across both gallery spaces, and on the centenary of her birth, the gallery celebrates Szapocznikow’s work with a chronological journey through her creations from 1946 to 1972

“instead of a theme that connects these seven artists, this exhibition tries to create possibilities for associations tied to the artworks and objects in the space” - Hector Hollein, curator

curated as a cabinet of curiosities, new sculptures by Houseago alongside objects ranging from ancient artefacts to works by artists including Joseph Beuys, Louise Bourgeois, Jacob Epstein, Lucio Fontana, Henri Gaudier-Brzeska, Julia Isídrez, …

“what unfolds over 50 years of Irma Blank’s practice is a kind of universal writing, that belongs to no single language and therefore, in a sense, to all of them”

the debut of new Plexiglas works from the pioneering conceptual artist in his first exhibition at Hauser & Wirth’s Paris gallery

the gallery’s first exhibition of one of the most distinctive figures associated with British Surrealism spans almost thirty years of her paintings, collages, and mixed-media works

Hockney’s new paintings extend his lifelong fascination with the act of looking, affirming his belief that simple beauty is worth celebrating

monumental new sculptures, the British Nigerian artist’s largest works to date, are finished with a metallic glaze that reflects the body, and shown alongside a film produced in Ọṣun-Ọṣogbo, a sacred site of the Yoruba fertility goddess Osun

JR presents preparatory plastic works for La Caverne du Pont Neuf, combining photography, drawing, collage on zinc sheets, and crumpling to document the design of his monumental Paris bridge installation

continuing the gallery’s series exploring the use of a single colour - this time looking at one of the most symbolic in the history of art - an exhibition of works by an international collection of modern masters and contemporary artists

Chakraborty’s first solo show in France “places the landscape, understood as territory, memory, and political space, at the center [and] reveals these entangled histories of capital, extraction, and control embedded within both landscapes and bodies”

a group exhibition with artists including John Baldessari, James Casebere, Julian Charrière, Iran do Espírito Santo, Katharina Fritsch, Ana González, Laurent Grasso Rebecca Horn, Callum Innes, Aki Inomata, Idris Khan, Joseph Kosuth, Zac Langdon-Pole, …

the gallery’s third annual summer exhibition dedicated to women artists who helped define major movements of the last century, and whose influence continues to grow and shape contemporary understanding of that period

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

Piccinini’s first presentation with the gallery in London explores kinship through humanoid chimeras in silicone and fibreglass, reflecting empathy, “speculative optimism”, and the tension between cruelty and tenderness

the gallery’s first exhibition of one of the most distinctive figures associated with British Surrealism spans almost thirty years of her paintings, collages, and mixed-media works

“across these eight paintings, transformed forms abound, deconstructed through a liberation of mind and brushstroke” - Louisa Mahoney

co-curated by Salman Matinfar and Piero Tomassoni, an exploration of the development of the avant-garde through the work of ten artists from Italy and Iran who were contemporaries in Rome during the 1950s through the 1970s

including rarely exhibited works from private collections, a multimedia exhibition of New York city-centric paintings, photos, and prints

“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits”

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

new oil paintings exploring “intimacy as a psychologically charged space shaped by seduction, mirroring, tenderness, and emotional consumption” in Dymock’s first solo exhibition with the gallery

the debut solo exhibition in the UK of the self-taught Iraqi artist who “works across her paintings with her arms and body as a tool, in a semi-meditative state, building layers of pigment through gesture and intuition until something tells her to stop”

“the exhibition begins with a simple question: what happens when the body becomes both subject and surface? … whether approached directly or obliquely, the works explore the body through drawing, mark, fragment, and presence”

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light

this collaborative exhibition and artist residency features hand-carved furniture inspired by the forms and tones of the Scandinavian landscape by the Danish designers Mette Bentzen and Lasse Kristensen

this two-artist exhibition of new works pairs Obels’ Corten steel sculptures with Xiao-Min’s abstract paintings

the first exhibition in Europe to bring together Taylor, one of today’s most celebrated artists, in dialogue with his teacher, the late California modernist Jarvaise

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

“the exhibition is to be read as the elaborated dreams of The Overslept Mayfly … moving through drift, metamorphosis, and private symbolism, the exhibition unfolds like a tale remembered incompletely”

