sculptures from 2009 to the present and his latest painted self-portraits in an exhibition spanning almost twenty years of the Swiss artist’s work, “exemplifying Vital’s multidisciplinary approach and his alternative strategies of representation”

painting, drawing, performance, video, and photography from four Native American artists - James Luna, Mario Martinez, Jaune Quick-to-See Smith, and Emmi Whitehorse - who explore the cultural resilience of Indigenous independence

an exhibition of the work of three international painters - Isabella Amram, Kan Hung-Ju, and Yehong Mao

new paintings with controlled brushwork and vibrant colors, featuring cropped figures and coded gestures that explore narrative, authority, and meaning through fragmented images and posture

significant works from the 1960s and 1990s - “Yoshida invites the viewer to consider the fundamental forces of life and to meditate upon that essential unity which binds all living beings together”

“at the intersection of personal history and broader geopolitical realities, Diack’s practice engages questions of contemporary becoming of Senegal, of Africa, and of a globalised world”

van Son’s debut solo exhibition with the gallery presents new paintings examining the intimate fascination she has of her partner as their wedding approaches

referencing the influential postmodernist architect’s belief that even a cardboard house would last forever if people were motivated to care for it - Levi de Jong, Ali Glover, Zayd Menk, and Zachary Merle in a tribute to Sir Terry Farrell

in the multidisciplinary artist’s first solo exhibition outside of the country, new paintings and sculptures exploring identity, personal memory, and popular culture in Puerto Rico and its diaspora

“crowns built from keyboard keys, bottle caps, and combs stand for authority and power, but are always rooted in Black experience … Takadiwa’s work makes room for critique, but also suggests that change is possible” - Fernanda Brenner

“a trio of centrifugal energies” - Florian Genzken, Simon Popper, and Adam Barker-Mills

recent and new sculptures showing the evolution of Lucien’s practice over the last few years - “grounded in a poetic meditation on memory and placemaking through architectural vernacular forms”

the Danish painter’s debut exhibition with the gallery explores the quiet rituals, unspoken understandings, and agreed-upon negotiations behind human interaction

new paintings that explore the visual and linguistic density of the contemporary city, “a layered system of signs, where language, image, and architecture intersect”

“painting is not the mere representation of the object, but it is color and light: the right relationships between the two things give shape in space. The subject should not be seen as such but abstractly” - Ventrone

new lighting pieces by the Paris-based design studio known for “serene, dreamlike creations that evoke poignant and harmonious confluences with the natural world”

“Fevers, shown here in complete form for the first time at Sylvia’s gallery, marks an endpoint to the last few years’ activity … I’ve wanted this piece to feel like a fever dream. Unfolding restlessly: surfaces fracture and accumulate” - Richards

an ambitious exhibition celebrating two centuries since the dawn of photography

an exhibition dedicated to the work of the late artist highlighting his handling of vibrant color in often abstract compositions, including photographs and notebooks from recent discoveries in the artist’s archive by his son

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

an exhibition of one of the leading figures of the Washington Color Field School

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

curated by Elleanna Chapman and Gigi Surel, and presented with Teaspoon Projects

over twenty paintings and works on paper from the late 1970s to the 1990s, highlighting the Abstract Expressionist’s physically charged style, informed by her passion for modern dance and engagement with the natural environment

new sculptures, paintings, and installations in Richards’ first solo exhibition with the gallery

in Howard’s inaugural show with the gallery - “Howard’s sculptures make exaggeratedly external what is often oppressively confined to the internal, conveying the richness and complexity of how feelings are felt, embodied, and remembered” - Rebecca Birrell

“through her compassionate lens” the Ethiopean artist “reminds us that love lives not only in grand declarations, but in the quiet, steadfast practice of being there for one another”

new paintings on wood panels in Smalling’s first exhibition with the gallery, exploring how cultural hierarchies and taboos shape identity, through the visual language of the Old Masters

“five paintings and ceramic panel works exploring landscapes through layered paint and textured resin, capturing natural phenomena and time’s accumulation in shifting scenes”

Lindman and Motherwell explore found materials to shape compositions, linking Picasso’s collage legacy with distinct approaches to abstraction and picture-making in their Open and Blanks series

a conversation between two artists from different generations and cultures who share earthy palettes and sympathetic visions of the human figure

