a group exhibition bringing into dialogue pioneering figures of Pop with a younger generation to examine how consumption, sexuality, and social behaviour are both staged and contested

Sikander's exhibition is centred on her acclaimed new animation - a cinematic tableau exploring the currents of power and trade that have shaped the global landscape from the 19th century to the contemporary era - heard now for the first with its score

”simple, reduced compositions exist alongside dense, multilayered structures; monochrome palettes contrast with the emergence of more vibrant hues; intimate formats coexist with larger, more expansive works”

the gallery’s first exhibition of one of the most distinctive figures associated with British Surrealism spans almost thirty years of her paintings, collages, and mixed-media works

Major’s first solo exhibition at the gallery explores how identity is formed through movement, memory, and transformation, investigating the relationship between self and place as a condition of becoming rather than origin

to mark the gallery’s new London space, an exhibition of key works from the series - “Uysal approaches architectural space as a living surface - a skin - that can be stretched, compressed, pierced, or displaced”

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

an exhibition of new paintings by Harsha, elaborating on his celebrated ongoing series featuring traditional clay lamps with flames and trails of smoke creating patterns that guide the eye around the canvas

in an exhibition exploring sound as a medium, painting, photography, video, sound, sculpture, and installation works by an all-female group of artists

new and historical works by Arsham, spanning sculpture, painting, and works on paper drawn from nearly two decades of his practice - tracing the sustained engagement with geology, archaeology, and the cultural residue of the recent past

Piccinini’s first presentation with the gallery in London explores kinship through humanoid chimeras in silicone and fibreglass, reflecting empathy, “speculative optimism”, and the tension between cruelty and tenderness

in the Thai-born, France-based artist’s debut solo exhibition in the UK, new paintings of family and friends, explore memory, distance, and presence

“Shulman is a romantic artist. His themes – loss, memory, nostalgia, death, the porous membrane between joy and pain, time and space, forgetting and remembering, would be familiar to the poet, John Keats” - Nicola Shulman

Sean Zhang curates an exhibition that brings together Elizabeth Dimitroff, Alice Ningci Jiang, Paulina Moncada, and Yutong Yin, who explore how identity is formed through transition, environment, encounters, and the traces we carry forward

“a book / exhibition of 24 drawings about love … an intensely sensitive suite of drawings inspired by the Passion of Christ and dedicated to all outsiders”

nearly fifty works by seventeen gallery artists from the East and the West, revealing two distinct yet complementary modes of artistic perception

Tingleff, one of Scandinavia’s leading ceramic artists, gives an “impression of the natural world beyond human-made walls, made powerfully and palpably present … all normal sense of scale is suspended” - Glenn Adamson

Henry Crespo, Sergio Marrero, Andy Mendoza, Harold Ramírez, Linet Sánchez - five young Cuban artists who celebrate “connection, hope, and the will to keep creating while the light of day still lingers”

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”

new sculptures continuing Dávila’s exploration of the fundamental act of placing one thing in relation to another, working through deliberate acts of positioning and arrangement so that relationships, tensions, and meanings emerge

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

Cole’s first exhibition at the gallery sees the American artist translating the external world into uncanny, psychologically charged paintings of interior spaces

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

organized by Carlo Knoell, the gallery’s first exhibition dedicated to the radical Italian artist brings new focus to her wildly original experimentations in paint, textile, sculpture, and bricolage

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

a group exhibition bringing into dialogue pioneering figures of Pop with a younger generation to examine how consumption, sexuality, and social behaviour are both staged and contested

“Benito treats painting as a space where the things he adores have the possibility of cohabitation … literary extracts, personal experiences and references to other artists’ work are painted along with each other”

an expansive exhibition covering five decades of the work of one of the most influential and essential artists of the 20th Century

taking place across all three of the gallery’s international spaces, the second edition of its annual presentation of the finest Australian First Nations works of art

“poignant, exuberant distillations of how it feels to be human in a rapidly changing world” - organized in collaboration with Fortes D'Aloia & Gabriel, new paintings in the Brazilian artist’s first solo exhibition in the US

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

“Rocha and Linington make visible how a place persists within you, continuing to shape and inform you, even as it evolves into something you no longer entirely recognise” - Sofia Hallstrom

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

a new iteration of the multidisciplinary artistic partnership’s “Zanzibar”, the immersive mixed-media installation with diptychs painted by Himid and a “libretto” composed by Stawarska - reflecting on themes of memory and movement and loss and belonging

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

a two-person exhibition of still life artist Carin Gerard and landscapist Rebecca Stenn - “the exhibition plays on the juxtapositions, while uniting themes of color, form, and technique”

“Curious Yellow / I hadn’t forgotten her, I just couldn’t remember her name. / Only when I looked back did I remember.”

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

Schenker works across performance, drawing, sculpture, and installation to explore the relationship between body, matter, and space

new sculptures continuing Dávila’s exploration of the fundamental act of placing one thing in relation to another, working through deliberate acts of positioning and arrangement so that relationships, tensions, and meanings emerge

new works in Adam’s debut solo exhibition in New York examining “how paintings can emerge from a black ground, using darkness, not as absence, but as a generative foundation from which color, gesture, and form unfold”

“the exhibition title reflects the logic of the work itself. Each canvas unfolds as a process rather than a fixed image, in which accumulation, erasure, and reconstruction allow the painting to emerge over time”

large-scale, vibrant, abstract paintings exploring movement, displacement, and survival in Mays’ first solo exhibition at the gallery

curated by Qi Chao, this group exhibition with DAZHI, Ding Hongdan, Jing Ao, Liang Yuanwei, Wenjue, and Xu Qu examines which aspects of human thought and artistic creation remain uniquely human

