sculpture, performance, video, and installation by the artist duo examining the normalisation of political violence, surveillance, and erosion of public and private boundaries

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

new paintings by “one of the great painters of his generation” (John Yau) - “a vibrant evolution in the artist’s long-standing exploration of abstraction, materiality and the painted edge”

new sculptures by Wright, including an important Jesmonite installation alongside works made from unfired clay and a group of small wall-based pieces

works by over a dozen artists in an exhibition that celebrates the styles and content in paintings, drawings and sculptures by African American artists from the 19th century to the present

a solo exhibition “that brings the internal terrain of Kelly’s neurodivergent experience into sculptural and spatial form”

on three hundred bus shelters across New York City, Chicago, and Boston, works by six photographers – Kennedi Carter, Lougè Delcy, Camila Falquez, Ruby Okoro, Dana Scruggs and Juan Veloz – who “move fluidly between commercial and fine art practices”

twenty-four new paintings exploring ukiyo-e and Impressionism, focusing on bijinga and its impact on Monet, using silkscreened acrylics and glossy finishes in his Superflat style

two bodies of work see Einarsson examining how linguistic and visual structures both shape our understanding of the world and mask systems of power

an installation of new paintings of abstracted landscapes on paper and panel alongside mixed media works and objects - “in Helene Billgren’s artistry, even the most insignificant and fragile can become important and meaningful”

works by eight artists ”focussing on the raw mechanics of making — the calibration, structural clarity and material decisions that define each practice”

Lima presents a garden filled with “architectural-sculptures”, transforming the gallery space into a habitat for birds, squirrels, rodents and their predators - straw hats become perches and invite interaction

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

an exhibition which examines the development from Impressionism to Neo- and Post-Impressionism - a pivotal period when the movements liberated “both color and painting itself”

titled after a late photobook by Frank, this exhibition “explores people and places across his long and multifaceted life through images and fragments of memory presented through the artist’s original maquette”

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

the debut of works in color by the New York-based artist - a significant evolution of his practice - alongside new gouaches on paper

in the first solo exhibition in London by the Brazilian artist, new and existing performative installations with sculpture, movement, live performers, and public participation

new paintings exploring the relationship between memory, architecture, and perception by this major figure in the Albanian and European art scene

to mark his 88th birthday, an exhibition of new etchings and aquatints by Baselitz that “establishes a dialogue between two of his most famous motifs: the eagle and Elke [his wife]”

more than ninety works by a dozen contemporary artists in a major group exhibition examining political dissent and erasure through the idea of collage

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

“Aimee Goguen, Margaret Haines, and P. Staff brandish prophecy, theatre, poetry, surveillance, alchemical instruments, masks, blades, regurgitated teratomas, and the fixative properties of cement itself” - Henry Hopper, curator

works by artists including Lynne Drexler, Sheila Hicks, Robert Indiana, Richard Serra, and Sean Scully in an exhibition focused on the 1970s, a decade of profound artistic and cultural change

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

continuing the gallery’s series exploring the use of a single colour - this time looking at one of the most symbolic in the history of art - an exhibition of works by an international collection of modern masters and contemporary artists

the acclaimed Hong Kong-born art director and multidisciplinary artist explores parallel dimensions of reality, where myth, memory and technology converge

works on paper by Chihota, made during her time living in Tunisia, Zimbabwe and Montenegro, exploring figuration as a vital language for what it means to be seen, remembered, and understood today

in this exhibition curated by Donna De Salvo, De Maria’s final sculpture is shown for the first time outside the US alongside other rarely seen sculptures, drawings, films, and archival materials

a solo exhibition dedicated to the central figure of Arte Povera, centred on one of his most intense and complex “igloos—an in-between work, poised at the threshold of architecture, living organism, and thought”

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

recent and past works in the first solo exhibition in Los Angeles by one of the most influential living artists in the decorative arts

Abdessemed’s first solo exhibition in Rome “an intimate dialogue with the Eternal City … its light, its shadows, and its silences” begins the gallery’s new program of exhibitions, projects, and collaborations dedicated to contemporary artistic research

paintings, sculpture, and wall hangings from three artists linked by their interest in form and color, and their deep ties to the landscape and culture of Southern California

a solo exhibition “that brings the internal terrain of Kelly’s neurodivergent experience into sculptural and spatial form”

a new immersive sculptural installation by the path-breaking artist - “a space of rest and renewal”

works by over a dozen artists in an exhibition that celebrates the styles and content in paintings, drawings and sculptures by African American artists from the 19th century to the present

works by Grilo from the 1970s and 1980s when she worked alternately in Paris and Spain

