the gallery’s first solo exhibition of the Nairobi-based mixed media artist who explores process, material experimentation, and the atmosphere of everyday life

a new curatorial initiative dedicated to supporting and showcasing emerging contemporary artists working across the country

in an immersive audio-visual environment, design objects by Pierre Paulin shown alongside, exceptional works by artists including Pablo Picasso, Louise Bourgeois, Jean Arp, Lucio Fontana, and Andy Warhol, Rashid Johnson, Henry Taylor, and Paul McCarthy

curated by Seohyun Kang, works by Song E Yoon and Frédéric Bruly Bouabré exploring humanity’s engagement with memory, recording, and the passage of time

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

“a group exhibition marking the 250th anniversary of American independence … a focused reflection on the vitality and diversity of American post-war and contemporary art”

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

an exploration of intimacy and detail - the world as seen close up by Modern Masters of photography including Helmut Newton, Irving Penn, Herb Ritts, Richard Avedon, Daidō Moriyama, Hiro, and Erwin Olaf

new performative site-specific installations explore “curatorial spaces’ nature, not only as a collaborative conceptual spatial creation of artist and curator, but also as a conveyance of philosophical and psychological propositions”

to mark the 100th anniversary of her birthday, an exploration of Monroe’s life, career, and legacy through portraits by some of the greatest photographers and artists of the 20th and 21st centuries.

new paintings, in dialogue with a site-specific wall painting, based on “myths, Biblical accounts and fairy tales, with an emphasis on stories detailing fantastical conceptions and births”

newspaper paintings, paintings on canvas, and drawings shown alongside a 1971 sculptural installation and a quilted flag from 1977

in thirteen pointillist paintings depicting close-up images of soap foams, captured through a microscope, a focus - “on nodes of connection, self-organization and how individual elements refract through one another”

moving image, photography, and painting and assemblage in a group exhibition of three emerging artists whose practices interrogate ideas of class, inheritance and assumed values through representational media

an exhibition examining one among the most unconventional artists of the post-war period and his “disquieting and prophetic pictorial vision … grasping the tensions between humanity and technology long before their full contemporary manifestation”

Le Bas’ first exhibition at the gallery spans objects, environments, textiles, costumes, and performances - occupying the intersection of the personal and the political, in dialogue with questions about land, movement, gender, and discrimination

in the Thai-born, France-based artist’s debut solo exhibition in the UK, new paintings of family and friends, explore memory, distance, and presence

“Shulman is a romantic artist. His themes – loss, memory, nostalgia, death, the porous membrane between joy and pain, time and space, forgetting and remembering, would be familiar to the poet, John Keats” - Nicola Shulman

“a book / exhibition of 24 drawings about love … an intensely sensitive suite of drawings inspired by the Passion of Christ and dedicated to all outsiders”

nearly fifty works by seventeen gallery artists from the East and the West, revealing two distinct yet complementary modes of artistic perception

Tingleff, one of Scandinavia’s leading ceramic artists, gives an “impression of the natural world beyond human-made walls, made powerfully and palpably present … all normal sense of scale is suspended” - Glenn Adamson

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”

Piccinini’s first presentation with the gallery in London explores kinship through humanoid chimeras in silicone and fibreglass, reflecting empathy, “speculative optimism”, and the tension between cruelty and tenderness

the gallery’s first exhibition of one of the most distinctive figures associated with British Surrealism spans almost thirty years of her paintings, collages, and mixed-media works

“repetition and self-quoting permeates Topolewski’s practice at large, with imagery … weav[ing] an inconstant tapestry of frail thoughts and ideas that the viewer gets tangled up in” - Saša Bogojev

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

co-curated by Salman Matinfar and Piero Tomassoni, an exploration of the development of the avant-garde through the work of ten artists from Italy and Iran who were contemporaries in Rome during the 1950s through the 1970s

an exhibition focusing on Purcell’s works between 1975 and 1979 - a formative moment in her career

new stone sculpture by Simonetti shown alongside her first exhibition of paintings - “in an uncharacteristically personal body of work, Simonetti grapples with themes of agency, cruelty, and the mechanics of anthropomorphisation”

