“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

the gallery’s first group exhibition at their Fleet Street space “uses the fairytale as a lens … six artists have been invited to respond to this broad line of inquiry however they wish”

an open call exhibition for Taiwan artists born after 1985

“two artists, two ways of breaking free from photography in order to question it more effectively”

in an exhibition titled after the 1941 Jorge Luis Borges’ short story, four artists from Taiwan and four from Italy explore the multiple ways in which images, histories, and identities are constructed and perceived.

in the American artist’s first solo exhibition in the UK, this focused selection of paintings spanning more than five decades explores the evolution of his approach to appropriation

an archivally-driven exhibition of over 200 objects - costume designs, photographs, drawings, garments, jewelry, artworks - from the 50s-70s, exploring the central role of costume design in Saar’s early career and throughout her life

organized by the curatorial duo of Dieter Roelstraete and Abigail Winograd, this exhibition “traces the contours of a newly emerging conceptual art ethos among younger generations of Chicago-based or -trained artists”

curated by Luis Pérez-Oramas, this group exhibition “considers nature not merely as a subject or landscape, but as the constellation of phenomena, forces, and forms of life through which the world is structured and continually transformed”

“an exhibition of youthful love, lust, and longing, distilled, moistened, and telegraphed in the way only Los Angeles is able … a dizzying love affair with love itself”

the first exhibition in Europe to bring together Taylor, one of today’s most celebrated artists, in dialogue with his teacher, the late California modernist Jarvaise

new work by Thuring - “her approach to painting pushes against monolithic thinking; against assumptions that what is shall ever be … the never-ending entanglements of nature, technology and human beings that confront us every day” - Jennifer Higgie

presenting 2026 Yale MFA photography graduates Christian Badach, Chen Xiangyun, Jasmine Clarke, Faith Couch, Christopher Postlewaite, Olivia Reavey, John Shen, Em Wall, and Andrew Warner

curated by Charlotte Hailstone Wu, an exhibition spanning abstraction and representation, which explores color as a tool for directing attention, shaping perception, and creating visual presence

the gallery’s third annual summer exhibition dedicated to women artists who helped define major movements of the last century, and whose influence continues to grow and shape contemporary understanding of that period

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

an exhibition bringing together five contemporary painters concerned with memory, inheritance and traces of the past

the debut solo exhibition by the Los Angeles-based artist known for his hyperreal photography includes dual-imaged lenticulars, lightbox, installation, sculpture, and self portraiture

drawing on nature as inspiration, Simonsen creates vividly colored, immersive paintings in which botanical forms drift between observation and imagination, transforming landscape into an experience of light, atmosphere, and renewal

a master of aerial perspective, Faulkner’s new paintings explore the urban landscape of contemporary Los Angeles - “a behemoth, a machine for living, indifferent to its inhabitants and seemingly self-perpetuating”

curated by Weifan Mo and Xumeng Zhang, six artists who use painting as a medium with an almost cinematic recounting of urban space, in an exhibition which “activates a productive friction between the grammar of film and the stasis of painting”

including rarely exhibited works from private collections, a multimedia exhibition of New York city-centric paintings, photos, and prints

the Bangkok-based artist presents analogue, handprinted photographic portraits of people living on the margins of the city’s streets - showing youth as a capacity for adaptation, reinvention and resilience

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”

new paintings and sculptures anchored by a film based on a civil rights text against lynching, in the Los Angeles–based artist’s first solo exhibition with the gallery

“Heinze’s work moves between painting and drawing and is characterized by a distinctive, often fragmentary visual language … in which bodies, spaces, and signs overlap”

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

a new iteration of the multidisciplinary artistic partnership’s “Zanzibar”, the immersive mixed-media installation with diptychs painted by Himid and a “libretto” composed by Stawarska - reflecting on themes of memory and movement and loss and belonging

“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

the first exhibition in Europe to bring together Taylor, one of today’s most celebrated artists, in dialogue with his teacher, the late California modernist Jarvaise

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light

“two artists, two ways of breaking free from photography in order to question it more effectively”

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

an exhibition of two Australian artists who explore the relationship between humans and the natural world through moving image, sound, textiles, and installation

Winter’s first solo exhibition in Germany presents his black-and-white photographs focusing on 1970s America and Southern Europe, capturing urban and rural environments, everyday objects, and ambiguous visual relations in a perceptive form of storytelling

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light

one of the leading figures in photorealism presents photographs as standalone artworks for the first time - “my camera is like my sketchbook really … in a way, showing these photographs is like revealing my process”

focussing on moments of yielding, this first instalment in a two-part thematic exhibition includes works by Sophie von Hellermann, Pierre Knop, Manuel Mathieu, Mary Ramsden, Rachel Rose, Tschabalala Self, and Lina Iris Viktor

including rarely exhibited works from private collections, a multimedia exhibition of New York city-centric paintings, photos, and prints

new work by one of the most distinctive voices in contemporary geometric abstraction, demonstrating his ability to combine conceptual precision with visual spontaneity to create works that are at once rigorously constructed and unexpectedly lyrical

this exhibition presents a recently released series of Hockney iPad works of the moon, made at his Normandy studio in France

works by Andreas Breunig, Günther Förg, Secundino Hernández, Jana Schröder, and Alicia Viebrock

curated by Charlotte Hailstone Wu, an exhibition spanning abstraction and representation, which explores color as a tool for directing attention, shaping perception, and creating visual presence

organized by the curatorial duo of Dieter Roelstraete and Abigail Winograd, this exhibition “traces the contours of a newly emerging conceptual art ethos among younger generations of Chicago-based or -trained artists”

an archivally-driven exhibition of over 200 objects - costume designs, photographs, drawings, garments, jewelry, artworks - from the 50s-70s, exploring the central role of costume design in Saar’s early career and throughout her life

a new iteration of the multidisciplinary artistic partnership’s “Zanzibar”, the immersive mixed-media installation with diptychs painted by Himid and a “libretto” composed by Stawarska - reflecting on themes of memory and movement and loss and belonging

a non-hierarchical, artist-led touring exhibition curated by Maria do Carmo M. P. de Pontes, with works by Esvin Alarcón Lam, Antonio Pichillá Quiacaín, and Simón Vega