“known for his atmospheric nocturnal scenes and psychologically charged portraits, Hido now turns toward the expanded visual form of collages and explores the shifting terrain between memory, place, and narrative”

new paintings by “one of the great painters of his generation” (John Yau) - “a vibrant evolution in the artist’s long-standing exploration of abstraction, materiality and the painted edge”

“a mini-retrospective honouring the late, great photographer whose timeless images captured the humour, irony, and soul of the human (and canine) condition”

four artists “for whom drawing becomes a process shaped by duration while recording effort, vulnerability, and attention … not only images or objects, but traces of lived actions marked by movement, resistance and environmental conditions”

Umaña’s first solo exhibition with the gallery presents new and recent glazed ceramics with painted canvas - “hybrid paintings” - that explore psychology, nature and memory through the ever-changing lens of abstraction

in Thiems’ first solo exhibition, new fabric sculptures in response to Méret Oppenheim’s 1976 series “Parapapillonneries”, explore absurdity, surrealism, and psychoanalytic thought

curated by Sam Hanson, this exhibition explores reverence and the enduring power of the idol in the age of digital culture - “a hopeful attempt to assemble the shattered fragments of modern culture into a reconstituted, jagged whole” - Jamie Hope

“the Austrian self-defined non-collective continues its long-running investigation of how artworks can behave like social forms … taken together, Gelitin’s ceramics, performances, and public works articulate a deeply anti-capitalist logic” - Pati Hertling

new photographic and sculptural work by the Spanish artist - one of the key figures in the renewal of Basque sculpture

new paintings by Raedecker, whose work “is driven as much by the craft and process of making as it is by the image”

“combining works of diverse styles from different periods … the gallery space is dialectically structured, suggesting an allocation of historical examples in the front as opposed to later ones in the back” - Franz Kaiser

the first major UK museum exhibition of the American artist’s photographic portraits includes her first major work, and pieces both in dialogue with each other as well as with works from the permanent Collection

new large-scale works on lead, with gemstones and Renaissance-style frames, as Vega explores the transhistorical nature of spirituality

van Son’s debut solo exhibition with the gallery presents new paintings examining the intimate fascination she has of her partner as their wedding approaches

over twenty works from 1970-2005 - some unveiled here for the first time - showcase the integral role of printmaking in LeWitt’s work

using scientific data from quantum physics, cosmology, and institutions like NASA, Ikeda creates mathematical compositions with sound and light, exploring microscopic and cosmic scales in a multi-sensory experience

referencing the influential postmodernist architect’s belief that even a cardboard house would last forever if people were motivated to care for it, Levi de Jong, Ali Glover, Zayd Menk, and Zachary Merle in a tribute to Sir Terry Farrell

working across installation, moving image, sculpture, drawing, and performance, Williams explores “food” - specifically butter - through a feminist lens to examine collective consumption, excess, and waste

in an exhibition titled after the neurological condition, Alison Blickle and Irini Karayannopoulou “join forces in an act of painterly sisterhood; a transcontinental communion rooted in shared mythologies and a mutual devotion to the feminine image”

“conceived as a relational environment rather than a sequence of discrete objects, the interplay between the two artists’ works positions sculpture and tapestry in relation to one another through proximity, scale, and surface”

the Chinese painter’s first solo exhibition in the UK - “Dong’s paintings inhabit the in-between state of tangible reality and fantastic possibilities”

the Danish painter’s debut exhibition with the gallery explores the quiet rituals, unspoken understandings, and agreed-upon negotiations behind human interaction

exceptional paintings, works on paper, and sculptures by George C. Ault, Milton Avery, George Bellows, Oscar Bluemner, Stuart Davis, Charles Demuth, Arthur Dove, Marsden Hartley, Edward Hopper, Walt Kuhn, Georgia O’Keeffe, and Charles Sheeler

curated by Maria do Carmo M. P. de Pontes, “a constellation of objects, images, and sonic interventions that reflect  Feriancová’s longstanding interest in origins, be them mythological, biological, or archaeological”

photographs from the island of Aran alongside large-scale paintings and a salon-style array of drawings, watercolours, photos and written works on paper in a survey exhibition of the \"greatest living abstract painter\" - Jonathan Jones

