the California-born, New York-based painter’s debut solo exhibition with the gallery and in the UK - “what unifies the portraits, cityscapes and landscapes is an abiding quality of presence - the gaze of a benevolent and attentive observer”

new and existing works centred on a monumental body of paintings shown for the first in its entirety in Syed’s first solo exhibition at the gallery

Schneider’s first solo exhibition at the gallery centres on his ongoing Gesamtkunstwerk “Haus u r” - with two livestream projections, shown for the first time, alongside key works from the house

curated by Diana Kudaibergen, the Kazakh artist works with video, Al-driven cyber textiles, photography, and immersive sound to create a contemporary, technological, and philosophical world where water, myth, and the feminine intersect across Central Asia

including several paintings never previously exhibited, this exhibition focusses on a pivotal period in the early 1950s when Heron negotiated his own path between figuration and abstraction

the gallery’s new season opens with a special presentation of ‘Work No. 3891: Half the air in a given space’ - one of Creed’s most celebrated works - and a selection of wall paintings

O’Brien reconfigures everyday objects through processes of twisting, binding, stretching, and puncturing … to probe how desire is constructed, how economies of consumption are sedimented, and how queer aesthetics operate

a large selection of paintings created by Potter between 1944 and 1979 and showcasing the development of her vision

inspired by the gallery’s unique location in Kensington Gardens, new and key paintings, monotypes, and drawings by the artist known for her vigorous brushwork, vivid colour and dynamic compositions

presented with Isamaya ffrench

“through the interplay of light, mirrored surfaces, and diverse materials, Kotter employs optical phenomena to generate striking visual effects … guiding viewers into a mesmerizing perceptual journey”

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

“this is not an exhibition of historical antiquities, but perhaps a declaration of love … about what today’s generation of artists can do with ceramics”

new abstract and figurative watercolour on paper compositions drawing on the rhythmic, patterned textiles of checks, tartans, and plaids continue Weaver’s ongoing concern with colour, gesture, geometry, and line

new paintings and sculptures as Eisenman concentrates on three sites of middle-class living: home, work, beach

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

“the title of Rob Ball’s exhibition offers a compelling way into a fifteen-year photographic journey that includes over 100 seaside resorts, from the damp, neon-lit promenades of Blackpool to the fading ‘Doo-Wop’ motels of Wildwood, New Jersey”

“using ceramic waste, metal, fused glass, and found objects, Harvey creates landscapes and forms that reflect on time and change”

ten watercolor works on panel, developing Qian Qian’s concept of a “practice-based cosmology”, not a representation of a world already known, but a landscape of consciousness - unstable, generative, and not yet fully understood

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

a group exhibition by Brush Tu founders Boniface Maina, David Thuku, and Michael Musyoka

“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” - Louisa Mahoney

an ambitious exhibition celebrating two centuries since the dawn of photography

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

taking place across all three of the gallery’s international spaces, the second edition of its annual presentation of the finest Australian First Nations works of art

organized by Carlo Knoell, the gallery’s first exhibition dedicated to the radical Italian artist brings new focus to her wildly original experimentations in paint, textile, sculpture, and bricolage

an exhibition dedicated to one of the most significant 20th-century Sri Lankan painters, a founder-member of the influential ’43 Group and pioneering figure in the development of abstraction in South Asia

Akashi’s first exhibition with the gallery in New York reflects on heirlooms, not as tokens of nostalgia but as material conditions in which matter itself carries history forward

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

new paintings by Mollett - “these are works much concerned with grasping the intangible … she is an artist whose work argues for her medium’s necessity, for painting’s unique ability to illuminate” - Tom Morton

curated by Seohyun Kang, works by Song E Yoon and Frédéric Bruly Bouabré exploring humanity’s engagement with memory, recording, and the passage of time

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

outstanding images by Niépce, Daguerre, Fox Talbot, Fizeau, Le Gray, Frith, Piot, and Greene in an exhibition exploring the origins of photography - “the magic of early photographs intertwines with the spirit of discovery”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

