in his first solo exhibition with the gallery in Shanghai, new and recent works by Li highlighting the evolving direction of his painting, with a deepened focus on material painterliness and pictorial storytelling

curated by Sean Zhang, an exhibition of eleven artists with “a shared conviction that the most rigorous abstraction is never a departure from the world but a deepening of attentiveness to it”

in an exhibition exploring sound as a medium, painting, photography, video, sound, sculpture, and installation works by an all-female group of artists

Isa’s first solo exhibition at the gallery is inspired by a dream and presents painting and sculpture engaging with spirituality, faith, womanhood, and the complexity of locating the self

the debut of a new series of collage paintings rooted in memories of Tezeno’s hometown of Port Arthur, Texas - complex, multi-figure compositions that honor the communal fabric shaping her earliest experiences

a new iteration of the multidisciplinary artistic partnership’s “Zanzibar”, the immersive mixed-media installation with diptychs painted by Himid and a “libretto” composed by Stawarska - reflecting on themes of memory and movement and loss and belonging

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

in her first exhibition with the gallery and in New York, Lowen “interrogates the thin line between instinct and control [and] is ultimately interested in the human desire to impose order on chaos, and the consequences of repressing primal instincts”

JR presents preparatory plastic works for La Caverne du Pont Neuf, combining photography, drawing, collage on zinc sheets, and crumpling to document the design of his monumental Paris bridge installation

continuing the gallery’s series exploring the use of a single colour - this time looking at one of the most symbolic in the history of art - an exhibition of works by an international collection of modern masters and contemporary artists

Chakraborty’s first solo show in France “places the landscape, understood as territory, memory, and political space, at the center [and] reveals these entangled histories of capital, extraction, and control embedded within both landscapes and bodies”

a group exhibition with artists including John Baldessari, James Casebere, Julian Charrière, Iran do Espírito Santo, Katharina Fritsch, Ana González, Laurent Grasso Rebecca Horn, Callum Innes, Aki Inomata, Idris Khan, Joseph Kosuth, Zac Langdon-Pole, …

Smith’s first solo exhibition in the UK - “I don’t think the show is prescribing anything. It’s more a question about what we’re actually building when we build a life, and what it might mean to let it go” - Smith

all-new works by the Brooklyn-based artist who operates at the intersection of painting, sculpture and craft, uprooting conventional distinctions between medium, surface and structure

Akashi’s first exhibition with the gallery in New York reflects on heirlooms, not as tokens of nostalgia but as material conditions in which matter itself carries history forward

Piccinini’s first presentation with the gallery in London explores kinship through humanoid chimeras in silicone and fibreglass, reflecting empathy, “speculative optimism”, and the tension between cruelty and tenderness

Davi’s first solo exhibition in Spain and with the gallery - “the works presented here continue an ongoing research that unfolds across different exhibitions … while maintaining a consistent engagement with concrete, iron and painting as central elements”

new paintings and a four-channel film, shown alongside a site-specific crowd barrier sculpture with drawings, and her latest bronze reliefs, in an exhibition by Imhof that reconfigures and extends ideas developed in her recent projects

curated by Yates Norton and titled after a William Blake couplet, this exhibition “celebrates the vital power of creativity and poetry as a ceaseless act of responding to and working with the world around us”

the Montreal-born, London-based artist’s first solo exhibition with the gallery in New York “proposes painting as a medium uniquely capable of holding disparate registers within a single, shifting field of vision”

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

Piccinini’s first presentation with the gallery in London explores kinship through humanoid chimeras in silicone and fibreglass, reflecting empathy, “speculative optimism”, and the tension between cruelty and tenderness

the gallery’s first exhibition of one of the most distinctive figures associated with British Surrealism spans almost thirty years of her paintings, collages, and mixed-media works

curated by Carrie Patterson, an exhibition of sixty artists at the Center - and eighty in an online exhibition - which asks “what does it mean to be a young artist in a world that feels increasingly overwhelming?”