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

alongside new photographic works, the world premiere of Julien’s acclaimed five-screen film installation - “a vivid, sweeping, visual poem about change, what it means to transform, to adapt and to survive”

with some of Parks’ most celebrated and iconic works, an exhibition of the pioneering American artist, curated by the renowned social justice activist - “Parks represents the struggle, resilience and constant striving of Black Americans” - Stevenson

an exhibition of three decades of Brancusi photographs - many shown in London for the first time

the late painter and photographer’s first solo exhibition in Europe highlights the central role of portraiture in his practice and offers a comprehensive overview of his multifaceted work

shown for the first time at TEMPLON Brussels, Crewdson’s black-and-white photographs of solitary figures in suburban landscapes combine film noir aesthetics with sociopolitical themes of decline and urgency

“a mini-retrospective honouring the late, great photographer whose timeless images captured the humour, irony, and soul of the human (and canine) condition”

on three hundred bus shelters across New York City, Chicago, and Boston, works by six photographers – Kennedi Carter, Lougè Delcy, Camila Falquez, Ruby Okoro, Dana Scruggs and Juan Veloz – who “move fluidly between commercial and fine art practices”

the acclaimed Hong Kong-born art director and multidisciplinary artist explores parallel dimensions of reality, where myth, memory and technology converge

“known for his atmospheric nocturnal scenes and psychologically charged portraits, Hido now turns toward the expanded visual form of collages and explores the shifting terrain between memory, place, and narrative”

in the first solo exhibition in London by the Brazilian artist, new and existing performative installations with sculpture, movement, live performers, and public participation

the leading organisation supporting early career and emerging artists in the UK presents its annual group exhibition. showcasing 26 artists selected through an open call by Pio Abad, Louise Giovanelli, and Grace Ndiritu

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

curated by Briony Fer, over forty-five paintings, drawings, gouaches, wooden reliefs, and an iconic Dada head, in the gallery’s first solo display of Taeuber-Arp, one of the most important artists of the 20th-century avant-garde

sculpture, performance, video, and installation by the artist duo examining the normalisation of political violence, surveillance, and erosion of public and private boundaries

works by Tonico Lemos Auad, Pearl Alcock, Lubaina Himid, Barbara Levittoux-Świderska, Marlow Moss, and Paul Thek mark “the intervals between falling and rising, moments shaped by gravity: like the tide”

works by Saâdane Afif, Lotus L. Kang, Tuan Andrew Nguyen, Celeste Rapone, and Rafa Silvares

painting and sculpture in a group exhibition which explores pressure as a defining condition within contemporary practice

a solo exhibition dedicated to the central figure of Arte Povera, centred on one of his most intense and complex “igloos—an in-between work, poised at the threshold of architecture, living organism, and thought”

a large, open pavilion with an immersive multi-channel soundscape using conversations from Black archives, nature field recordings, and electronic sounds to explore “breath as geography”

Alice Wilson, Alison Wilding, Dominic Beattie, Fabian Peake, Karolina Albricht, Maud Cotter, Mhairi Vari, Neil Zakiewicz, Nicky Hirst, Phyllida Barlow, and Richard Woods question the traditional hierarchies of painting, sculpture, and design

immersive installations and sculptures in the first major UK survey exhibition of the artist who makes “multimedia artworks that negotiate the spaces between memories, individuals and the globalised societies that we live in today”

van Son’s debut solo exhibition with the gallery presents new paintings examining the intimate fascination she has of her partner as their wedding approaches

“civilisation is approached not as moral progress, but as performance—rehearsed through spectacle, ornament, and repetition”

new paintings by Raedecker, whose work “is driven as much by the craft and process of making as it is by the image”

shown for the first time at TEMPLON Brussels, Crewdson’s black-and-white photographs of solitary figures in suburban landscapes combine film noir aesthetics with sociopolitical themes of decline and urgency

exploring Kounellis’s experiments in painting and music, an exhibition and performance programme in dialogue with Christian Marclay

the Danish painter’s debut exhibition with the gallery explores the quiet rituals, unspoken understandings, and agreed-upon negotiations behind human interaction

the first exhibition dedicated entirely to the Freeman Bentley’s paintings on paper, and the motif of reflection within her work

Chan’s first solo exhibition in New York presents new paintings and drawings that meditate on movement, longing, and the quiet intensity of everyday experience

conceived as a metaphorical river, RÍO flows through cascades, forests, and tropical jungles - employing textiles, painting, porcelain, and video, the exhibition conjures memory, emotion, and material transformation

more than twenty artists in a curatorial project and art installation focussing on the artist’s studio in the 21st Century

small-scale sculptures and paintings from antiquity to modernity showing scale not as a limitation but “an invitation to look closely ... celebrating intimacy, precision, and sensitivity”

Abramović’s photography and Kucsora’s works on canvas together explore “the lingering vibration that remains once an intense encounter has slipped into the past tense”