an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture

“a group exhibition bringing together a collective of artists to reflect on continuity, resilience, and quiet optimism … the exhibition draws on the symbolic energy of the spring season - where renewal unfolds”

a hundred small mixed media works on C5 manilla envelopes in the latest iteration of Tiffany-Annabelle’s Women in Bloom series

“the exhibition title reflects the logic of the work itself. Each canvas unfolds as a process rather than a fixed image, in which accumulation, erasure, and reconstruction allow the painting to emerge over time”

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

to mark the 100th anniversary of her birthday, an exploration of Monroe’s life, career, and legacy through portraits by some of the greatest photographers and artists of the 20th and 21st centuries.

the British multidisciplinary artist captures subtle, absurd disruptions - small fractures in the ordinary that reveal tension, humour, and the poetic instability of everyday life

significant artistic achievements and pivotal paintings from the radical final chapter of Dubuffet’s career in a celebration of the gallery’s over 50 year relationship with the artist, since hosting his first British solo exhibition in 1972

new sculptures, paintings, and installations in Richards’ first solo exhibition with the gallery

in collaboration with Sommer Contemporary Art, new works presenting Baruch’s singular practice in which textile functions as both medium and language - “a living, pulsating material” through which social, economic and historical processes become visible

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

including piece that have not been exhibited before, an exhibition of the late artist’s works on paper show alongside two tapestries

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

following the gallery’s seasonal theme of artistic responses to the natural world – Ikemura presents a nocturnal garden of sculptures, paintings, works on paper, and poems

“conceived as the pages of a vast manuscript [the exhibition] transforms the gallery into an in-between space: a fertile, ever-shifting organism threaded with passages to other worlds, oscillating between unease and a longing for re-enchantment”

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

in association with Waqas Wajahat, New York, an ambitious body of painting spanning four decades in the internationally acclaimed female artist’s first comprehensive solo exhibition in Korea

an exhibition highlighting five major figures of the prominent South Korean movement - Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-keun, and Chung Sang-Hwa

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

referencing both décor (ornamentation) and corps (the body), Pini’s exhibition of sculpture, photography, and relief places symbolic bodies in space and plays with “their fragile yet imposing nature to create what is perhaps a theatrical experience”

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

an ambitious exhibition celebrating two centuries since the dawn of photography

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

including many pieces not previously exhibited, and covering thirty years of work by the painter often seen as an ‘artist’s artist’ - “Oxlade’s paintings echo the vast, often glorious muddle of our existence” - Jennifer Higgie

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

Weems’ debut exhibition with the gallery in London presents recent and significant bodies of work reflecting on migration, belonging, and the enduring afterlives of the Atlantic passage

the gallery’s first exhibition of Chase’s work since announcing its representation of her estate - Chase occupied a distinctive position between the New Image Painting and Neo-Expressionist movements in the New York art scene of the 70s and 80s

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

outstanding images by Niépce, Daguerre, Fox Talbot, Fizeau, Le Gray, Frith, Piot, and Greene in an exhibition exploring the origins of photography - “the magic of early photographs intertwines with the spirit of discovery”

curated by Elisabetta Bresciani, Magda Blasinska reflects on the rhythmic and structural patterns underlying woven surfaces, while Adia Wahid explores architectural memory through shifting geometric forms inspired by Islamic art

referencing the denouement of Orson Welles’ Citizen Kane, these new paintings by Dan Coombs and Sophie Ives reflect on memory and time past

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

curated by Seohyun Kang, works by Song E Yoon and Frédéric Bruly Bouabré exploring humanity’s engagement with memory, recording, and the passage of time

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

with the first screening of a filmed interview, an array of archival documents, and a selection of artworks and artist tools, this exhibition explores “the echoes, parallels, and differences that construct[ed] the relationship between the two friends”

exploring Japanese and British ceramics through the Modern period, this exhibition examines a relationship based on knowledge-sharing and mutual respect

stretching from the 1930s to the early 21st century, and focusing on Freud’s mastery of drawing in all its forms, the first UK museum exhibition to focus on his works on paper includes pieces never previously on display

