the artist’s debut solo exhibition in Paris and with the gallery brings together new site-responsive works spanning sculpture, textiles, installation, and architecture

large and smaller scale steel sculptures and prints as the internationally renowned artist explores clothing, commerce and emblems of wealth as reflected in fashion and dress

new sculptures made from simple, everyday materials- “folding, cutting, pressing and stacking, Foxcroft\'s sculptures unfurl from the wall or corner of the room, arranging material on the floor and up walls”

“two artists, two ways of breaking free from photography in order to question it more effectively”

“Rivers channels this sense of the fragile human figure making its intrepid way through the mercurial, shifting uncertainty of a hostile and indifferent environment, where orientation is only provided by an infinitely-distant, glittering star”

the annual award celebrates the very best in contemporary portrait painting

presented with Castlefield Gallery, an exhibition bringing together O’Rourke’s DVD-case paintings, larger mixed-media works, wall-based and freestanding paintings - drawing viewers through a landscape of repeated motifs, images, text, and materials

reimagining the ancient Egyptian god of the rising sun, the Kuwaiti artist presents an iridescent, monumental, androgynous figure of a hybrid human-scarab figure

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

the Franco-Mexican artist’s first exhibition with the gallery, and in the US - “instinctive, even animalistic in his approach, Toro gives form to this sensory, interior, and mysterious universe so that he might better explore it” - Guillaume Kientz

Zhang’s debut exhibition on the West Coast presents abstract portraits which are rooted in figuration while exploring abstraction’s power to communicate the human condition

Piccinini’s first presentation with the gallery in London explores kinship through humanoid chimeras in silicone and fibreglass, reflecting empathy, “speculative optimism”, and the tension between cruelty and tenderness

Davi’s first solo exhibition in Spain and with the gallery - “the works presented here continue an ongoing research that unfolds across different exhibitions … while maintaining a consistent engagement with concrete, iron and painting as central elements”

new paintings and a four-channel film, shown alongside a site-specific crowd barrier sculpture with drawings, and her latest bronze reliefs, in an exhibition by Imhof that reconfigures and extends ideas developed in her recent projects

curated by Yates Norton and titled after a William Blake couplet, this exhibition “celebrates the vital power of creativity and poetry as a ceaseless act of responding to and working with the world around us”

the Montreal-born, London-based artist’s first solo exhibition with the gallery in New York “proposes painting as a medium uniquely capable of holding disparate registers within a single, shifting field of vision”

paintings and works on paper created by a network of fifteen artists in the years surrounding 1960 - a pivotal moment of expansion in post-war American art

spanning both New York City locations, new paintings and works on paper by Yiadom-Boakye - “The Nightingale’s song drifts from dusk to daylight, / To Mesmerise Jinns with high notes and hums, / As Nightly They Contemplate Whence It Comes”

“this exhibition opens like a landscape. We can follow Valentin Carron down the slope … This exhibition is a window onto our ability to survive the slipping away of our dreams”

Sütunç's process-oriented practice uses sculpture, photography, video, installation, and text to explore different ways of being in the world through carrying, relationality, and fragility

new paintings, in dialogue with a site-specific wall painting, based on “myths, Biblical accounts and fairy tales, with an emphasis on stories detailing fantastical conceptions and births”

newspaper paintings, paintings on canvas, and drawings shown alongside a 1971 sculptural installation and a quilted flag from 1977

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

Piccinini’s first presentation with the gallery in London explores kinship through humanoid chimeras in silicone and fibreglass, reflecting empathy, “speculative optimism”, and the tension between cruelty and tenderness

the gallery’s first exhibition of one of the most distinctive figures associated with British Surrealism spans almost thirty years of her paintings, collages, and mixed-media works

