an exhibition of new paintings and works on paper by Pozanti - “she builds forms that shift fluidly between flower, body, and current, resisting fixed identity in favour of continuous transformation”

Barrero’s first exhibition with the gallery debuts eight large-scale ceramic bead sculptures - a “chorus” of mother figures, “bearing witness and answering one another across the room” - Barrero

an exhibition of Janice Guy, Joe Mama-Nitzberg, Shaun Pierson, and David Seidner - four photographers “sharing an approach to portraiture that rejects notions of idealization”

projected light installations of geometric shapes specially designed for the architecture and specific characteristics of the location in which they are created - alongside works made from sheets of bent and cut stainless steel

fourteen artists who explore transformation through material process and altered perception - “throughout the exhibition, light changes the encounter with each work and draws attention to the physical properties of its materials”

“in this exhibition, the artist further develops his conception of painting as a field in which a range of dynamics emerges from his response to individual colors”

new paintings from the ongoing Bondage Baggage series alongside the debut of new sculptural and video works in an exhibition which examines migration as a condition of simultaneous perceptions, where multiple histories, and systems of knowledge coexist

new work by Barrois Jr. sees him reorient his focus toward the subject of time and the instruments through which it is captured

new works by the German artist - “Franz invites us to reconsider the relationship between past and present, reflecting the continuing artistic struggle for creative autonomy in an age of technological changes and advancement”

presented as part of London Design Festival, and centred on a 1965 Morris Mini Cooper S race car, an exhibition which brings together design, craftsmanship, and the culture of making.

“by translating historical paintings into a contemporary visual context [the exhibition] demonstrates that the past always remains an active and vital component of contemporary cultural discourse”

“by rejecting the picturesque and narrative, by favouring gradations over contrasts, silences over assertions, Molaeb constructs a pictorial language of rare coherence”

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

guest curated by Dr. Jiyoon Lee, an exhibition of major new sculptures and recent work in the gallery’s first exhibition with one of the most influential artists of her generation

Afro-Caribbean American multidisciplinary portrait artist Lopez works with communities historically rendered invisible - people she has met and engaged with whose presence carries cultural memory, resilience, vulnerability, and unmistakable swag

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

the first solo UK exhibition dedicated to the life and work of the self-taught painter - a central figure in 20th century African-American art - whose bold works on corrugated roofing, sheet metal, and found lumber filled the front yard of his homestead

“across thirty new paintings and drawings, Brown elides myth and archaeology with the clamour of contemporary tourists who jostle for snapshots and cocktails across the continent’s summer hotspots”

curated by Guillaume Logé and inspired by his forthcoming book of the same title - “spanning from ancient arts to contemporary creation, the exhibition brings together works from different periods in a dialogue centered on nature and love”

this August, Hauser & Wirth Basel presents a solo exhibition dedicated to the work of the late Swiss artist. Born in Basel, Zurkinden defied easy categorisation, developing a distinctive painterly language that drew on both …

including the gallery’s first presentation of his iconic “Line Describing a Cone” - and the debut of his newest work - significant pieces spanning over fifty years of McCall’s pioneering solid light works

alongside new drawings, sculptures, and editioned works on paper, the gallery presents the global premiere of Kentridge’s new stop-animation film, the twelfth in his globally acclaimed cycle of Drawings for Projection

Turner’s first solo gallery exhibition is a site-responsive installation of dark wool and horsehair, which fills the ground-floor galleries and continues twelve metres up the façade of the Georgian townhouse

with these new paintings of imagined spaces and intimate vignettes, Suss continues her exploration of interiority, domesticity, and memory

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting

“both Olúlòde and Reeve construct worlds where movement guides the viewer. Olúlòde’s figures swim, Reeve’s fabrics float in the wind … they explore intimacy from different starting points, but both culminate in a grasping, a holding, a unity, a beauty”

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

James D Wilson and Phil Shakespeare - “one is urban and the other suburban. Their subjects are very different and yet each artist builds their work from geometric forms and fragments of light and shadow”

two artists who approach nature from opposite directions in an exhibition siting Michèle Buhofer’s photographs of extreme landscapes within Marya Kazoun’s installation of imagined organisms and environments

an exhibition of works by Defne Tesal and Stephan Baumkötter - “in both artists’ work, depth emerges through material, touch and repetition rather than illusion. The surface becomes a space in itself: layered, tactile and open to continued looking”