“repetition and self-quoting permeates Topolewski’s practice at large, with imagery … weav[ing] an inconstant tapestry of frail thoughts and ideas that the viewer gets tangled up in” - Saša Bogojev

co-curated by Salman Matinfar and Piero Tomassoni, an exploration of the development of the avant-garde through the work of ten artists from Italy and Iran who were contemporaries in Rome during the 1950s through the 1970s

an exhibition focusing on Purcell’s works between 1975 and 1979 - a formative moment in her career

“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits”

a group exhibition with artists including John Baldessari, James Casebere, Julian Charrière, Iran do Espírito Santo, Katharina Fritsch, Ana González, Laurent Grasso Rebecca Horn, Callum Innes, Aki Inomata, Idris Khan, Joseph Kosuth, Zac Langdon-Pole, …

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

“working through distinct visual languages - Chu through surreal expressionism and Mao through lyrical abstraction - both artists approach painting as a way of navigating experience”

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”

new paintings and sculptures anchored by a film based on a civil rights text against lynching, in the Los Angeles–based artist’s first solo exhibition with the gallery

“Heinze’s work moves between painting and drawing and is characterized by a distinctive, often fragmentary visual language … in which bodies, spaces, and signs overlap”

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

the first exhibition in Europe to bring together Taylor, one of today’s most celebrated artists, in dialogue with his teacher, the late California modernist Jarvaise

“two artists, two ways of breaking free from photography in order to question it more effectively”

a new iteration of the multidisciplinary artistic partnership’s “Zanzibar”, the immersive mixed-media installation with diptychs painted by Himid and a “libretto” composed by Stawarska - reflecting on themes of memory and movement and loss and belonging

in “a dialogue centred on material engagement and sustained making”, new work by Lidia Lisbôa and Thiago Barbalho - two artists grounded in handmade processes

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light

new works by Hutchings and Romeril, celebrating the creativity that emerges through proximity - partners in life, their distinct artistic practices are united by shared interests in domestic life and its energies

as part of the series marking the gallery’s 50th anniversary “two artists whose practices … converge in their investigation of form in relation to nature and to the structures that organize the visual field”

a two-person exhibition in which Jiyeon Lee and Son Kyungeun “each choose to lose what was originally theirs … they affirm the false emotions that seep into the tunnels dug out from the original”

paintings and works on paper created by a network of fifteen artists in the years surrounding 1960 - a pivotal moment of expansion in post-war American art

new large-scale “topographic portraits” by Sambunaris - highly detailed and dramatically composed photographs examining changes to the landscape of the American West resulting from human intervention

Bartley’s photographs evoke classic still-life, color field painting and minimalism while examining the formal and poetic qualities of the book as an object itself rather than as simply a conveyor of information

Major’s first solo exhibition at the gallery explores how identity is formed through movement, memory, and transformation, investigating the relationship between self and place as a condition of becoming rather than origin

as part of the series marking the gallery’s 50th anniversary “two artists whose practices … converge in their investigation of form in relation to nature and to the structures that organize the visual field”

in his first solo exhibition at the gallery, the multidisciplinary artist explores how digital color perception has changed landscape painting and how the computed environments changed our perception of reality

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

using scientific data from quantum physics, cosmology, and institutions like NASA, Ikeda creates mathematical compositions with sound and light, exploring microscopic and cosmic scales in a multi-sensory experience

Denize’s first solo exhibition in Japan - “the paintings function as a single album, or their arrangement operates like a musical score, through which visual language is transposed into a musical configuration” - Yusuke Nishimoto

in his first solo exhibition with the gallery in Shanghai, new and recent works by Li highlighting the evolving direction of his painting, with a deepened focus on material painterliness and pictorial storytelling

