new paintings which examine “the effects of systems that separate people from land, ancestry, ecology and embodied forms of knowledge”, drawing on Kahraman’s personal history as a Kurdish-Iraqi refugee and the loss of her home in the LA wildfires

a group exhibition with works by Jimmy DeSana, Philip-Lorca DiCorcia, William Etty, George Grosz, Maria Lassnig, Tony Morgan, Raymond Pettibon, Thomas Ruff, and Patti Smith

curated by Jenni Lomax, an exhibition of seventeen works by the late painter - “a flaneuse and a magpie - Clough collected shapes, colours, textures, contradictions and incongruities; objects and images of all that was a part of everyday life”

large-scale paintings, music, film, and installation transform the gallery into an immersive environment of sound and image

Bainbridge’s sculptures explore the threshold between earth and sky, presence and absence, body and landscape

presented with Matthew Marks Gallery, sculpture and drawing - including works on view in London for the first time - in an exhibition of the influential and relentlessly inventive LA-based artist

Smith’s first solo exhibition in the UK - “I don’t think the show is prescribing anything. It’s more a question about what we’re actually building when we build a life, and what it might mean to let it go” - Smith

“Spann seeks to make the flag a banner more explicit in its aims … this weighty work on wood panel confronts us like a roadside banner warning that some of us will find scant shelter here” - Seph Rodney

“I do not intend for this work to rest on answers or certainties, on fixed or dogmatic conclusions. It situates itself in listening, in looking, in staying with a reality that strikes us in silence” - Rumié

created by Glenn Harvey, an exhibition where each artwork is paired with a three-part audio piece of spoken narration, artist reflection, and an original soundscape - inviting audiences to experience the work through sound as well as sight

curated by Qi Chao, this group exhibition with DAZHI, Ding Hongdan, Jing Ao, Liang Yuanwei, Wenjue, and Xu Qu examines which aspects of human thought and artistic creation remain uniquely human

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

curated by SLG New Curators, new work responding to the gallery in the South Korean multimedia artist’s first solo exhibition in the UK

one of Spain’s most internationally acclaimed contemporary artists, Aragó “explores voyages between sky and sea, employing mechanical elements such as propellers, submarines, and airplanes to construct a poetic narrative of time, space, and life”

an exhibition exploring the varied work of the German painter, graphic designer, sculptor, and photographer

“Shulman is a romantic artist. His themes – loss, memory, nostalgia, death, the porous membrane between joy and pain, time and space, forgetting and remembering, would be familiar to the poet, John Keats” - Nicola Shulman

Sean Zhang curates an exhibition that brings together Elizabeth Dimitroff, Alice Ningci Jiang, Paulina Moncada, and Yutong Yin, who explore how identity is formed through transition, environment, encounters, and the traces we carry forward

“a book / exhibition of 24 drawings about love … an intensely sensitive suite of drawings inspired by the Passion of Christ and dedicated to all outsiders”

nearly fifty works by seventeen gallery artists from the East and the West, revealing two distinct yet complementary modes of artistic perception

Tingleff, one of Scandinavia’s leading ceramic artists, gives an “impression of the natural world beyond human-made walls, made powerfully and palpably present … all normal sense of scale is suspended” - Glenn Adamson

Henry Crespo, Sergio Marrero, Andy Mendoza, Harold Ramírez, Linet Sánchez - five young Cuban artists who celebrate “connection, hope, and the will to keep creating while the light of day still lingers”

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”

new sculptures continuing Dávila’s exploration of the fundamental act of placing one thing in relation to another, working through deliberate acts of positioning and arrangement so that relationships, tensions, and meanings emerge

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

Cole’s first exhibition at the gallery sees the American artist translating the external world into uncanny, psychologically charged paintings of interior spaces

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

organized by Carlo Knoell, the gallery’s first exhibition dedicated to the radical Italian artist brings new focus to her wildly original experimentations in paint, textile, sculpture, and bricolage