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

sculpture, performance, video, and installation by the artist duo examining the normalisation of political violence, surveillance, and erosion of public and private boundaries

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

using “a curatorial logic of figural counterpoints”, an exhibition exploring the resonance, and even figural coincidences, between the works of the two artists

“there is a gap of three generations between Karel Appel and Gerasimos Floratos, but … both their artistic idioms are ostensibly non-modernist. They gather inspiration from popular culture, without however transferring it one to one” - Franz W. Kaiser

an exhibition by Paul Noble and Georgina Starr - “conjuring ghosts, stains, miracles, dust, remnants, melodies, eavesdropping, pressing monsters, lonely laments, reanimations and eternal dancers … It’s a dream. A very good dream”

a unique dialogue between the rigorous works of two major figures of French art: photographer Yannig Hedel and painter Geneviève Asse. Curated by Thierry Bigaignon and Eléonore Chatina and presented in collaboration with Galerie Catherine Putman

with some of Parks’ most celebrated and iconic works, an exhibition of the pioneering American artist, curated by the renowned social justice activist - “Parks represents the struggle, resilience and constant striving of Black Americans” - Stevenson

the Danish painter’s debut exhibition with the gallery explores the quiet rituals, unspoken understandings, and agreed-upon negotiations behind human interaction

a unique dialogue between the rigorous works of two major figures of French art: photographer Yannig Hedel and painter Geneviève Asse. Curated by Thierry Bigaignon and Eléonore Chatina and presented in collaboration with Galerie Catherine Putman

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

sculpture, performance, video, and installation by the artist duo examining the normalisation of political violence, surveillance, and erosion of public and private boundaries

a two-part exhibition of new and historic works on paper by Ligon presenting “richly layered compositions that meditate on the color blue and its emotional, historical and cultural inflections”

more than twenty artists in a curatorial project and art installation focussing on the artist’s studio in the 21st Century

narrative figure paintings inspired by early Renaissance art and classical sculpture, using compositional restraint and a unique palette to explore human relationships and psychological play through gesture and space

an exhibition exploring the late Canadian artist’s longstanding relationship to the natural world through two major bodies of work related to trees - accompanied by a new “accidental novella” in 100-word bursts by Max Porter

referencing “both the etymology of “window” and the metaphor of architectural openings … windows, screens, and thresholds operate as formal and conceptual devices - structures that frame vision while signaling movement, migration, and communication”

in the multidisciplinary artist’s first solo exhibition outside of the country, new paintings and sculptures exploring identity, personal memory, and popular culture in Puerto Rico and its diaspora

new sculptures, paintings, and installations in Richards’ first solo exhibition with the gallery

“a new series of landscape works that mend together two images from the artist’s vast archive to create a single, uncanny composition”

an exhibition tracing the stylistic evolution of the late Chinese American artist as she moved from semi-autobiographical figuration to fluently expressive abstract painting

life-size reproductions of now-closed nightclub or community establishment doors, alongside bronze casts of shoes, continue Connor’s exploration of peripheral forms and spatial details in sites of exchange and communication

in an exhibition held across this and the Studio M space, Eichwald’s work “engages critically with the visual language of Abstract Expressionism and Art Informel, replacing their seriousness with self-doubt and humour”

in an exhibition held across this and the 60 Three Colts Lane space, Eichwald’s work “engages critically with the visual language of Abstract Expressionism and Art Informel, replacing their seriousness with self-doubt and humour”

in collaboration with Sommer Contemporary Art, new works presenting Baruch’s singular practice in which textile functions as both medium and language - “a living, pulsating material” through which social, economic and historical processes become visible

colored pencil drawings and layered acrylic and vinyl paintings by Steffen Kern and Jonah Gebka which explore images in a state of suspension - where narratives are not fully formed, but held in latency

an exhibition exploring the varied work of the German painter, graphic designer, sculptor, and photographer

new and recent woodcuts by Baumgartner - monumental seascapes and landscapes in both black and white and color which explore the contemporary perception of time, and the fragile space between control and uncertainty

large-scale photographs of trees from the last two decades, exploring the relationship between landscape and culture in the US

