in the Thai-born, France-based artist’s debut solo exhibition in the UK, new paintings of family and friends, explore memory, distance, and presence

through textile, assemblage, and sculpture, Rico’s first solo exhibition in the city examines connections between humanity to connect the history of Los Angeles - its land, people, and culture - to the artist’s own homeland and beyond

curated by Sean Zhang, an exhibition of eleven artists with “a shared conviction that the most rigorous abstraction is never a departure from the world but a deepening of attentiveness to it”

drawing, sculpture, photography, and found objects in an exhibition of works by eight gallery artists linked through their use of repetition, series and classification

organized by the curatorial duo of Dieter Roelstraete and Abigail Winograd, this exhibition “traces the contours of a newly emerging conceptual art ethos among younger generations of Chicago-based or -trained artists”

the Franco-Mexican artist’s first exhibition with the gallery, and in the US - “instinctive, even animalistic in his approach, Toro gives form to this sensory, interior, and mysterious universe so that he might better explore it” - Guillaume Kientz

curated by Tom Morton, an international group of painters and sculptors in - “an exhibition about how works of art address us at a level beyond the eye or the mind”

paintings, works on paper, and mural drawings form a spatial and narrative constellation with a soundtrack by Sin Maldita (Tim Roth) and Philipp Hülsenbeck

spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye - “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes”

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light

“what unfolds over 50 years of Irma Blank’s practice is a kind of universal writing, that belongs to no single language and therefore, in a sense, to all of them”

the debut of new Plexiglas works from the pioneering conceptual artist in his first exhibition at Hauser & Wirth’s Paris gallery

the gallery’s first exhibition of one of the most distinctive figures associated with British Surrealism spans almost thirty years of her paintings, collages, and mixed-media works

Hockney’s new paintings extend his lifelong fascination with the act of looking, affirming his belief that simple beauty is worth celebrating

monumental new sculptures, the British Nigerian artist’s largest works to date, are finished with a metallic glaze that reflects the body, and shown alongside a film produced in Ọṣun-Ọṣogbo, a sacred site of the Yoruba fertility goddess Osun

JR presents preparatory plastic works for La Caverne du Pont Neuf, combining photography, drawing, collage on zinc sheets, and crumpling to document the design of his monumental Paris bridge installation

continuing the gallery’s series exploring the use of a single colour - this time looking at one of the most symbolic in the history of art - an exhibition of works by an international collection of modern masters and contemporary artists

Chakraborty’s first solo show in France “places the landscape, understood as territory, memory, and political space, at the center [and] reveals these entangled histories of capital, extraction, and control embedded within both landscapes and bodies”

a group exhibition with artists including John Baldessari, James Casebere, Julian Charrière, Iran do Espírito Santo, Katharina Fritsch, Ana González, Laurent Grasso Rebecca Horn, Callum Innes, Aki Inomata, Idris Khan, Joseph Kosuth, Zac Langdon-Pole, …

Smith’s first solo exhibition in the UK - “I don’t think the show is prescribing anything. It’s more a question about what we’re actually building when we build a life, and what it might mean to let it go” - Smith

all-new works by the Brooklyn-based artist who operates at the intersection of painting, sculpture and craft, uprooting conventional distinctions between medium, surface and structure

Akashi’s first exhibition with the gallery in New York reflects on heirlooms, not as tokens of nostalgia but as material conditions in which matter itself carries history forward

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

Piccinini’s first presentation with the gallery in London explores kinship through humanoid chimeras in silicone and fibreglass, reflecting empathy, “speculative optimism”, and the tension between cruelty and tenderness

“the exhibition begins with a simple question: what happens when the body becomes both subject and surface? … whether approached directly or obliquely, the works explore the body through drawing, mark, fragment, and presence”

the gallery’s first exhibition of one of the most distinctive figures associated with British Surrealism spans almost thirty years of her paintings, collages, and mixed-media works

including rarely exhibited works from private collections, a multimedia exhibition of New York city-centric paintings, photos, and prints