“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits”

focussing on his portraiture, new figurative oil paintings, significant loans of recent work, and drawings “reflect Shearer’s commitment to exploring the variable, unfixed nature of images and the technologies that mediate our reception of them”

inspired by his heritage and the vibrant energy of communal gatherings, new paintings, prints, sculpture, and an immersive sound installation in the British Nigerian artist and designer’s first solo gallery exhibition in his home city

curated by Jessica Cerasi, works by “four painters for whom the canvas operates as a site of reflection … where colour is not decoration or description; it is a primary language, capable of saying what words can only attempt to approach”

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

to mark five years of the gallery’s work, an exhibition that reflects on “the quiet power of presence and the ongoing act of exchange that art makes possible”

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

as part of the series marking the gallery’s 50th anniversary “two artists whose practices … converge in their investigation of form in relation to nature and to the structures that organize the visual field”

bringing together Picasso's Personages with new and existing works by California-based contemporary artist Zheng Chongbin, an exhibition focussed on how an image is assembled in the very act of looking

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

a new iteration of the multidisciplinary artistic partnership’s “Zanzibar”, the immersive mixed-media installation with diptychs painted by Himid and a “libretto” composed by Stawarska - reflecting on themes of memory and movement and loss and belonging

new works by Hutchings and Romeril, celebrating the creativity that emerges through proximity - partners in life, their distinct artistic practices are united by shared interests in domestic life and its energies

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

titled after an ancient Greek term for nature - both as landscape and a source of growth - this exhibition of Gamperl’s wood sculptures and Shunshun’s line drawings “opens a conversation across generations, material, form and the true meaning of nature”

more than sixty works by two American masters of intimate scale who share a profound interest in the narratives of their immediate environments - the late legendary and self-taught Castle alongside contemporary painter and printmaker Mitchell

an exhibition of fifty-six photographs from the groundbreaking project by Sultan and Mandel, first published in 1977

curated by Seohyun Kang, works by Song E Yoon and Frédéric Bruly Bouabré exploring humanity’s engagement with memory, recording, and the passage of time

an exhibition focussing on Gorriti’s still lifes and interior scenes - “Gorriti transforms everyday subjects into meditations on light, harmony, and atmosphere”

new paintings by Mollett - “these are works much concerned with grasping the intangible … she is an artist whose work argues for her medium’s necessity, for painting’s unique ability to illuminate” - Tom Morton

an ambitious exhibition positioning the esteemed Japanese contemporary artist as a vital continuation of American Abstract Expressionism who simultaneously redefines its underlying Eastern spirituality within the broader context of global art history

presented for the first time in the gallery’s Marais space, enamelled faience sculptures with striking trompe-l’œil effects - “Carone reminds us that one deception can still hide another. Welcome to the kingdom of false appearances” - Serge Bramly

new paintings - dramatically scaled roses, peonies, daisies, tulips, and poppies erupt beyond the canvas - engaging the Old Masters to address contemporary preoccupations with the self, the body, and ecological anxiety about the fate of the natural world

Agematsu’s first solo exhibition with the gallery and in Germany is in two parts, the first featuring a year of “zips” - tiny devotional sculptures made of detritus from New York’s streets inside the cellophane sleeves of cigarette packs

