including piece that have not been exhibited before, an exhibition of the late artist’s works on paper show alongside two tapestries

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

the British multidisciplinary artist captures subtle, absurd disruptions - small fractures in the ordinary that reveal tension, humour, and the poetic instability of everyday life

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

“alternate views on reality in post-war France”

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

major paintings from across Kossoff’s career in this rare and substantial exhibition of the leading figure of postwar British art, presented in partnership with his Estate

new oil paintings depicting doors left ajar and offering a glimpse into an ambiguous and surreal terrain beyond - transforming the gallery into a labyrinth of thresholds

Aguirre’s first solo exhibition at the gallery is an immersive installation of sculpture, painting, film, and audio exploring “the intersections of body, land, memory and migration through the construction of mythopoetic landscapes”

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

following the gallery’s seasonal theme of artistic responses to the natural world – Ikemura presents a nocturnal garden of sculptures, paintings, works on paper, and poems

“conceived as the pages of a vast manuscript [the exhibition] transforms the gallery into an in-between space: a fertile, ever-shifting organism threaded with passages to other worlds, oscillating between unease and a longing for re-enchantment”

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

“dense pictorial fields built through the accumulation of figures, signs, fragments of text, and symbolic forms … compositions populated by animals, hybrid figures, and totemic structures”

paintings centered on the theme of “Night dancing” and exploring the relationships between humans and nature, movement and space, and color and form, in an exhibition inspired by the poetry of Ian Hamilton Finlay

the paintings in this exhibition depict “children and landscapes shaped by war’s trauma, capturing forced stillness, protection, and resilience through dynamic brushwork and grounded materials from Ukraine’s landscape”

“five paintings and ceramic panel works exploring landscapes through layered paint and textured resin, capturing natural phenomena and time’s accumulation in shifting scenes”

in association with Waqas Wajahat, New York, an ambitious body of painting spanning four decades in the internationally acclaimed female artist’s first comprehensive solo exhibition in Korea

an exhibition highlighting five major figures of the prominent South Korean movement - Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-keun, and Chung Sang-Hwa

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

exploring Kounellis’s experiments in painting and music, an exhibition and performance programme in dialogue with Christian Marclay

an ambitious exhibition celebrating two centuries since the dawn of photography

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

including many pieces not previously exhibited, and covering thirty years of work by the painter often seen as an ‘artist’s artist’ - “Oxlade’s paintings echo the vast, often glorious muddle of our existence” - Jennifer Higgie

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

the gallery’s first exhibition of Chase’s work since announcing its representation of her estate - Chase occupied a distinctive position between the New Image Painting and Neo-Expressionist movements in the New York art scene of the 70s and 80s

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

Weems’ debut exhibition with the gallery in London presents recent and significant bodies of work reflecting on migration, belonging, and the enduring afterlives of the Atlantic passage

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

outstanding images by Niépce, Daguerre, Fox Talbot, Fizeau, Le Gray, Frith, Piot, and Greene in an exhibition exploring the origins of photography - “the magic of early photographs intertwines with the spirit of discovery”

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

using “a curatorial logic of figural counterpoints”, an exhibition exploring the resonance, and even figural coincidences, between the works of the two artists

with the first screening of a filmed interview, an array of archival documents, and a selection of artworks and artist tools, this exhibition explores “the echoes, parallels, and differences that construct[ed] the relationship between the two friends”

curated by Elisabetta Bresciani, Magda Blasinska reflects on the rhythmic and structural patterns underlying woven surfaces, while Adia Wahid explores architectural memory through shifting geometric forms inspired by Islamic art

“expanding the palette beyond the template of four primary Yolŋu colours - black, red, yellow and white - allows the story to come alive … an old song in a fresh key” - Will Stubbs

an exhibition bringing together works that reflect the breadth and character of British figurative art across the twentieth century

“conceived as a relational environment rather than a sequence of discrete objects, the interplay between the two artists’ works positions sculpture and tapestry in relation to one another through proximity, scale, and surface”

exploring Kounellis’s experiments in painting and music, an exhibition and performance programme in dialogue with Christian Marclay

“drawing from fragments of daily observation, Tuapennot constructs layered visual narratives in which global brand symbols, youth fashion, cartoon figures, and spontaneous text collide”

“positioning colour as a structural and conceptual force rather than decoration, the exhibition brings together works in which colour expands, fragments, or dissolves, alongside monochrome compositions that emphasise line, tone, and form”

