“Förg took four monumental color photographs of the Lange house … [exhibited] again for the first time on the occasion of the new Frankfurt gallery season. A show nothing short of a small sensation ” - Christian Malycha

spanning thirty years of work with the single subject of “food”, new large-scale oil paintings alongside canvases reaching back to 1996 - “I have selected a group of works that explore the relationship between food and my own life journey” - Oiwa

in collaboration with Corbett vs. Dempsey, an exhibition of Wright’s flower paintings, alongside works on paper, made from 1992 onwards

“for this exhibition, I wanted to immerse myself entirely in abstraction - setting aside any notion of subject or image as a starting point for the painting. The aim was to lose myself in the painting itself” - Bellot

in his first exhibition with the gallery, new work by the American artist - “sculptures … not defined by formal transformation, but rather by the repositioning of recognisable materials through acts of selection, displacement, and framing”

named after an Old English word for “a gathering of people” Ryan’s new site-specific commission responds directly to the gallery’s archaeological site to bring ancient and contemporary London into dialogue

“the exhibition begins with a simple question: what happens when the body becomes both subject and surface? … whether approached directly or obliquely, the works explore the body through drawing, mark, fragment, and presence”

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

a non-hierarchical, artist-led touring exhibition curated by Maria do Carmo M. P. de Pontes, with works by Esvin Alarcón Lam, Antonio Pichillá Quiacaín, and Simón Vega

following the first part of “An East-West Dialogue of Perception” in LA, this second chapter brings together twelve contemporary artists from East and West who explore space, perception, and the possibilities of existence

a group exhibition organised by Rashid Johnson with Charles Gaines, Firelei Báez, and Cristina Iglesias which “considers directionlessness as a conceptual zone - a space of suspension, drift, and openness”

this summer group exhibition brings together five artists whose practices, while geographically and culturally distinct, share a deep commitment to materiality and the expressive possibilities of textiles and fibre

spanning the Main Gallery and the Fire Station, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

new paintings and a spatial light installation, in “a reflection on surface, presence and inner content. It makes us consider what lies behind the objects, the images or the meanings generated by an AI that endlessly produces poems” - Lotten Wiklund

Afro-Caribbean American multidisciplinary portrait artist Lopez works with communities historically rendered invisible - people she has met and engaged with whose presence carries cultural memory, resilience, vulnerability, and unmistakable swag

including the gallery’s first presentation of his iconic “Line Describing a Cone” - and the debut of his newest work - significant pieces spanning over fifty years of McCall’s pioneering solid light works

“Reyle has developed a unique visual language that continues to challenge how we experience painting and sculpture. Combining bold material experimentation with a deep understanding of abstraction” - Belén Herrera Ottino

presented with Polben’s Pigment - the artist-led project and pigment company - a collaborative exhibition exploring London through colour and material experimentation, showing what happens when pieces of the city itself become part of the work

“at once deeply personal and strikingly universal, the exhibition unfolds as an immersive journey through technological archaeology, political allegory, and mythological imagination”

an exhibition of eight contemporary artists working across painting and sculpture - Benjamin Orlow, Emil Sands, Galli, Hannah Quinlan and Rosie Hastings, Kira Freije, Suleman Aqeel Khilji, Tanoa Sasraku, and Tiona Nekkia McClodden

“the exhibition … reunites about 300 works (cardboard, printed matter, felt-pen, ballpoint-pen, paper, tape) from the series “POST”. I made them during 2025 and 2026, and posted some of them (therefore the title “POST”) on my Instagram-Account”

an exhibition of rare, important, and coveted paintings and works on paper from the pioneering Abstract Expressionist’s most celebrated period

new work where the Swiss artist engages with themes of life and death, transcendence, and spirituality

the first UK solo show of new paintings by the American artist whose work centres on carefully painted interior spaces - “that are at once familiar and quietly estranged”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

new paintings combining luminous portraiture with bold passages of color, ornamental patterns, and symbolic imagery as the husband-and-wife artists explore the boundaries between the visible and the imagined

Biała and Orving reveal - with a tenderness, playfulness and ingenuity that matches their subject - the risks and rewards of our fundamentally and irrevocably interconnected lives” - Rebecca Birrell, PhD.