“Bozó’s images might appear to resemble storyboard frames from Hanna-Barbera or Disney cartoons, they in fact have more in common with Cy Twombly’s scribbles and gestures, Jackson Pollock’s splatter paintings or William de Kooning” - Saša Bogojev

the first exhibition of Baxter at the gallery stands as a tribute to the artist, who sadly passed away in March of this year

unseen works on paper and new paintings in an overview of diverse artistic approaches and generations, bringing together contemporary masters in dialogue with historical perspectives

an exhibition by the distinguished artist, filmmaker, and poet bringing together recent works on brown paper, drawn-on objects, and bunting fragments in a layered act of visual storytelling

the debut of a new series of collage paintings rooted in memories of Tezeno’s hometown of Port Arthur, Texas - complex, multi-figure compositions that honor the communal fabric shaping her earliest experiences

a group exhibition of drawings, paintings, photography, and mixed-media works by ten artists who explore visibility, empathy, resilience, and collective memory

“entering into Antone Könst’s practice, one should abandon symbolic terms or the burdens of figuration. The artist usually maneuvers in opposition to narrative or meaning, instead cultivating an ambient hum through formal tools” - Reilly Davidson

a group exhibition with artists including John Baldessari, James Casebere, Julian Charrière, Iran do Espírito Santo, Katharina Fritsch, Ana González, Laurent Grasso Rebecca Horn, Callum Innes, Aki Inomata, Idris Khan, Joseph Kosuth, Zac Langdon-Pole, …

in his first solo exhibition with the gallery and in New York “García Almanza transforms the architectural beams [of colonial buildings] into interlocking components of his dynamic sculptures imbued with lives, stories, and the complex history of Cuba”

new paintings and a site-specific architectural intervention “transforming the upstairs Zurich gallery into a space reminiscent of a casino - a charged environment shaped by surveillance”

the first exhibition in Europe to bring together Taylor, one of today’s most celebrated artists, in dialogue with his teacher, the late California modernist Jarvaise

paintings, works on paper, and mural drawings form a spatial and narrative constellation with a soundtrack by Sin Maldita (Tim Roth) and Philipp Hülsenbeck

new animations, original drawings, small-scale paintings, and an installation in the first exhibition at the gallery dedicated specifically to Alÿs’ animations

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

in the Zero 10 section, a solo generative digital and physical project by acclaimed artist-engineer 0xDEAFBEEF “situates contemporary generative practices within a lineage that extends back to early signal-based image-making”

Singh’s first UK solo exhibition presents an installation of film and paintings to offer a poetic meditation on the urgent link between climate change and agricultural crises

new works by Hutchings and Romeril, celebrating the creativity that emerges through proximity - partners in life, their distinct artistic practices are united by shared interests in domestic life and its energies

new performative site-specific installations explore “curatorial spaces’ nature, not only as a collaborative conceptual spatial creation of artist and curator, but also as a conveyance of philosophical and psychological propositions”

“Siber chooses to return to the most fundamental dialogue with materiality: making steel weightless, letting wood breathe, transforming colour into time, allowing nature to blossom in Baroque splendour”

a group exhibition with works by Abel Burger, Adam Green, Adam Linn, Adèle Aproh, Alanna Hernandez, Alex Kvares, Alexandra Duprez, Alphachanneling, Amalia Angulo, Arthur Devisscher, Aurel Schmidt, Ayumi Bessho, Bette Burgoyne, Brian Stremick, …

focussing on a little-known aspect of the painter, writer, and photographer, over 150 early stereoscopic images, vintage prints, unique works on paper, lightboxes, and projections in the first UK public exhibition of his work for over 10 years

a ground breaking exhibition exploring Stephenson’s large works from the late 1960s and early 70s - “great paintings of flux still the mind in contemplation of their wholeness, harmony, and radiance”

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

Sütunç's process-oriented practice uses sculpture, photography, video, installation, and text to explore different ways of being in the world through carrying, relationality, and fragility

accompanying the Forest Cathedral installation in the Barn this summer, a group exhibition which “extends from the forest floor to the sea and sky and encompasses sculpture, painting, drawing, photography, ceramic and multi-media”

focussing on a little-known aspect of the painter, writer, and photographer, over 150 early stereoscopic images, vintage prints, unique works on paper, lightboxes, and projections in the first UK public exhibition of his work for over 10 years