“repetition and self-quoting permeates Topolewski’s practice at large, with imagery … weav[ing] an inconstant tapestry of frail thoughts and ideas that the viewer gets tangled up in” - Saša Bogojev

a group exhibition with artists including John Baldessari, James Casebere, Julian Charrière, Iran do Espírito Santo, Katharina Fritsch, Ana González, Laurent Grasso Rebecca Horn, Callum Innes, Aki Inomata, Idris Khan, Joseph Kosuth, Zac Langdon-Pole, …

co-curated by Salman Matinfar and Piero Tomassoni, an exploration of the development of the avant-garde through the work of ten artists from Italy and Iran who were contemporaries in Rome during the 1950s through the 1970s

an exhibition focusing on Purcell’s works between 1975 and 1979 - a formative moment in her career

“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits”

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

new stone sculpture by Simonetti shown alongside her first exhibition of paintings - “in an uncharacteristically personal body of work, Simonetti grapples with themes of agency, cruelty, and the mechanics of anthropomorphisation”

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

an exhibition by the distinguished artist, filmmaker, and poet bringing together recent works on brown paper, drawn-on objects, and bunting fragments in a layered act of visual storytelling

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”

new paintings and sculptures anchored by a film based on a civil rights text against lynching, in the Los Angeles–based artist’s first solo exhibition with the gallery

“Heinze’s work moves between painting and drawing and is characterized by a distinctive, often fragmentary visual language … in which bodies, spaces, and signs overlap”

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

to mark five years of the gallery’s work, an exhibition that reflects on “the quiet power of presence and the ongoing act of exchange that art makes possible”

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

bringing together Picasso's Personages with new and existing works by California-based contemporary artist Zheng Chongbin, an exhibition focussed on how an image is assembled in the very act of looking

as part of the series marking the gallery’s 50th anniversary “two artists whose practices … converge in their investigation of form in relation to nature and to the structures that organize the visual field”

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

in “a dialogue centred on material engagement and sustained making”, new work by Lidia Lisbôa and Thiago Barbalho - two artists grounded in handmade processes

an exhibition of fifty-six photographs from the groundbreaking project by Sultan and Mandel, first published in 1977

this two-artist exhibition of new works pairs Obels’ Corten steel sculptures with Xiao-Min’s abstract paintings

this collaborative exhibition and artist residency features hand-carved furniture inspired by the forms and tones of the Scandinavian landscape by the Danish designers Mette Bentzen and Lasse Kristensen

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

new works by Hutchings and Romeril, celebrating the creativity that emerges through proximity - partners in life, their distinct artistic practices are united by shared interests in domestic life and its energies

new photographs of London by Riddy - “both a description of place and a kind of social survey”

an exhibition of fifty-six photographs from the groundbreaking project by Sultan and Mandel, first published in 1977

thirty of Fini’s graphic works “in a trans-temporal dialogue with Greco-Roman, Egyptian, and African ritual objects”

titled after an ancient Greek term for nature - both as landscape and a source of growth - this exhibition of Gamperl’s wood sculptures and Shunshun’s line drawings “opens a conversation across generations, material, form and the true meaning of nature”

curated by GraphicDesign&, ten new works created by ten artists, architects and designers in a one-week-only exhibition to mark ten years since Britain voted to leave the European Union

a career-spanning exhibition showcasing Polke’s experimental sculptures, painting, photography, and filmmaking - highlighting his four-decade long exploration of media and abstraction

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

“this is not an exhibition of historical antiquities, but perhaps a declaration of love … about what today’s generation of artists can do with ceramics”

taking place across all three of the gallery’s international spaces, the second edition of its annual presentation of the finest Australian First Nations works of art

“Ha Chong-Hyun continues to push the boundaries of abstraction beyond clear-cut conceptual apprehension, inviting the viewer into a direct encounter where mind and matter meet” - Pieter Vermeulen

“poignant, exuberant distillations of how it feels to be human in a rapidly changing world” - organized in collaboration with Fortes D'Aloia & Gabriel, new paintings in the Brazilian artist’s first solo exhibition in the US

the annual award celebrates the very best in contemporary portrait painting

Sobczak’s paintings “blend historical allegories, queer identities, and contemporary social critique into a dense, multilayered visual language”

centred on an area deeply embedded in New York’s queer history and made when the AIDS crisis had already indelibly affected the city’s LGBTQ+ community, a reminder of how closely questions of visibility, public space, and social belonging are intertwined

