exceptional paintings, works on paper, and sculptures by George C. Ault, Milton Avery, George Bellows, Oscar Bluemner, Stuart Davis, Charles Demuth, Arthur Dove, Marsden Hartley, Edward Hopper, Walt Kuhn, Georgia O’Keeffe, and Charles Sheeler

new paintings - labyrinthine architectural settings populated by people, animals, and mannequins - which function like a visual experiment, generating paradoxes rather than answers

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

curated by Laïdi-Hanieh, the exhibition presents the pioneering Turkish-Arab modernist’s 1940s–60s works featuring gestural abstractions, figurative paintings, and works on paper exploring colour, texture, and cosmic themes

new and existing works centred on a monumental body of paintings shown for the first in its entirety in Syed’s first solo exhibition at the gallery

the first major retrospective of this “mercurial, enigmatic, and captivating figure who trafficked in the avant-garde Manhattan artworld of the 1960s”

Hockney’s new paintings extend his lifelong fascination with the act of looking, affirming his belief that simple beauty is worth celebrating

following a Paris residency, the Brazil-based Mestre explores architecture, painting, and sculpture as a route to mediate between culture and nature

“five paintings and ceramic panel works exploring landscapes through layered paint and textured resin, capturing natural phenomena and time’s accumulation in shifting scenes”

in association with Waqas Wajahat, New York, an ambitious body of painting spanning four decades in the internationally acclaimed female artist’s first comprehensive solo exhibition in Korea

an exhibition highlighting five major figures of the prominent South Korean movement - Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-keun, and Chung Sang-Hwa

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

exploring Kounellis’s experiments in painting and music, an exhibition and performance programme in dialogue with Christian Marclay

master prints by Dan Flavin, Donald Judd, Ellsworth Kelly, and Frank Stella in this group exhibition exploring “the materiality of color”

historical watercolours and prints by one of the founder members of the hugely influential New Vision Group in Baghdad - “the most prominent Op-artist in Iraq, perhaps in the whole Arab world” - Jabra I. Jabra

referencing both décor (ornamentation) and corps (the body), Pini’s exhibition of sculpture, photography, and relief places symbolic bodies in space and plays with “their fragile yet imposing nature to create what is perhaps a theatrical experience”

paintings and works on paper from the 1960s to the 2010s, covering five decades of McNeely’s fearless and provocative approach to the human body, in the late New Yorker’s first solo exhibition in London

“at the intersection of personal history and broader geopolitical realities, Diack’s practice engages questions of contemporary becoming of Senegal, of Africa, and of a globalised world”

“crowns built from keyboard keys, bottle caps, and combs stand for authority and power, but are always rooted in Black experience … Takadiwa’s work makes room for critique, but also suggests that change is possible” - Fernanda Brenner

an ambitious exhibition celebrating two centuries since the dawn of photography

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

Weems’ debut exhibition with the gallery in London presents recent and significant bodies of work reflecting on migration, belonging, and the enduring afterlives of the Atlantic passage

an exhibition focusing on Yamamoto’s photographs of owls - gelatin silver prints printed by the artist reveal his deep respect, depicting not only the owls’ beauty and grace, but also their eccentricity, companionship and individuality

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

new and existing works centred on a monumental body of paintings shown for the first in its entirety in Syed’s first solo exhibition at the gallery

an exhibition dedicated to the work of the late artist highlighting his handling of vibrant color in often abstract compositions, including photographs and notebooks from recent discoveries in the artist’s archive by his son

painting, sculpture, and photography in a multilayered exhibition of works by Zana Masombuka, Eddy Kamuanga Ilunga, Alexis Peskine, and Djibril Dramé

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

the Iranian-American artist’s first exhibition with the gallery builds on her ongoing series examining her parents’ experiences of political exile following the 1979 Iranian Revolution and broader systems of geopolitics, displacement, and care

including pieces not previously exhibited, a major exhibition of drawings and works on paper by Rego demonstrating her evolving use of line in media from pen and ink to pastel, conté, charcoal, and pencil

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

outstanding images by Niépce, Daguerre, Fox Talbot, Fizeau, Le Gray, Frith, Piot, and Greene in an exhibition exploring the origins of photography - “the magic of early photographs intertwines with the spirit of discovery”

to mark his 88th birthday, an exhibition of new etchings and aquatints by Baselitz that “establishes a dialogue between two of his most famous motifs: the eagle and Elke [his wife]”

to mark five years of the gallery’s work, an exhibition that reflects on “the quiet power of presence and the ongoing act of exchange that art makes possible”

an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

using “a curatorial logic of figural counterpoints”, an exhibition exploring the resonance, and even figural coincidences, between the works of the two artists

