“by translating historical paintings into a contemporary visual context [the exhibition] demonstrates that the past always remains an active and vital component of contemporary cultural discourse”

“by rejecting the picturesque and narrative, by favouring gradations over contrasts, silences over assertions, Molaeb constructs a pictorial language of rare coherence”

shown for the first time in Berlin, four videos which continue Claerbout’s long-standing engagement with time and duration

a group exhibition bringing together over a dozen international artists - “the exhibition poses an ancient yet ever-renewing question: how does cosmic order mirror itself in the body and the mind”

titled after a Frank O’Hara poem, Tomassini’s first solo exhibition brings together monoprints and bronze sculpture to reflect on transformation, metamorphosis, and becoming

new painting and sculpture by Egan “initiated by a sense of touch and movement alongside a sense of sight .. painting is imagined as an activity of passage and continuum; an internal language that permeates the artists‘ practice”

Kid’s fourth solo exhibition with the gallery - “conceived around the first presentation of works from his new LIFE series, the exhibition places a focused selection of works from the past decade into dialogue with this new body of work”

the final works from a series which Kwak has developed since 2019, shown with new drawings from an emerging series to capture a transitional moment as one body of work comes to a close and another begins to take shape

“Förg took four monumental color photographs of the Lange house … [exhibited] again for the first time on the occasion of the new Frankfurt gallery season. A show nothing short of a small sensation ” - Christian Malycha

spanning thirty years of work with the single subject of “food”, new large-scale oil paintings alongside canvases reaching back to 1996 - “I have selected a group of works that explore the relationship between food and my own life journey” - Oiwa

in collaboration with Corbett vs. Dempsey, an exhibition of Wright’s flower paintings, alongside works on paper, made from 1992 onwards

named after an Old English word for “a gathering of people” Ryan’s new site-specific commission responds directly to the gallery’s archaeological site to bring ancient and contemporary London into dialogue

Afro-Caribbean American multidisciplinary portrait artist Lopez works with communities historically rendered invisible - people she has met and engaged with whose presence carries cultural memory, resilience, vulnerability, and unmistakable swag

new paintings and a spatial light installation, in “a reflection on surface, presence and inner content. It makes us consider what lies behind the objects, the images or the meanings generated by an AI that endlessly produces poems” - Lotten Wiklund

spanning the Main Gallery and the Fire Station, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

with these new paintings of imagined spaces and intimate vignettes, Suss continues her exploration of interiority, domesticity, and memory

including the gallery’s first presentation of his iconic “Line Describing a Cone” - and the debut of his newest work - significant pieces spanning over fifty years of McCall’s pioneering solid light works

new work which “approaches painting as a form of enquiry into consciousness … Ramsden treats the act of painting as a way for the mind to reflect on itself”

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

Dong’s meticulously crafted multi-panel paintings draw energy and influence from classical Chinese ink painting and systems of cultivating nature

“these are almost like a sculptor’s drawings: essential, uncluttered, minimalist. They appeal to all the senses: one feels as though one can smell the scent of resin, hear the whisper of the wind through the pine needles”

photographs from Sugimoto’s ongoing Diorama series, including rediscovered negatives enlarged for the first time and new washi paper screens that transform his images into luminous byōbu

spanning the Fire Station and the Main Gallery, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

new paintings in an exhibition which sees Gao continue his investigation of movement, perception, and the unstable threshold between abstraction and recognizable form

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

Biała and Orving reveal - with a tenderness, playfulness and ingenuity that matches their subject - the risks and rewards of our fundamentally and irrevocably interconnected lives” - Rebecca Birrell, PhD.

curated by Beverley Harrison - “in collaborative tandem, Faris Nakamura and Bunga Yuridespita’s illusory architectural paintings and intermedia artworks explore urban spatial nuances, querying how social and personal spaces intertwine”

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

bringing together the work of two contemporary Kenyan artists who draw deeply from their immediate surroundings, an exhibition exploring different facets of everyday Kenyan life, identity and culture

“both Olúlòde and Reeve construct worlds where movement guides the viewer. Olúlòde’s figures swim, Reeve’s fabrics float in the wind … they explore intimacy from different starting points, but both culminate in a grasping, a holding, a unity, a beauty”

James D Wilson and Phil Shakespeare - “one is urban and the other suburban. Their subjects are very different and yet each artist builds their work from geometric forms and fragments of light and shadow”

an unprecedented exhibition pairing paintings by Chaïm Soutine with new paintings by Ilana Savdie - separated by a century, both painters make the instability of their subjects the substance of their work

sixteen international artists whose practices move between sculpture, object, and spatial gesture in a summer group exhibition running alongside London Design Week - “asking not what art depicts, but what it does within a space”

all-new works by the Brooklyn-based artist who operates at the intersection of painting, sculpture and craft, uprooting conventional distinctions between medium, surface and structure

“bringing together artists from the United States, Britain and Europe, the exhibition traces how abstraction developed transnationally while pursuing that quintessential Modern ambition for a new kind of truth”

in collaboration with Corbett vs. Dempsey, an exhibition of Wright’s flower paintings, alongside works on paper, made from 1992 onwards

an exhibition of eight contemporary artists working across painting and sculpture - Benjamin Orlow, Emil Sands, Galli, Hannah Quinlan and Rosie Hastings, Kira Freije, Suleman Aqeel Khilji, Tanoa Sasraku, and Tiona Nekkia McClodden

“in Luce Meunier’s work, painting emerges where you least expect it: in snow, in moss, in the hollow of a sponge. Matter absorbs, diffuses, resists”

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

works by Georg Baselitz, Jim Dine, Tom Hammick, Fernand Léger, Hew Locke, Humphrey Ocean, Julian Opie, Mimmo Paladino, Paula Rego, Yinka Shonibare, and Joe Tilson in an exhibition of artists who weave images of birds into their visual narratives

