curated by Tobia Bezzola, an exhibition bringing together paintings, sculptures and drawings focusing on the people and landscapes closest to the artist - shown alongside photographs by his friend Ernst Scheidegger

Wang’s first collaboration with the gallery presents a survey of his painting from 2008 to the present - in particular his inquiry into Post-Orientalism and modes of non-iconic existence

a focused exhibition that reveals a pivotal and previously unseen moment in the development of abstraction by one of Britain’s most intellectually rigorous post-war painters

using scientific data from quantum physics, cosmology, and institutions like NASA, Ikeda creates mathematical compositions with sound and light, exploring microscopic and cosmic scales in a multi-sensory experience

a new series of Fugues inspired by Venice’s reflections and silence, blending influences from Titian to Monet in paintings that evoke water’s depth and pictorial surfaces as interfaces between sea and sky

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

paintings by Nessi drawn from her work on landscape and urban motifs in an exhibition organized around place rather than chronology

the first exhibition to focus on the decades-long evolution of one of Beuys’ major late sculptural motifs is centred around the rarely shown monumental Bathtub, on view in the UK for the first time, and shown alongside its key precursors

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

the French-Ivorian artist’s first solo exhibition - “her sculptural practice begins with personal archives and the textures of domestic life. Through processes of carving and assembling, she reanimates these remnants into new, enigmatic forms”

two bodies of work see Einarsson examining how linguistic and visual structures both shape our understanding of the world and mask systems of power

an installation of new paintings of abstracted landscapes on paper and panel alongside mixed media works and objects - “in Helene Billgren’s artistry, even the most insignificant and fragile can become important and meaningful”

works by eight artists ”focussing on the raw mechanics of making — the calibration, structural clarity and material decisions that define each practice”

Lima presents a garden filled with “architectural-sculptures”, transforming the gallery space into a habitat for birds, squirrels, rodents and their predators - straw hats become perches and invite interaction

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

more than ninety works by a dozen contemporary artists in a major group exhibition examining political dissent and erasure through the idea of collage

new paintings by Raedecker, whose work “is driven as much by the craft and process of making as it is by the image”

the first exhibition dedicated entirely to the Freeman Bentley’s paintings on paper, and the motif of reflection within her work

significant works from the 1960s and 1990s - “Yoshida invites the viewer to consider the fundamental forces of life and to meditate upon that essential unity which binds all living beings together”

in Thiems’ first solo exhibition, new fabric sculptures in response to Méret Oppenheim’s 1976 series “Parapapillonneries”, explore absurdity, surrealism, and psychoanalytic thought

exploring Kounellis’s experiments in painting and music, an exhibition and performance programme in dialogue with Christian Marclay

small-scale sculptures and paintings from antiquity to modernity showing scale not as a limitation but “an invitation to look closely ... celebrating intimacy, precision, and sensitivity”

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

following a Paris residency, the Brazil-based Mestre explores architecture, painting, and sculpture as a route to mediate between culture and nature

stretching from the 1930s to the early 21st century, and focusing on Freud’s mastery of drawing in all its forms, the first UK museum exhibition to focus on his works on paper includes pieces never previously on display

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

an exhibitions conceived around pivotal events in the work of leading Latin American modernists - specific years, journeys, returns, or historical junctures that crystallized artistic language and redirected careers

an exhibition of outstanding Italian and Spanish paintings including Old Master works rarely seen outside of museums

a solo exhibition dedicated to the central figure of Arte Povera, centred on one of his most intense and complex “igloos—an in-between work, poised at the threshold of architecture, living organism, and thought”

titled after the Virginia Woolf novel, “the exhibition foregrounds the performative and narrative capacities of art, emphasising the pause within the creative process as a space for reflection”

covering nearly sixty years of her paintings on canvas, clayboard and paper, this is the first major monographic exhibition in Europe devoted to the visionary American abstract painter

the first solo exhibition with the gallery of the late major figure who “contributed decisively to the birth of a new kind of geometric art” - Domitille D’Orgeval

