an exhibition of new paintings by Harsha, elaborating on his celebrated ongoing series featuring traditional clay lamps with flames and trails of smoke creating patterns that guide the eye around the canvas

De Falco’s first solo exhibition at the gallery - “her research subverts and alters codified cultural orders through an investigation of language and the physical and mental spaces inhabited and crossed by individuals and communities”

alongside one of her renowned glass sculptures, never before exhibited works on paper from Horn’s new series exploring repetition and the written word as a medium

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

curated by Yates Norton and titled after a William Blake couplet, this exhibition “celebrates the vital power of creativity and poetry as a ceaseless act of responding to and working with the world around us”

“beyond the gay images from the 1970s, I look further back to Whistler, Sargent, Montesquiou, and Proust to locate the atmosphere in which to portray this physicality” - P.

on show for the first time at Petworth - and extending thoughout the house and grounds - towering sculptures by the renowned ceramicist

the British multidisciplinary artist captures subtle, absurd disruptions - small fractures in the ordinary that reveal tension, humour, and the poetic instability of everyday life

inspired by the gallery’s unique location in Kensington Gardens, new and key paintings, monotypes, and drawings by the artist known for her vigorous brushwork, vivid colour and dynamic compositions

Smith’s first solo exhibition in the UK - “I don’t think the show is prescribing anything. It’s more a question about what we’re actually building when we build a life, and what it might mean to let it go” - Smith

encounters between artists whose practices expand the boundaries between functional art and collectible design

an exhibition of new paintings by Harsha, elaborating on his celebrated ongoing series featuring traditional clay lamps with flames and trails of smoke creating patterns that guide the eye around the canvas

presented with Matthew Marks Gallery, sculpture and drawing - including works on view in London for the first time - in an exhibition of the influential and relentlessly inventive LA-based artist

an expansive exhibition covering five decades of the work of one of the most influential and essential artists of the 20th Century

nearly fifty works by seventeen gallery artists from the East and the West, revealing two distinct yet complementary modes of artistic perception

Tingleff, one of Scandinavia’s leading ceramic artists, gives an “impression of the natural world beyond human-made walls, made powerfully and palpably present … all normal sense of scale is suspended” - Glenn Adamson

Henry Crespo, Sergio Marrero, Andy Mendoza, Harold Ramírez, Linet Sánchez - five young Cuban artists who celebrate “connection, hope, and the will to keep creating while the light of day still lingers”

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”

new sculptures continuing Dávila’s exploration of the fundamental act of placing one thing in relation to another, working through deliberate acts of positioning and arrangement so that relationships, tensions, and meanings emerge

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

“this is not an exhibition of historical antiquities, but perhaps a declaration of love … about what today’s generation of artists can do with ceramics”

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” - Louisa Mahoney

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

organized by Carlo Knoell, the gallery’s first exhibition dedicated to the radical Italian artist brings new focus to her wildly original experimentations in paint, textile, sculpture, and bricolage

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

an expansive exhibition covering five decades of the work of one of the most influential and essential artists of the 20th Century

taking place across all three of the gallery’s international spaces, the second edition of its annual presentation of the finest Australian First Nations works of art

Akashi’s first exhibition with the gallery in New York reflects on heirlooms, not as tokens of nostalgia but as material conditions in which matter itself carries history forward

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

“poignant, exuberant distillations of how it feels to be human in a rapidly changing world” - organized in collaboration with Fortes D'Aloia & Gabriel, new paintings in the Brazilian artist’s first solo exhibition in the US

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton

Moritz is a Vienna-based visual artist working across photography, video, and artificial intelligence whose work addresses underlying fears, and destabilizes fixed ideas of identity and gender

this two-artist exhibition of new works pairs Obels’ Corten steel sculptures with Xiao-Min’s abstract paintings

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

“Rocha and Linington make visible how a place persists within you, continuing to shape and inform you, even as it evolves into something you no longer entirely recognise” - Sofia Hallstrom

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

a two-person exhibition of still life artist Carin Gerard and landscapist Rebecca Stenn - “the exhibition plays on the juxtapositions, while uniting themes of color, form, and technique”

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

exhibited together for the first time at the gallery in a new ensemble, works which reconsider the essential place of the mural sculpture in the late Argentinian sculptor’s work

“working fluidly between painting and installation [Song E Yoon] investigates the relationship between material and immaterial, visible, and invisible dimensions”

curated by Rolando J. Carmona, an exhibition examining how the Brazilian artist engaged throughout her career with relationships between the body, psychoanalysis, and geometric abstraction

with Isidore Bishop-Sauve, Kate Lewis, Jean Bosphore, Loïc Burzotta, Craig Cameron-Mackintosh, Mirko Leuzzi, Alejandro Asensio, Thomas Andréa Barbey, and Saree Robinson

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

new paintings - dramatically scaled roses, peonies, daisies, tulips, and poppies erupt beyond the canvas - engaging the Old Masters to address contemporary preoccupations with the self, the body, and ecological anxiety about the fate of the natural world

“Curious Yellow / I hadn’t forgotten her, I just couldn’t remember her name. / Only when I looked back did I remember.”