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

an unprecedented exhibition pairing paintings by Chaïm Soutine with new paintings by Ilana Savdie - separated by a century, both painters make the instability of their subjects the substance of their work

recent drawings by Rafferty which foreground the handmade alongside color combinations that evoke palettes, test patterns, and seasonal collections

in the gallery’s first exhibition dedicated to Bard, recent work that explores the enduring language of figurative painting through the lens of contemporary experience

an exhibition dedicated to “the painters who, at the end of the 19th century, chose no longer to depict the world but to express it. … a journey into the art of almost nothing, where the familiar becomes a revelation”

the artist’s first major show in Monaco - “beneath their serene surfaces, Solà’s paintings reveal the quiet complexity of human relationships, inviting viewers to linger within these suspended moments, where meaning always remains just beyond reach”

recent paintings by the British artist, whose “luminous abstractions transform impressions of light, memory, and landscape into atmospheric compositions of gesture and color”

new work by the New York-based abstract artist - “Mait’s paintings are infused with pure emotions but remain controlled and not overwhelmed by them”

“in a world where religious and cultural difference is so often used to separate, Wassall’s marionette suggests another possibility - that what unites these faiths might be as visible, and as luminous, as what sets them apart”

the gallery’s first solo exhibition with one of the defining figures of British Pop Art presents a substantial body of new work alongside significant pieces from across his career

the first solo exhibition in London since 2015 of the celebrated Colombian artist has a scenography by Cécile Degos and presents a major selection of paintings, drawings, and sculptures produced over almost six decades

organised in collaboration with the artist’s estate and Gomide&Co, São Paulo - and exhibited in both the gallery space and Frieze Masters - an exhibition dedicated to Schendel’s unique material language

titled after Adriana Cavarero’s philosophy of relational identity, Kafantari’s first solo exhibition in London presents new paintings exploring one of the most enduring questions of human experience - how identity is shaped through encounter

new and recent works on canvas by the multidisciplinary artist “whose approach is inspired by the visual fragments of everyday life, the energy of the city, and overlooked details within our surroundings”

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

works by Aziza, Erin Mommsen, Jordan Rubio, Julien Heintz, Maia Twombly, Nick Jensen, Nicholas Aliberti, Sage Schachter, and Zachary Merle - “across nine practices, personal histories are salvaged through deep engagement with material”

renowned for his work across art, architecture, and design, Holtrop’s inaugural exhibition with the gallery presents new functional artworks in cast glass that explore the dynamic relationship between light, space, and material

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

inaugurating their large new underground exhibition space, an exhibition foregrounding alternative perspectives on space, material, and craftsmanship - adding a fresh perspective to the gallery’s engagement with art, design, craft, and architecture

in its own dedicated and expansive space at the gallery, the Amsterdam-based studio unveil a new, interactive, and large-scale installation that “captures the movement of wind through the use of glass and light”

spanning three generations - and covering painting, drawing, prints, and sculpture - an exhibition of the best in modern and contemporary figurative art

an “imaginative, idiosyncratic and quietly provocative” multimedia exhibition by the Taiwanese artist known for a humorous practice that navigates between reality and the surreal

an exhibition celebrating the acclaimed Brazilian artist’s enduring practice - spanning sixty years with early prints and works on paper from the 1960s and 70s, photography from the late 70s through the 80s, and sculpture from 1990 to the present

the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time”

two artists who approach nature from opposite directions in an exhibition siting Michèle Buhofer’s photographs of extreme landscapes within Marya Kazoun’s installation of imagined organisms and environments

co-curated by his son Kwame S. Brathwaite and Jesse Williams- newly-released and never-before-seen works by the photographer, media theorist, and one of the most important American artists of the second half of the 20th century

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

curated by Guillaume Logé and inspired by his forthcoming book of the same title - “spanning from ancient arts to contemporary creation, the exhibition brings together works from different periods in a dialogue centered on nature and love”

an exhibition dedicated to Barney’s early black-and-white photographs, with rarely seen works offering an intimate portrait of American East Coast society in the late 1970s

in this special Paris Pop-up Project to coincide with Art Basel Paris, the gallery focuses on important works by Dayanita Singh, Małgorzata Mirga-Tas, Tacita Dean, and Cornelia Parker

in Franco Klein’s debut solo exhibition with the gallery, new work which continues her examination of the anxieties, stresses and types of psychological response that present-day history elicits

in the artists' first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time.

