“a material reserve of individual elements, atoms charged with potential, awaiting their eventual arrangement ... for Munn, an exhibition begins precisely here, in this heady state of assemblage” - Alexander Harding

raw plaster sculptures alongside limited edition prints and drawings - “Love invites viewers to feel those emotional states that flow not just between us but throughout our wider ecology where fragility, tenderness and strength understand each other”

large-scale photographs of trees from the last two decades, exploring the relationship between landscape and culture in the US

“Scheibitz draws equally from everyday life and from art history, distilling both into dense, vividly coloured paintings and elusive sculptures: repositories of accumulated imagery, layered and compressed”

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

over thirty works by more than twenty artists in an exhibition honoring the man widely regarded as the first mega-dealer of the modern era, who is one of the gallery’s greatest inspirations and a defining figure in the modern art world

a group exhibition by Brush Tu founders Boniface Maina, David Thuku, and Michael Musyoka

the Montreal-born, London-based artist’s first solo exhibition with the gallery in New York “proposes painting as a medium uniquely capable of holding disparate registers within a single, shifting field of vision”

an exploration of intimacy and detail - the world as seen close up by Modern Masters of photography including Helmut Newton, Irving Penn, Herb Ritts, Richard Avedon, Daidō Moriyama, Hiro, and Erwin Olaf

the British multidisciplinary artist captures subtle, absurd disruptions - small fractures in the ordinary that reveal tension, humour, and the poetic instability of everyday life

“using ceramic waste, metal, fused glass, and found objects, Harvey creates landscapes and forms that reflect on time and change”

ten watercolor works on panel, developing Qian Qian’s concept of a “practice-based cosmology”, not a representation of a world already known, but a landscape of consciousness - unstable, generative, and not yet fully understood

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

a group exhibition by Brush Tu founders Boniface Maina, David Thuku, and Michael Musyoka

titled after the fan culture term for a non-official version of a story, four artists who approach repetition as a method of revision, and explore how repeated gestures, processes, and images allow for small shifts to emerge through sustained attention

“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” - Louisa Mahoney

exhibited together for the first time at the gallery in a new ensemble, works which reconsider the essential place of the mural sculpture in the late Argentinian sculptor’s work

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

“rich, velvety fields of color alongside reflective, sparkling, and metallic surfaces”

Andrews’ Migrant Series traces Black, White, and Cherokee migration routes through ink drawings and collage paintings using textile fragments and painted canvas to depict hardship, resilience, and hope in human migration experiences

“a new series of landscape works that mend together two images from the artist’s vast archive to create a single, uncanny composition”

Schneider’s first solo exhibition at the gallery centres on his ongoing Gesamtkunstwerk “Haus u r” - with two livestream projections, shown for the first time, alongside key works from the house

an ambitious exhibition celebrating two centuries since the dawn of photography

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

curated by Seohyun Kang, works by Song E Yoon and Frédéric Bruly Bouabré exploring humanity’s engagement with memory, recording, and the passage of time

paintings and works on paper created by a network of fifteen artists in the years surrounding 1960 - a pivotal moment of expansion in post-war American art

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

including many pieces not previously exhibited, and covering thirty years of work by the painter often seen as an ‘artist’s artist’ - “Oxlade’s paintings echo the vast, often glorious muddle of our existence” - Jennifer Higgie

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

new paintings - dramatically scaled roses, peonies, daisies, tulips, and poppies erupt beyond the canvas - engaging the Old Masters to address contemporary preoccupations with the self, the body, and ecological anxiety about the fate of the natural world

in a dynamic installation, new paintings and a series of drawings by Cardenas - “an alluring gesamtkunstwerk … his reimaginings of art, design, mythology, and fantasy are masterfully woven into a dreamlike vision of the future” - Paul Laster

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

outstanding images by Niépce, Daguerre, Fox Talbot, Fizeau, Le Gray, Frith, Piot, and Greene in an exhibition exploring the origins of photography - “the magic of early photographs intertwines with the spirit of discovery”

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

“Hutchison’s mixed media constructions and Pastine’s oils on canvas and paper alchemically transcend their materiality, dissolving into hazy implications of perpetual vistas and limitless color fields”

