works by Tonico Lemos Auad, Pearl Alcock, Lubaina Himid, Barbara Levittoux-Świderska, Marlow Moss, and Paul Thek mark “the intervals between falling and rising, moments shaped by gravity: like the tide”

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

in the first solo exhibition in London by the Brazilian artist, new and existing performative installations with sculpture, movement, live performers, and public participation

new paintings by “one of the great painters of his generation” (John Yau) - “a vibrant evolution in the artist’s long-standing exploration of abstraction, materiality and the painted edge”

Quarles’ first exhibition with the gallery in Los Angeles - “at its core, her practice contemplates the instability of existence, the extent of resilience and what it means to inhabit multiple realities at once”

to mark five years of the gallery’s work, an exhibition that reflects on “the quiet power of presence and the ongoing act of exchange that art makes possible”

recent and past works in the first solo exhibition in Los Angeles by one of the most influential living artists in the decorative arts

an exhibition exploring the late Canadian artist’s longstanding relationship to the natural world through two major bodies of work related to trees - accompanied by a new “accidental novella” in 100-word bursts by Max Porter

“on encountering these new canvases, there is an electric charge, a sense of primal energy … this is poetry” - Benjamin Rhodes

the French-Ivorian artist’s first solo exhibition - “her sculptural practice begins with personal archives and the textures of domestic life. Through processes of carving and assembling, she reanimates these remnants into new, enigmatic forms”

two bodies of work see Einarsson examining how linguistic and visual structures both shape our understanding of the world and mask systems of power

an installation of new paintings of abstracted landscapes on paper and panel alongside mixed media works and objects - “in Helene Billgren’s artistry, even the most insignificant and fragile can become important and meaningful”

works by eight artists ”focussing on the raw mechanics of making — the calibration, structural clarity and material decisions that define each practice”

Lima presents a garden filled with “architectural-sculptures”, transforming the gallery space into a habitat for birds, squirrels, rodents and their predators - straw hats become perches and invite interaction

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

an exhibition which examines the development from Impressionism to Neo- and Post-Impressionism - a pivotal period when the movements liberated “both color and painting itself”

titled after a late photobook by Frank, this exhibition “explores people and places across his long and multifaceted life through images and fragments of memory presented through the artist’s original maquette”

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

the debut of works in color by the New York-based artist - a significant evolution of his practice - alongside new gouaches on paper

in the first solo exhibition in London by the Brazilian artist, new and existing performative installations with sculpture, movement, live performers, and public participation

new paintings exploring the relationship between memory, architecture, and perception by this major figure in the Albanian and European art scene

more than ninety works by a dozen contemporary artists in a major group exhibition examining political dissent and erasure through the idea of collage

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

continuing the gallery’s series exploring the use of a single colour - this time looking at one of the most symbolic in the history of art - an exhibition of works by an international collection of modern masters and contemporary artists

the acclaimed Hong Kong-born art director and multidisciplinary artist explores parallel dimensions of reality, where myth, memory and technology converge

Mushtaq’s first exhibition with the gallery explores notions of nationhood and identity through the lens of her home country of Pakistan

a large, open pavilion with an immersive multi-channel soundscape using conversations from Black archives, nature field recordings, and electronic sounds to explore “breath as geography”

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

in this exhibition curated by Donna De Salvo, De Maria’s final sculpture is shown for the first time outside the US alongside other rarely seen sculptures, drawings, films, and archival materials

paintings, drawings, and etchings by the British-Caribbean artist “engage critically with questions of memory, belonging, and identity, while simultaneously foregrounding the enduring significance of community and cultural resilience” - Cameron Amiri

a new immersive sculptural installation by the path-breaking artist - “a space of rest and renewal”

paintings, sculpture, and wall hangings from three artists linked by their interest in form and color, and their deep ties to the landscape and culture of Southern California

a solo exhibition “that brings the internal terrain of Kelly’s neurodivergent experience into sculptural and spatial form”

works by over a dozen artists in an exhibition that celebrates the styles and content in paintings, drawings and sculptures by African American artists from the 19th century to the present

a broad selection of the Korean artist’s defining series in her first solo exhibition in Brussels - “the act of leaving traces of the time I have lived” - Kim

“the painter’s cloud-like formations take on a newly latent form akin to colored fumes. Diffused patches of pyrotechnic yellows burst through the canvas like smoke flowers in the midst of an auspicious firework”

the act of painting is an “attempt to identify with the universal whole … I want to find my own small plot or pattern of energy that will express the inner me in terms of rhythmic movement and color” - Springford

“a mini-retrospective honouring the late, great photographer whose timeless images captured the humour, irony, and soul of the human (and canine) condition”

“on encountering these new canvases, there is an electric charge, a sense of primal energy … this is poetry” - Benjamin Rhodes

“at its core, Matière Noire can be understood as an attempt to exhaust the act of photography, while simultaneously preserving the legacy of modernity”

an exhibition of photographs by Ethridge - “a confluence of fashion shoots, portraits, still-life arrangements, and interior scenes, embodying disparate modes”