spanning four millennia, a major exhibition bringing together ancient Egyptian artefacts with nineteenth- and twentieth-century paintings, drawings, rare books, and photographs to examine how Egypt was made, buried, recovered, and repeatedly reimagined

a new series of mural works and sculptures in the self-taught artist’s first solo exhibition

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“Nguyen brings together nearly twenty paintings, sculptures, and installations. Beyond the recurring motif of clouds lies something more fundamental: a sustained resonance between the artist and the natural world” - Ying, writer and editor

“revisiting some of the dialogues with contemporary and post-war artists previously presented. Morandi’s paintings are thus placed in dialogue with works by Lee Ufan, Josef Albers, Ettore Spalletti and Lucio Fontana”

new works by Huotari, whose meticulously beaded sculptures and wall tapestries reimagine traditional Finnish rya textiles

titled after an optical phenomenon that occurs twice each year inside Palma Cathedral, the gallery begins its collaboration with VHILS with an exhibition of work including carved doors, billboards, ceramic tile panels, and architectural debris

Tsukuda’s first solo exhibition with the gallery - “conceived as a constellation of newly produced two-dimensional and sculptural works, the exhibition draws viewers into a world in which distinctions … begin to collapse” - Samuel Leuenberger

two artists who approach nature from opposite directions in an exhibition siting Michèle Buhofer’s photographs of extreme landscapes within Marya Kazoun’s installation of imagined organisms and environments

in the artists' first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time.

Indiana’s first monographic exhibition with the gallery - “the technique, if successful, is that happy transmutation of the lost into the found, junk into art, the neglected into the wanted, the unloved into the loved, dross into gold, hence: alchemy”

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

Crowther’s first solo exhibition at the Centre showcases her work, sculpted from naturally felled local timber, on all scales

a new exhibition of photo-based imagery on satin banners by the Melbourne artist - “echoing unstretched paintings, these satin banners incorporate a compelling array of imagery based on manipulated photographic sources”

titled after Adriana Cavarero’s philosophy of relational identity, Kafantari’s first solo exhibition in London presents new paintings exploring one of the most enduring questions of human experience - how identity is shaped through encounter

the first solo exhibition in London since 2015 of the celebrated Colombian artist has a scenography by Cécile Degos and presents a major selection of paintings, drawings, and sculptures produced over almost six decades

more than thirty works by some of the most significant artists of the 20th and 21st centuries, shown across four immersive chapters inspired by spaces of musical creation with playlists by sound curator and frontman of The Strokes, Julian Casablancas

a new body of small-scale works in the form of votive objects, keepsakes, and bodily hybrids made in ceramic and textile

“Enoc came up with a painting process as if he’d plugged into an early moog synthesizer. It straddled the line between abstraction and representation … making him an artist who feeds the hand that shakes him” - Richard Prince

the first European solo exhibition of the Mexican Surrealist painter and sculptor brings together paintings, works on paper, and painted ostrich eggs – the first time that this sculptural part of Bassi’s practice has been publicly presented

alongside new drawings, sculptures, and editioned works on paper, the gallery presents the global premiere of Kentridge’s new stop-animation film, the twelfth in his globally acclaimed cycle of Drawings for Projection

Turner’s first solo gallery exhibition is a site-responsive installation of dark wool and horsehair, which fills the ground-floor galleries and continues twelve metres up the façade of the Georgian townhouse

paintings and works on paper from the 1980s, a pivotal period of decisive experimentation and evolution in the late artist’s pioneering six‑decade career

shown together for the first time in over 25 years, Ligon’s Coloring Book paintings reveal a rarely seen facet of his practice - "colorful and exuberant ... the works unfold into a rich meditation on history, authorship and the shifting nature of meaning"

on the groundfloor Piers Alsop, William Lowry, Heeyoung Noh, Nika Neelova, and Salvatore Pione “treat the artwork as vessel for memory” - while Lucas Dupuy’s solo presentation downstairs “pushes the same question into architecture and form itself”