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

as part of the series marking the gallery’s 50th anniversary “two artists whose practices … converge in their investigation of form in relation to nature and to the structures that organize the visual field”

curated by Seohyun Kang, works by Song E Yoon and Frédéric Bruly Bouabré exploring humanity’s engagement with memory, recording, and the passage of time

with the first screening of a filmed interview, an array of archival documents, and a selection of artworks and artist tools, this exhibition explores “the echoes, parallels, and differences that construct[ed] the relationship between the two friends”

“whether addressing specific individuals, art-historical figures, bodily fragments, or a performative self, these works refuse to offer a definitive image ... allowing portraiture to remain an open and continually reactivated field” - Luan Shixuan

this new exhibition by the British artist presents works centring on processes of material change, erosion, and preservation developed during a recent residency at the Albers Foundation on the Atlantic coast of Ireland

covering nearly three decades, new paintings and key sculptural works exploring personal memories, myth, and the female body over the passing of time

curated by Tobia Bezzola, this exhibition by the celebrated Swiss artist includes a major painting from his Patti Smith series and important large-scale and medium-format woodcuts

new sculptures, recent paintings, and drawings by the artist - “site-specific reconfigurations open up narrative portals, where the various media are combined with natural elements such as wind or gravity and the electromagnetic field”

centred on emblematic works from the 1960s and 1970s, an exhibition which highlights the career and work of one of the great protagonists of the avant-garde

life-size reproductions of now-closed nightclub or community establishment doors, alongside bronze casts of shoes, continue Connor’s exploration of peripheral forms and spatial details in sites of exchange and communication

to celebrate Ei Arakawa-Nash as Japan’s representative at the Venice Biennale, a look back at his sculptural work in the context of his frequent collaborators, Nora Schultz, and Nikolas Gambaroff

painting, sculpture, and photography in a multilayered exhibition of works by Zana Masombuka, Eddy Kamuanga Ilunga, Alexis Peskine, and Djibril Dramé

“a material reserve of individual elements, atoms charged with potential, awaiting their eventual arrangement ... for Munn, an exhibition begins precisely here, in this heady state of assemblage” - Alexander Harding

works on fabric and paper and a site-specific sound installation exploring the rhythms of rain, memory, and the emotional landscapes of lived experiences in Waruguru’s first solo exhibition in Turkey

“crowns built from keyboard keys, bottle caps, and combs stand for authority and power, but are always rooted in Black experience … Takadiwa’s work makes room for critique, but also suggests that change is possible” - Fernanda Brenner

curated by Riccardo Greco and titled after the chauffeur-angel in Cocteau’s Orphée, this exhibition presents “a space in which bodies, objects and images are held in states of latent tremor, suspension and return”

in an expansion of his practice, Otero’s UK debut presents deeply personal work completed during a residency at the gallery in Somerset, translating his fascination with process, materiality and time into sculptural installations and moving image

Aguirre’s first solo exhibition at the gallery is an immersive installation of sculpture, painting, film, and audio exploring “the intersections of body, land, memory and migration through the construction of mythopoetic landscapes”

new wall-mounted, hand-painted sculptures as Cowan transforms regular studio items through the process of casting to examine their nature and how we look at and think about them

“expanding the palette beyond the template of four primary Yolŋu colours - black, red, yellow and white - allows the story to come alive … an old song in a fresh key” - Will Stubbs

curated by Jenée-Daria Strand, Othello’s first solo outdoor exhibition in the city presents large-scale bronzes and new totemic redwood sculptures exploring ritual, spiritual, and healing objects from Western and Central Africa

new paintings, in dialogue with a site-specific wall painting, based on “myths, Biblical accounts and fairy tales, with an emphasis on stories detailing fantastical conceptions and births”

referencing the denouement of Orson Welles’ Citizen Kane, these new paintings by Dan Coombs and Sophie Ives reflect on memory and time past

in this exhibition, titled after an atmospheric phenomenon visible shortly before sunrise or after sunset, an “ethereal pinkish band” directly inspires six new, monumental paintings by Crews-Chubb