“alternate views on reality in post-war France”

new paintings that explore the visual and linguistic density of the contemporary city, “a layered system of signs, where language, image, and architecture intersect”

works from the late 1960s to the present - “I use language as a sign to indicate that there is art, the direction in which it exists, to prepare for it” - Barry

Marras presents functional works exploring identity, memory, and human relationships through paintings, drawings, sculptures, and upcycled objects including stitched vases, twisted ceramics, sculptural mirrors, and portraiture on varied papers

“charged with discourse on craft, gender, and class, Shead’s Machine Paintings transform what is otherwise private and domestic into the public”

the paintings in this exhibition depict “children and landscapes shaped by war’s trauma, capturing forced stillness, protection, and resilience through dynamic brushwork and grounded materials from Ukraine’s landscape”

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“for his first solo exhibition at Bigaignon … Pimentão invites us to consider drawing not only as an object to be seen, but as something that acts, resonates, and takes form”

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

curated by Elisabetta Bresciani, Magda Blasinska reflects on the rhythmic and structural patterns underlying woven surfaces, while Adia Wahid explores architectural memory through shifting geometric forms inspired by Islamic art

a celebratory exhibition to honor director George Henoch Shechtman’s sixtieth anniversary as an art dealer and champion of contemporary realism

the debut of a series of paintings exploring Santos’ personal and pastoral relationship to Puerto Rico, drawing on historical, archival, and ecological inspiration - “the works are reminders of the past but also a way to understand what is happening now”

painting, sculpture, and photography in a multilayered exhibition of works by Zana Masombuka, Eddy Kamuanga Ilunga, Alexis Peskine, and Djibril Dramé

titled after the fan culture term for a non-official version of a story, four artists who approach repetition as a method of revision, and explore how repeated gestures, processes, and images allow for small shifts to emerge through sustained attention

including pieces not previously exhibited, a major exhibition of drawings and works on paper by Rego demonstrating her evolving use of line in media from pen and ink to pastel, conté, charcoal, and pencil

the Iranian-American artist’s first exhibition with the gallery builds on her ongoing series examining her parents’ experiences of political exile following the 1979 Iranian Revolution and broader systems of geopolitics, displacement, and care

an exhibition focusing on Yamamoto’s photographs of owls - gelatin silver prints printed by the artist reveal his deep respect, depicting not only the owls’ beauty and grace, but also their eccentricity, companionship and individuality

Herbst’s inaugural solo exhibition with the gallery presents recent paintings created with her own “generative system” that allows narratives and visuals to emerge through a theatrical staging with repetition, variation, and play

“working fluidly between painting and installation [Song E Yoon] investigates the relationship between material and immaterial, visible, and invisible dimensions”

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

“through the interplay of light, mirrored surfaces, and diverse materials, Kotter employs optical phenomena to generate striking visual effects … guiding viewers into a mesmerizing perceptual journey”

“Nagel’s work reminds me of storms. The ones that leave you a bit bruised but with a fresh oxyden. Invigorated … I am full of admiration. Do not change a thing” - Morten Løbner Espersen

Agematsu’s first solo exhibition with the gallery and in Germany is in two parts, the first featuring a year of “zips” - tiny devotional sculptures made of detritus from New York’s streets inside the cellophane sleeves of cigarette packs

new paintings and sculptures anchored by a film based on a civil rights text against lynching, in the Los Angeles–based artist’s first solo exhibition with the gallery

“Heinze’s work moves between painting and drawing and is characterized by a distinctive, often fragmentary visual language … in which bodies, spaces, and signs overlap”

ceramic assemblage sculptures and large-scale drawings by the British artist, exploring “how we are coping a quarter of the way through the 21st century – a time marked by psychological overload, acceleration and a pervasive sense of inertia”

“curated by Brian Griffiths, the exhibition examines the space between instruction and impulse, extending his longstanding interest in the artist as an unreliable narrator and exhibition-making as staged and provisional”

Rapone’s first presentation with the gallery debuts three paintings where she explores “the heated juncture of sensuous stimulation and nervous irritation in narratively dense compositions”

in thirteen pointillist paintings depicting close-up images of soap foams, captured through a microscope, a focus - “on nodes of connection, self-organization and how individual elements refract through one another”

moving image, photography, and painting and assemblage in a group exhibition of three emerging artists whose practices interrogate ideas of class, inheritance and assumed values through representational media

curated by Rolando J. Carmona, an exhibition examining how the Brazilian artist engaged throughout her career with relationships between the body, psychoanalysis, and geometric abstraction