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

curated by Davide Mogetta this exhibition explores the formative tension of fragility in works by Dadamaino, François Morellet, Arcangelo Sassolino, Günter Umberg, and Grazia Varisco - five leading figures from different generations of international art

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

night-time landscapes of every full-moon - sketched by Hockney on his iPad - during the 2020 lockdown in Normandy

including piece that have not been exhibited before, an exhibition of the late artist’s works on paper show alongside two tapestries

an exhibition devoted to Uslé’s drawings - “kinds of visual fragment that have accompanied his artistic process for more than thirty-five years”

curated by Dr. Sophie Bostock and presented in collaboration with Galerie Ary Jan and Kent Antiques, a significant group of paintings and works on paper that collectively examine the visual and cultural frameworks of 19th-century Orientalism

the multimedia artist’s large-scale sculptures of buttons, beads, and crystals reflect Zen Buddhism’s discipline and mindfulness through meticulous, repetitive craftsmanship and themes of change and resilience

curated by Laïdi-Hanieh, the exhibition presents the pioneering Turkish-Arab modernist’s 1940s–60s works featuring gestural abstractions, figurative paintings, and works on paper exploring colour, texture, and cosmic themes

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

new abstract and figurative watercolour on paper compositions drawing on the rhythmic, patterned textiles of checks, tartans, and plaids continue Weaver’s ongoing concern with colour, gesture, geometry, and line

“a fascinating window into the unseen world of Victorian science [which] celebrates the work of naturalist Charles Thomas Hudson, a pioneer in the world of microscopy”

an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

“Ha Chong-Hyun continues to push the boundaries of abstraction beyond clear-cut conceptual apprehension, inviting the viewer into a direct encounter where mind and matter meet” - Pieter Vermeulen

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

a group exhibition by Brush Tu founders Boniface Maina, David Thuku, and Michael Musyoka

curated by Jenée-Daria Strand, Othello’s first solo outdoor exhibition in the city presents large-scale bronzes and new totemic redwood sculptures exploring ritual, spiritual, and healing objects from Western and Central Africa

new paintings, in dialogue with a site-specific wall painting, based on “myths, Biblical accounts and fairy tales, with an emphasis on stories detailing fantastical conceptions and births”

referencing the denouement of Orson Welles’ Citizen Kane, these new paintings by Dan Coombs and Sophie Ives reflect on memory and time past

in this exhibition, titled after an atmospheric phenomenon visible shortly before sunrise or after sunset, an “ethereal pinkish band” directly inspires six new, monumental paintings by Crews-Chubb

Sterling’s first solo exhibition with the gallery and in Istanbul - “involving food, the body, and stains, Sterling’s paintings appear playful and exaggerated … yet reveal underlying hierarchies, processes of objectification, [and] microaggressions”

including several paintings never previously exhibited, this exhibition focusses on a pivotal period in the early 1950s when Heron negotiated his own path between figuration and abstraction

Sütunç's process-oriented practice uses sculpture, photography, video, installation, and text to explore different ways of being in the world through carrying, relationality, and fragility

“Groobey … explores emotions that cut across individual experience, like awe, success, joy, tenderness, adoration, and desire. Her work depicts the body, the primary site through which the world is felt and known”

in a dynamic installation, new paintings and a series of drawings by Cardenas - “an alluring gesamtkunstwerk … his reimaginings of art, design, mythology, and fantasy are masterfully woven into a dreamlike vision of the future” - Paul Laster

“Spann seeks to make the flag a banner more explicit in its aims … this weighty work on wood panel confronts us like a roadside banner warning that some of us will find scant shelter here” - Seph Rodney

curated by Rolando J. Carmona, an exhibition examining how the Brazilian artist engaged throughout her career with relationships between the body, psychoanalysis, and geometric abstraction

