curated by Isaac Ji, this exhibition re-imagines the gallery space as a “darkroom of perception”

the first exhibition dedicated entirely to the Freeman Bentley’s paintings on paper, and the motif of reflection within her work

master prints by Dan Flavin, Donald Judd, Ellsworth Kelly, and Frank Stella in this group exhibition exploring “the materiality of color”

Khosravi’s first solo exhibition in the US is inspired by the Pasolini film Salò - and his own archival images - and explores memory, beauty, and violence through layered paintings

new oil paintings depicting doors left ajar and offering a glimpse into an ambiguous and surreal terrain beyond - transforming the gallery into a labyrinth of thresholds

significant artistic achievements and pivotal paintings from the radical final chapter of Dubuffet’s career in a celebration of the gallery’s over 50 year relationship with the artist, since hosting his first British solo exhibition in 1972

a focused exhibition that reveals a pivotal and previously unseen moment in the development of abstraction by one of Britain’s most intellectually rigorous post-war painters

a large presentation of paintings by Potter in the Main Gallery, shown together with a small private collection of works by Victor Pasmore in the Artist’s House

new sculptures by Wright, including an important Jesmonite installation alongside works made from unfired clay and a group of small wall-based pieces

new large-scale works on lead, with gemstones and Renaissance-style frames, as Vega explores the transhistorical nature of spirituality

“at the intersection of personal history and broader geopolitical realities, Diack’s practice engages questions of contemporary becoming of Senegal, of Africa, and of a globalised world”

van Son’s debut solo exhibition with the gallery presents new paintings examining the intimate fascination she has of her partner as their wedding approaches

referencing the influential postmodernist architect’s belief that even a cardboard house would last forever if people were motivated to care for it - Levi de Jong, Ali Glover, Zayd Menk, and Zachary Merle in a tribute to Sir Terry Farrell

“crowns built from keyboard keys, bottle caps, and combs stand for authority and power, but are always rooted in Black experience … Takadiwa’s work makes room for critique, but also suggests that change is possible” - Fernanda Brenner

“a trio of centrifugal energies” - Florian Genzken, Simon Popper, and Adam Barker-Mills

recent and new sculptures showing the evolution of Lucien’s practice over the last few years - “grounded in a poetic meditation on memory and placemaking through architectural vernacular forms”

new paintings that explore the visual and linguistic density of the contemporary city, “a layered system of signs, where language, image, and architecture intersect”

“painting is not the mere representation of the object, but it is color and light: the right relationships between the two things give shape in space. The subject should not be seen as such but abstractly” - Ventrone

new lighting pieces by the Paris-based design studio known for “serene, dreamlike creations that evoke poignant and harmonious confluences with the natural world”

“Fevers, shown here in complete form for the first time at Sylvia’s gallery, marks an endpoint to the last few years’ activity … I’ve wanted this piece to feel like a fever dream. Unfolding restlessly: surfaces fracture and accumulate” - Richards

an ambitious exhibition celebrating two centuries since the dawn of photography

an exhibition dedicated to the work of the late artist highlighting his handling of vibrant color in often abstract compositions, including photographs and notebooks from recent discoveries in the artist’s archive by his son

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

the exhibition presents “immersive orchid paintings that explore becoming, sensory perception, and materiality using hand-foraged pigments, evoking transformation, eroticism, and the entanglement of human and non-human worlds”

an exhibition of one of the leading figures of the Washington Color Field School

curated by Elleanna Chapman and Gigi Surel, and presented with Teaspoon Projects

over twenty paintings and works on paper from the late 1970s to the 1990s, highlighting the Abstract Expressionist’s physically charged style, informed by her passion for modern dance and engagement with the natural environment

in Howard’s inaugural show with the gallery - “Howard’s sculptures make exaggeratedly external what is often oppressively confined to the internal, conveying the richness and complexity of how feelings are felt, embodied, and remembered” - Rebecca Birrell

new sculptures, paintings, and installations in Richards’ first solo exhibition with the gallery

new paintings on wood panels in Smalling’s first exhibition with the gallery, exploring how cultural hierarchies and taboos shape identity, through the visual language of the Old Masters

