, mythology, and queer culture through sculpture - metaphorising marine and terrestrial nature to reveal the flimsiness of social and political binary systems

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

Cole’s first exhibition at the gallery sees the American artist translating the external world into uncanny, psychologically charged paintings of interior spaces