co-curated by Salman Matinfar and Piero Tomassoni, an exploration of the development of the avant-garde through the work of ten artists from Italy and Iran who were contemporaries in Rome during the 1950s through the 1970s

new paintings and a four-channel film, shown alongside a site-specific crowd barrier sculpture with drawings, and her latest bronze reliefs, in an exhibition by Imhof that reconfigures and extends ideas developed in her recent projects

titled after the antidepressant, new paintings that explore how emotion and identity are shaped under pressure

presented with Castlefield Gallery, an exhibition bringing together O’Rourke’s DVD-case paintings, larger mixed-media works, wall-based and freestanding paintings - drawing viewers through a landscape of repeated motifs, images, text, and materials

large-scale paintings, music, film, and installation transform the gallery into an immersive environment of sound and image

“beyond the gay images from the 1970s, I look further back to Whistler, Sargent, Montesquiou, and Proust to locate the atmosphere in which to portray this physicality” - P.

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

alongside one of her renowned glass sculptures, never before exhibited works on paper from Horn’s new series exploring repetition and the written word as a medium

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

“I have continued to use 4.5 cm as the module and the paintings are always grey. I use these two constant elements to discover different ways of making the paintings” - Charlton

covering the entire career of one of the most important painters of his time, this exhibition brings together his brooding social allegories with luminous landscapes and portraits, revealing a tension between intimacy and the brutality of the 20th Century

new works that criss-cross between two and three dimensions in sculptures, objects, and works on paper “engaged in a playful dialogue with geometric, non-figurative art”

“the exhibition title reflects the logic of the work itself. Each canvas unfolds as a process rather than a fixed image, in which accumulation, erasure, and reconstruction allow the painting to emerge over time”

“a book / exhibition of 24 drawings about love … an intensely sensitive suite of drawings inspired by the Passion of Christ and dedicated to all outsiders”

curated by Jessica Cerasi, works by “four painters for whom the canvas operates as a site of reflection … where colour is not decoration or description; it is a primary language, capable of saying what words can only attempt to approach”

“a book / exhibition of 24 drawings about love … an intensely sensitive suite of drawings inspired by the Passion of Christ and dedicated to all outsiders”

nearly fifty works by seventeen gallery artists from the East and the West, revealing two distinct yet complementary modes of artistic perception

Tingleff, one of Scandinavia’s leading ceramic artists, gives an “impression of the natural world beyond human-made walls, made powerfully and palpably present … all normal sense of scale is suspended” - Glenn Adamson

Henry Crespo, Sergio Marrero, Andy Mendoza, Harold Ramírez, Linet Sánchez - five young Cuban artists who celebrate “connection, hope, and the will to keep creating while the light of day still lingers”

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”

new sculptures continuing Dávila’s exploration of the fundamental act of placing one thing in relation to another, working through deliberate acts of positioning and arrangement so that relationships, tensions, and meanings emerge

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

“this is not an exhibition of historical antiquities, but perhaps a declaration of love … about what today’s generation of artists can do with ceramics”

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

new wall-based sculptures and screenprints using aluminium, retroreflective glass, and cold wax to explore language, sign, and perception in urban infrastructure materials

organized by Carlo Knoell, the gallery’s first exhibition dedicated to the radical Italian artist brings new focus to her wildly original experimentations in paint, textile, sculpture, and bricolage

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

the painter and film artist’s first solo exhibition at the gallery in London “explores cultural memory through landscape and examines our shifting ideas of homeland from the perspective of diaspora”

an expansive exhibition covering five decades of the work of one of the most influential and essential artists of the 20th Century

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

taking place across all three of the gallery’s international spaces, the second edition of its annual presentation of the finest Australian First Nations works of art

“poignant, exuberant distillations of how it feels to be human in a rapidly changing world” - organized in collaboration with Fortes D'Aloia & Gabriel, new paintings in the Brazilian artist’s first solo exhibition in the US

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

“Hutchison’s mixed media constructions and Pastine’s oils on canvas and paper alchemically transcend their materiality, dissolving into hazy implications of perpetual vistas and limitless color fields”

a new iteration of the multidisciplinary artistic partnership’s “Zanzibar”, the immersive mixed-media installation with diptychs painted by Himid and a “libretto” composed by Stawarska - reflecting on themes of memory and movement and loss and belonging