“two artists, two ways of breaking free from photography in order to question it more effectively”

“instead of a theme that connects these seven artists, this exhibition tries to create possibilities for associations tied to the artworks and objects in the space” - Hector Hollein, curator

to celebrate its fifth anniversary, an exhibition of new and recent works by over a dozen artists which reaffirms the gallery’s commitment to artistic practices grounded in inquiry, dialogue, and expanded historical awareness

in an exhibition exploring perception, memory, materiality, and representation, a selection of works by artists whose practices span generations, geographies, and visual languages

“celebrating the living history of a group that transformed modern painting with extraordinary boldness, and [placing] it amongst a new generation of artistic visionaries who reflect or reimagine that spirit”

“working through distinct visual languages - Chu through surreal expressionism and Mao through lyrical abstraction - both artists approach painting as a way of navigating experience”

this collaborative exhibition and artist residency features hand-carved furniture inspired by the forms and tones of the Scandinavian landscape by the Danish designers Mette Bentzen and Lasse Kristensen

ceramic sconces and wall pockets in an exhibition by artists of the shared ceramics studio and creative community Common Clay

in a colourful installation of hanging and lounging structures, the first solo exhibition in London by one of the UK’s leading socially engaged performance artists presents a selection of works from his twenty-five year career

works by twenty-two artists working across media - “the breadth of this presentation channels the lyricism and poetry of painting, as well as a labyrinth of objects, curious textures, and moving images” - Salman Toor and Doron Langberg, curators

in “a dialogue centred on material engagement and sustained making”, new work by Lidia Lisbôa and Thiago Barbalho - two artists grounded in handmade processes

new works on paper, a site-specific skylight installation, and a monumental outdoor sculpture, in Finch’s first exhibition in Los Angeles - and with the gallery in the United States

the artist’s first solo exhibition with the gallery in the United States - “I’ve been watching the water / the way light reflects off its surface, shining and glistening. / When we cry, our tears return to it’ - Josephs

“across these eight paintings, transformed forms abound, deconstructed through a liberation of mind and brushstroke” - Louisa Mahoney

the second part of Agematsu’s first solo exhibition with the gallery, and in Germany, is an installation of 35mm slide projections of photographs made in Marseille, France in 1994 - “photography needs time, I think, in order for us to see it” - Agematsu

curated by Tom Morton, an international group of painters and sculptors in - “an exhibition about how works of art address us at a level beyond the eye or the mind”

this new and interactive immersive installation by the interdisciplinary artist “explores the materiality of language and its capacity to shape bodily experience”

“these artists emphasize the expansive, freeing qualities of metamorphosis as a feminine strategy of self-(re)discovery that opposes the historically limiting aspects of femininity” - Rebecca Birrell

an exhibition of thirty seven artists who engage the concept of the window - not as a romantic device but a site of tension, between visibility and obstruction, intimacy and exposure, architecture and atmosphere

new sculpture and photography exploring absence as a material and as a psychological condition, as Hapaska continues to refine her longstanding engagement with material instability, disorientation and our contemporary psychic dislocation

Sütunç's process-oriented practice uses sculpture, photography, video, installation, and text to explore different ways of being in the world through carrying, relationality, and fragility

the second part of Agematsu’s first solo exhibition with the gallery, and in Germany, is an installation of 35mm slide projections of photographs made in Marseille, France in 1994 - “photography needs time, I think, in order for us to see it” - Agematsu

“Shulman is a romantic artist. His themes – loss, memory, nostalgia, death, the porous membrane between joy and pain, time and space, forgetting and remembering, would be familiar to the poet, John Keats” - Nicola Shulman

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

a group exhibition of drawings, paintings, photography, and mixed-media works by ten artists who explore visibility, empathy, resilience, and collective memory

accompanying the Forest Cathedral installation in the Barn this summer, a group exhibition which “extends from the forest floor to the sea and sky and encompasses sculpture, painting, drawing, photography, ceramic and multi-media”

