“Groobey … explores emotions that cut across individual experience, like awe, success, joy, tenderness, adoration, and desire. Her work depicts the body, the primary site through which the world is felt and known”

“beyond the gay images from the 1970s, I look further back to Whistler, Sargent, Montesquiou, and Proust to locate the atmosphere in which to portray this physicality” - P.

the British multidisciplinary artist captures subtle, absurd disruptions - small fractures in the ordinary that reveal tension, humour, and the poetic instability of everyday life

an exhibition reviewing the notion of “value” - ethical, political, economic, emotional, and environmental - in relation to the infrastructures of coloniality and the flows of global capital between the African continent and the rest of the world

including many pieces not previously exhibited, and covering thirty years of work by the painter often seen as an ‘artist’s artist’ - “Oxlade’s paintings echo the vast, often glorious muddle of our existence” - Jennifer Higgie

a group exhibition with works by Jimmy DeSana, Philip-Lorca DiCorcia, William Etty, George Grosz, Maria Lassnig, Tony Morgan, Raymond Pettibon, Thomas Ruff, and Patti Smith

the gallery’s new season opens with a special presentation of ‘Work No. 3891: Half the air in a given space’ - one of Creed’s most celebrated works - and a selection of wall paintings

curated by Diana Kudaibergen, the Kazakh artist works with video, Al-driven cyber textiles, photography, and immersive sound to create a contemporary, technological, and philosophical world where water, myth, and the feminine intersect across Central Asia

Perrotin’s debut exhibition with the LA-based artist presents his iconic photo sculptures - “viewed together, the works in Portals offer a reminder of how the lives of Black people in the West have been shaped by legacies of racial othering” - Ekow Eshun

“the internationally renowned Italian artist explores the subtle connections between nature, science, and poetry through matter [as] the exhibition space transforms into a poetic garden, where forms and structures are continually reinvented”

Braeckman’s first solo exhibition in the UK presents recent works situated within the broader arc of his practice - “with their haunting stillness and ashen, moody dispositions, Braeckman’s images appear suspended outside place and narrative”

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

taking place across all three of the gallery’s international spaces, the second edition of its annual presentation of the finest Australian First Nations works of art

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”

new sculptures continuing Dávila’s exploration of the fundamental act of placing one thing in relation to another, working through deliberate acts of positioning and arrangement so that relationships, tensions, and meanings emerge

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

“Ahn continues to summon the ordinary, the anonymous, and the ghostly within the urban landscape of her everyday life in the UK”

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

“this is not an exhibition of historical antiquities, but perhaps a declaration of love … about what today’s generation of artists can do with ceramics”

new paintings and sculptures as Eisenman concentrates on three sites of middle-class living: home, work, beach

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

ten watercolor works on panel, developing Qian Qian’s concept of a “practice-based cosmology”, not a representation of a world already known, but a landscape of consciousness - unstable, generative, and not yet fully understood

an ambitious exhibition celebrating two centuries since the dawn of photography

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

an expansive exhibition covering five decades of the work of one of the most influential and essential artists of the 20th Century

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

taking place across all three of the gallery’s international spaces, the second edition of its annual presentation of the finest Australian First Nations works of art

organized by Carlo Knoell, the gallery’s first exhibition dedicated to the radical Italian artist brings new focus to her wildly original experimentations in paint, textile, sculpture, and bricolage

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

Akashi’s first exhibition with the gallery in New York reflects on heirlooms, not as tokens of nostalgia but as material conditions in which matter itself carries history forward

including many pieces not previously exhibited, and covering thirty years of work by the painter often seen as an ‘artist’s artist’ - “Oxlade’s paintings echo the vast, often glorious muddle of our existence” - Jennifer Higgie

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

outstanding images by Niépce, Daguerre, Fox Talbot, Fizeau, Le Gray, Frith, Piot, and Greene in an exhibition exploring the origins of photography - “the magic of early photographs intertwines with the spirit of discovery”

with the first screening of a filmed interview, an array of archival documents, and a selection of artworks and artist tools, this exhibition explores “the echoes, parallels, and differences that construct[ed] the relationship between the two friends”

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light

referencing the denouement of Orson Welles’ Citizen Kane, these new paintings by Dan Coombs and Sophie Ives reflect on memory and time past

a duo exhibition which expands the dialogue between the two artists into a more intimate and sensorial register, bringing together two distinct approaches to perception, relationships, and lived experience

curated by Seohyun Kang, works by Song E Yoon and Frédéric Bruly Bouabré exploring humanity’s engagement with memory, recording, and the passage of time

a two-person exhibition of still life artist Carin Gerard and landscapist Rebecca Stenn - “the exhibition plays on the juxtapositions, while uniting themes of color, form, and technique”

“Hutchison’s mixed media constructions and Pastine’s oils on canvas and paper alchemically transcend their materiality, dissolving into hazy implications of perpetual vistas and limitless color fields”

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

including many pieces not previously exhibited, and covering thirty years of work by the painter often seen as an ‘artist’s artist’ - “Oxlade’s paintings echo the vast, often glorious muddle of our existence” - Jennifer Higgie

new paintings “seeded in the quiet depths of winter, born from a period of hibernation and recovery, and emerg[ing] now in the season of rebirth” in Smorczewski’s first solo exhibition in the UK

“known for his atmospheric nocturnal scenes and psychologically charged portraits, Hido now turns toward the expanded visual form of collages and explores the shifting terrain between memory, place, and narrative”

the Brooklyn-based painter’s debut UK solo exhibition “reflects on the role of imagination as a survival mechanism … these vivid, energetic works bring joy and humour to the everyday” - Sam Hanson, curator

