the renowned figurative artist’s first exhibition in Los Angeles presents his documentation of a stay in Detroit, with a single focus on John Mcintyre, a Detroit-based tattoo artist and member of a local medieval fighting team

moving image, photography, and painting and assemblage in a group exhibition of three emerging artists whose practices interrogate ideas of class, inheritance and assumed values through representational media

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“this exhibition opens like a landscape. We can follow Valentin Carron down the slope … This exhibition is a window onto our ability to survive the slipping away of our dreams”

recent bronze sculptures, iconic embroidered paintings, new canvases highlighting appliqué techniques, and paintings on wood in a survey of Amer’s recent practice examining gender politics, desire, representation, and the visibility of the female subject

the London and Sussex-based 3D-artist’s first exhibition at the gallery in New Bond Street centres on works created from books

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

works on paper, paintings, neon sculpture, and installation celebrating Dominican players in US Major League Baseball, in the first posthumous exhibition of the Dominican-born New York-based artist

new abstract and figurative watercolour on paper compositions drawing on the rhythmic, patterned textiles of checks, tartans, and plaids continue Weaver’s ongoing concern with colour, gesture, geometry, and line

new paintings and sculptures as Eisenman concentrates on three sites of middle-class living: home, work, beach

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

“the title of Rob Ball’s exhibition offers a compelling way into a fifteen-year photographic journey that includes over 100 seaside resorts, from the damp, neon-lit promenades of Blackpool to the fading ‘Doo-Wop’ motels of Wildwood, New Jersey”

“using ceramic waste, metal, fused glass, and found objects, Harvey creates landscapes and forms that reflect on time and change”

ten watercolor works on panel, developing Qian Qian’s concept of a “practice-based cosmology”, not a representation of a world already known, but a landscape of consciousness - unstable, generative, and not yet fully understood

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

a group exhibition by Brush Tu founders Boniface Maina, David Thuku, and Michael Musyoka

titled after the fan culture term for a non-official version of a story, four artists who approach repetition as a method of revision, and explore how repeated gestures, processes, and images allow for small shifts to emerge through sustained attention

“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” - Louisa Mahoney

exhibited together for the first time at the gallery in a new ensemble, works which reconsider the essential place of the mural sculpture in the late Argentinian sculptor’s work

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

an ambitious exhibition celebrating two centuries since the dawn of photography

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

Akashi’s first exhibition with the gallery in New York reflects on heirlooms, not as tokens of nostalgia but as material conditions in which matter itself carries history forward

organized by Carlo Knoell, the gallery’s first exhibition dedicated to the radical Italian artist brings new focus to her wildly original experimentations in paint, textile, sculpture, and bricolage

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

curated by Seohyun Kang, works by Song E Yoon and Frédéric Bruly Bouabré exploring humanity’s engagement with memory, recording, and the passage of time

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

paintings and works on paper created by a network of fifteen artists in the years surrounding 1960 - a pivotal moment of expansion in post-war American art

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

thirty of Fini’s graphic works “in a trans-temporal dialogue with Greco-Roman, Egyptian, and African ritual objects”

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

outstanding images by Niépce, Daguerre, Fox Talbot, Fizeau, Le Gray, Frith, Piot, and Greene in an exhibition exploring the origins of photography - “the magic of early photographs intertwines with the spirit of discovery”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

the gallery’s first exhibition of Chase’s work since announcing its representation of her estate - Chase occupied a distinctive position between the New Image Painting and Neo-Expressionist movements in the New York art scene of the 70s and 80s

ten watercolor works on panel, developing Qian Qian’s concept of a “practice-based cosmology”, not a representation of a world already known, but a landscape of consciousness - unstable, generative, and not yet fully understood

Hajallie’s first solo exhibition with the gallery uses portraiture to examine the internal landscape of loss and celebrate pioneering Black cultural figures, family members, and his own experience as a British man of Sierra Leonean and Lebanese heritage

an exhibition by the Danish ceramic artist - “delicate porcelain pieces where colour, texture, and form converge in a quiet, concentrated expression”

a group exhibition with works by Jimmy DeSana, Philip-Lorca DiCorcia, William Etty, George Grosz, Maria Lassnig, Tony Morgan, Raymond Pettibon, Thomas Ruff, and Patti Smith