Sterling’s first solo exhibition with the gallery and in Istanbul - “involving food, the body, and stains, Sterling’s paintings appear playful and exaggerated … yet reveal underlying hierarchies, processes of objectification, [and] microaggressions”

shown for the first time, unique oversized dye-transfer prints by Eggleston taken in the late sixties and early seventies - rare works distinguished by their scale, chromatic intensity, and material presence.

new photographs of London by Riddy - “both a description of place and a kind of social survey”

double-sided photographs by the French artist, reflecting on the act of capturing movement and the ethical and formal implications of image-making

a group exhibition which examines how eleven contemporary artists reduce figurative forms - embracing design and line to create non-objective work, communicating an essence that reaches beyond the surface of the canvas

an exhibition focusing on Yamamoto’s photographs of owls - gelatin silver prints printed by the artist reveal his deep respect, depicting not only the owls’ beauty and grace, but also their eccentricity, companionship and individuality

accompanying the Forest Cathedral installation in the Barn this summer, a group exhibition which “extends from the forest floor to the sea and sky and encompasses sculpture, painting, drawing, photography, ceramic and multi-media”

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

moving image, photography, and painting and assemblage in a group exhibition of three emerging artists whose practices interrogate ideas of class, inheritance and assumed values through representational media

new sculptures, recent paintings, and drawings by the artist - “site-specific reconfigurations open up narrative portals, where the various media are combined with natural elements such as wind or gravity and the electromagnetic field”

as part of the series marking the gallery’s 50th anniversary “two artists whose practices … converge in their investigation of form in relation to nature and to the structures that organize the visual field”

the Yorkshire-based sculptor’s debut solo exhibition explores the tension and connections between sculpture and architecture

an exhibition highlighting five major figures of the prominent South Korean movement - Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-keun, and Chung Sang-Hwa

continuing the gallery’s series exploring the use of a single colour - this time looking at one of the most symbolic in the history of art - an exhibition of works by an international collection of modern masters and contemporary artists

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

recent bronze sculptures, iconic embroidered paintings, new canvases highlighting appliqué techniques, and paintings on wood in a survey of Amer’s recent practice examining gender politics, desire, representation, and the visibility of the female subject

centred around three monumental sculptures, a landmark exhibition focussing on Kapoor’s recent work as well as his seminal early pieces

in an exhibition which explores the relationship between land and technology and progress and destruction, new wall-mounted collages and an immersive installation of a psychic parlor, Doyle’s first experiment with AI

“poignant, exuberant distillations of how it feels to be human in a rapidly changing world” - organized in collaboration with Fortes D'Aloia & Gabriel, new paintings in the Brazilian artist’s first solo exhibition in the US

“Hutchison’s mixed media constructions and Pastine’s oils on canvas and paper alchemically transcend their materiality, dissolving into hazy implications of perpetual vistas and limitless color fields”

taking place across all three of the gallery’s international spaces, the second edition of its annual presentation of the finest Australian First Nations works of art

Tingleff, one of Scandinavia’s leading ceramic artists, gives an “impression of the natural world beyond human-made walls, made powerfully and palpably present … all normal sense of scale is suspended” - Glenn Adamson

a group exhibition which examines how eleven contemporary artists reduce figurative forms - embracing design and line to create non-objective work, communicating an essence that reaches beyond the surface of the canvas

a two-person exhibition of still life artist Carin Gerard and landscapist Rebecca Stenn - “the exhibition plays on the juxtapositions, while uniting themes of color, form, and technique”

“across sculpture, statuary, devotional forms, and porcelain figurines … drawing on mythic, classical, and domestic traditions, the works return to forms we think we know and reshape them for the present”

the Brooklyn-based painter’s debut UK solo exhibition “reflects on the role of imagination as a survival mechanism … these vivid, energetic works bring joy and humour to the everyday” - Sam Hanson, curator

curated by Rolando J. Carmona, an exhibition examining how the Brazilian artist engaged throughout her career with relationships between the body, psychoanalysis, and geometric abstraction

referencing the denouement of Orson Welles’ Citizen Kane, these new paintings by Dan Coombs and Sophie Ives reflect on memory and time past