paintings, wall sculptures, and installations spanning the 1960s through the 2000s in an exhibition examining the evolution of Burwell’s practice, highlighting her evolution from the two-dimensional to the three-dimensional

painting in dialogue with an imposing sculptural installation as the Paris-based artist’s exhibition takes over both gallery spaces - “Linard Osorio’s singular body of work is born out of a fortuitous command of his chance operations”

the fourth edition of the gallery’s acclaimed performance series presents a collaboration between Linard Osorio’s site-responsive installation and Etay Axelroad’s choreography

the acclaimed Hong Kong-born art director and multidisciplinary artist explores parallel dimensions of reality, where myth, memory and technology converge

recent and past works in the first solo exhibition in Los Angeles by one of the most influential living artists in the decorative arts

works by artists including Lynne Drexler, Sheila Hicks, Robert Indiana, Richard Serra, and Sean Scully in an exhibition focused on the 1970s, a decade of profound artistic and cultural change

continuing the gallery’s series exploring the use of a single colour - this time looking at one of the most symbolic in the history of art - an exhibition of works by an international collection of modern masters and contemporary artists

“through layered surfaces, shifting densities, and an acute sensitivity to material process, Jackson creates paintings that oscillate between physical presence and perceptual openness”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

more than twenty artists in a curatorial project and art installation focussing on the artist’s studio in the 21st Century

curated in collaboration with the artist, and including pieces not publicly shown before, a rare opportunity to see Whiteread’s drawings shown alongside a related selection of her sculptures

Abramović’s photography and Kucsora’s works on canvas together explore “the lingering vibration that remains once an intense encounter has slipped into the past tense”

Mushtaq’s first exhibition with the gallery explores notions of nationhood and identity through the lens of her home country of Pakistan

Patil’s first solo exhibition in Switzerland presents sculpture, painting, drawing, video, and immersive installation in a powerful meditation on labor, migration, and visibility

conceived as a metaphorical river, RÍO flows through cascades, forests, and tropical jungles - employing textiles, painting, porcelain, and video, the exhibition conjures memory, emotion, and material transformation

“there is a gap of three generations between Karel Appel and Gerasimos Floratos, but … both their artistic idioms are ostensibly non-modernist. They gather inspiration from popular culture, without however transferring it one to one” - Franz W. Kaiser

“time, like water, flows without discrimination or recognition of those categories. And it is from that knowledge that Joung’s work derives its strength, dignity, and unwavering spirit” - Diana SeoHyung

“two wooden arches flank the entrances to the exhibition, marking points of passage … four trompe l'œil frescoes depicting a seascape creates this setting, and mirrored surfaces affixed to two central pillars reflect and multiply the viewer’s presence”

historical watercolours and prints by one of the founder members of the hugely influential New Vision Group in Baghdad - “the most prominent Op-artist in Iraq, perhaps in the whole Arab world” - Jabra I. Jabra

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

Ralaivao’s first UK solo exhibition presents new paintings that draw on Old Master techniques while pushing figuration to its limits, “flirting with but never fully embracing abstraction”

this solo exhibition of new paintings continues Zaidi’s practice of world-making, envisioning surreal, imagined topographies shaped by memory and myth

new “luminous canvases that meditate on the poetics of reflection” by the Thai-born, London-based artist in his first exhibition with the gallery, and first solo presentation in the US

a career-spanning exhibition showcasing Polke’s experimental sculptures, painting, photography, and filmmaking - highlighting his four-decade long exploration of media and abstraction

“in Miryam Haddad’s painting, the multiplicity of sensory interactions unsettles us and offers no promise of comfort” - Marie Muracciole

new work in an exhibition which marks Flad’s return to Taipei after a six-year interval

titled after a late photobook by Frank, this exhibition “explores people and places across his long and multifaceted life through images and fragments of memory presented through the artist’s original maquette”

photographs from the island of Aran alongside large-scale paintings and a salon-style array of drawings, watercolours, photos and written works on paper in a survey exhibition of the \"greatest living abstract painter\" - Jonathan Jones