“the exhibition title reflects the logic of the work itself. Each canvas unfolds as a process rather than a fixed image, in which accumulation, erasure, and reconstruction allow the painting to emerge over time”

significant artistic achievements and pivotal paintings from the radical final chapter of Dubuffet’s career in a celebration of the gallery’s over 50 year relationship with the artist, since hosting his first British solo exhibition in 1972

“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” - Louisa Mahoney

the renowned figurative artist’s first exhibition in Los Angeles presents his documentation of a stay in Detroit, with a single focus on John Mcintyre, a Detroit-based tattoo artist and member of a local medieval fighting team

Schneider’s first solo exhibition at the gallery centres his ongoing Gesamtkunstwerk “Haus u r” with two livestream projections shown for the first time, alongside key works from the house

painting, drawing, performance, video, and photography from four Native American artists - James Luna, Mario Martinez, Jaune Quick-to-See Smith, and Emmi Whitehorse - who explore the cultural resilience of Indigenous independence

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

curated by Richard Boch, works by twenty photographers who captured the vibrant essence of New York City nightlife during the mid-Seventies and early Eighties

an exhibition exploring the late Canadian artist’s longstanding relationship to the natural world through two major bodies of work related to trees - accompanied by a new “accidental novella” in 100-word bursts by Max Porter

shown for the first time at TEMPLON Brussels, Crewdson’s black-and-white photographs of solitary figures in suburban landscapes combine film noir aesthetics with sociopolitical themes of decline and urgency

with some of Parks’ most celebrated and iconic works, an exhibition of the pioneering American artist, curated by the renowned social justice activist - “Parks represents the struggle, resilience and constant striving of Black Americans” - Stevenson

working across installation, moving image, sculpture, drawing, and performance, Williams explores “food” - specifically butter - through a feminist lens to examine collective consumption, excess, and waste

new works see the New York-based artist explore the gallery architecture as both subject and structural partner, expanding her investigation into the relationship between photography, sculpture, and the built environment

an exhibition highlighting five major figures of the prominent South Korean movement - Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-keun, and Chung Sang-Hwa

curated in collaboration with the artist, and including pieces not publicly shown before, a rare opportunity to see Whiteread’s drawings shown alongside a related selection of her sculptures

sculpture, performance, video, and installation by the artist duo examining the normalisation of political violence, surveillance, and erosion of public and private boundaries

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

curated by Davide Mogetta this exhibition explores the formative tension of fragility in works by Dadamaino, François Morellet, Arcangelo Sassolino, Günter Umberg, and Grazia Varisco - five leading figures from different generations of international art

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

eighteen sculptures in linseed oil-burnt cast iron - “the very core of the story is carved out in a lasting expression cast in iron, like artefacts or relics from a lost era”

works by artists including Marina Abramović, Nada Baraka, Michèle Buhofer, Tony Cragg, Donna Huanca, Harminder Judge, Marya Kazoun, Kathryn MacNaughton, Borja Martín-Moreno, Erin Vincent, and Erwin Wurm

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

“working with imitation gold leaf on Belgian linen, [Vermeulen] uses sweat as an oxidising force, producing corrosive imprints that register physical presence over time”

titled after a poem by Louise Glück, the debut of new paintings in Parson’s first solo exhibition in Paris - “with great economy of means, her works capture a glance … they are painted reveries of instances of sadness, joy, and beauty”

this new exhibition by the British artist presents works centring on processes of material change, erosion, and preservation developed during a recent residency at the Albers Foundation on the Atlantic coast of Ireland

in the Korean-born, Los Angeles–based painter’s first exhibition at the gallery, “portraits and still lives, positioning both as intimate and emotionally resonant records of lived experience among those closest to the artist”

Hallett’s first exhibition at the gallery presents a compelling new body of paintings that examine the search for stability under the weight of existence

“Frize's paintings are also sensory, sensual, organic bodies, conveying the pleasure of painting, of watching paint open its chromatic corollas at the intersection of brushstrokes and the unruly flow of matter” - Jean-Charles Vergne

curated by Elleanna Chapman and Gigi Surel, and presented with Teaspoon Projects

an exhibition dedicated to the work of the late artist highlighting his handling of vibrant color in often abstract compositions, including photographs and notebooks from recent discoveries in the artist’s archive by his son