“Hutchison’s mixed media constructions and Pastine’s oils on canvas and paper alchemically transcend their materiality, dissolving into hazy implications of perpetual vistas and limitless color fields”

with the first screening of a filmed interview, an array of archival documents, and a selection of artworks and artist tools, this exhibition explores “the echoes, parallels, and differences that construct[ed] the relationship between the two friends”

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton

“Rocha and Linington make visible how a place persists within you, continuing to shape and inform you, even as it evolves into something you no longer entirely recognise” - Sofia Hallstrom

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

in a dialogue between historical context and contemporary experience, seven rising contemporary Chinese ink artists who approach the form from distinct perspectives

new and existing works centred on a monumental body of paintings shown for the first in its entirety in Syed’s first solo exhibition at the gallery

recent bronze sculptures, iconic embroidered paintings, new canvases highlighting appliqué techniques, and paintings on wood in a survey of Amer’s recent practice examining gender politics, desire, representation, and the visibility of the female subject

curated by Esmeralda Gómez Galera, an exhibition of works by Amparo de la Sota, Elisa Pardo Puch, Eugenio Espinoza, Mano Penalva, and Néstor García, who explore textile practice as both metaphor and gesture

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

“rich, velvety fields of color alongside reflective, sparkling, and metallic surfaces”

new abstract and figurative watercolour on paper compositions drawing on the rhythmic, patterned textiles of checks, tartans, and plaids continue Weaver’s ongoing concern with colour, gesture, geometry, and line

“the title of Rob Ball’s exhibition offers a compelling way into a fifteen-year photographic journey that includes over 100 seaside resorts, from the damp, neon-lit promenades of Blackpool to the fading ‘Doo-Wop’ motels of Wildwood, New Jersey”

“using ceramic waste, metal, fused glass, and found objects, Harvey creates landscapes and forms that reflect on time and change”

new oil paintings depicting doors left ajar and offering a glimpse into an ambiguous and surreal terrain beyond - transforming the gallery into a labyrinth of thresholds

works by Manon Steyaert, Gwenyth Fugard, and Vasylyna Vrublevska, three distinct artistic voices in an exploration of texture, materiality, and subtle transformation

“Bozó’s images might appear to resemble storyboard frames from Hanna-Barbera or Disney cartoons, they in fact have more in common with Cy Twombly’s scribbles and gestures, Jackson Pollock’s splatter paintings or William de Kooning” - Saša Bogojev

the first exhibition of Baxter at the gallery stands as a tribute to the artist, who sadly passed away in March of this year

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

Chakraborty’s first solo show in France “places the landscape, understood as territory, memory, and political space, at the center [and] reveals these entangled histories of capital, extraction, and control embedded within both landscapes and bodies”

on show for the first time at Petworth - and extending thoughout the house and grounds - towering sculptures by the renowned ceramicist

one of Spain’s most internationally acclaimed contemporary artists, Aragó “explores voyages between sky and sea, employing mechanical elements such as propellers, submarines, and airplanes to construct a poetic narrative of time, space, and life”

the Yorkshire-based sculptor’s debut solo exhibition explores the tension and connections between sculpture and architecture

across both gallery spaces, and on the centenary of her birth, the gallery celebrates Szapocznikow’s work with a chronological journey through her creations from 1946 to 1972

across both gallery spaces, and on the centenary of her birth, the gallery celebrates Szapocznikow’s work with a chronological journey through her creations from 1946 to 1972

part of the inaugural Mallorca PhotoFest, an exhibition focused on Olaf’s still lifes - “a meditation on time and its resistance”

recent paintings that respond to the discord between the beauty and tedium of daily routines - shifting light, patterned wallpaper, how textiles soften a room’s hard edges

fifteen paintings exploring structural abstraction through drawing and mark-making, depicting spaces where architectural and organic forms overlap, revealing fragility or the moments after disaster in a delicate equilibrium

the painter and film artist’s first solo exhibition at the gallery in London “explores cultural memory through landscape and examines our shifting ideas of homeland from the perspective of diaspora”

the British multidisciplinary artist captures subtle, absurd disruptions - small fractures in the ordinary that reveal tension, humour, and the poetic instability of everyday life