“conceived as a relational environment rather than a sequence of discrete objects, the interplay between the two artists’ works positions sculpture and tapestry in relation to one another through proximity, scale, and surface”

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

“there is a gap of three generations between Karel Appel and Gerasimos Floratos, but … both their artistic idioms are ostensibly non-modernist. They gather inspiration from popular culture, without however transferring it one to one” - Franz W. Kaiser

an exhibition by Paul Noble and Georgina Starr - “conjuring ghosts, stains, miracles, dust, remnants, melodies, eavesdropping, pressing monsters, lonely laments, reanimations and eternal dancers … It’s a dream. A very good dream”

an exhibition of the work of three international painters - Isabella Amram, Kan Hung-Ju, and Yehong Mao

the first exhibition dedicated entirely to the Freeman Bentley’s paintings on paper, and the motif of reflection within her work

Gutierrez explores philosophy and absurdity through video, drawing, painting, and performance, addressing resilience, connection, and emotional distance

historical watercolours and prints by one of the founder members of the hugely influential New Vision Group in Baghdad - “the most prominent Op-artist in Iraq, perhaps in the whole Arab world” - Jabra I. Jabra

multi-media works on paper reflecting Widener’s volunteer experiences in Ukraine, combining symbols, words, and numbers to depict the conflict’s chaos and emotional intensity with abstracted maps and personal narrative

exceptional paintings, works on paper, and sculptures by George C. Ault, Milton Avery, George Bellows, Oscar Bluemner, Stuart Davis, Charles Demuth, Arthur Dove, Marsden Hartley, Edward Hopper, Walt Kuhn, Georgia O’Keeffe, and Charles Sheeler

curated by Sam Hanson, the Taiwanese artist’s first solo exhibition in the UK explores “deterrence and disruption through large, ambiguous compositions with intersecting lines, scratched surfaces, and sculptural urban forms”

the first part of the gallery’s programme on the theme of sound investigates sonic entropy and the concept of a “loop” as a grinding mechanism that wears down the subject - whether human mind, machine part, or city ecosystem

“there is a gap of three generations between Karel Appel and Gerasimos Floratos, but … both their artistic idioms are ostensibly non-modernist. They gather inspiration from popular culture, without however transferring it one to one” - Franz W. Kaiser

“time, like water, flows without discrimination or recognition of those categories. And it is from that knowledge that Joung’s work derives its strength, dignity, and unwavering spirit” - Diana SeoHyung

an exhibition featuring work selected by the artist to highlight key stages and developments in his career, spanning from the mid 1960s to the present day, and marking his thirteenth solo show with the gallery

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

new and existing works centred on a monumental body of paintings shown for the first in its entirety in Syed’s first solo exhibition at the gallery

this new exhibition by the British artist presents works centring on processes of material change, erosion, and preservation developed during a recent residency at the Albers Foundation on the Atlantic coast of Ireland

recent bronze sculptures, iconic embroidered paintings, new canvases highlighting appliqué techniques, and paintings on wood in a survey of Amer’s recent practice examining gender politics, desire, representation, and the visibility of the female subject

titled after a poem by Louise Glück, the debut of new paintings in Parson’s first solo exhibition in Paris - “with great economy of means, her works capture a glance … they are painted reveries of instances of sadness, joy, and beauty”

in an immersive audio-visual environment, design objects by Pierre Paulin shown alongside, exceptional works by artists including Pablo Picasso, Louise Bourgeois, Jean Arp, Lucio Fontana, and Andy Warhol, Rashid Johnson, Henry Taylor, and Paul McCarthy

an exhibition revisiting Hird’s paintings - “perceptual fields unfolding with rhythmic and subtle variations. Undulating bands of color and translucent veils evoke the simultaneity of oceanic movement and atmospheric drift”

“working with imitation gold leaf on Belgian linen, [Vermeulen] uses sweat as an oxidising force, producing corrosive imprints that register physical presence over time”