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

a group exhibition bringing into dialogue pioneering figures of Pop with a younger generation to examine how consumption, sexuality, and social behaviour are both staged and contested

an expansive exhibition covering five decades of the work of one of the most influential and essential artists of the 20th Century

taking place across all three of the gallery’s international spaces, the second edition of its annual presentation of the finest Australian First Nations works of art

“poignant, exuberant distillations of how it feels to be human in a rapidly changing world” - organized in collaboration with Fortes D'Aloia & Gabriel, new paintings in the Brazilian artist’s first solo exhibition in the US

Akashi’s first exhibition with the gallery in New York reflects on heirlooms, not as tokens of nostalgia but as material conditions in which matter itself carries history forward

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

this two-artist exhibition of new works pairs Obels’ Corten steel sculptures with Xiao-Min’s abstract paintings

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

a new iteration of the multidisciplinary artistic partnership’s “Zanzibar”, the immersive mixed-media installation with diptychs painted by Himid and a “libretto” composed by Stawarska - reflecting on themes of memory and movement and loss and belonging

new paintings - dramatically scaled roses, peonies, daisies, tulips, and poppies erupt beyond the canvas - engaging the Old Masters to address contemporary preoccupations with the self, the body, and ecological anxiety about the fate of the natural world

“Curious Yellow / I hadn’t forgotten her, I just couldn’t remember her name. / Only when I looked back did I remember.”

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

Schenker works across performance, drawing, sculpture, and installation to explore the relationship between body, matter, and space

new sculptures continuing Dávila’s exploration of the fundamental act of placing one thing in relation to another, working through deliberate acts of positioning and arrangement so that relationships, tensions, and meanings emerge

new works in Adam’s debut solo exhibition in New York examining “how paintings can emerge from a black ground, using darkness, not as absence, but as a generative foundation from which color, gesture, and form unfold”

“the exhibition title reflects the logic of the work itself. Each canvas unfolds as a process rather than a fixed image, in which accumulation, erasure, and reconstruction allow the painting to emerge over time”

large-scale, vibrant, abstract paintings exploring movement, displacement, and survival in Mays’ first solo exhibition at the gallery

curated by Qi Chao, this group exhibition with DAZHI, Ding Hongdan, Jing Ao, Liang Yuanwei, Wenjue, and Xu Qu examines which aspects of human thought and artistic creation remain uniquely human

“the starting point for this exhibition was the desire to take on the flag, this supreme icon of nationalism, and to reverse its logic … I wanted to make works that, while evoking the idea of a flag, visually and emotionally contradict its principles”

new paintings made from single, sequential droplets of paint onto paper, shown with a mural-sized work composed of dozens of marbled paintings on paper

a two-person exhibition of still life artist Carin Gerard and landscapist Rebecca Stenn - “the exhibition plays on the juxtapositions, while uniting themes of color, form, and technique”

“repetition and self-quoting permeates Topolewski’s practice at large, with imagery … weav[ing] an inconstant tapestry of frail thoughts and ideas that the viewer gets tangled up in” - Saša Bogojev

the latest in the gallery series presents significant works by Volpi alongside paintings by artists from subsequent generations who reflect on - and depart from - his example

inspired by his heritage and the vibrant energy of communal gatherings, new paintings, prints, sculpture, and an immersive sound installation in the British Nigerian artist and designer’s first solo gallery exhibition in his home city

an exhibition of new work by Thuring

curated by Jenni Lomax, an exhibition of seventeen works by the late painter - “a flaneuse and a magpie - Clough collected shapes, colours, textures, contradictions and incongruities; objects and images of all that was a part of everyday life”

“Loeb answers to the true substance and matter of painting. She takes a sculptural approach to paint, building immersive fields of colour … which are then scraped, reworked and reapplied to achieve a dense, tactile surface”

focussing on his portraiture, new figurative oil paintings, significant loans of recent work, and drawings “reflect Shearer’s commitment to exploring the variable, unfixed nature of images and the technologies that mediate our reception of them”

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

Major’s first solo exhibition at the gallery explores how identity is formed through movement, memory, and transformation, investigating the relationship between self and place as a condition of becoming rather than origin