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

a two-person exhibition in which Jiyeon Lee and Son Kyungeun “each choose to lose what was originally theirs … they affirm the false emotions that seep into the tunnels dug out from the original”

“two artists, two ways of breaking free from photography in order to question it more effectively”

at sizes ranging from 10x14 inches to 4x8 feet, new paintings in the Los Angeles native’s rich palette of bruised blues and dense greens featuring his characteristic faceless figures

Sütunç's process-oriented practice uses sculpture, photography, video, installation, and text to explore different ways of being in the world through carrying, relationality, and fragility

Chillida’s work on paper was an important part of his creative process, and this exhibition focusses on rare etchings from the 1960s and 70s

through textile, assemblage, and sculpture, Rico’s first solo exhibition in the city examines connections between humanity to connect the history of Los Angeles - its land, people, and culture - to the artist’s own homeland and beyond

new oil paintings exploring “intimacy as a psychologically charged space shaped by seduction, mirroring, tenderness, and emotional consumption” in Dymock’s first solo exhibition with the gallery

in the Thai-born, France-based artist’s debut solo exhibition in the UK, new paintings of family and friends, explore memory, distance, and presence

“Nagel’s work reminds me of storms. The ones that leave you a bit bruised but with a fresh oxyden. Invigorated … I am full of admiration. Do not change a thing” - Morten Løbner Espersen

large-scale pictures printed in acrylic on white gessoed linen canvases depicting infinitely complex forest ecosystems, in the New York-based artist’s first solo London gallery exhibition

bronze sculptures, two large stained-glass windows, drawings, and an imposing print centred around birds and their symbolic meanings - as Smith “projects the feelings that drive her - fears, desires or dreams - onto these animal figures”

Kudo’s first solo exhibition with the gallery presents oil paintings of animals, humans, and nature in harmony - “huge complex dreamscapes or single moments in miniature, they are both visually enticing and endlessly intriguing” - Victoria Woodcock

covering the entire career of one of the most important painters of his time, this exhibition brings together his brooding social allegories with luminous landscapes and portraits, revealing a tension between intimacy and the brutality of the 20th Century

Piccinini’s first presentation with the gallery in London explores kinship through humanoid chimeras in silicone and fibreglass, reflecting empathy, “speculative optimism”, and the tension between cruelty and tenderness

eight prominent gallery painters - each contributing one new work - “provide an opportunity both to delve deeper into the individual works and to create a tangible field of tension within the exhibition space”

the London-based artist works with installation, painting, video, and photography to examine the systems through which objects, images and knowledge are classified, circulated, and assigned value

seven emerging Chinese ink artists explore historical context and contemporary experience to reveal the manifold possibilities of ink today “an aesthetic narrative - and a spiritual emblem - still in the act of being born”

this exhibition brings together - for the first time - Cathy Josefowitz, Maria Lassnig, and Carol Rama, three trailblazing 20th-century artists who challenged traditional portraiture by depicting the female body as a site of lived, individual experience

Polina Osipova, Rike Droescher, and Zayn Qahtani - three artists who work with materiality “harnessing unorthodox materials and techniques to create mysterious, encrypted objects that seem to convey a secret”

“in her figurative paintings, drawings and sculptures, Claire Tabouret scrutinizes identity and takes a closer look at childhood and its enigmas, the individual isolated or within a group”

this exhibition presents a recently released series of Hockney iPad works of the moon, made at his Normandy studio in France

organized by the curatorial duo of Dieter Roelstraete and Abigail Winograd, this exhibition “traces the contours of a newly emerging conceptual art ethos among younger generations of Chicago-based or -trained artists”

with several important paintings from private British collections, this exhibition focusses on a pivotal period in the career of one of the foremost Pakistani painters of his generation

this summer group exhibition brings together five artists whose practices, while geographically and culturally distinct, share a deep commitment to materiality and the expressive possibilities of textiles and fibre

working across painting, sculpture, installation, printmaking, and graphic design, fourteen current and recent students from the school in an exhibition reflecting the breadth of contemporary practice coming from one of the leading MFA programs in the US

on the centenary of Nancy Spero’s birth, this exhibition honours the women of her generation and since, who, through their art, confront the realities of womanhood in the face of an ongoing battle for dignity and agency