Hallett’s first exhibition at the gallery presents a compelling new body of paintings that examine the search for stability under the weight of existence

in the Korean-born, Los Angeles–based painter’s first exhibition at the gallery, “portraits and still lives, positioning both as intimate and emotionally resonant records of lived experience among those closest to the artist”

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

new works alongside prints and editions made over the last five years spanning the full breadth of the Opie’s multifaceted practice

in Garaicoa’s first solo exhibition at the gallery’s NY viewing room, reliefs combining painting and photography, and sculptural models using nineteenth-century French engravings, reflect his interest in how the city and its architecture reflect society

spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye - “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes”

spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye - “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes”

a special presentation of new paintings - “through still lifes and portraits set within seascapes and landscapes, Park creates psychological explorations shaped by the transition of day into night”

new paintings - labyrinthine architectural settings populated by people, animals, and mannequins - which function like a visual experiment, generating paradoxes rather than answers

in an exhibition which explores the relationship between land and technology and progress and destruction, new wall-mounted collages and an immersive installation of a psychic parlor, Doyle’s first experiment with AI

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

the Iranian-American artist’s first exhibition with the gallery builds on her ongoing series examining her parents’ experiences of political exile following the 1979 Iranian Revolution and broader systems of geopolitics, displacement, and care

referencing both décor (ornamentation) and corps (the body), Pini’s exhibition of sculpture, photography, and relief places symbolic bodies in space and plays with “their fragile yet imposing nature to create what is perhaps a theatrical experience”

painting, drawing, performance, video, and photography from four Native American artists - James Luna, Mario Martinez, Jaune Quick-to-See Smith, and Emmi Whitehorse - who explore the cultural resilience of Indigenous independence

the first part of the gallery’s programme on the theme of sound investigates sonic entropy and the concept of a “loop” as a grinding mechanism that wears down the subject - whether human mind, machine part, or city ecosystem

curated by Rolando J. Carmona, an exhibition examining how the Brazilian artist engaged throughout her career with relationships between the body, psychoanalysis, and geometric abstraction

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

an ambitious exhibition celebrating two centuries since the dawn of photography

an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture

new paintings and sculptures as Eisenmann concentrates on three sites of middle-class living: home, work, beach

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

Patil’s first solo exhibition in Switzerland presents sculpture, painting, drawing, video, and immersive installation in a powerful meditation on labor, migration, and visibility

following a Paris residency, the Brazil-based Mestre explores architecture, painting, and sculpture as a route to mediate between culture and nature

curated in collaboration with the artist, and including pieces not publicly shown before, a rare opportunity to see Whiteread’s drawings shown alongside a related selection of her sculptures

an installation that sees Andrew draw on romanticised historical images of Aboriginal people - disrupting, reframing, and transforming them through new symbolic interventions

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

“for his first solo exhibition at Bigaignon … Pimentão invites us to consider drawing not only as an object to be seen, but as something that acts, resonates, and takes form”

the renowned figurative artist’s first exhibition in Los Angeles presents his documentation of a stay in Detroit, with a single focus on John Mcintyre, a Detroit-based tattoo artist and member of a local medieval fighting team

the debut of a series of paintings exploring Santos’ personal and pastoral relationship to Puerto Rico, drawing on historical, archival, and ecological inspiration - “the works are reminders of the past but also a way to understand what is happening now”

recent pieces by the Brooklyn-based abstract painter whose work enigmatically resembles geographical maps, aerial views, circuit boards, and coding systems, exploring race, culture, and systems of societal classification

over thirty works by more than twenty artists in an exhibition honoring the man widely regarded as the first mega-dealer of the modern era, who is one of the gallery’s greatest inspirations and a defining figure in the modern art world

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

including pieces not previously exhibited, a major exhibition of drawings and works on paper by Rego demonstrating her evolving use of line in media from pen and ink to pastel, conté, charcoal, and pencil

Weems’ debut exhibition with the gallery in London presents recent and significant bodies of work reflecting on migration, belonging, and the enduring afterlives of the Atlantic passage

Herbst’s inaugural solo exhibition with the gallery presents recent paintings created with her own “generative system” that allows narratives and visuals to emerge through a theatrical staging with repetition, variation, and play

“this exhibition positions itself at the intersection of the familiar and the uncanny, raising questions about how we perceive time, imagine the future, and how we will come to find a balance between a technological reality and nature”

new and existing works centred on a monumental body of paintings shown for the first in its entirety in Syed’s first solo exhibition at the gallery