“a celebration of everything the gallery has stood for over the past fourteen years: discovering, supporting, and championing exceptional contemporary artists”

new paintings by one of the most distinctive voices in contemporary urban landscape painting

offering a rare overview of his disciplined and deeply poetic approach, paintings, works on paper, drawings, and etchings in the late American artist’s first solo exhibition in France

curated by Ana Carolina Ralston, the gallery presents the self-taught Rokkaku’s first solo exhibition in Latin America

in an exhibition titled after, and drawing on themes from, the 1952 novel by John Steinbeck, “Hwang's paintings explore the relationships between distinct beings and the pictorial landscape that emerges through their encounters”

as part of the gallery’s commitment to supporting emerging artists in Nairobi, the debut exhibition of three such artists, drawn from the recently launched quarterly Artists Open Week

an “imaginative, idiosyncratic and quietly provocative” multimedia exhibition by the Taiwanese artist known for a humorous practice that navigates between reality and the surreal

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

a new exhibition of mixed-media works, “a visual archaeology of old and new … through the subtle interplay of photographic image and paint, Mellor coaxes a metaphysical, even supernatural, quality from the landscape – and the figures in the landscape’

one of the leading figures in photorealism presents photographs as standalone artworks for the first time - “my camera is like my sketchbook really … in a way, showing these photographs is like revealing my process”

Dorothy Cross, Samuel Laurence Cunnane, Willie Doherty, Nathalie Du Pasquier, Justin Fitzpatrick, Mark Francis, Guggi, Callum Innes, Jaki Irvine, Zhou Li, Stephen McKenna, Ailbhe Ní Bhriain, Isabel Nolan, Hazel O’Sullivan, Sean Scully, Liliane Tomasko

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light

in Orozco’s first commissioned photographic series - and first US large-scale public art project - trompe l’oeil interventions on bus shelters across Boston, Chicago, and New York City explore the relationship between nature and the built environment

to mark the 100th anniversary of her birthday, an exploration of Monroe’s life, career, and legacy through portraits by some of the greatest photographers and artists of the 20th and 21st centuries.

Winter’s first solo exhibition in Germany presents his black-and-white photographs focusing on 1970s America and Southern Europe, capturing urban and rural environments, everyday objects, and ambiguous visual relations in a perceptive form of storytelling

in an expansion of his practice, Otero’s UK debut presents deeply personal work completed during a residency at the gallery in Somerset, translating his fascination with process, materiality and time into sculptural installations and moving image

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

in his first exhibition with the gallery, new work by the American artist - “sculptures … not defined by formal transformation, but rather by the repositioning of recognisable materials through acts of selection, displacement, and framing”

following the first part of “An East-West Dialogue of Perception” in LA, this second chapter brings together twelve contemporary artists from East and West who explore space, perception, and the possibilities of existence

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

new works on paper, a site-specific skylight installation, and a monumental outdoor sculpture, in Finch’s first exhibition in Los Angeles - and with the gallery in the United States

an exhibition looking at the emergence and rivalry of the divisive factions of post-war abstraction in France

curated by Melanie Kress, a transformation of City Hall Park into a stage for artworks that play with commonplace park features like planted gardens, fountains, and public statuary

an exhibition of thirty artists who move fluidly between painting, sculpture, and object-making, to examine how abstraction is shaped not only through image, but through material decisions

“a celebration of everything the gallery has stood for over the past fourteen years: discovering, supporting, and championing exceptional contemporary artists”

offering a rare overview of his disciplined and deeply poetic approach, paintings, works on paper, drawings, and etchings in the late American artist’s first solo exhibition in France

“if The cataclysm of binary star systems begins by asking what survives catastrophe, its artists reply with a different question: How do we move forward?” - Jessica Holmes

as part of the gallery’s commitment to supporting emerging artists in Nairobi, the debut exhibition of three such artists, drawn from the recently launched quarterly Artists Open Week

“together, these three artists demonstrate that the significance of Asian artists lies not in adding ‘Eastern’ elements to Modernism, but in offering new ways to rethink and extend it’

following the first part of “An East-West Dialogue of Perception” in LA, this second chapter brings together twelve contemporary artists from East and West who explore space, perception, and the possibilities of existence

curated by Weifan Mo and Xumeng Zhang, six artists who use painting as a medium with an almost cinematic recounting of urban space, in an exhibition which “activates a productive friction between the grammar of film and the stasis of painting”

a master of aerial perspective, Faulkner’s new paintings explore the urban landscape of contemporary Los Angeles - “a behemoth, a machine for living, indifferent to its inhabitants and seemingly self-perpetuating”

an exhibition of two Australian artists who explore the relationship between humans and the natural world through moving image, sound, textiles, and installation

the Bangkok-based artist presents analogue, handprinted photographic portraits of people living on the margins of the city’s streets - showing youth as a capacity for adaptation, reinvention and resilience

“bringing together artists from the United States, Britain and Europe, the exhibition traces how abstraction developed transnationally while pursuing that quintessential Modern ambition for a new kind of truth”