curated by Davide Mogetta this exhibition explores the formative tension of fragility in works by Dadamaino, François Morellet, Arcangelo Sassolino, Günter Umberg, and Grazia Varisco - five leading figures from different generations of international art

painting and sculpture by eight international artists whose work channels the spirit of the universe and our connection to the natural world

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

“dense pictorial fields built through the accumulation of figures, signs, fragments of text, and symbolic forms … compositions populated by animals, hybrid figures, and totemic structures”

encounters between artists whose practices expand the boundaries between functional art and collectible design

curated by Jihyun Kim, an exhibition “that imagines the future of ceramics through the lens of bio-futurism … how ceramic practice might evolve in the year 2126”

the paintings in this exhibition depict “children and landscapes shaped by war’s trauma, capturing forced stillness, protection, and resilience through dynamic brushwork and grounded materials from Ukraine’s landscape”

following a Paris residency, the Brazil-based Mestre explores architecture, painting, and sculpture as a route to mediate between culture and nature

“five paintings and ceramic panel works exploring landscapes through layered paint and textured resin, capturing natural phenomena and time’s accumulation in shifting scenes”

in association with Waqas Wajahat, New York, an ambitious body of painting spanning four decades in the internationally acclaimed female artist’s first comprehensive solo exhibition in Korea

an exhibition highlighting five major figures of the prominent South Korean movement - Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-keun, and Chung Sang-Hwa

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

exploring Kounellis’s experiments in painting and music, an exhibition and performance programme in dialogue with Christian Marclay

master prints by Dan Flavin, Donald Judd, Ellsworth Kelly, and Frank Stella in this group exhibition exploring “the materiality of color”

historical watercolours and prints by one of the founder members of the hugely influential New Vision Group in Baghdad - “the most prominent Op-artist in Iraq, perhaps in the whole Arab world” - Jabra I. Jabra

referencing both décor (ornamentation) and corps (the body), Pini’s exhibition of sculpture, photography, and relief places symbolic bodies in space and plays with “their fragile yet imposing nature to create what is perhaps a theatrical experience”

paintings and works on paper from the 1960s to the 2010s, covering five decades of McNeely’s fearless and provocative approach to the human body, in the late New Yorker’s first solo exhibition in London

“at the intersection of personal history and broader geopolitical realities, Diack’s practice engages questions of contemporary becoming of Senegal, of Africa, and of a globalised world”

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

an ambitious exhibition celebrating two centuries since the dawn of photography

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

Weems’ debut exhibition with the gallery in London presents recent and significant bodies of work reflecting on migration, belonging, and the enduring afterlives of the Atlantic passage

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

new works in Adam’s debut solo exhibition in New York examining “how paintings can emerge from a black ground, using darkness, not as absence, but as a generative foundation from which color, gesture, and form unfold”

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

an exhibition focusing on Yamamoto’s photographs of owls - gelatin silver prints printed by the artist reveal his deep respect, depicting not only the owls’ beauty and grace, but also their eccentricity, companionship and individuality

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

Herbst’s inaugural solo exhibition with the gallery presents recent paintings created with her own “generative system” that allows narratives and visuals to emerge through a theatrical staging with repetition, variation, and play

new and existing works centred on a monumental body of paintings shown for the first in its entirety in Syed’s first solo exhibition at the gallery

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

outstanding images by Niépce, Daguerre, Fox Talbot, Fizeau, Le Gray, Frith, Piot, and Greene in an exhibition exploring the origins of photography - “the magic of early photographs intertwines with the spirit of discovery”

to mark his 88th birthday, an exhibition of new etchings and aquatints by Baselitz that “establishes a dialogue between two of his most famous motifs: the eagle and Elke [his wife]”

“conceived as a relational environment rather than a sequence of discrete objects, the interplay between the two artists’ works positions sculpture and tapestry in relation to one another through proximity, scale, and surface”

curated by Elisabetta Bresciani, Magda Blasinska reflects on the rhythmic and structural patterns underlying woven surfaces, while Adia Wahid explores architectural memory through shifting geometric forms inspired by Islamic art

“there is a gap of three generations between Karel Appel and Gerasimos Floratos, but … both their artistic idioms are ostensibly non-modernist. They gather inspiration from popular culture, without however transferring it one to one” - Franz W. Kaiser

the first exhibition to bring together Martand Khosla and Saad Qureshi - two artists who explore the gap between the promise and the failure of architecture

using “a curatorial logic of figural counterpoints”, an exhibition exploring the resonance, and even figural coincidences, between the works of the two artists