“Stetz questions what it means to capture a place whose central feature already consists in its stylistic and historical displacement; how to document something that already looks like a picture itself” - Anna-Lisa Scherfose

new paintings, in dialogue with a site-specific wall painting, based on “myths, Biblical accounts and fairy tales, with an emphasis on stories detailing fantastical conceptions and births”

the gallery’s third annual summer exhibition dedicated to women artists who helped define major movements of the last century, and whose influence continues to grow and shape contemporary understanding of that period

new works by Zimbabwean ceramicist Somers and Moroccan painter Hamdouch

based on a marked copy of a 1959 poem by Robert Lowell, Springfield’s 4.5 meter, five-part graphite drawing explores the limits of reproduction, the translation of thought into writing, and the material conditions of reading

painting, sculpture, and mixed media in an exhibition bringing together artists whose works reflect the energy and atmosphere of summer

“through his distinctive bent-wood works and these new sculptures, Saito takes the park - the public ground of the city - as his point of departure, and asks, from several angles, what a genuinely open public realm, and what freedom, might mean today”

an exhibition curated by Huiyun Chen and James Hu

works by Georg Baselitz, Enrico David, Per Kirkeby, Florian Krewer, Eugène Leroy, Markus Lüpertz, Francis Picabia, Andy Robert, and Raphaela Simon

an overview of the German painter’s exploration of becoming, and the boundaries of existence - “Greven’s works reveal themselves in luminous clarity, yet at times retreat into a profound mystery that cannot be fully understood or possessed” - Lee Moonjung

a two-person exhibition in which Jiyeon Lee and Son Kyungeun “each choose to lose what was originally theirs … they affirm the false emotions that seep into the tunnels dug out from the original”

“across half a century and a range of disciplines, [eight] artists who have aimed, and still do, to ground the audience in meditation … that attentiveness to form, to material, to time itself”

new oil paintings exploring “intimacy as a psychologically charged space shaped by seduction, mirroring, tenderness, and emotional consumption” in Dymock’s first solo exhibition with the gallery

“Harrison articulates man’s equine partner as something that in its essence reverts to the wild, becomes untameable and ultimately unknowable”

drawing, sculpture, photography, and found objects in an exhibition of works by eight gallery artists linked through their use of repetition, series and classification

a special display of eight works to mark the centenary of Spero’s birth - pieces that exemplify the range, themes and ambition of her practice

in an exhibition titled after the 1941 Jorge Luis Borges’ short story, four artists from Taiwan and four from Italy explore the multiple ways in which images, histories, and identities are constructed and perceived.

“bringing together some of the most influential artistic voices of 1980s New York, the exhibition celebrates a generation whose work continues to shape our understanding of image-making, celebrity, identity, and cultural expression” - Federica Beretta

“the show stages a dialogue between materiality and external observation [and] continues Guérard's reflection on painting in space, apprehending the medium outside its borders and pushing the scale”

an installation and visual loop from a live game environment … holding the audience in a state of sensory attunement while exploring multiple, entangled experiences of time, including deep geological time, atomic time, ecological time

the debut solo exhibition in the UK of the self-taught Iraqi artist who “works across her paintings with her arms and body as a tool, in a semi-meditative state, building layers of pigment through gesture and intuition until something tells her to stop”

six artists who explore intimacy, dreams, and private moments through paintings that reveal interior worlds and shared humanity

works by Caroline Achaintre, Julien Audebert, Pierre Bellot, Michel Blazy, Nina Childress, Jeremy Deller, Michel François, Corentin Grossmann, Miryam Haddad, Kate Newby, Tania Pérez Córdova, and Roman Signer

curated by Sean Zhang, an exhibition of eleven artists with “a shared conviction that the most rigorous abstraction is never a departure from the world but a deepening of attentiveness to it”

accompanying the Forest Cathedral installation in the Barn this summer, a group exhibition which “extends from the forest floor to the sea and sky and encompasses sculpture, painting, drawing, photography, ceramic and multi-media”

an exploration of intimacy and detail - the world as seen close up by Modern Masters of photography including Helmut Newton, Irving Penn, Herb Ritts, Richard Avedon, Daidō Moriyama, Hiro, and Erwin Olaf

a group exhibition of drawings, paintings, photography, and mixed-media works by ten artists who explore visibility, empathy, resilience, and collective memory