a new body of work by Khatri presented alongside Chronicles by Kain

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

an unprecedented exhibition pairing paintings by Chaïm Soutine with new paintings by Ilana Savdie - separated by a century, both painters make the instability of their subjects the substance of their work

bringing together the work of two contemporary Kenyan artists who draw deeply from their immediate surroundings, an exhibition exploring different facets of everyday Kenyan life, identity and culture

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

marking the launch of Glazzard’s new photobook, an exhibition which reimagines the family through photography, intimacy, and the living archive

a new exhibition by the French artists and designers, reflecting on how perspectives and observations are shaped by journeys and movements through shifting landscapes

“paintings of women, each portrayed with an extraordinary intensity and psychological tenderness … vulnerability, psychic weight, the precarious nature of being alive: her subjects wrestle with and negotiate the human condition”

“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” - Louisa Mahoney

“working across batik, tapestry, Jacquard weaving, carpet inlay, embroidery, digital image-making and AI, the exhibition explores textiles not simply as a medium, but as a way of thinking: one built through connection, accumulation and transformation”

unseen works on paper and new paintings in an overview of diverse artistic approaches and generations, bringing together contemporary masters in dialogue with historical perspectives

the London based, Bergamo born artist’s debut solo exhibition at the gallery - “Longhi’s sculptural works draw our attention to the vivid expressions of human life and history that can be found on the walls and surfaces of the metropolis”

“the exhibition begins with a simple question: what happens when the body becomes both subject and surface? … whether approached directly or obliquely, the works explore the body through drawing, mark, fragment, and presence”

showing at the gallery in Paris and Galerie Natalie Seroussi, an exhibition of artists whose work engages with histories of migration, memory, language and belonging, contemplating the diasporic experience as lived reality and as imagined space

works by Monira Al Qadiri, Jean-Marie Appriou, Genesis Belanger, Jean-Philippe Delhomme, Mathilde Denize, Laurent Grasso, Thilo Heinzmann, Izumi Kato, Bharti Kher, Farhad Moshiri, Paola Pivi, Sigrid Sandström, and Hugo Toro

an exhibition bringing together works from about twenty galleries and art spaces across Iran … the initiative creates a direct connection between artists, galleries and audiences inside and outside Iran

Biała and Orving reveal - with a tenderness, playfulness and ingenuity that matches their subject - the risks and rewards of our fundamentally and irrevocably interconnected lives” - Rebecca Birrell, PhD.

in conversation with newer work, an opportunity to revisit paintings first shown at the gallery twenty years ago - “Krut demonstrates a Surrealist\'s facility for perceiving links between the most disparate commonplace objects” - Andreas Leventis

“at the core of Ida’s practice is the relationship between humanity and the natural world. His paintings consider the delicate balance between human existence and the fragile ecosystems that sustain it”

“in this new body of work the artist reflects on the emotional contradiction of nostalgia - the impossibility of fully recapturing the dazzling immediacy of an experience once it had passed, and the lingering desire to try”

new work by Middleton - “these new paintings recast recognizable forms as surreal archetypes, dramatizing the interplay between presence and absence, and between the literal and the metaphorical”

Aaron Glasson, Chris Johanson, Suchitra Mattai, Evan Nesbit, Wendy Red Star, and Brenna Youngblood encompass “representation and non-representation by reconfiguring color, light, material and texture as tools for rendering ineffable sensibilities”

works spanning several decades reveal an artist continually attentive to the dignity, vitality and complexity of Black experience - “there is warmth throughout Lloyd’s work, but never sentimentality” - Cameron Amiri

titled after an optical phenomenon that occurs twice each year inside Palma Cathedral, the gallery begins its collaboration with VHILS with an exhibition of work including carved doors, billboards, ceramic tile panels, and architectural debris

paintings and works on paper in the centenarian New York-based artist’s first solo exhibition in Europe - “tracing her remarkable contribution to the language of abstract painting over more than five decades”

curated by Ian Collins, this major exhibition includes rarely seen pieces from public and private collections as well as the first showing of Self’s eclectic multi-media installation of 365 wall-based works, ongoing since the year 2000

a survey exhibition celebrating the remarkable breadth of Davenport's career from the late 1980s to the present

the first major UK exhibition of the American land artist invites visitors to explore art shaped by light, language, and space - with early Concrete Poetry, photography, film, and two landmark installations

the debut of new Plexiglas works from the pioneering conceptual artist in his first exhibition at Hauser & Wirth’s Paris gallery