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

an exhibition by Paul Noble and Georgina Starr - “conjuring ghosts, stains, miracles, dust, remnants, melodies, eavesdropping, pressing monsters, lonely laments, reanimations and eternal dancers … It’s a dream. A very good dream”

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

the first exhibition dedicated entirely to the Freeman Bentley’s paintings on paper, and the motif of reflection within her work

Gutierrez explores philosophy and absurdity through video, drawing, painting, and performance, addressing resilience, connection, and emotional distance

historical watercolours and prints by one of the founder members of the hugely influential New Vision Group in Baghdad - “the most prominent Op-artist in Iraq, perhaps in the whole Arab world” - Jabra I. Jabra

multi-media works on paper reflecting Widener’s volunteer experiences in Ukraine, combining symbols, words, and numbers to depict the conflict’s chaos and emotional intensity with abstracted maps and personal narrative

exceptional paintings, works on paper, and sculptures by George C. Ault, Milton Avery, George Bellows, Oscar Bluemner, Stuart Davis, Charles Demuth, Arthur Dove, Marsden Hartley, Edward Hopper, Walt Kuhn, Georgia O’Keeffe, and Charles Sheeler

curated by Sam Hanson, the Taiwanese artist’s first solo exhibition in the UK explores “deterrence and disruption through large, ambiguous compositions with intersecting lines, scratched surfaces, and sculptural urban forms”

the first part of the gallery’s programme on the theme of sound investigates sonic entropy and the concept of a “loop” as a grinding mechanism that wears down the subject - whether human mind, machine part, or city ecosystem

“there is a gap of three generations between Karel Appel and Gerasimos Floratos, but … both their artistic idioms are ostensibly non-modernist. They gather inspiration from popular culture, without however transferring it one to one” - Franz W. Kaiser

“time, like water, flows without discrimination or recognition of those categories. And it is from that knowledge that Joung’s work derives its strength, dignity, and unwavering spirit” - Diana SeoHyung

an exhibition featuring work selected by the artist to highlight key stages and developments in his career, spanning from the mid 1960s to the present day, and marking his thirteenth solo show with the gallery

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

“what this experiment in retrospection will reveal is that Gillman’s ability to temporally situate the viewer is a crucial part of who she is as a painter and that it releases her to converse with the past as if it is the present” - Rebecca Fortnum

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

curated by Maria do Carmo M. P. de Pontes, an exhibition of new painting, sculpture, and ceramics - “in a moment of synthesis, Palms and Smoke presents a culmination of Kritzman’s artistic evolution”

works by artists including Marina Abramović, Nada Baraka, Michèle Buhofer, Tony Cragg, Donna Huanca, Harminder Judge, Marya Kazoun, Kathryn MacNaughton, Borja Martín-Moreno, Erin Vincent, and Erwin Wurm

the Vienna-based Korean artist works at the intersection of performative installation and live performance, exploring “the in-between state of living and dying, deconstructing the binary of life and death”

“a series of eleven paintings created over the last two years, in which [Viardin] reflects, as a painter, on the future of the religious figurative tradition in an increasingly aporetic world”

Schenker works across performance, drawing, sculpture, and installation to explore the relationship between body, matter, and space

the gallery’s first exhibition at No.9 presents a new body of work by Yousefzada that considers the home as a site of tension, memory, and embodied experience

the first exhibition to bring together Martand Khosla and Saad Qureshi - two artists who explore the gap between the promise and the failure of architecture

“Scheibitz draws equally from everyday life and from art history, distilling both into dense, vividly coloured paintings and elusive sculptures: repositories of accumulated imagery, layered and compressed”

curated by Isaac Ji, this exhibition re-imagines the gallery space as a “darkroom of perception”

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

curated by Qi Chao, this group exhibition with DAZHI, Ding Hongdan, Jing Ao, Liang Yuanwei, Wenjue, and Xu Qu examines which aspects of human thought and artistic creation remain uniquely human

the gallery’s new season opens with a special presentation of ‘Work No. 3891: Half the air in a given space’ - one of Creed’s most celebrated works - and a selection of wall paintings

working with textile, chalk, stone, fabric, wool, and found objects, Prendergast explores themes of identity, geography, and the human body through sculpture, work on paper, and installation

new paintings made from single, sequential droplets of paint onto paper, shown with a mural-sized work composed of dozens of marbled paintings on paper