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

emblematic works from a decade whose legacy remains profoundly relevant today, revealing the richness and diversity of a constantly evolving creative landscape

“Rocha and Linington make visible how a place persists within you, continuing to shape and inform you, even as it evolves into something you no longer entirely recognise” - Sofia Hallstrom

curated by Melanie Kress, a transformation of City Hall Park into a stage for artworks that play with commonplace park features like planted gardens, fountains, and public statuary

“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits”

an archivally-driven exhibition of over 200 objects - costume designs, photographs, drawings, garments, jewelry, artworks - from the 50s-70s, exploring the central role of costume design in Saar’s early career and throughout her life

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

“one cannot move through the exhibition - which Calleja conceived with the cabinet of curiosities in mind - without savoring the charged pleasure of works whose messages seem to answer one another” - Éric Troncy

an exhibition highlighting the founding members of the late-1950s group ZERO - “as our world continues to erode amid cascading crises and devastating wars, the ZERO group’s project might yet inspire through its unshakeable optimism” - Matthieu Jacquet

new woven photographic pieces exploring family histories between Trinidad and London, using the technique to bind fragmented images and oral histories into physical embodiments of memory shaped by migration and distance

new oil on linen paintings, oils on paper, enamel on steel works, hand-painted bronze sculptures, and a large glass lantern encompassing Ekblad’s instinctive and expansive practice in her first exhibition at the gallery’s London space

the latest limited-edition release from Wyn brings together the London-based Colombian artist with winemaker Sugrue South Downs and writer Joel Hart

in his first solo exhibition at the gallery, the multidisciplinary artist explores how digital color perception has changed landscape painting and how the computed environments changed our perception of reality

an exhibition looking at the emergence and rivalry of the divisive factions of post-war abstraction in France

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

the Swiss-British-Iranian artist presents “various works, (various in scale, material, and subject), which taken collectively address meaning (or lack of), purpose (or lack of), and the discourse surrounding authorship and ownership”

“Shulman is a romantic artist. His themes – loss, memory, nostalgia, death, the porous membrane between joy and pain, time and space, forgetting and remembering, would be familiar to the poet, John Keats” - Nicola Shulman

new photographs of London by Riddy - “both a description of place and a kind of social survey”

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

new sculpture and photography exploring absence as a material and as a psychological condition, as Hapaska continues to refine her longstanding engagement with material instability, disorientation and our contemporary psychic dislocation

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

to mark the 100th anniversary of her birthday, an exploration of Monroe’s life, career, and legacy through portraits by some of the greatest photographers and artists of the 20th and 21st centuries.

new large-scale “topographic portraits” by Sambunaris - highly detailed and dramatically composed photographs examining changes to the landscape of the American West resulting from human intervention

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

“a group exhibition marking the 250th anniversary of American independence … a focused reflection on the vitality and diversity of American post-war and contemporary art”

organized by Tarini Malik, an exhibition which charts Caland’s groundbreaking career across five decades and three continents - “imagination was probably my only homeland” - Caland

“Rocha and Linington make visible how a place persists within you, continuing to shape and inform you, even as it evolves into something you no longer entirely recognise” - Sofia Hallstrom

Sütunç's process-oriented practice uses sculpture, photography, video, installation, and text to explore different ways of being in the world through carrying, relationality, and fragility

a group exhibition of ten artists who explore “the garden sculpture“

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the Yorkshire-based sculptor’s debut solo exhibition explores the tension and connections between sculpture and architecture

new oil on linen paintings, oils on paper, enamel on steel works, hand-painted bronze sculptures, and a large glass lantern encompassing Ekblad’s instinctive and expansive practice in her first exhibition at the gallery’s London space

new sculptures continuing Dávila’s exploration of the fundamental act of placing one thing in relation to another, working through deliberate acts of positioning and arrangement so that relationships, tensions, and meanings emerge

“an exhibition of playful objects, made to challenge our sensory understanding of what we might aim for: objects of desire, dream locations, or life goals … restructuring the gallery space into a psychological landscape of pursuit”

“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits”

the latest limited-edition release from Wyn brings together the London-based Colombian artist with winemaker Sugrue South Downs and writer Joel Hart

on show for the first time at Petworth - and extending thoughout the house and grounds - towering sculptures by the renowned ceramicist

emblematic as well as previously unseen works at the intersection of photography, language, and conceptual détournement - “a journey through contemporary imaginaries, a space where images, objects, and words cease to function as mere references”

Chakraborty’s first solo show in France “places the landscape, understood as territory, memory, and political space, at the center [and] reveals these entangled histories of capital, extraction, and control embedded within both landscapes and bodies”

the gallery launches its exhibition programme with painting, sculpture, and mixed media work by five contemporary artists who explore the liminal state as a productive site of possibility

“Bozó’s images might appear to resemble storyboard frames from Hanna-Barbera or Disney cartoons, they in fact have more in common with Cy Twombly’s scribbles and gestures, Jackson Pollock’s splatter paintings or William de Kooning” - Saša Bogojev

”simple, reduced compositions exist alongside dense, multilayered structures; monochrome palettes contrast with the emergence of more vibrant hues; intimate formats coexist with larger, more expansive works”

“Benito treats painting as a space where the things he adores have the possibility of cohabitation … literary extracts, personal experiences and references to other artists’ work are painted along with each other”

alongside one of her renowned glass sculptures, never before exhibited works on paper from Horn’s new series exploring repetition and the written word as a medium