“an exceptional group of artists whose bold and individual approaches helped shape the legacy of postwar abstraction”

shown together for the first time in over 25 years, Ligon’s Coloring Book paintings reveal a rarely seen facet of his practice - "colorful and exuberant ... the works unfold into a rich meditation on history, authorship and the shifting nature of meaning"

paintings and works on paper from the 1980s, a pivotal period of decisive experimentation and evolution in the late artist’s pioneering six‑decade career

“walls painted in various shades of gray carry a subtle scenography that lets visitors move through the space in an open choreography, immersing themselves in works” - Nataša Petrešin Bachelez

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

continuing the gallery’s city-based curatorial series, an exhibition looking at the cultural and artistic development in and around San Fransisco, reconsidering significant works from different periods and how they relate to art history and collecting now

“set within intimate domestic spaces, award-winning painter Ellis King captures the moments before composure returns - where frustration, grief, doubt and exhaustion are quietly absorbed before the routines of everyday life resume”

in the gallery’s first exhibition dedicated to Bard, recent work that explores the enduring language of figurative painting through the lens of contemporary experience

Turner’s first solo gallery exhibition is a site-responsive installation of dark wool and horsehair, which fills the ground-floor galleries and continues twelve metres up the façade of the Georgian townhouse

the gallery’s first exhibition of the Argentine-British artist and filmmaker is an almost museological presentation of works from her ongoing project exploring the ethics of photographing animals

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

an “imaginative, idiosyncratic and quietly provocative” multimedia exhibition by the Taiwanese artist known for a humorous practice that navigates between reality and the surreal

photographs from Sugimoto’s ongoing Diorama series, including rediscovered negatives enlarged for the first time and new washi paper screens that transform his images into luminous byōbu

“Testino invites us into a world traced by his signature light and eye, offering at once the contemporary impact of his art and a poignant memento mori, a reminder of the significance of art’s eternal pursuit of beauty and joy, conquering time’

“a large-scale storage unit containing works from each of Dzinic’s series occupies the gallery. Across three successive rotations, works move between storage and the gallery walls”

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

“Förg took four monumental color photographs of the Lange house … [exhibited] again for the first time on the occasion of the new Frankfurt gallery season. A show nothing short of a small sensation ” - Christian Malycha

fourteen artists who explore transformation through material process and altered perception - “throughout the exhibition, light changes the encounter with each work and draws attention to the physical properties of its materials”

in the artists' first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time.

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

new paintings from the ongoing Bondage Baggage series alongside the debut of new sculptural and video works in an exhibition which examines migration as a condition of simultaneous perceptions, where multiple histories, and systems of knowledge coexist

Rondinone’s first solo exhibition, both at the gallery and in Istanbul, presents recent sculptures from his Mountain series alongside sunrise/sunset watercolour paintings, transforming the gallery into a contemplative environment of elemental forms

in this exhibition curated by Paola Lucente three contemporary artists - Chloe Bonfield, Kate Lyddon and Zulfiya Spowart - explore memory, inheritance, and the traces experience leaves behind

curated by Luca Massimo Barbero in collaboration with the Fondazione Lucio Fontana, an exhibition presenting seminal, rare, and unique works from 1949 onward

“Barthélémy Toguo creates a space in which imaginations intermingle and cultures and traditions come together in harmony. For the artist, travel is a way of inhabiting the world and celebrating its profound unity”

spanning the Fire Station and the Main Gallery, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

Dodd’s exhibition centers on the goddess Diana and, having relocated from upstate New York to Scotland’s Moray Coast, uses materials from her new home like peat, copper ink, spirulina, cochineal, local herbs and powdered meteorite

new monumental sculptures in metal alongside mighty yet intimately scaled ceramic works - “Shechet’s is an art made of parts, and the frisson, the spark, occurs where the pieces come into contact” - David Salle

titled after the 1911 novel by Frances Hodgson Burnett, an exhibition of contemporary painting from artists exploring subjects including and relating to the natural landscape - ideas of Arcadia and its assimilation into contemporary city life

in Collins’ first solo exhibition at the gallery he considers the “attic” as a metaphor for memory - “a space at the peripheries and recesses of consciousness where stories germinate, mutate and become myth”

“Emrys knows … that he is ‘dragging things forth’, that they remain a mystery to the rest of us, and only just within his own reach, as passing from memory, like dreams on waking, endlessly reconfigured” - John Gillett

an exhibition of works by Defne Tesal and Stephan Baumkötter - “in both artists’ work, depth emerges through material, touch and repetition rather than illusion. The surface becomes a space in itself: layered, tactile and open to continued looking”

“this exhibition explores the enduring allure of Johnston’s innovative artmaking practice, which spanned seven decades of painting, drawing, printmaking, and sculpture”

titled after an optical phenomenon that occurs twice each year inside Palma Cathedral, the gallery begins its collaboration with VHILS with an exhibition of work including carved doors, billboards, ceramic tile panels, and architectural debris

fourteen artists who explore transformation through material process and altered perception - “throughout the exhibition, light changes the encounter with each work and draws attention to the physical properties of its materials”

“the path of Venus is as calculable as it is beautiful - when science, conscience, and aesthetics converge at the same point, it is best to let go. Reckoning or harvest festival? Zero-point. Relief” - Oddný Eir

curated by Andreas Reiter Raabe, the exhibition explores painting, attention, and abstraction as a space where love, hesitation, and persistence create a relation beyond recognition and function, inviting a rare form of generosity called attention

projected light installations of geometric shapes specially designed for the architecture and specific characteristics of the location in which they are created - alongside works made from sheets of bent and cut stainless steel