“through her compassionate lens” the Ethiopean artist “reminds us that love lives not only in grand declarations, but in the quiet, steadfast practice of being there for one another”

in a dialogue between historical context and contemporary experience, seven rising contemporary Chinese ink artists who approach the form from distinct perspectives

“conceived as a relational environment rather than a sequence of discrete objects, the interplay between the two artists’ works positions sculpture and tapestry in relation to one another through proximity, scale, and surface”

“there is a gap of three generations between Karel Appel and Gerasimos Floratos, but … both their artistic idioms are ostensibly non-modernist. They gather inspiration from popular culture, without however transferring it one to one” - Franz W. Kaiser

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

shown together for the first time, works of meditative minimalism by the Chinese artist alongside pieces by one of the forefathers of the Los Angeles light artists

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

an exhibition by Paul Noble and Georgina Starr - “conjuring ghosts, stains, miracles, dust, remnants, melodies, eavesdropping, pressing monsters, lonely laments, reanimations and eternal dancers … It’s a dream. A very good dream”

colored pencil drawings and layered acrylic and vinyl paintings by Steffen Kern and Jonah Gebka which explore images in a state of suspension - where narratives are not fully formed, but held in latency

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

“a trio of centrifugal energies” - Florian Genzken, Simon Popper, and Adam Barker-Mills

the latest in the gallery’s ongoing series of displays showcaing recent projects by gallery artists, many unveiled for the first time

over twenty works from 1970-2005 - some unveiled here for the first time - showcase the integral role of printmaking in LeWitt’s work

the first major retrospective of the work of the “mercurial, enigmatic, and captivating figure” who was deeply involved in the avant-garde Manhattan artworld of the 1960s

“combining works of diverse styles from different periods … the gallery space is dialectically structured, suggesting an allocation of historical examples in the front as opposed to later ones in the back” - Franz Kaiser

van Son’s debut solo exhibition with the gallery presents new paintings examining the intimate fascination she has of her partner as their wedding approaches

“a group exhibition bringing together a collective of artists to reflect on continuity, resilience, and quiet optimism … the exhibition draws on the symbolic energy of the spring season - where renewal unfolds”

Henriquez’s latest work imaginatively re-stages inherited family mythologies and stories set within the lush landscape of Jamaica

recent work continuing Berding’s decades-long exploration of painting as a space for “re-ambiguating the world through collapsing histories and categorical understandings”

“through her compassionate lens” the Ethiopean artist “reminds us that love lives not only in grand declarations, but in the quiet, steadfast practice of being there for one another”

an exhibition by the late Argentinian sculptor

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

the paintings in this exhibition depict “children and landscapes shaped by war’s trauma, capturing forced stillness, protection, and resilience through dynamic brushwork and grounded materials from Ukraine’s landscape”

an exhibition dedicated to the work of the late artist highlighting his handling of vibrant color in often abstract compositions, including photographs and notebooks from recent discoveries in the artist’s archive by his son

the artist’s first solo exhibition in the UK

“ink, charcoal, and video works exploring bodily memory, gesture, and the fragile relationship between image and surface through porous, atmospheric drawings and a looping video of fleeting landscapes”

“in Figgis’ world, contradictions abound. Beneath the glamorous lies the ghastly, beneath self-serious artifice, irony. Her paintings are intentionally and delightfully off-kilter” - Louisa Mahoney

Weems’ debut exhibition with the gallery in London presents recent and significant bodies of work reflecting on migration, belonging, and the enduring afterlives of the Atlantic passage

the renowned figurative artist’s first exhibition in Los Angeles presents his documentation of a stay in Detroit, with a single focus on John Mcintyre, a Detroit-based tattoo artist and member of a local medieval fighting team

recent pieces by the Brooklyn-based abstract painter whose work enigmatically resembles geographical maps, aerial views, circuit boards, and coding systems, exploring race, culture, and systems of societal classification

the London and Sussex-based 3D-artist’s first exhibition at the gallery in New Bond Street centres on works created from books

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“for his first solo exhibition at Bigaignon … Pimentão invites us to consider drawing not only as an object to be seen, but as something that acts, resonates, and takes form”