Weems’ debut exhibition with the gallery in London presents recent and significant bodies of work reflecting on migration, belonging, and the enduring afterlives of the Atlantic passage

“the title of Rob Ball’s exhibition offers a compelling way into a fifteen-year photographic journey that includes over 100 seaside resorts, from the damp, neon-lit promenades of Blackpool to the fading ‘Doo-Wop’ motels of Wildwood, New Jersey”

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

photographs from the island of Aran alongside large-scale paintings and a salon-style array of drawings, watercolours, photos and written works on paper in a survey exhibition of the \"greatest living abstract painter\" - Jonathan Jones

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

curated by Diana Kudaibergen, the Kazakh artist works with video, Al-driven cyber textiles, photography, and immersive sound to create a contemporary, technological, and philosophical world where water, myth, and the feminine intersect across Central Asia

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

Schneider’s first solo exhibition at the gallery centres his ongoing Gesamtkunstwerk “Haus u r” with two livestream projections shown for the first time, alongside key works from the house

sculptures from 2009 to the present and his latest painted self-portraits in an exhibition spanning almost twenty years of the Swiss artist’s work, “exemplifying Vital’s multidisciplinary approach and his alternative strategies of representation”

new paintings and sculptures anchored by a film based on a civil rights text against lynching, in the Los Angeles–based artist’s first solo exhibition with the gallery

over thirty works by more than twenty artists in an exhibition honoring the man widely regarded as the first mega-dealer of the modern era, who is one of the gallery’s greatest inspirations and a defining figure in the modern art world

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

small-scale sculptures and paintings from antiquity to modernity showing scale not as a limitation but “an invitation to look closely ... celebrating intimacy, precision, and sensitivity”

“for his first solo exhibition at Bigaignon … Pimentão invites us to consider drawing not only as an object to be seen, but as something that acts, resonates, and takes form”

raw plaster sculptures alongside limited edition prints and drawings - “Love invites viewers to feel those emotional states that flow not just between us but throughout our wider ecology where fragility, tenderness and strength understand each other”

in Garaicoa’s first solo exhibition at the gallery’s NY viewing room, reliefs combining painting and photography, and sculptural models using nineteenth-century French engravings, reflect his interest in how the city and its architecture reflect society

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

an exhibition highlighting five major figures of the prominent South Korean movement - Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-keun, and Chung Sang-Hwa

“the title of Rob Ball’s exhibition offers a compelling way into a fifteen-year photographic journey that includes over 100 seaside resorts, from the damp, neon-lit promenades of Blackpool to the fading ‘Doo-Wop’ motels of Wildwood, New Jersey”

Rapone’s first presentation with the gallery debuts three paintings where she explores “the heated juncture of sensuous stimulation and nervous irritation in narratively dense compositions”

in thirteen pointillist paintings depicting close-up images of soap foams, captured through a microscope, a focus - “on nodes of connection, self-organization and how individual elements refract through one another”

including many pieces not previously exhibited, and covering thirty years of work by the painter often seen as an ‘artist’s artist’ - “Oxlade’s paintings echo the vast, often glorious muddle of our existence” - Jennifer Higgie

recent paintings and object from one of the founders of the Supports/Surfaces movement, who has spent six decades pushing the boundaries of painting

in an exhibition which explores the relationship between land and technology and progress and destruction, new wall-mounted collages and an immersive installation of a psychic parlor, Doyle’s first experiment with AI

a special presentation of new paintings - “through still lifes and portraits set within seascapes and landscapes, Park creates psychological explorations shaped by the transition of day into night”

new paintings - labyrinthine architectural settings populated by people, animals, and mannequins - which function like a visual experiment, generating paradoxes rather than answers

“Kamijo’s painted world is filled with large flowers, fruit, and sometimes animals: butterflies, parakeets, sailfish … it is a calm world” - Jill Gasparina

with the first screening of a filmed interview, an array of archival documents, and a selection of artworks and artist tools, this exhibition explores “the echoes, parallels, and differences that construct[ed] the relationship between the two friends”

curated by Thierry Raspail, Lee Mingwei’s first exhibition at the gallery’s Paris space presents interactive works as “he questions the world and offers no answer. And this way he questions us too”

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time