“across these eight paintings, transformed forms abound, deconstructed through a liberation of mind and brushstroke” - Louisa Mahoney

“repetition and self-quoting permeates Topolewski’s practice at large, with imagery … weav[ing] an inconstant tapestry of frail thoughts and ideas that the viewer gets tangled up in” - Saša Bogojev

co-curated by Salman Matinfar and Piero Tomassoni, an exploration of the development of the avant-garde through the work of ten artists from Italy and Iran who were contemporaries in Rome during the 1950s through the 1970s

an exhibition focusing on Purcell’s works between 1975 and 1979 - a formative moment in her career

“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits”

curated by Carrie Patterson, an exhibition of sixty artists at the Center - and eighty in an online exhibition - which asks “what does it mean to be a young artist in a world that feels increasingly overwhelming?”

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”

new paintings and sculptures anchored by a film based on a civil rights text against lynching, in the Los Angeles–based artist’s first solo exhibition with the gallery

“Heinze’s work moves between painting and drawing and is characterized by a distinctive, often fragmentary visual language … in which bodies, spaces, and signs overlap”

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

more than sixty works by two American masters of intimate scale who share a profound interest in the narratives of their immediate environments - the late legendary and self-taught Castle alongside contemporary painter and printmaker Mitchell

a two-person exhibition in which Jiyeon Lee and Son Kyungeun “each choose to lose what was originally theirs … they affirm the false emotions that seep into the tunnels dug out from the original”

curated by Seohyun Kang, works by Song E Yoon and Frédéric Bruly Bouabré exploring humanity’s engagement with memory, recording, and the passage of time

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light

this collaborative exhibition and artist residency features hand-carved furniture inspired by the forms and tones of the Scandinavian landscape by the Danish designers Mette Bentzen and Lasse Kristensen

new works by Hutchings and Romeril, celebrating the creativity that emerges through proximity - partners in life, their distinct artistic practices are united by shared interests in domestic life and its energies

a new iteration of the multidisciplinary artistic partnership’s “Zanzibar”, the immersive mixed-media installation with diptychs painted by Himid and a “libretto” composed by Stawarska - reflecting on themes of memory and movement and loss and belonging

this two-artist exhibition of new works pairs Obels’ Corten steel sculptures with Xiao-Min’s abstract paintings

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

“two artists, two ways of breaking free from photography in order to question it more effectively”

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

master prints by David Hockney, Jasper Johns, Ellsworth Kelly, Joan Mitchell, Barnett Newman, Robert Rauschenberg, Edward Ruscha, and Cy Twombly

an exhibition highlighting the founding members of the late-1950s group ZERO - “as our world continues to erode amid cascading crises and devastating wars, the ZERO group’s project might yet inspire through its unshakeable optimism” - Matthieu Jacquet

new works by Hutchings and Romeril, celebrating the creativity that emerges through proximity - partners in life, their distinct artistic practices are united by shared interests in domestic life and its energies

new work by Morris reflecting on how we tell the story of war

“this exhibition opens like a landscape. We can follow Valentin Carron down the slope … This exhibition is a window onto our ability to survive the slipping away of our dreams”

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

including several paintings never previously exhibited, this exhibition focusses on a pivotal period in the early 1950s when Heron negotiated his own path between figuration and abstraction

an exhibition focusing on Purcell’s works between 1975 and 1979 - a formative moment in her career

an exhibition focusing on Mark’s “collage paintings” from the 1960s where she combined gestural abstraction with layered surfaces of crumpled paper, pigment, and impasto