Joseph’s first large-scale exhibition in the UK draws on her Indian-American upbringing and presents ambitious large scale felted works created in response to her research following sheep across Scotland

De Falco’s first solo exhibition at the gallery - “her research subverts and alters codified cultural orders through an investigation of language and the physical and mental spaces inhabited and crossed by individuals and communities”

Bainbridge’s sculptures explore the threshold between earth and sky, presence and absence, body and landscape

at sizes ranging from 10x14 inches to 4x8 feet, new paintings in the Los Angeles native’s rich palette of bruised blues and dense greens featuring his characteristic faceless figures

through textile, assemblage, and sculpture, Rico’s first solo exhibition in the city examines connections between humanity to connect the history of Los Angeles - its land, people, and culture - to the artist’s own homeland and beyond

Kudo’s first solo exhibition with the gallery presents oil paintings of animals, humans, and nature in harmony - “huge complex dreamscapes or single moments in miniature, they are both visually enticing and endlessly intriguing” - Victoria Woodcock

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

Moritz is a Vienna-based visual artist working across photography, video, and artificial intelligence whose work addresses underlying fears, and destabilizes fixed ideas of identity and gender

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

Sütunç's process-oriented practice uses sculpture, photography, video, installation, and text to explore different ways of being in the world through carrying, relationality, and fragility

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

an exhibition of fifty-six photographs from the groundbreaking project by Sultan and Mandel, first published in 1977

Bartley’s photographs evoke classic still-life, color field painting and minimalism while examining the formal and poetic qualities of the book as an object itself rather than as simply a conveyor of information

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

curated by Jenée-Daria Strand, Othello’s first solo outdoor exhibition in the city presents large-scale bronzes and new totemic redwood sculptures exploring ritual, spiritual, and healing objects from Western and Central Africa

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

a group exhibition bringing into dialogue pioneering figures of Pop with a younger generation to examine how consumption, sexuality, and social behaviour are both staged and contested

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

Davi’s first solo exhibition in Spain and with the gallery - “the works presented here continue an ongoing research that unfolds across different exhibitions … while maintaining a consistent engagement with concrete, iron and painting as central elements”

major works from three significant series by Drühl - silicone paintings, lacquer paintings, and sculpture

curated by Andrew Renton, this new commission by Ferreira explores the very earliest moments of punk and how culture moves, adapts and transforms across geographies and histories

a group exhibition of ten artists who explore “the garden sculpture“

screen prints and sculptures cast in aluminium - “in the autumn of 2025, I was restless because of the state of the world. My angry energy wasn’t suited to studio work but worked well for the metal foundry and the printmaking workshop” - Jonasson

curated by Maria do Carmo M. P. de Pontes, an exhibition of new painting, sculpture, and ceramics - “in a moment of synthesis, Palms and Smoke presents a culmination of Kritzman’s artistic evolution”

“Loeb answers to the true substance and matter of painting. She takes a sculptural approach to paint, building immersive fields of colour … which are then scraped, reworked and reapplied to achieve a dense, tactile surface”

an exhibition of fifty-six photographs from the groundbreaking project by Sultan and Mandel, first published in 1977

focussing on his portraiture, new figurative oil paintings, significant loans of recent work, and drawings “reflect Shearer’s commitment to exploring the variable, unfixed nature of images and the technologies that mediate our reception of them”

recent and previously unseen works that move between sculpture, drawing, and painting - “a meditation on time’s slow work upon the body and the landscape, and the place where the two meet”

Le Bas’ first exhibition at the gallery spans objects, environments, textiles, costumes, and performances - occupying the intersection of the personal and the political, in dialogue with questions about land, movement, gender, and discrimination

“Rocha and Linington make visible how a place persists within you, continuing to shape and inform you, even as it evolves into something you no longer entirely recognise” - Sofia Hallstrom

a group exhibition bringing into dialogue pioneering figures of Pop with a younger generation to examine how consumption, sexuality, and social behaviour are both staged and contested

new work by Morris reflecting on how we tell the story of war