“Shulman is a romantic artist. His themes – loss, memory, nostalgia, death, the porous membrane between joy and pain, time and space, forgetting and remembering, would be familiar to the poet, John Keats” - Nicola Shulman

moving image, photography, and painting and assemblage in a group exhibition of three emerging artists whose practices interrogate ideas of class, inheritance and assumed values through representational media

drawing, sculpture, photography, and found objects in an exhibition of works by eight gallery artists linked through their use of repetition, series and classification

emblematic as well as previously unseen works at the intersection of photography, language, and conceptual détournement - “a journey through contemporary imaginaries, a space where images, objects, and words cease to function as mere references”

new large-scale “topographic portraits” by Sambunaris - highly detailed and dramatically composed photographs examining changes to the landscape of the American West resulting from human intervention

accompanying the Forest Cathedral installation in the Barn this summer, a group exhibition which “extends from the forest floor to the sea and sky and encompasses sculpture, painting, drawing, photography, ceramic and multi-media”

Le Bas’ first exhibition at the gallery spans objects, environments, textiles, costumes, and performances - occupying the intersection of the personal and the political, in dialogue with questions about land, movement, gender, and discrimination

major works from three significant series by Drühl - silicone paintings, lacquer paintings, and sculpture

Joseph’s first large-scale exhibition in the UK draws on her Indian-American upbringing and presents ambitious large scale felted works created in response to her research following sheep across Scotland

to mark the gallery’s new London space, an exhibition of key works from the series - “Uysal approaches architectural space as a living surface - a skin - that can be stretched, compressed, pierced, or displaced”

this major figure in Japanese ceramics works with painting and sculpture to create “elemental forms that explore the mysterious world of childhood, evoking a sense of the uncanny”

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

a group exhibition bringing together modern and contemporary artworks by more than a dozen internationally renowned artists - including Chagall, Picasso, Botero, and Yayoi Kusama

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

“Siber chooses to return to the most fundamental dialogue with materiality: making steel weightless, letting wood breathe, transforming colour into time, allowing nature to blossom in Baroque splendour”

Bainbridge’s sculptures explore the threshold between earth and sky, presence and absence, body and landscape

an exhibition “united by Watson’s sensitivity to environments both natural and cultural, and her own resistance, made manifest in canvases delivered with delicacy and a sensual use of materials and marks” - Louise Martin-Chew

Gokita’s first solo exhibition with the gallery in four years includes the first public showing of his paintings in oil

including rarely exhibited works from private collections, a multimedia exhibition of New York city-centric paintings, photos, and prints

“two artists, two ways of breaking free from photography in order to question it more effectively”

new works on paper, a site-specific skylight installation, and a monumental outdoor sculpture, in Finch’s first exhibition in Los Angeles - and with the gallery in the United States

“celebrating the living history of a group that transformed modern painting with extraordinary boldness, and [placing] it amongst a new generation of artistic visionaries who reflect or reimagine that spirit”

“across these eight paintings, transformed forms abound, deconstructed through a liberation of mind and brushstroke” - Louisa Mahoney

the artist’s first solo exhibition with the gallery in the United States - “I’ve been watching the water / the way light reflects off its surface, shining and glistening. / When we cry, our tears return to it’ - Josephs

a two-person exhibition in which Jiyeon Lee and Son Kyungeun “each choose to lose what was originally theirs … they affirm the false emotions that seep into the tunnels dug out from the original”

more than sixty works by two American masters of intimate scale who share a profound interest in the narratives of their immediate environments - the late legendary and self-taught Castle alongside contemporary painter and printmaker Mitchell

centered on community participation, six artists rethink ping-pong tables as playable sculptures - with Moko Fukuyama, Ilana Harris-Babou, Las Hermanas Iglesias, Carlos H. Matos, Amalia Pica, and the collective SUPERFLEX

focussing on moments of yielding, this first instalment in a two-part thematic exhibition includes works by Sophie von Hellermann, Pierre Knop, Manuel Mathieu, Mary Ramsden, Rachel Rose, Tschabalala Self, and Lina Iris Viktor