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

curated by Elisabetta Bresciani, Magda Blasinska reflects on the rhythmic and structural patterns underlying woven surfaces, while Adia Wahid explores architectural memory through shifting geometric forms inspired by Islamic art

a celebratory exhibition to honor director George Henoch Shechtman’s sixtieth anniversary as an art dealer and champion of contemporary realism

the debut of a series of paintings exploring Santos’ personal and pastoral relationship to Puerto Rico, drawing on historical, archival, and ecological inspiration - “the works are reminders of the past but also a way to understand what is happening now”

painting, sculpture, and photography in a multilayered exhibition of works by Zana Masombuka, Eddy Kamuanga Ilunga, Alexis Peskine, and Djibril Dramé

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

curated by Richard Boch, works by twenty photographers who captured the vibrant essence of New York City nightlife during the mid-Seventies and early Eighties

Polaroid prints made between 1974 and 1975 - “Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery”

working across installation, moving image, sculpture, drawing, and performance, Williams explores “food” - specifically butter - through a feminist lens to examine collective consumption, excess, and waste

curated by Alessio Bolzoni and Luca Guadagnino across both gallery spaces, photographs mostly never before exhibited or published - “his practice is a rare example of work so precocious as to only gain nuance with each year’s passing” - Tosia Leniarska

an ambitious exhibition celebrating two centuries since the dawn of photography

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

shown for the first time at TEMPLON Brussels, Crewdson’s black-and-white photographs of solitary figures in suburban landscapes combine film noir aesthetics with sociopolitical themes of decline and urgency

the Iranian-American artist’s first exhibition with the gallery builds on her ongoing series examining her parents’ experiences of political exile following the 1979 Iranian Revolution and broader systems of geopolitics, displacement, and care

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

the Ukrainian artist explores hope and resistance through time, space, and history with a meditation on the unbreakable spirit of culture in times of war

covering nearly three decades, new paintings and key sculptural works exploring personal memories, myth, and the female body over the passing of time

significant sculptural and two-dimensional works from the last decade of Kang’s life - including the New York debut of some of her most influential pieces - in a memorial and celebration of the late Korean artist’s singular vision

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

new work in an exhibition which marks Flad’s return to Taipei after a six-year interval

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

this key member of the Japanese avant-garde Gutai Art Association reshapes matter with acrylic, oil, graphite, vinyl glue, and cotton - presenting, for the first time in Europe, the sculpture “The Magic Box” alongside new experimental works

sculptures from 2009 to the present and his latest painted self-portraits in an exhibition spanning almost twenty years of the Swiss artist’s work, “exemplifying Vital’s multidisciplinary approach and his alternative strategies of representation”

“Lou’s new works radiate a palpable sense of joy and freedom as she allows her medium to emote on its own terms … through processes of accumulation and care, Lou demonstrates how a material - as small, solid, inert as a glass bead - can amplify painting”

the Vienna-based Korean artist works at the intersection of performative installation and live performance, exploring “the in-between state of living and dying, deconstructing the binary of life and death”

“a series of eleven paintings created over the last two years, in which [Viardin] reflects, as a painter, on the future of the religious figurative tradition in an increasingly aporetic world”

key works from across the late British artist’s career, centering on the painting “Boy” and his exploration of identity, vulnerability, and the ambiguities of the self

Schenker works across performance, drawing, sculpture, and installation to explore the relationship between body, matter, and space

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

paintings centered on the theme of “Night dancing” and exploring the relationships between humans and nature, movement and space, and color and form, in an exhibition inspired by the poetry of Ian Hamilton Finlay

works by artists including Marina Abramović, Nada Baraka, Michèle Buhofer, Tony Cragg, Donna Huanca, Harminder Judge, Marya Kazoun, Kathryn MacNaughton, Borja Martín-Moreno, Erin Vincent, and Erwin Wurm

works by artists including Thomas Beckman, Seymour Boardman, Ernest Briggs, Perez Celis, Herman Cherry, Nassos Daphnis, Amaranth Ehrenhalt, Mark Gibian, Stanley Hayter, John Hultberg, Michiko Itatani, Buffie Johnson, Ibram Lassaw, Michael Loew, …

“working with imitation gold leaf on Belgian linen, [Vermeulen] uses sweat as an oxidising force, producing corrosive imprints that register physical presence over time”

titled after a poem by Louise Glück, the debut of new paintings in Parson’s first solo exhibition in Paris - “with great economy of means, her works capture a glance … they are painted reveries of instances of sadness, joy, and beauty”