“Shulman is a romantic artist. His themes – loss, memory, nostalgia, death, the porous membrane between joy and pain, time and space, forgetting and remembering, would be familiar to the poet, John Keats” - Nicola Shulman

part of the inaugural Mallorca PhotoFest, an exhibition focused on Olaf’s still lifes - “a meditation on time and its resistance”

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

curated by Diana Kudaibergen, the Kazakh artist works with video, Al-driven cyber textiles, photography, and immersive sound to create a contemporary, technological, and philosophical world where water, myth, and the feminine intersect across Central Asia

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

accompanying the Forest Cathedral installation in the Barn this summer, a group exhibition which “extends from the forest floor to the sea and sky and encompasses sculpture, painting, drawing, photography, ceramic and multi-media”

monumental new sculptures, the British Nigerian artist’s largest works to date, are finished with a metallic glaze that reflects the body, and shown alongside a film produced in Ọṣun-Ọṣogbo, a sacred site of the Yoruba fertility goddess Osun

bronze sculptures, two large stained-glass windows, drawings, and an imposing print centred around birds and their symbolic meanings - as Smith “projects the feelings that drive her - fears, desires or dreams - onto these animal figures”

O’Brien reconfigures everyday objects through processes of twisting, binding, stretching, and puncturing … to probe how desire is constructed, how economies of consumption are sedimented, and how queer aesthetics operate

centred around three monumental sculptures, a landmark exhibition focussing on Kapoor’s recent work as well as his seminal early pieces

in an expansion of his practice, Otero’s UK debut presents deeply personal work completed during a residency at the gallery in Somerset, translating his fascination with process, materiality and time into sculptural installations and moving image

recent bronze sculptures, iconic embroidered paintings, new canvases highlighting appliqué techniques, and paintings on wood in a survey of Amer’s recent practice examining gender politics, desire, representation, and the visibility of the female subject

curated by Qi Chao, this group exhibition with DAZHI, Ding Hongdan, Jing Ao, Liang Yuanwei, Wenjue, and Xu Qu examines which aspects of human thought and artistic creation remain uniquely human

curated by Thierry Raspail, Lee Mingwei’s first exhibition at the gallery’s Paris space presents interactive works as “he questions the world and offers no answer. And this way he questions us too”

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

across both gallery spaces, and on the centenary of her birth, the gallery celebrates Szapocznikow’s work with a chronological journey through her creations from 1946 to 1972

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

new paintings focusing on the Shinto ritual ceremonial dance “kagura” - something Yamashita has been working on since 2024 - shown alongside paintings that draw on classical snow scenes and waterside settings

nineteen works by the Belgian painter exploring mythologized French women including Joan of Arc and Bardot to examine how the authority of the gaze shapes their iconic images and collective memory

new paintings - “vivid, figurative scenes of striking intensity” - drawn from two years of research into ancestral customs and rituals across Diagne’s homeland of Senegal

an exhibition examining one among the most unconventional artists of the post-war period and his “disquieting and prophetic pictorial vision … grasping the tensions between humanity and technology long before their full contemporary manifestation”

an exhibition focussing on an intense three-year period Rego spent in her London studio, devoting herself almost exclusively to drawing and lithography

bronze sculptures, two large stained-glass windows, drawings, and an imposing print centred around birds and their symbolic meanings - as Smith “projects the feelings that drive her - fears, desires or dreams - onto these animal figures”

Chillida’s work on paper was an important part of his creative process, and this exhibition focusses on rare etchings from the 1960s and 70s

new paintings by Lyons examining how animals have shaped the human world materially, technologically, and philosophically