using scientific data from quantum physics, cosmology, and institutions like NASA, Ikeda creates mathematical compositions with sound and light, exploring microscopic and cosmic scales in a multi-sensory experience

new animations, original drawings, small-scale paintings, and an installation in the first exhibition at the gallery dedicated specifically to Alÿs’ animations

nineteen works by the Belgian painter exploring mythologized French women including Joan of Arc and Bardot to examine how the authority of the gaze shapes their iconic images and collective memory

screen prints and sculptures cast in aluminium - “in the autumn of 2025, I was restless because of the state of the world. My angry energy wasn’t suited to studio work but worked well for the metal foundry and the printmaking workshop” - Jonasson

Akashi’s first exhibition with the gallery in New York reflects on heirlooms, not as tokens of nostalgia but as material conditions in which matter itself carries history forward

bronze sculptures, two large stained-glass windows, drawings, and an imposing print centred around birds and their symbolic meanings - as Smith “projects the feelings that drive her - fears, desires or dreams - onto these animal figures”

“an examination of numismatic figuration through fictional financial instruments, private economies and imaginary medallions”

El-Sayegh’s immersive, site-specific exhibition of paintings, installation, and performance, explores “the machinations of consumerism and perceptions of luxury in the contemporary world”

large-scale pictures printed in acrylic on white gessoed linen canvases depicting infinitely complex forest ecosystems, in the New York-based artist’s first solo London gallery exhibition

in a dynamic installation, new paintings and a series of drawings by Cardenas - “an alluring gesamtkunstwerk … his reimaginings of art, design, mythology, and fantasy are masterfully woven into a dreamlike vision of the future” - Paul Laster

an exhibition examining one among the most unconventional artists of the post-war period and his “disquieting and prophetic pictorial vision … grasping the tensions between humanity and technology long before their full contemporary manifestation”

Le Bas’ first exhibition at the gallery spans objects, environments, textiles, costumes, and performances - occupying the intersection of the personal and the political, in dialogue with questions about land, movement, gender, and discrimination

“curated by Brian Griffiths, the exhibition examines the space between instruction and impulse, extending his longstanding interest in the artist as an unreliable narrator and exhibition-making as staged and provisional”

in the Thai-born, France-based artist’s debut solo exhibition in the UK, new paintings of family and friends, explore memory, distance, and presence

“Shulman is a romantic artist. His themes – loss, memory, nostalgia, death, the porous membrane between joy and pain, time and space, forgetting and remembering, would be familiar to the poet, John Keats” - Nicola Shulman

Sean Zhang curates an exhibition that brings together Elizabeth Dimitroff, Alice Ningci Jiang, Paulina Moncada, and Yutong Yin, who explore how identity is formed through transition, environment, encounters, and the traces we carry forward

“a book / exhibition of 24 drawings about love … an intensely sensitive suite of drawings inspired by the Passion of Christ and dedicated to all outsiders”

nearly fifty works by seventeen gallery artists from the East and the West, revealing two distinct yet complementary modes of artistic perception

Tingleff, one of Scandinavia’s leading ceramic artists, gives an “impression of the natural world beyond human-made walls, made powerfully and palpably present … all normal sense of scale is suspended” - Glenn Adamson

Henry Crespo, Sergio Marrero, Andy Mendoza, Harold Ramírez, Linet Sánchez - five young Cuban artists who celebrate “connection, hope, and the will to keep creating while the light of day still lingers”

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits”

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

Cole’s first exhibition at the gallery sees the American artist translating the external world into uncanny, psychologically charged paintings of interior spaces

new oil on linen paintings, oils on paper, enamel on steel works, hand-painted bronze sculptures, and a large glass lantern encompassing Ekblad’s instinctive and expansive practice in her first exhibition at the gallery’s London space

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

organized by Carlo Knoell, the gallery’s first exhibition dedicated to the radical Italian artist brings new focus to her wildly original experimentations in paint, textile, sculpture, and bricolage

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

a group exhibition bringing into dialogue pioneering figures of Pop with a younger generation to examine how consumption, sexuality, and social behaviour are both staged and contested