“an intimate series of portrait paintings born from a radical shift in practice and a contemporary experiment in collaboration”

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

curated by Esmeralda Gómez Galera, an exhibition of works by Amparo de la Sota, Elisa Pardo Puch, Eugenio Espinoza, Mano Penalva, and Néstor García, who explore textile practice as both metaphor and gesture

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

“a single giant roll, wide as a field, that Poons fills with free gestures of thick, energetic paint … he then removes fragments, cut into independent pictorial units” - Marjolaine Lévy

shown for the first time, unique oversized dye-transfer prints by Eggleston taken in the late sixties and early seventies - rare works distinguished by their scale, chromatic intensity, and material presence.

sculptures, paintings, and prints by five key artists from the gallery’s program who were at the avant-garde of American art during the 1960s and 70s

the American artist’s first solo exhibition in Milan presents new paintings alongside an important watercolour by Turner in a dialogue between her atmospheric renderings merging figuration with abstract geometries and his visionary approach to landscape

new and recent woodcuts by Baumgartner - monumental seascapes and landscapes in both black and white and color which explore the contemporary perception of time, and the fragile space between control and uncertainty

large-scale photographs of trees from the last two decades, exploring the relationship between landscape and culture in the US

new works alongside prints and editions made over the last five years spanning the full breadth of the Opie’s multifaceted practice

“working with imitation gold leaf on Belgian linen, [Vermeulen] uses sweat as an oxidising force, producing corrosive imprints that register physical presence over time”

the Iranian-American artist’s first exhibition with the gallery builds on her ongoing series examining her parents’ experiences of political exile following the 1979 Iranian Revolution and broader systems of geopolitics, displacement, and care

an exhibition focusing on Yamamoto’s photographs of owls - gelatin silver prints printed by the artist reveal his deep respect, depicting not only the owls’ beauty and grace, but also their eccentricity, companionship and individuality

Hajallie’s first solo exhibition with the gallery uses portraiture to examine the internal landscape of loss and celebrate pioneering Black cultural figures, family members, and his own experience as a British man of Sierra Leonean and Lebanese heritage

the first solo show in London dedicated to the self-proclaimed court painter of Austria, Siam, and Italy - the autodidact artist who spent twenty-four years in an asylum

in his first solo exhibition with the gallery in Shanghai, new and recent works by Li highlighting the evolving direction of his painting, with a deepened focus on material painterliness and pictorial storytelling

new paintings focusing on the Shinto ritual ceremonial dance “kagura” - something Yamashita has been working on since 2024 - shown alongside paintings that draw on classical snow scenes and waterside settings

“Hutchison’s mixed media constructions and Pastine’s oils on canvas and paper alchemically transcend their materiality, dissolving into hazy implications of perpetual vistas and limitless color fields”

new paintings by Mollett - “these are works much concerned with grasping the intangible … she is an artist whose work argues for her medium’s necessity, for painting’s unique ability to illuminate” - Tom Morton

new paintings by Lyons examining how animals have shaped the human world materially, technologically, and philosophically

an exhibition dedicated to one of the most significant 20th-century Sri Lankan painters, a founder-member of the influential ’43 Group and pioneering figure in the development of abstraction in South Asia

“Nagai’s compositions begin with everyday and intimate subjects, which she reconfigures into unique spatial structures and rhythms. Intuitive arrangements, bold colors, and swift brushwork bring a vivid energy to the canvas” - Shinyoung Chung

taking place across all three of the gallery’s international spaces, the second edition of its annual presentation of the finest Australian First Nations works of art

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

alongside one of her renowned glass sculptures, never before exhibited works on paper from Horn’s new series exploring repetition and the written word as a medium

an expansive exhibition covering five decades of the work of one of the most influential and essential artists of the 20th Century

large and smaller scale steel sculptures and prints as the internationally renowned artist explores clothing, commerce and emblems of wealth as reflected in fashion and dress

new paintings - “vivid, figurative scenes of striking intensity” - drawn from two years of research into ancestral customs and rituals across Diagne’s homeland of Senegal

nineteen works by the Belgian painter exploring mythologized French women including Joan of Arc and Bardot to examine how the authority of the gaze shapes their iconic images and collective memory