“the starting point for this exhibition was the desire to take on the flag, this supreme icon of nationalism, and to reverse its logic … I wanted to make works that, while evoking the idea of a flag, visually and emotionally contradict its principles”

curated by Thierry Raspail, Lee Mingwei’s first exhibition at the gallery’s Paris space presents interactive works as “he questions the world and offers no answer. And this way he questions us too”

with the first screening of a filmed interview, an array of archival documents, and a selection of artworks and artist tools, this exhibition explores “the echoes, parallels, and differences that construct[ed] the relationship between the two friends”

“Kamijo’s painted world is filled with large flowers, fruit, and sometimes animals: butterflies, parakeets, sailfish … it is a calm world” - Jill Gasparina

Crenshaw’s portraits of immigrants and cigarette stubs, in thrifted picture frames, explore themes of displacement, resilience, value, and disposability

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

curated by Rolando J. Carmona, an exhibition examining how the Brazilian artist engaged throughout her career with relationships between the body, psychoanalysis, and geometric abstraction

photographs from the island of Aran alongside large-scale paintings and a salon-style array of drawings, watercolours, photos and written works on paper in a survey exhibition of the \"greatest living abstract painter\" - Jonathan Jones

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

an ambitious exhibition celebrating two centuries since the dawn of photography

an exhibition of one of the leading figures on the international contemporary scene, recognized for his research into light, space, and landscape - “this is neither a systematic inquiry nor a photographic project … what emerges is an experience” - Ozzola

the first part of the gallery’s programme on the theme of sound investigates sonic entropy and the concept of a “loop” as a grinding mechanism that wears down the subject - whether human mind, machine part, or city ecosystem

curated by Richard Boch, works by twenty photographers who captured the vibrant essence of New York City nightlife during the mid-Seventies and early Eighties

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

exceptional paintings, works on paper, and sculptures by George C. Ault, Milton Avery, George Bellows, Oscar Bluemner, Stuart Davis, Charles Demuth, Arthur Dove, Marsden Hartley, Edward Hopper, Walt Kuhn, Georgia O’Keeffe, and Charles Sheeler

“using ceramic waste, metal, fused glass, and found objects, Harvey creates landscapes and forms that reflect on time and change”

new sculptures, paintings, and installations in Richards’ first solo exhibition with the gallery

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

over thirty works by more than twenty artists in an exhibition honoring the man widely regarded as the first mega-dealer of the modern era, who is one of the gallery’s greatest inspirations and a defining figure in the modern art world

painting, works on paper, and glass sculpture from throughout her career, in an exhibition celebrating the life and work of the late Argentine-born New York artist

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture

raw plaster sculptures alongside limited edition prints and drawings - “Love invites viewers to feel those emotional states that flow not just between us but throughout our wider ecology where fragility, tenderness and strength understand each other”

new works in Adam’s debut solo exhibition in New York examining “how paintings can emerge from a black ground, using darkness, not as absence, but as a generative foundation from which color, gesture, and form unfold”

Braeckman’s first solo exhibition in the UK presents recent works situated within the broader arc of his practice - “with their haunting stillness and ashen, moody dispositions, Braeckman’s images appear suspended outside place and narrative”

new sculptures continuing Dávila’s exploration of the fundamental act of placing one thing in relation to another, working through deliberate acts of positioning and arrangement so that relationships, tensions, and meanings emerge

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

“for his first solo exhibition at Bigaignon … Pimentão invites us to consider drawing not only as an object to be seen, but as something that acts, resonates, and takes form”

the renowned figurative artist’s first exhibition in Los Angeles presents his documentation of a stay in Detroit, with a single focus on John Mcintyre, a Detroit-based tattoo artist and member of a local medieval fighting team

the debut of a series of paintings exploring Santos’ personal and pastoral relationship to Puerto Rico, drawing on historical, archival, and ecological inspiration - “the works are reminders of the past but also a way to understand what is happening now”

recent pieces by the Brooklyn-based abstract painter whose work enigmatically resembles geographical maps, aerial views, circuit boards, and coding systems, exploring race, culture, and systems of societal classification

over thirty works by more than twenty artists in an exhibition honoring the man widely regarded as the first mega-dealer of the modern era, who is one of the gallery’s greatest inspirations and a defining figure in the modern art world