“Groobey … explores emotions that cut across individual experience, like awe, success, joy, tenderness, adoration, and desire. Her work depicts the body, the primary site through which the world is felt and known”

“Ahn continues to summon the ordinary, the anonymous, and the ghostly within the urban landscape of her everyday life in the UK”

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

recent and past works in the first solo exhibition in Los Angeles by one of the most influential living artists in the decorative arts

working with textile, chalk, stone, fabric, wool, and found objects, Prendergast explores themes of identity, geography, and the human body through sculpture, work on paper, and installation

Perrotin’s debut exhibition with the LA-based artist presents his iconic photo sculptures - “viewed together, the works in Portals offer a reminder of how the lives of Black people in the West have been shaped by legacies of racial othering” - Ekow Eshun

new lighting pieces by the Paris-based design studio known for “serene, dreamlike creations that evoke poignant and harmonious confluences with the natural world”

an archivally-driven exhibition of over 200 objects - costume designs, photographs, drawings, garments, jewelry, artworks - from the 50s-70s, exploring the central role of costume design in Saar’s early career and throughout her life

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

“one cannot move through the exhibition - which Calleja conceived with the cabinet of curiosities in mind - without savoring the charged pleasure of works whose messages seem to answer one another” - Éric Troncy

an exhibition highlighting the founding members of the late-1950s group ZERO - “as our world continues to erode amid cascading crises and devastating wars, the ZERO group’s project might yet inspire through its unshakeable optimism” - Matthieu Jacquet

Winter’s first solo exhibition in Germany presents his black-and-white photographs focusing on 1970s America and Southern Europe, capturing urban and rural environments, everyday objects, and ambiguous visual relations in a perceptive form of storytelling

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light

an exhibition with works by over thirty artists

major works from three significant series by Drühl - silicone paintings, lacquer paintings, and sculpture

“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits”

“Rocha and Linington make visible how a place persists within you, continuing to shape and inform you, even as it evolves into something you no longer entirely recognise” - Sofia Hallstrom

curated by Melanie Kress, a transformation of City Hall Park into a stage for artworks that play with commonplace park features like planted gardens, fountains, and public statuary

new oil on linen paintings, oils on paper, enamel on steel works, hand-painted bronze sculptures, and a large glass lantern encompassing Ekblad’s instinctive and expansive practice in her first exhibition at the gallery’s London space

monumental new sculptures, the British Nigerian artist’s largest works to date, are finished with a metallic glaze that reflects the body, and shown alongside a film produced in Ọṣun-Ọṣogbo, a sacred site of the Yoruba fertility goddess Osun

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

emblematic as well as previously unseen works at the intersection of photography, language, and conceptual détournement - “a journey through contemporary imaginaries, a space where images, objects, and words cease to function as mere references”

new large-scale “topographic portraits” by Sambunaris - highly detailed and dramatically composed photographs examining changes to the landscape of the American West resulting from human intervention

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

Braeckman’s first solo exhibition in the UK presents recent works situated within the broader arc of his practice - “with their haunting stillness and ashen, moody dispositions, Braeckman’s images appear suspended outside place and narrative”

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

Sütunç's process-oriented practice uses sculpture, photography, video, installation, and text to explore different ways of being in the world through carrying, relationality, and fragility

curated by Diana Kudaibergen, the Kazakh artist works with video, Al-driven cyber textiles, photography, and immersive sound to create a contemporary, technological, and philosophical world where water, myth, and the feminine intersect across Central Asia

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

one of Spain’s most internationally acclaimed contemporary artists, Aragó “explores voyages between sky and sea, employing mechanical elements such as propellers, submarines, and airplanes to construct a poetic narrative of time, space, and life”

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

curated by Thierry Raspail, Lee Mingwei’s first exhibition at the gallery’s Paris space presents interactive works as “he questions the world and offers no answer. And this way he questions us too”

new paintings and sculptures as Eisenman concentrates on three sites of middle-class living: home, work, beach

new wall-mounted, hand-painted sculptures as Cowan transforms regular studio items through the process of casting to examine their nature and how we look at and think about them

Campbell explores evolutionary history, mythology, and queer culture through sculpture - metaphorising marine and terrestrial nature to reveal the flimsiness of social and political binary systems

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

the gallery launches its exhibition programme with painting, sculpture, and mixed media work by five contemporary artists who explore the liminal state as a productive site of possibility

“Bozó’s images might appear to resemble storyboard frames from Hanna-Barbera or Disney cartoons, they in fact have more in common with Cy Twombly’s scribbles and gestures, Jackson Pollock’s splatter paintings or William de Kooning” - Saša Bogojev

”simple, reduced compositions exist alongside dense, multilayered structures; monochrome palettes contrast with the emergence of more vibrant hues; intimate formats coexist with larger, more expansive works”

“Benito treats painting as a space where the things he adores have the possibility of cohabitation … literary extracts, personal experiences and references to other artists’ work are painted along with each other”

alongside one of her renowned glass sculptures, never before exhibited works on paper from Horn’s new series exploring repetition and the written word as a medium

Campbell explores evolutionary history, mythology, and queer culture through sculpture - metaphorising marine and terrestrial nature to reveal the flimsiness of social and political binary systems

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

Cole’s first exhibition at the gallery sees the American artist translating the external world into uncanny, psychologically charged paintings of interior spaces