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

to mark five years of the gallery’s work, an exhibition that reflects on “the quiet power of presence and the ongoing act of exchange that art makes possible”

the first exhibition in Europe to bring together Taylor, one of today’s most celebrated artists, in dialogue with his teacher, the late California modernist Jarvaise

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

Moritz is a Vienna-based visual artist working across photography, video, and artificial intelligence whose work addresses underlying fears, and destabilizes fixed ideas of identity and gender

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

this two-artist exhibition of new works pairs Obels’ Corten steel sculptures with Xiao-Min’s abstract paintings

“Hutchison’s mixed media constructions and Pastine’s oils on canvas and paper alchemically transcend their materiality, dissolving into hazy implications of perpetual vistas and limitless color fields”

a new iteration of the multidisciplinary artistic partnership’s “Zanzibar”, the immersive mixed-media installation with diptychs painted by Himid and a “libretto” composed by Stawarska - reflecting on themes of memory and movement and loss and belonging

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

an exhibition of fifty-six photographs from the groundbreaking project by Sultan and Mandel, first published in 1977

created by Glenn Harvey, an exhibition where each artwork is paired with a three-part audio piece of spoken narration, artist reflection, and an original soundscape - inviting audiences to experience the work through sound as well as sight

“a fascinating window into the unseen world of Victorian science [which] celebrates the work of naturalist Charles Thomas Hudson, a pioneer in the world of microscopy”

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

in the inaugural exhibition at the gallery’s new location on Pall Mall, works by modern and contemporary gallery artists, tracing the development of their practices over time with early works brought into dialogue with recent ones

Henry Crespo, Sergio Marrero, Andy Mendoza, Harold Ramírez, Linet Sánchez - five young Cuban artists who celebrate “connection, hope, and the will to keep creating while the light of day still lingers”

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

paintings exploring the tension between built environments and nature - depicting sociopolitical and ecological themes through cityscapes, weather, mythic figures, and autobiographical elements

“a new series of landscape works that mend together two images from the artist’s vast archive to create a single, uncanny composition”

the debut of new Plexiglas works from the pioneering conceptual artist in his first exhibition at Hauser & Wirth’s Paris gallery

in her first exhibition with the gallery and in New York, Lowen “interrogates the thin line between instinct and control [and] is ultimately interested in the human desire to impose order on chaos, and the consequences of repressing primal instincts”

the Franco-Mexican artist’s first exhibition with the gallery, and in the US - “instinctive, even animalistic in his approach, Toro gives form to this sensory, interior, and mysterious universe so that he might better explore it” - Guillaume Kientz

over thirty artists with diverse practices, united in their commitment to works distinctly the result of human hand and mind, in a summer group exhibition celebrating connections to the natural world

“across photography, water becomes a way of seeing” - iconic 20th century photography and contemporary perspectives from nearly twenty artists reveal the visual and symbolic power of water across generations and styles

titled after the physical trace a memory leaves in the brain, an exhibition of new paintings and works on paper by the Brooklyn-based artist

paintings, works on paper, sculpture, and textiles by some of the most important names in South Asian modernism in an exhibition spanning the late nineteenth century through to the contemporary period

new paintings in Berhanu’s first solo presentation in Asia - “interlocking organic forms that suggest bodies, landscapes, and cellular structures simultaneously, without resolving into any one of them”

Joseph’s first large-scale exhibition in the UK draws on her Indian-American upbringing and presents ambitious large scale felted works created in response to her research following sheep across Scotland

in his first solo exhibition in Asia, historical and recent works that showcase the mastery of surface texture by one of Britain’s most significant living artists

the gallery celebrates the centenary of the Franco-Polish artist’s birth with an autobiographical exhibition, coordinated with the exhibition at Galerie Loevenbruck in Paris

all-new works by the Brooklyn-based artist who operates at the intersection of painting, sculpture and craft, uprooting conventional distinctions between medium, surface and structure

new sculptures made from simple, everyday materials- “folding, cutting, pressing and stacking, Foxcroft's sculptures unfurl from the wall or corner of the room, arranging material on the floor and up walls”

curated by Fraser Muggeridge, an exploration of Buren’s use of stripes over almost six decades, from the street to the gallery walls and from the canvas to the printed page