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

“Rocha and Linington make visible how a place persists within you, continuing to shape and inform you, even as it evolves into something you no longer entirely recognise” - Sofia Hallstrom

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light

a two-person exhibition of still life artist Carin Gerard and landscapist Rebecca Stenn - “the exhibition plays on the juxtapositions, while uniting themes of color, form, and technique”

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

an exhibition of fifty-six photographs from the groundbreaking project by Sultan and Mandel, first published in 1977

curated by Seohyun Kang, works by Song E Yoon and Frédéric Bruly Bouabré exploring humanity’s engagement with memory, recording, and the passage of time

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton

“working fluidly between painting and installation [Song E Yoon] investigates the relationship between material and immaterial, visible, and invisible dimensions”

curated by Rolando J. Carmona, an exhibition examining how the Brazilian artist engaged throughout her career with relationships between the body, psychoanalysis, and geometric abstraction

with Isidore Bishop-Sauve, Kate Lewis, Jean Bosphore, Loïc Burzotta, Craig Cameron-Mackintosh, Mirko Leuzzi, Alejandro Asensio, Thomas Andréa Barbey, and Saree Robinson

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

new paintings - dramatically scaled roses, peonies, daisies, tulips, and poppies erupt beyond the canvas - engaging the Old Masters to address contemporary preoccupations with the self, the body, and ecological anxiety about the fate of the natural world

“Curious Yellow / I hadn’t forgotten her, I just couldn’t remember her name. / Only when I looked back did I remember.”

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

“Stetz questions what it means to capture a place whose central feature already consists in its stylistic and historical displacement; how to document something that already looks like a picture itself” - Anna-Lisa Scherfose

Schenker works across performance, drawing, sculpture, and installation to explore the relationship between body, matter, and space

new sculptures continuing Dávila’s exploration of the fundamental act of placing one thing in relation to another, working through deliberate acts of positioning and arrangement so that relationships, tensions, and meanings emerge

new woven photographic pieces exploring family histories between Trinidad and London, using the technique to bind fragmented images and oral histories into physical embodiments of memory shaped by migration and distance

new oil on linen paintings, oils on paper, enamel on steel works, hand-painted bronze sculptures, and a large glass lantern encompassing Ekblad’s instinctive and expansive practice in her first exhibition at the gallery’s London space

the latest limited-edition release from Wyn brings together the London-based Colombian artist with winemaker Sugrue South Downs and writer Joel Hart

in his first solo exhibition at the gallery, the multidisciplinary artist explores how digital color perception has changed landscape painting and how the computed environments changed our perception of reality

an exhibition looking at the emergence and rivalry of the divisive factions of post-war abstraction in France

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

the Swiss-British-Iranian artist presents “various works, (various in scale, material, and subject), which taken collectively address meaning (or lack of), purpose (or lack of), and the discourse surrounding authorship and ownership”

to mark the 100th anniversary of her birthday, an exploration of Monroe’s life, career, and legacy through portraits by some of the greatest photographers and artists of the 20th and 21st centuries.

curated by Yates Norton and titled after a William Blake couplet, this exhibition “celebrates the vital power of creativity and poetry as a ceaseless act of responding to and working with the world around us”

curated by Jessica Cerasi, works by “four painters for whom the canvas operates as a site of reflection … where colour is not decoration or description; it is a primary language, capable of saying what words can only attempt to approach”

this two-artist exhibition of new works pairs Obels’ Corten steel sculptures with Xiao-Min’s abstract paintings

new works by Pillay, “paint becomes a medium through which to bridge geographies, timelines and archives, alongside histories of indenture, colonialism, displacement and erasure within the artist’s own family history”

a new iteration of the multidisciplinary artistic partnership’s “Zanzibar”, the immersive mixed-media installation with diptychs painted by Himid and a “libretto” composed by Stawarska - reflecting on themes of memory and movement and loss and belonging

Davi’s first solo exhibition in Spain and with the gallery - “the works presented here continue an ongoing research that unfolds across different exhibitions … while maintaining a consistent engagement with concrete, iron and painting as central elements”

new paintings, in Jabbour’s trademark vivid, coruscating colour, focussing on the figure, sometimes solitary, but often paired and grouped to express tender interaction and emotional engagement

new and historical works by Arsham, spanning sculpture, painting, and works on paper drawn from nearly two decades of his practice - tracing the sustained engagement with geology, archaeology, and the cultural residue of the recent past