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

curated by Imani Mason Jordan, thirteen artists in sculpture exhibition with performance, writing, photography and video - “these are practices that do not try to represent the world, but actively reconfigure it”

an exhibition focussing on an intense three-year period Rego spent in her London studio, devoting herself almost exclusively to drawing and lithography

bronze sculptures, two large stained-glass windows, drawings, and an imposing print centred around birds and their symbolic meanings - as Smith “projects the feelings that drive her - fears, desires or dreams - onto these animal figures”

Chillida’s work on paper was an important part of his creative process, and this exhibition focusses on rare etchings from the 1960s and 70s

the British painter’s first solo exhibition with the gallery offers “a rare insight into Morris’s early explorations of landscape as a psychological and perceptual space, marked by clarity, layered surfaces, and profound stillness”

recent and past works in the first solo exhibition in Los Angeles by one of the most influential living artists in the decorative arts

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

continuing his collaboration with the German actress Lilith Stangenberg and returning to his enduring motif of Santa Claus, new large-scale drawings and a six-channel video installation by one of the leading contemporary American artists of his generation

the first solo show in London dedicated to the self-proclaimed court painter of Austria, Siam, and Italy - the autodidact artist who spent twenty-four years in an asylum

“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” - Louisa Mahoney

new paintings and sculptures anchored by a film based on a civil rights text against lynching, in the Los Angeles–based artist’s first solo exhibition with the gallery

a two-person exhibition of still life artist Carin Gerard and landscapist Rebecca Stenn - “the exhibition plays on the juxtapositions, while uniting themes of color, form, and technique”

spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye - “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes”

moving image, photography, and painting and assemblage in a group exhibition of three emerging artists whose practices interrogate ideas of class, inheritance and assumed values through representational media

an exhibition highlighting five major figures of the prominent South Korean movement - Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-keun, and Chung Sang-Hwa

curated by Riccardo Greco and titled after the chauffeur-angel in Cocteau’s Orphée, this exhibition presents “a space in which bodies, objects and images are held in states of latent tremor, suspension and return”

“Heinze’s work moves between painting and drawing and is characterized by a distinctive, often fragmentary visual language … in which bodies, spaces, and signs overlap”

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

“Groobey … explores emotions that cut across individual experience, like awe, success, joy, tenderness, adoration, and desire. Her work depicts the body, the primary site through which the world is felt and known”

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

organized by Carlo Knoell, the gallery’s first exhibition dedicated to the radical Italian artist brings new focus to her wildly original experimentations in paint, textile, sculpture, and bricolage

an exhibition dedicated to one of the most significant 20th-century Sri Lankan painters, a founder-member of the influential ’43 Group and pioneering figure in the development of abstraction in South Asia

a substantial display of extremely rare works by the bohemian symbolist artist and society figure

“poignant, exuberant distillations of how it feels to be human in a rapidly changing world” - organized in collaboration with Fortes D'Aloia & Gabriel, new paintings in the Brazilian artist’s first solo exhibition in the US

“Hutchison’s mixed media constructions and Pastine’s oils on canvas and paper alchemically transcend their materiality, dissolving into hazy implications of perpetual vistas and limitless color fields”

taking place across all three of the gallery’s international spaces, the second edition of its annual presentation of the finest Australian First Nations works of art

“Shulman is a romantic artist. His themes – loss, memory, nostalgia, death, the porous membrane between joy and pain, time and space, forgetting and remembering, would be familiar to the poet, John Keats” - Nicola Shulman

Tingleff, one of Scandinavia’s leading ceramic artists, gives an “impression of the natural world beyond human-made walls, made powerfully and palpably present … all normal sense of scale is suspended” - Glenn Adamson

a group exhibition which examines how eleven contemporary artists reduce figurative forms - embracing design and line to create non-objective work, communicating an essence that reaches beyond the surface of the canvas

a two-person exhibition of still life artist Carin Gerard and landscapist Rebecca Stenn - “the exhibition plays on the juxtapositions, while uniting themes of color, form, and technique”