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

alongside new photographic works, the world premiere of Julien’s acclaimed five-screen film installation - “a vivid, sweeping, visual poem about change, what it means to transform, to adapt and to survive”

an exhibition of three decades of Brancusi photographs - many shown in London for the first time

an exhibition of sculptures by Duane Hanson, presented in dialogue with work in a variety of mediums by other artists including Felix Gonzalez-Torres, Andreas Gursky and Jeff Koons

on three hundred bus shelters across New York City, Chicago, and Boston, works by six photographers – Kennedi Carter, Lougè Delcy, Camila Falquez, Ruby Okoro, Dana Scruggs and Juan Veloz – who “move fluidly between commercial and fine art practices”

new and exemplary works by Morimura spanning his over four-decade career, and a new 30-minute program of portraits by Atlas focussing on drag and gender

the Ukrainian artist explores hope and resistance through time, space, and history with a meditation on the unbreakable spirit of culture in times of war

in Thiems’ first solo exhibition, new fabric sculptures in response to Méret Oppenheim’s 1976 series “Parapapillonneries”, explore absurdity, surrealism, and psychoanalytic thought

“The In-Between affirms the power of the ‘middle’: a fertile space where the world can be reborn, where man and nature can once again find each other and be attuned, where transformation occurs” - Michaël Ferrier (translation Kate Deimling)

following the gallery’s seasonal theme of artistic responses to the natural world – Ikemura presents a nocturnal garden of sculptures, paintings, works on paper, and poems

curated by Rolando J. Carmona, the exhibition examines how the Brazilian artist Lygia Clark engaged, throughout her career, the relationship between the body, psychoanalysis, and geometric abstraction

Bunmi Agusto, Carla Gueye, Marcia Falcão, Miranda Forrester, Ugonna Hosten, and Sikelela Owen explore figuration through painting, sculpture, and mixed media

Lima presents a garden filled with “architectural-sculptures”, transforming the gallery space into a habitat for birds, squirrels, rodents and their predators - straw hats become perches and invite interaction

a solo exhibition dedicated to the central figure of Arte Povera, centred on one of his most intense and complex “igloos—an in-between work, poised at the threshold of architecture, living organism, and thought”

an exhibition featuring work selected by the artist to highlight key stages and developments in his career, spanning from the mid 1960s to the present day, and marking his thirteenth solo show with the gallery

significant sculptural and two-dimensional works from the last decade of Kang’s life - including the New York debut of some of her most influential pieces - in a memorial and celebration of the late Korean artist’s singular vision

with some of Parks’ most celebrated and iconic works, an exhibition of the pioneering American artist, curated by the renowned social justice activist - “Parks represents the struggle, resilience and constant striving of Black Americans” - Stevenson

“this is not an exhibition of historical antiquities, but perhaps a declaration of love … about what today\'s generation of artists can do with ceramics”

sculpture, performance, video, and installation by the artist duo examining the normalisation of political violence, surveillance, and erosion of public and private boundaries

Hockney’s new paintings extend his lifelong fascination with the act of looking, affirming his belief that simple beauty is worth celebrating

in Thiems’ first solo exhibition, new fabric sculptures in response to Méret Oppenheim’s 1976 series “Parapapillonneries”, explore absurdity, surrealism, and psychoanalytic thought

following a Paris residency, the Brazil-based Mestre explores architecture, painting, and sculpture as a route to mediate between culture and nature

significant works from the 1960s and 1990s - “Yoshida invites the viewer to consider the fundamental forces of life and to meditate upon that essential unity which binds all living beings together”

a series of paintings exploring childbirth sensations through abstraction, featuring sculptural orbs and concentric lines that depict energy and emotion in shifting scales of consciousness

curated by Sam Hanson, this exhibition explores reverence and the enduring power of the idol in the age of digital culture - “a hopeful attempt to assemble the shattered fragments of modern culture into a reconstituted, jagged whole” - Jamie Hope

new large-scale works on lead, with gemstones and Renaissance-style frames, as Vega explores the transhistorical nature of spirituality