“a group exhibition marking the 250th anniversary of American independence … a focused reflection on the vitality and diversity of American post-war and contemporary art”

new stone sculpture by Simonetti shown alongside her first exhibition of paintings - “in an uncharacteristically personal body of work, Simonetti grapples with themes of agency, cruelty, and the mechanics of anthropomorphisation”

an exhibition of fifty-six photographs from the groundbreaking project by Sultan and Mandel, first published in 1977

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

“the exhibition frames surfing less as a lifestyle than as a mutable visual language: one shaped by speed, surface, branding, and the body’s desire to disappear into form”

monumental new sculptures, the British Nigerian artist’s largest works to date, are finished with a metallic glaze that reflects the body, and shown alongside a film produced in Ọṣun-Ọṣogbo, a sacred site of the Yoruba fertility goddess Osun

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

part of the inaugural Mallorca PhotoFest, an exhibition focused on Olaf’s still lifes - “a meditation on time and its resistance”

new sculpture and photography exploring absence as a material and as a psychological condition, as Hapaska continues to refine her longstanding engagement with material instability, disorientation and our contemporary psychic dislocation

accompanying the Forest Cathedral installation in the Barn this summer, a group exhibition which “extends from the forest floor to the sea and sky and encompasses sculpture, painting, drawing, photography, ceramic and multi-media”

curated by Rolando J. Carmona, an exhibition examining how the Brazilian artist engaged throughout her career with relationships between the body, psychoanalysis, and geometric abstraction

new photographs of London by Riddy - “both a description of place and a kind of social survey”

major works from three significant series by Drühl - silicone paintings, lacquer paintings, and sculpture

emblematic works from a decade whose legacy remains profoundly relevant today, revealing the richness and diversity of a constantly evolving creative landscape

curated as a cabinet of curiosities, new sculptures by Houseago alongside objects ranging from ancient artefacts to works by artists including Joseph Beuys, Louise Bourgeois, Jacob Epstein, Lucio Fontana, Henri Gaudier-Brzeska, Julia Isídrez, …

Campbell explores evolutionary history, mythology, and queer culture through sculpture - metaphorising marine and terrestrial nature to reveal the flimsiness of social and political binary systems

new paintings and sculptures anchored by a film based on a civil rights text against lynching, in the Los Angeles–based artist’s first solo exhibition with the gallery

“curated by Brian Griffiths, the exhibition examines the space between instruction and impulse, extending his longstanding interest in the artist as an unreliable narrator and exhibition-making as staged and provisional”

Davi’s first solo exhibition in Spain and with the gallery - “the works presented here continue an ongoing research that unfolds across different exhibitions … while maintaining a consistent engagement with concrete, iron and painting as central elements”

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

Major’s first solo exhibition at the gallery explores how identity is formed through movement, memory, and transformation, investigating the relationship between self and place as a condition of becoming rather than origin

presented with Castlefield Gallery, an exhibition bringing together O’Rourke’s DVD-case paintings, larger mixed-media works, wall-based and freestanding paintings - drawing viewers through a landscape of repeated motifs, images, text, and materials

works by Yves Klein, Lita Albuquerque, and Jack Goldstein in an exhibition which explores the connections between the cosmos, perception, and immateriality

“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits”

the latest limited-edition release from Wyn brings together the London-based Colombian artist with winemaker Sugrue South Downs and writer Joel Hart

on show for the first time at Petworth - and extending thoughout the house and grounds - towering sculptures by the renowned ceramicist

emblematic as well as previously unseen works at the intersection of photography, language, and conceptual détournement - “a journey through contemporary imaginaries, a space where images, objects, and words cease to function as mere references”

Chakraborty’s first solo show in France “places the landscape, understood as territory, memory, and political space, at the center [and] reveals these entangled histories of capital, extraction, and control embedded within both landscapes and bodies”

the gallery launches its exhibition programme with painting, sculpture, and mixed media work by five contemporary artists who explore the liminal state as a productive site of possibility

“Bozó’s images might appear to resemble storyboard frames from Hanna-Barbera or Disney cartoons, they in fact have more in common with Cy Twombly’s scribbles and gestures, Jackson Pollock’s splatter paintings or William de Kooning” - Saša Bogojev