exceptional and previously unseen works in a new exhibition marking the centenary of the birth of one of the most significant and celebrated Japanese ceramic artists of the twentieth century

in her debut exhibition “Rance captures the emotional essence of the natural world … these works trace a path through the countryside, where the gentle hum of the changing seasons is tangible”

the artist’s debut solo exhibition in Paris and with the gallery brings together new site-responsive works spanning sculpture, textiles, installation, and architecture

this major figure in Japanese ceramics works with painting and sculpture to create “elemental forms that explore the mysterious world of childhood, evoking a sense of the uncanny”

new paintings by the French-Iranian artist who “employs registers of colour to map the unstable nature of being”

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

to mark the 100th anniversary of her birthday, an exploration of Monroe’s life, career, and legacy through portraits by some of the greatest photographers and artists of the 20th and 21st centuries.

an exploration of intimacy and detail - the world as seen close up by Modern Masters of photography including Helmut Newton, Irving Penn, Herb Ritts, Richard Avedon, Daidō Moriyama, Hiro, and Erwin Olaf

emblematic as well as previously unseen works at the intersection of photography, language, and conceptual détournement - “a journey through contemporary imaginaries, a space where images, objects, and words cease to function as mere references”

new sculpture and photography exploring absence as a material and as a psychological condition, as Hapaska continues to refine her longstanding engagement with material instability, disorientation and our contemporary psychic dislocation

a group exhibition of drawings, paintings, photography, and mixed-media works by ten artists who explore visibility, empathy, resilience, and collective memory

a group exhibition bringing into dialogue pioneering figures of Pop with a younger generation to examine how consumption, sexuality, and social behaviour are both staged and contested

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

inspired by his heritage and the vibrant energy of communal gatherings, new paintings, prints, sculpture, and an immersive sound installation in the British Nigerian artist and designer’s first solo gallery exhibition in his home city

new sculpture and photography exploring absence as a material and as a psychological condition, as Hapaska continues to refine her longstanding engagement with material instability, disorientation and our contemporary psychic dislocation

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

Davi’s first solo exhibition in Spain and with the gallery - “the works presented here continue an ongoing research that unfolds across different exhibitions … while maintaining a consistent engagement with concrete, iron and painting as central elements”

the interdisciplinary artist’s practice spans experimental video, sculpture, sound installation, and prose, exploring the intersections of identity, material history, and archival memory

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

works by Yves Klein, Lita Albuquerque, and Jack Goldstein in an exhibition which explores the connections between the cosmos, perception, and immateriality

new oil on linen paintings, oils on paper, enamel on steel works, hand-painted bronze sculptures, and a large glass lantern encompassing Ekblad’s instinctive and expansive practice in her first exhibition at the gallery’s London space

the latest in the gallery series presents significant works by Volpi alongside paintings by artists from subsequent generations who reflect on - and depart from - his example

Isa’s first solo exhibition at the gallery is inspired by a dream and presents painting and sculpture engaging with spirituality, faith, womanhood, and the complexity of locating the self

the debut of new Plexiglas works from the pioneering conceptual artist in his first exhibition at Hauser & Wirth’s Paris gallery

an exhibition of new work by Thuring

at sizes ranging from 10x14 inches to 4x8 feet, new paintings in the Los Angeles native’s rich palette of bruised blues and dense greens featuring his characteristic faceless figures

through textile, assemblage, and sculpture, Rico’s first solo exhibition in the city examines connections between humanity to connect the history of Los Angeles - its land, people, and culture - to the artist’s own homeland and beyond

“a group exhibition marking the 250th anniversary of American independence … a focused reflection on the vitality and diversity of American post-war and contemporary art”

covering the entire career of one of the most important painters of his time, this exhibition brings together his brooding social allegories with luminous landscapes and portraits, revealing a tension between intimacy and the brutality of the 20th Century

a new iteration of the multidisciplinary artistic partnership’s “Zanzibar”, the immersive mixed-media installation with diptychs painted by Himid and a “libretto” composed by Stawarska - reflecting on themes of memory and movement and loss and belonging