“repetition and self-quoting permeates Topolewski’s practice at large, with imagery … weav[ing] an inconstant tapestry of frail thoughts and ideas that the viewer gets tangled up in” - Saša Bogojev

curated by Meimei Zhu, seven artists working across sculpture, video, installation, and sound examine how visual politics shape what societies recognise, and how hierarchies of visibility are unconsciously absorbed

the debut solo exhibition in the UK of the self-taught Iraqi artist who “works across her paintings with her arms and body as a tool, in a semi-meditative state, building layers of pigment through gesture and intuition until something tells her to stop”

six artists who explore intimacy, dreams, and private moments through paintings that reveal interior worlds and shared humanity

works by Caroline Achaintre, Julien Audebert, Pierre Bellot, Michel Blazy, Nina Childress, Jeremy Deller, Michel François, Corentin Grossmann, Miryam Haddad, Kate Newby, Tania Pérez Córdova, and Roman Signer

curated by Sean Zhang, an exhibition of eleven artists with “a shared conviction that the most rigorous abstraction is never a departure from the world but a deepening of attentiveness to it”

new oil paintings exploring “intimacy as a psychologically charged space shaped by seduction, mirroring, tenderness, and emotional consumption” in Dymock’s first solo exhibition with the gallery

“Harrison articulates man’s equine partner as something that in its essence reverts to the wild, becomes untameable and ultimately unknowable”

drawing, sculpture, photography, and found objects in an exhibition of works by eight gallery artists linked through their use of repetition, series and classification

a special display of eight works to mark the centenary of Spero’s birth - pieces that exemplify the range, themes and ambition of her practice

in an exhibition titled after the 1941 Jorge Luis Borges’ short story, four artists from Taiwan and four from Italy explore the multiple ways in which images, histories, and identities are constructed and perceived.

works by Anna Pakosz, Sabine Pigalle, Jan Urant, Phil Goss, John Bartlett, and Seohyun Oh

an exhibition that brings together works by over a dozen artists - spanning from 1870s mammoth plate albumen prints to contemporary daguerreotypes - to explore the ever-evolving relationship between photography and the American landscape

working across painting, sculpture, installation, printmaking, and graphic design, fourteen current and recent students from the school in an exhibition reflecting the breadth of contemporary practice coming from one of the leading MFA programs in the US

on the centenary of Nancy Spero’s birth, this exhibition honours the women of her generation and since, who, through their art, confront the realities of womanhood in the face of an ongoing battle for dignity and agency

“in her figurative paintings, drawings and sculptures, Claire Tabouret scrutinizes identity and takes a closer look at childhood and its enigmas, the individual isolated or within a group”

this exhibition presents a recently released series of Hockney iPad works of the moon, made at his Normandy studio in France

organized by the curatorial duo of Dieter Roelstraete and Abigail Winograd, this exhibition “traces the contours of a newly emerging conceptual art ethos among younger generations of Chicago-based or -trained artists”

Polina Osipova, Rike Droescher, and Zayn Qahtani - three artists who work with materiality “harnessing unorthodox materials and techniques to create mysterious, encrypted objects that seem to convey a secret”

this summer group exhibition brings together five artists whose practices, while geographically and culturally distinct, share a deep commitment to materiality and the expressive possibilities of textiles and fibre

with several important paintings from private British collections, this exhibition focusses on a pivotal period in the career of one of the foremost Pakistani painters of his generation

this exhibition brings together - for the first time - Cathy Josefowitz, Maria Lassnig, and Carol Rama, three trailblazing 20th-century artists who challenged traditional portraiture by depicting the female body as a site of lived, individual experience

eight prominent gallery painters - each contributing one new work - “provide an opportunity both to delve deeper into the individual works and to create a tangible field of tension within the exhibition space”

monumental new sculptures, the British Nigerian artist’s largest works to date, are finished with a metallic glaze that reflects the body, and shown alongside a film produced in Ọṣun-Ọṣogbo, a sacred site of the Yoruba fertility goddess Osun

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

works by Yves Klein, Lita Albuquerque, and Jack Goldstein in an exhibition which explores the connections between the cosmos, perception, and immateriality

new sculpture and photography exploring absence as a material and as a psychological condition, as Hapaska continues to refine her longstanding engagement with material instability, disorientation and our contemporary psychic dislocation

an exploration of intimacy and detail - the world as seen close up by Modern Masters of photography including Helmut Newton, Irving Penn, Herb Ritts, Richard Avedon, Daidō Moriyama, Hiro, and Erwin Olaf