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

a group exhibition organised by Rashid Johnson with Charles Gaines, Firelei Báez, and Cristina Iglesias which “considers directionlessness as a conceptual zone - a space of suspension, drift, and openness”

new works by Zimbabwean ceramicist Somers and Moroccan painter Hamdouch

JR presents preparatory plastic works for La Caverne du Pont Neuf, combining photography, drawing, collage on zinc sheets, and crumpling to document the design of his monumental Paris bridge installation

the debut of new Plexiglas works from the pioneering conceptual artist in his first exhibition at Hauser & Wirth’s Paris gallery

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

the first major UK exhibition of the American land artist invites visitors to explore art shaped by light, language, and space - with early Concrete Poetry, photography, film, and two landmark installations

a group exhibition of drawings, paintings, photography, and mixed-media works by ten artists who explore visibility, empathy, resilience, and collective memory

De Falco’s first solo exhibition at the gallery - “her research subverts and alters codified cultural orders through an investigation of language and the physical and mental spaces inhabited and crossed by individuals and communities”

co-curated by Salman Matinfar and Piero Tomassoni, an exploration of the development of the avant-garde through the work of ten artists from Italy and Iran who were contemporaries in Rome during the 1950s through the 1970s

new stone sculpture by Simonetti shown alongside her first exhibition of paintings - “in an uncharacteristically personal body of work, Simonetti grapples with themes of agency, cruelty, and the mechanics of anthropomorphisation”

this collaborative exhibition and artist residency features hand-carved furniture inspired by the forms and tones of the Scandinavian landscape by the Danish designers Mette Bentzen and Lasse Kristensen

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

Akashi’s first exhibition with the gallery in New York reflects on heirlooms, not as tokens of nostalgia but as material conditions in which matter itself carries history forward

Ernest T. explores painting through his Peintures nulles series, using repeated signatures and unconventional colors to challenge art’s authenticity, trends, and commercialization with humor and subversion

focussing on moments of yielding, this first instalment in a two-part thematic exhibition includes works by Sophie von Hellermann, Pierre Knop, Manuel Mathieu, Mary Ramsden, Rachel Rose, Tschabalala Self, and Lina Iris Viktor

curated by Meimei Zhu, seven artists working across sculpture, video, installation, and sound examine how visual politics shape what societies recognise, and how hierarchies of visibility are unconsciously absorbed

an exhibition looking at the emergence and rivalry of the divisive factions of post-war abstraction in France

new works on paper, a site-specific skylight installation, and a monumental outdoor sculpture, in Finch’s first exhibition in Los Angeles - and with the gallery in the United States

curated by Meimei Zhu, seven artists working across sculpture, video, installation, and sound examine how visual politics shape what societies recognise, and how hierarchies of visibility are unconsciously absorbed

this summer group exhibition brings together five artists whose practices, while geographically and culturally distinct, share a deep commitment to materiality and the expressive possibilities of textiles and fibre

eight prominent gallery painters - each contributing one new work - “provide an opportunity both to delve deeper into the individual works and to create a tangible field of tension within the exhibition space”

curated by Sean Zhang, an exhibition of eleven artists with “a shared conviction that the most rigorous abstraction is never a departure from the world but a deepening of attentiveness to it”

working across painting, sculpture, installation, printmaking, and graphic design, fourteen current and recent students from the school in an exhibition reflecting the breadth of contemporary practice coming from one of the leading MFA programs in the US

the debut solo exhibition in the UK of the self-taught Iraqi artist who “works across her paintings with her arms and body as a tool, in a semi-meditative state, building layers of pigment through gesture and intuition until something tells her to stop”

“the show stages a dialogue between materiality and external observation [and] continues Guérard\'s reflection on painting in space, apprehending the medium outside its borders and pushing the scale”

the gallery’s third annual summer exhibition dedicated to women artists who helped define major movements of the last century, and whose influence continues to grow and shape contemporary understanding of that period

works by Anna Pakosz, Sabine Pigalle, Jan Urant, Phil Goss, John Bartlett, and Seohyun Oh

“across half a century and a range of disciplines, [eight] artists who have aimed, and still do, to ground the audience in meditation … that attentiveness to form, to material, to time itself”

new works by Zimbabwean ceramicist Somers and Moroccan painter Hamdouch