Schneider’s first solo exhibition at the gallery centres his ongoing Gesamtkunstwerk “Haus u r” with two livestream projections shown for the first time, alongside key works from the house

“the title of Rob Ball’s exhibition offers a compelling way into a fifteen-year photographic journey that includes over 100 seaside resorts, from the damp, neon-lit promenades of Blackpool to the fading ‘Doo-Wop’ motels of Wildwood, New Jersey”

monumental new sculptures, the British Nigerian artist’s largest works to date, are finished with a metallic glaze that reflects the body, and shown alongside a film produced in Ọṣun-Ọṣogbo, a sacred site of the Yoruba fertility goddess Osun

the Iranian-American artist’s first exhibition with the gallery builds on her ongoing series examining her parents’ experiences of political exile following the 1979 Iranian Revolution and broader systems of geopolitics, displacement, and care

an exhibition focusing on Yamamoto’s photographs of owls - gelatin silver prints printed by the artist reveal his deep respect, depicting not only the owls’ beauty and grace, but also their eccentricity, companionship and individuality

the British multidisciplinary artist captures subtle, absurd disruptions - small fractures in the ordinary that reveal tension, humour, and the poetic instability of everyday life

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

small-scale sculptures and paintings from antiquity to modernity showing scale not as a limitation but “an invitation to look closely ... celebrating intimacy, precision, and sensitivity”

Sütunç's process-oriented practice uses sculpture, photography, video, installation, and text to explore different ways of being in the world through carrying, relationality, and fragility

raw plaster sculptures alongside limited edition prints and drawings - “Love invites viewers to feel those emotional states that flow not just between us but throughout our wider ecology where fragility, tenderness and strength understand each other”

monumental new sculptures, the British Nigerian artist’s largest works to date, are finished with a metallic glaze that reflects the body, and shown alongside a film produced in Ọṣun-Ọṣogbo, a sacred site of the Yoruba fertility goddess Osun

curated by Thierry Raspail, Lee Mingwei’s first exhibition at the gallery’s Paris space presents interactive works as “he questions the world and offers no answer. And this way he questions us too”

“for his first solo exhibition at Bigaignon … Pimentão invites us to consider drawing not only as an object to be seen, but as something that acts, resonates, and takes form”

“crowns built from keyboard keys, bottle caps, and combs stand for authority and power, but are always rooted in Black experience … Takadiwa’s work makes room for critique, but also suggests that change is possible” - Fernanda Brenner

an exhibition presenting works where marble, stone, steel, and oil are subjected to forces testing matter, exploring the unstable threshold before and after rupture under pressure

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

new wall-mounted, hand-painted sculptures as Cowan transforms regular studio items through the process of casting to examine their nature and how we look at and think about them

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

ten watercolor works on panel, developing Qian Qian’s concept of a “practice-based cosmology”, not a representation of a world already known, but a landscape of consciousness - unstable, generative, and not yet fully understood

large-scale, vibrant, abstract paintings exploring movement, displacement, and survival in Mays’ first solo exhibition at the gallery

including the debut of the artist’s double-sided ‘qamariya’ paintings - referencing the traditional stained glass windows of Sanaa - the exhibition brings together multiple bodies of work that comprise the holistic ‘Door to Life’ series for the first time

the gallery celebrates its thirtieth anniversary with a landmark presentation “from those who laid our foundation, to those who remain vital touchstones today, on to those whose work will shape the decades ahead”

“Rivers’ trademark is his gestural handling of vigorously applied oil paint that articulates pulsating clouds of intense, vaporous colour [with] a sumptuous palette that deploys rich ultramarines, rosy pinks, dusty ochres”

presented with Isamaya ffrench

an installation that sees Andrew draw on romanticised historical images of Aboriginal people - disrupting, reframing, and transforming them through new symbolic interventions

“the title of Rob Ball’s exhibition offers a compelling way into a fifteen-year photographic journey that includes over 100 seaside resorts, from the damp, neon-lit promenades of Blackpool to the fading ‘Doo-Wop’ motels of Wildwood, New Jersey”