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

a non-hierarchical, artist-led touring exhibition curated by Maria do Carmo M. P. de Pontes, with works by Esvin Alarcón Lam, Antonio Pichillá Quiacaín, and Simón Vega

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

iconic photographs by the legendary Mexican artist, considered one of the most important photographers in the history of the medium,

“I would place Jethro somewhere between a cheekier Cartier-Bresson and a more worldly James Ravilious - the tradition of the quiet English observer, but with a continental range and a sense of humour” Benedict Shakespeare, curator

recent photographs by Morell alongside exemplary paintings by each of the four Color Field artists - in the first exhibition where the gallery presents painting alongside photography

photographs from Sugimoto’s ongoing Diorama series, including rediscovered negatives enlarged for the first time and new washi paper screens that transform his images into luminous byōbu

focussing on a little-known aspect of the painter, writer, and photographer, over 150 early stereoscopic images, vintage prints, unique works on paper, lightboxes, and projections in the first UK public exhibition of his work for over 10 years

showing at the gallery in Paris and Galerie Natalie Seroussi, an exhibition of artists whose work engages with histories of migration, memory, language and belonging, contemplating the diasporic experience as lived reality and as imagined space

earthworks, sculpture, tapestry, ceramics, and large-scale outdoor installations by world-renowned artists, all placed in conversation with the Foundation’s 70-acre estate

“the exhibition begins with a simple question: what happens when the body becomes both subject and surface? … whether approached directly or obliquely, the works explore the body through drawing, mark, fragment, and presence”

sculptural artworks crafted in bronze and wood, anchored by the passage from molten force to settled calm, as Dubourg explores matter as language, power as form, and transformation as a site of meaning

“Reyle has developed a unique visual language that continues to challenge how we experience painting and sculpture. Combining bold material experimentation with a deep understanding of abstraction” - Belén Herrera Ottino

new paintings and big head masks by Marlatt, stemming from her creative research into European pre-Lenten carnival culture and its relation to the spring equinox

new and historic works by ten artists of different generations, geographies, and backgrounds, who explore painting, sculpture, and assemblage to interrogate interiority, personal vision, and the nature of the art object today

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

new documentary-style drawings, paintings, and sculptural installations that honor immigrant experiences and reject the moral economy of gratitude imposed on them

an exhibition of eight contemporary artists working across painting and sculpture - Benjamin Orlow, Emil Sands, Galli, Hannah Quinlan and Rosie Hastings, Kira Freije, Suleman Aqeel Khilji, Tanoa Sasraku, and Tiona Nekkia McClodden

works spanning several decades reveal an artist continually attentive to the dignity, vitality and complexity of Black experience - “there is warmth throughout Lloyd’s work, but never sentimentality” - Cameron Amiri

an exhibition by the South Korean artist who, expressed through the Taoist philosophy of Wu Wei, creates sculptures in sterling silver inspired by the natural landscapes of her birthplace, the volcanic island of Jeju

paintings by six British artists whose practices were forged in the London art world of the 1990s - “painters who, against the prevailing weather, declared that painting remained a medium adequate to its moment”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time”

in collaboration with the artist’s widow Colette, this exhibition presents more than twenty of Soulages’s works on paper, the majority never previously exhibited

inspired by Ngugi wa Thiong’o’s 2009 book on the critical impacts of colonialism and slavery, Mathenge’s first solo exhibition with the gallery debuts sculpture and paintings exploring how culture, memory, and landscape are made and unmade

Barrero’s first exhibition with the gallery debuts eight large-scale ceramic bead sculptures - a “chorus” of mother figures, “bearing witness and answering one another across the room” - Barrero

new paintings combining luminous portraiture with bold passages of color, ornamental patterns, and symbolic imagery as the husband-and-wife artists explore the boundaries between the visible and the imagined

Dodd’s exhibition centers on the goddess Diana and, having relocated from upstate New York to Scotland’s Moray Coast, uses materials from her new home like peat, copper ink, spirulina, cochineal, local herbs and powdered meteorite

presented as part of London Design Festival, and centred on a 1965 Morris Mini Cooper S race car, an exhibition which brings together design, craftsmanship, and the culture of making.

monumental carved-wood reliefs, dramatically vertical sculptures in cast iron and granite, and intimate bronze works in Plensa’s tenth solo exhibition with the gallery