JR presents preparatory plastic works for La Caverne du Pont Neuf, combining photography, drawing, collage on zinc sheets, and crumpling to document the design of his monumental Paris bridge installation

Winter’s first solo exhibition in Germany presents his black-and-white photographs focusing on 1970s America and Southern Europe, capturing urban and rural environments, everyday objects, and ambiguous visual relations in a perceptive form of storytelling

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

Moritz is a Vienna-based visual artist working across photography, video, and artificial intelligence whose work addresses underlying fears, and destabilizes fixed ideas of identity and gender

new large-scale “topographic portraits” by Sambunaris - highly detailed and dramatically composed photographs examining changes to the landscape of the American West resulting from human intervention

the debut of new Plexiglas works from the pioneering conceptual artist in his first exhibition at Hauser & Wirth’s Paris gallery

Bartley’s photographs evoke classic still-life, color field painting and minimalism while examining the formal and poetic qualities of the book as an object itself rather than as simply a conveyor of information

curated by Melanie Kress, a transformation of City Hall Park into a stage for artworks that play with commonplace park features like planted gardens, fountains, and public statuary

curated by Jenée-Daria Strand, Othello’s first solo outdoor exhibition in the city presents large-scale bronzes and new totemic redwood sculptures exploring ritual, spiritual, and healing objects from Western and Central Africa

curated by Imani Mason Jordan, thirteen artists in sculpture exhibition with performance, writing, photography and video - “these are practices that do not try to represent the world, but actively reconfigure it”

titled after an ancient Greek term for nature - both as landscape and a source of growth - this exhibition of Gamperl’s wood sculptures and Shunshun’s line drawings “opens a conversation across generations, material, form and the true meaning of nature”

an exhibition with works by over thirty artists

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

over thirty works by more than twenty artists in an exhibition honoring the man widely regarded as the first mega-dealer of the modern era, who is one of the gallery’s greatest inspirations and a defining figure in the modern art world

to mark the gallery’s new London space, an exhibition of key works from the series - “Uysal approaches architectural space as a living surface - a skin - that can be stretched, compressed, pierced, or displaced”

“Siber chooses to return to the most fundamental dialogue with materiality: making steel weightless, letting wood breathe, transforming colour into time, allowing nature to blossom in Baroque splendour”

curated by Jessica Cerasi, works by “four painters for whom the canvas operates as a site of reflection … where colour is not decoration or description; it is a primary language, capable of saying what words can only attempt to approach”

curated by Fraser Muggeridge, an exploration of Buren’s use of stripes over almost six decades, from the street to the gallery walls and from the canvas to the printed page

in his first solo exhibition in Asia, historical and recent works that showcase the mastery of surface texture by one of Britain’s most significant living artists

large-scale pictures printed in acrylic on white gessoed linen canvases depicting infinitely complex forest ecosystems, in the New York-based artist’s first solo London gallery exhibition

an exhibition by the distinguished artist, filmmaker, and poet bringing together recent works on brown paper, drawn-on objects, and bunting fragments in a layered act of visual storytelling

all-new works by the Brooklyn-based artist who operates at the intersection of painting, sculpture and craft, uprooting conventional distinctions between medium, surface and structure

the first exhibition in Europe to bring together Taylor, one of today’s most celebrated artists, in dialogue with his teacher, the late California modernist Jarvaise

new paintings and a site-specific architectural intervention “transforming the upstairs Zurich gallery into a space reminiscent of a casino - a charged environment shaped by surveillance”

Kudo’s first solo exhibition with the gallery presents oil paintings of animals, humans, and nature in harmony - “huge complex dreamscapes or single moments in miniature, they are both visually enticing and endlessly intriguing” - Victoria Woodcock

El-Sayegh’s immersive, site-specific exhibition of paintings, installation, and performance, explores “the machinations of consumerism and perceptions of luxury in the contemporary world”

large-scale paintings, music, film, and installation transform the gallery into an immersive environment of sound and image