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

to mark the gallery’s new London space, an exhibition of key works from the series - “Uysal approaches architectural space as a living surface - a skin - that can be stretched, compressed, pierced, or displaced”

Tran uses lime plaster and layered washes to create liminal grey spaces that resist visual control and evoke complex histories, in this exhibition drawn from her series examining the history of the US chemical bombardment of Vietnam and its euphemisms

across both gallery spaces, and on the centenary of her birth, the gallery celebrates Szapocznikow’s work with a chronological journey through her creations from 1946 to 1972

in an expansion of his practice, Otero’s UK debut presents deeply personal work completed during a residency at the gallery in Somerset, translating his fascination with process, materiality and time into sculptural installations and moving image

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

centered on community participation, six artists rethink ping-pong tables as playable sculptures - with Moko Fukuyama, Ilana Harris-Babou, Las Hermanas Iglesias, Carlos H. Matos, Amalia Pica, and the collective SUPERFLEX

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

co-curated by Salman Matinfar and Piero Tomassoni, an exploration of the development of the avant-garde through the work of ten artists from Italy and Iran who were contemporaries in Rome during the 1950s through the 1970s

curated as a cabinet of curiosities, new sculptures by Houseago alongside objects ranging from ancient artefacts to works by artists including Joseph Beuys, Louise Bourgeois, Jacob Epstein, Lucio Fontana, Henri Gaudier-Brzeska, Julia Isídrez, …

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

a group exhibition with artists including John Baldessari, James Casebere, Julian Charrière, Iran do Espírito Santo, Katharina Fritsch, Ana González, Laurent Grasso Rebecca Horn, Callum Innes, Aki Inomata, Idris Khan, Joseph Kosuth, Zac Langdon-Pole, …

a group exhibition of drawings, paintings, photography, and mixed-media works by ten artists who explore visibility, empathy, resilience, and collective memory

the debut of a new series of collage paintings rooted in memories of Tezeno’s hometown of Port Arthur, Texas - complex, multi-figure compositions that honor the communal fabric shaping her earliest experiences

a group exhibition organised by Rashid Johnson with Charles Gaines, Firelei Báez, and Cristina Iglesias which “considers directionlessness as a conceptual zone - a space of suspension, drift, and openness”

in his first solo exhibition with the gallery and in New York “García Almanza transforms the architectural beams [of colonial buildings] into interlocking components of his dynamic sculptures imbued with lives, stories, and the complex history of Cuba”

a group exhibition with artists including John Baldessari, James Casebere, Julian Charrière, Iran do Espírito Santo, Katharina Fritsch, Ana González, Laurent Grasso Rebecca Horn, Callum Innes, Aki Inomata, Idris Khan, Joseph Kosuth, Zac Langdon-Pole, …

“entering into Antone Könst’s practice, one should abandon symbolic terms or the burdens of figuration. The artist usually maneuvers in opposition to narrative or meaning, instead cultivating an ambient hum through formal tools” - Reilly Davidson

“Cox’s paintings are built rather than composed … thick deposits of oil paint are pressed onto canvas through sheets of plastic, the surface becoming less a support for image than a site of accumulation, resistance and record”

the artist’s debut solo exhibition in Paris and with the gallery brings together new site-responsive works spanning sculpture, textiles, installation, and architecture

new work by one of the most distinctive voices in contemporary geometric abstraction, demonstrating his ability to combine conceptual precision with visual spontaneity to create works that are at once rigorously constructed and unexpectedly lyrical

Alexander's first solo exhibition in Latin America marks a pivotal moment in his evolution - “the fifteen paintings gathered in the exhibition trace a landscape that is at once geographic and interior” - Lorenzo Martz

new sculptures made from simple, everyday materials- “folding, cutting, pressing and stacking, Foxcroft\'s sculptures unfurl from the wall or corner of the room, arranging material on the floor and up walls”

in her debut exhibition “Rance captures the emotional essence of the natural world … these works trace a path through the countryside, where the gentle hum of the changing seasons is tangible”