“painting is not the mere representation of the object, but it is color and light: the right relationships between the two things give shape in space. The subject should not be seen as such but abstractly” - Ventrone

new paintings and works on paper - including the debut of a group of monochromatic pieces - in Neel’s first solo presentation with the gallery

in the first solo exhibition at the gallery’s new space, new works on paper and paintings in oil as Chiamonwu’s explores the Nigerian Igbo community she was raised in, and the contemporary relevance of its cultural and mythological forms

new paintings by the Korean artist - “working in the liminal space between recognisable form and abstraction, he builds depth through accumulated layers and subtle shifts in hue”

including much not shown in the UK before, an exhibition of early and later work by the icons of German postwar photography

including never-before-exhibited works, an exhibition presenting Gorky’s landscapes from before and after his transformative 1941 transcontinental road trip with Agnes ‘Mougouch’ Magruder and Isamu Noguchi

new and recent works by Dean including 35mm film installations, a new 16mm film, new chalk and slate drawings, Polaroid works, and works on glass

including works not shown before in the US, an exhibition of paintings by the late artist spanning the early to middle parts of her career

“Aimee Goguen, Margaret Haines, and P. Staff brandish prophecy, theatre, poetry, surveillance, alchemical instruments, masks, blades, regurgitated teratomas, and the fixative properties of cement itself” - Henry Hopper, curator

a major exhibition by the distinguished Australian artist, her most extensive in the US to date, presents new paintings exploring the dialogue between abstraction and landscape through layered oil and wax

Quarles’ first exhibition with the gallery in Los Angeles - “at its core, her practice contemplates the instability of existence, the extent of resilience and what it means to inhabit multiple realities at once”

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

in Jackson’s first solo exhibition in Asia, new and recent paintings - and a never-before exhibited multi-panel screen - where intricate, stratified compositions with figurative forms, or “paint people”, emerge from dynamic fields of paint

“what emerges is not merely a painting of a photograph, but an interrogation of how images circulate, what they signify, and what happens when they're forced to be still”

new paintings by Bastidas which reflect on the social, historical, and psychological conditions present around us yet not fully understood

organised by Christoph Doswald, Hildebrandt’s first solo exhibition with the gallery, as well as in Turkey, creates an energetic, all-over-environment that reflects the ambiguity of cultural interferences in Berlin

new oil paintings depicting doors left ajar and offering a glimpse into an ambiguous and surreal terrain beyond - transforming the gallery into a labyrinth of thresholds

on three hundred bus shelters across New York City, Chicago, and Boston, works by six photographers – Kennedi Carter, Lougè Delcy, Camila Falquez, Ruby Okoro, Dana Scruggs and Juan Veloz – who “move fluidly between commercial and fine art practices”

an exhibition of photographs by Ethridge - “a confluence of fashion shoots, portraits, still-life arrangements, and interior scenes, embodying disparate modes”

the first major UK museum exhibition of the American artist’s photographic portraits includes her first major work, and pieces both in dialogue with each other as well as with works from the permanent Collection

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

Pilar’s first solo exhibition in the gallery’s Marais space “weaves a mosaic of narratives in which the artist’s personal journey resonates with centuries of migration between Africa, the Americas, Europe, and Asia” - N’Goné Fall, curator

curated by the photographer’s granddaughter, Caroline Avedon, an exhibition of rare prints from the series “In the American West”, including works not shown since their 1985 debut

“a groundbreaking physical and digital art collection honouring some of Marvel’s most legendary comic book characters”

conceived as a metaphorical river, RÍO flows through cascades, forests, and tropical jungles - employing textiles, painting, porcelain, and video, the exhibition conjures memory, emotion, and material transformation

works by Saâdane Afif, Lotus L. Kang, Tuan Andrew Nguyen, Celeste Rapone, and Rafa Silvares

in a “varied and nuanced selection of works … that reflect the complexity of the theme of love”, sculpture, photography, painting, print, and drawings by over thirty artists, from the 15th Century to today

in the first solo exhibition in London by the Brazilian artist, new and existing performative installations with sculpture, movement, live performers, and public participation

De Bruyckere presents drawings and sculptures exploring the human body as a hybrid entity expressing desire, suffering, and transformation, highlighting themes of vulnerability, memory, and social-political corporeality

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

a retrospective survey exhibition of glass sculpture, lighting, furniture design, and art installations by one of the most celebrated Nordic designers

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

“drawing from fragments of daily observation, Tuapennot constructs layered visual narratives in which global brand symbols, youth fashion, cartoon figures, and spontaneous text collide”

“what emerges is not merely a painting of a photograph, but an interrogation of how images circulate, what they signify, and what happens when they're forced to be still”

Patil’s first solo exhibition in Switzerland presents sculpture, painting, drawing, video, and immersive installation in a powerful meditation on labor, migration, and visibility

works by Eleni Bagaki, Chloe Beddow, Beth McAlester, Heeyoung Noh, Boo Saville, and Nina Silverberg, six female artists who examine how the body is mediated, fragmented, and spatially constructed in contemporary practice

the first major UK museum exhibition of the American artist’s photographic portraits includes her first major work, and pieces both in dialogue with each other as well as with works from the permanent Collection

referencing the influential postmodernist architect’s belief that even a cardboard house would last forever if people were motivated to care for it, Levi de Jong, Ali Glover, Zayd Menk, and Zachary Merle in a tribute to Sir Terry Farrell

shown together for the first time, works of meditative minimalism by the Chinese artist alongside pieces by one of the forefathers of the Los Angeles light artists

van Son’s debut solo exhibition with the gallery presents new paintings examining the intimate fascination she has of her partner as their wedding approaches

in an exhibition titled after the neurological condition, Alison Blickle and Irini Karayannopoulou “join forces in an act of painterly sisterhood; a transcontinental communion rooted in shared mythologies and a mutual devotion to the feminine image”

“civilisation is approached not as moral progress, but as performance—rehearsed through spectacle, ornament, and repetition”

new paintings by Raedecker, whose work “is driven as much by the craft and process of making as it is by the image”