Sütunç's process-oriented practice uses sculpture, photography, video, installation, and text to explore different ways of being in the world through carrying, relationality, and fragility

rare and scarcely exhibited vintage prints by the late South African photographer, offering a new perspective on his years documenting Black life in the United States in the 1960s and 70s

including rarely exhibited works from private collections, a multimedia exhibition of New York city-centric paintings, photos, and prints

Winter’s first solo exhibition in Germany presents his black-and-white photographs focusing on 1970s America and Southern Europe, capturing urban and rural environments, everyday objects, and ambiguous visual relations in a perceptive form of storytelling

an exhibition highlighting the founding members of the late-1950s group ZERO - “as our world continues to erode amid cascading crises and devastating wars, the ZERO group’s project might yet inspire through its unshakeable optimism” - Matthieu Jacquet

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

centered on community participation, six artists rethink ping-pong tables as playable sculptures - with Moko Fukuyama, Ilana Harris-Babou, Las Hermanas Iglesias, Carlos H. Matos, Amalia Pica, and the collective SUPERFLEX

in an exhibition exploring perception, memory, materiality, and representation, a selection of works by artists whose practices span generations, geographies, and visual languages

this summer group exhibition brings together five artists whose practices, while geographically and culturally distinct, share a deep commitment to materiality and the expressive possibilities of textiles and fibre

works by Yves Klein, Lita Albuquerque, and Jack Goldstein in an exhibition which explores the connections between the cosmos, perception, and immateriality

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

new and historical works by Arsham, spanning sculpture, painting, and works on paper drawn from nearly two decades of his practice - tracing the sustained engagement with geology, archaeology, and the cultural residue of the recent past

Polina Osipova, Rike Droescher, and Zayn Qahtani - three artists who work with materiality “harnessing unorthodox materials and techniques to create mysterious, encrypted objects that seem to convey a secret”

curated by Melanie Kress, a transformation of City Hall Park into a stage for artworks that play with commonplace park features like planted gardens, fountains, and public statuary

an exhibition which examines wine as a primary motif in the Western iconographic tradition, juxtaposing archaeological material with Old Master paintings and sculptures to trace a fundamental shift in European attitudes toward wine and its representation

new stone sculpture by Simonetti shown alongside her first exhibition of paintings - “in an uncharacteristically personal body of work, Simonetti grapples with themes of agency, cruelty, and the mechanics of anthropomorphisation”

“across half a century and a range of disciplines, [eight] artists who have aimed, and still do, to ground the audience in meditation … that attentiveness to form, to material, to time itself”

new works by Zimbabwean ceramicist Somers and Moroccan painter Hamdouch

“bringing together some of the most influential artistic voices of 1980s New York, the exhibition celebrates a generation whose work continues to shape our understanding of image-making, celebrity, identity, and cultural expression” - Federica Beretta

painting, sculpture, and mixed media in an exhibition bringing together artists whose works reflect the energy and atmosphere of summer

“these artists emphasize the expansive, freeing qualities of metamorphosis as a feminine strategy of self-(re)discovery that opposes the historically limiting aspects of femininity” - Rebecca Birrell

in an exhibition titled after the 1941 Jorge Luis Borges’ short story, four artists from Taiwan and four from Italy explore the multiple ways in which images, histories, and identities are constructed and perceived.

“through his distinctive bent-wood works and these new sculptures, Saito takes the park - the public ground of the city - as his point of departure, and asks, from several angles, what a genuinely open public realm, and what freedom, might mean today”

an exhibition “united by Watson’s sensitivity to environments both natural and cultural, and her own resistance, made manifest in canvases delivered with delicacy and a sensual use of materials and marks” - Louise Martin-Chew

Gokita’s first solo exhibition with the gallery in four years includes the first public showing of his paintings in oil

including rarely exhibited works from private collections, a multimedia exhibition of New York city-centric paintings, photos, and prints

“two artists, two ways of breaking free from photography in order to question it more effectively”

new works on paper, a site-specific skylight installation, and a monumental outdoor sculpture, in Finch’s first exhibition in Los Angeles - and with the gallery in the United States