“the starting point for this exhibition was the desire to take on the flag, this supreme icon of nationalism, and to reverse its logic … I wanted to make works that, while evoking the idea of a flag, visually and emotionally contradict its principles”

new paintings made from single, sequential droplets of paint onto paper, shown with a mural-sized work composed of dozens of marbled paintings on paper

a two-person exhibition of still life artist Carin Gerard and landscapist Rebecca Stenn - “the exhibition plays on the juxtapositions, while uniting themes of color, form, and technique”

recent paintings and object from one of the founders of the Supports/Surfaces movement, who has spent six decades pushing the boundaries of painting

Joseph’s first large-scale exhibition in the UK draws on her Indian-American upbringing and presents ambitious large scale felted works created in response to her research following sheep across Scotland

De Falco’s first solo exhibition at the gallery - “her research subverts and alters codified cultural orders through an investigation of language and the physical and mental spaces inhabited and crossed by individuals and communities”

Bainbridge’s sculptures explore the threshold between earth and sky, presence and absence, body and landscape

at sizes ranging from 10x14 inches to 4x8 feet, new paintings in the Los Angeles native’s rich palette of bruised blues and dense greens featuring his characteristic faceless figures

through textile, assemblage, and sculpture, Rico’s first solo exhibition in the city examines connections between humanity to connect the history of Los Angeles - its land, people, and culture - to the artist’s own homeland and beyond

Kudo’s first solo exhibition with the gallery presents oil paintings of animals, humans, and nature in harmony - “huge complex dreamscapes or single moments in miniature, they are both visually enticing and endlessly intriguing” - Victoria Woodcock

new paintings in Berhanu’s first solo presentation in Asia - “interlocking organic forms that suggest bodies, landscapes, and cellular structures simultaneously, without resolving into any one of them”

titled after the physical trace a memory leaves in the brain, an exhibition of new paintings and works on paper by the Brooklyn-based artist

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

an exploration of intimacy and detail - the world as seen close up by Modern Masters of photography including Helmut Newton, Irving Penn, Herb Ritts, Richard Avedon, Daidō Moriyama, Hiro, and Erwin Olaf

JR presents preparatory plastic works for La Caverne du Pont Neuf, combining photography, drawing, collage on zinc sheets, and crumpling to document the design of his monumental Paris bridge installation

Schneider’s first solo exhibition at the gallery centres on his ongoing Gesamtkunstwerk “Haus u r” - with two livestream projections, shown for the first time, alongside key works from the house

new sculpture and photography exploring absence as a material and as a psychological condition, as Hapaska continues to refine her longstanding engagement with material instability, disorientation and our contemporary psychic dislocation

new large-scale “topographic portraits” by Sambunaris - highly detailed and dramatically composed photographs examining changes to the landscape of the American West resulting from human intervention

a group exhibition bringing into dialogue pioneering figures of Pop with a younger generation to examine how consumption, sexuality, and social behaviour are both staged and contested

“Shulman is a romantic artist. His themes – loss, memory, nostalgia, death, the porous membrane between joy and pain, time and space, forgetting and remembering, would be familiar to the poet, John Keats” - Nicola Shulman

new stone sculpture by Simonetti shown alongside her first exhibition of paintings - “in an uncharacteristically personal body of work, Simonetti grapples with themes of agency, cruelty, and the mechanics of anthropomorphisation”

across both gallery spaces, and on the centenary of her birth, the gallery celebrates Szapocznikow’s work with a chronological journey through her creations from 1946 to 1972

new sculptures continuing Dávila’s exploration of the fundamental act of placing one thing in relation to another, working through deliberate acts of positioning and arrangement so that relationships, tensions, and meanings emerge

curated by Prajna Desai, the gallery’s first exhibition at No.9 Cork Street is about the nature and evidence of arboreal power - with Claire Baker, Goutam Ghosh, Mahesh Baliga, Neha Choksi, Tejal Shah, and Trupti Patel

Moritz is a Vienna-based visual artist working across photography, video, and artificial intelligence whose work addresses underlying fears, and destabilizes fixed ideas of identity and gender

new sculpture and photography exploring absence as a material and as a psychological condition, as Hapaska continues to refine her longstanding engagement with material instability, disorientation and our contemporary psychic dislocation

this two-artist exhibition of new works pairs Obels’ Corten steel sculptures with Xiao-Min’s abstract paintings

curated by Jenée-Daria Strand, Othello’s first solo outdoor exhibition in the city presents large-scale bronzes and new totemic redwood sculptures exploring ritual, spiritual, and healing objects from Western and Central Africa

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

Major’s first solo exhibition at the gallery explores how identity is formed through movement, memory, and transformation, investigating the relationship between self and place as a condition of becoming rather than origin

curated by Yates Norton and titled after a William Blake couplet, this exhibition “celebrates the vital power of creativity and poetry as a ceaseless act of responding to and working with the world around us”

“Loeb answers to the true substance and matter of painting. She takes a sculptural approach to paint, building immersive fields of colour … which are then scraped, reworked and reapplied to achieve a dense, tactile surface”

an exhibition of fifty-six photographs from the groundbreaking project by Sultan and Mandel, first published in 1977

focussing on his portraiture, new figurative oil paintings, significant loans of recent work, and drawings “reflect Shearer’s commitment to exploring the variable, unfixed nature of images and the technologies that mediate our reception of them”

recent and previously unseen works that move between sculpture, drawing, and painting - “a meditation on time’s slow work upon the body and the landscape, and the place where the two meet”

Le Bas’ first exhibition at the gallery spans objects, environments, textiles, costumes, and performances - occupying the intersection of the personal and the political, in dialogue with questions about land, movement, gender, and discrimination

“Rocha and Linington make visible how a place persists within you, continuing to shape and inform you, even as it evolves into something you no longer entirely recognise” - Sofia Hallstrom