curated by Catherine Lampert, over forty of the most ambitious works by one of Britain’s most significant 20th-century painters, known for his painstaking technique often taking months or years to complete a piece

large-scale photographs of trees from the last two decades, exploring the relationship between landscape and culture in the US

centred on emblematic works from the 1960s and 1970s, an exhibition which highlights the career and work of one of the great protagonists of the avant-garde

for this first exhibition in Paris, oil paintings and watercolours by Wittwer inspired by great French masters including Paul Cézanne, Henri Fantin-Latour, and Nicolas Poussin

“this is not an exhibition of historical antiquities, but perhaps a declaration of love … about what today’s generation of artists can do with ceramics”

the renowned figurative artist’s first exhibition in Los Angeles presents his documentation of a stay in Detroit, with a single focus on John Mcintyre, a Detroit-based tattoo artist and member of a local medieval fighting team

the first major UK museum exhibition of the American artist’s photographic portraits includes her first major work, and pieces both in dialogue with each other as well as with works from the permanent Collection

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

the first major retrospective of this “mercurial, enigmatic, and captivating figure who trafficked in the avant-garde Manhattan artworld of the 1960s”

a special presentation of new paintings - “through still lifes and portraits set within seascapes and landscapes, Park creates psychological explorations shaped by the transition of day into night”

“a new series of landscape works that mend together two images from the artist’s vast archive to create a single, uncanny composition”

Schneider’s first solo exhibition at the gallery centres his ongoing Gesamtkunstwerk “Haus u r” with two livestream projections shown for the first time, alongside key works from the house

new sculptures, paintings, and installations in Richards’ first solo exhibition with the gallery

in collaboration with Sommer Contemporary Art, new works presenting Baruch’s singular practice in which textile functions as both medium and language - “a living, pulsating material” through which social, economic and historical processes become visible

an exhibition of Nadelman’s experimentations with serially produced sculptures of inexpensive materials shown alongside three sculptures by Fischli and Weiss exploring both figuration and everyday objects

including piece that have not been exhibited before, an exhibition of the late artist’s works on paper show alongside two tapestries

a comprehensive exhibition of the celebrated artistic duo - “conceived as an imagined garden – an enigmatic, contemplative environment inspired by the philosophy and spatial poetics of the Japanese Zen garden”

following the gallery’s seasonal theme of artistic responses to the natural world – Ikemura presents a nocturnal garden of sculptures, paintings, works on paper, and poems

“conceived as the pages of a vast manuscript [the exhibition] transforms the gallery into an in-between space: a fertile, ever-shifting organism threaded with passages to other worlds, oscillating between unease and a longing for re-enchantment”

in association with Waqas Wajahat, New York, an ambitious body of painting spanning four decades in the internationally acclaimed female artist’s first comprehensive solo exhibition in Korea

an exhibition highlighting five major figures of the prominent South Korean movement - Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-keun, and Chung Sang-Hwa

the artist duo Mamali Shafahi and Domenico Gutknecht present the garden “as a transitional space inhabited by hybrid figures, animals, and objects that exist between memory, transformation, and quiet notions of an afterlife”

a new body of work that is unabashedly exuberant, materially rich, and teeming with life - “the title of this exhibition isn’t a metaphor. It’s a literal description of what I brought to New York” - Lee

an ambitious exhibition celebrating two centuries since the dawn of photography

paintings, works on paper, and sculpture from important private and public collections in a major exhibition tracing the pivotal decade when Dalí established his mature artistic language and enduring public persona

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

this exhibition presents an intimate and rarely observed facet of Guston’s art, showcasing intimate paintings and works on paper in which he ruminates on his marriage to poet Musa McKim and their lives together in Woodstock

including many pieces not previously exhibited, and covering thirty years of work by the painter often seen as an ‘artist’s artist’ - “Oxlade’s paintings echo the vast, often glorious muddle of our existence” - Jennifer Higgie

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture

an exhibition of paintings, drawings, etchings, notebooks, and letters - “with inexhaustible patience Gnoli wove and reinvented a new fabric to life, pursuing its essence behind the appearances of reality” - Yannick Vu

the gallery’s first exhibition of Chase’s work since announcing its representation of her estate - Chase occupied a distinctive position between the New Image Painting and Neo-Expressionist movements in the New York art scene of the 70s and 80s

Weems’ debut exhibition with the gallery in London presents recent and significant bodies of work reflecting on migration, belonging, and the enduring afterlives of the Atlantic passage

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

three artists who explore the quiet workings of the natural world - Zak van Biljon’s near-infrared photographic landscapes, Tom Kretschmer’s video works of nature’s rhythms, and Samanta Malavasi’s monochromatic canvases reflecting human and natural forms

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

a major new commission from the London-based artist, winner of the 2024 Camden Art Centre’s Emerging Artist Award at Frieze

stained-glass works and an inflatable sculpture - all on public display for the first time - as Kjær explores contemporary desires and preoccupations through the lens of medieval culture

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

outstanding images by Niépce, Daguerre, Fox Talbot, Fizeau, Le Gray, Frith, Piot, and Greene in an exhibition exploring the origins of photography - “the magic of early photographs intertwines with the spirit of discovery”

“expanding the palette beyond the template of four primary Yolŋu colours - black, red, yellow and white - allows the story to come alive … an old song in a fresh key” - Will Stubbs

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

paintings, frescos, works on paper, collage, and ceramics - “Picasso found in Lam the only kind of confirmation he could care about - that of a man who had realized himself [and] had attained the highest point of consciousness” - André Breton

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

as part of the series marking the gallery’s 50th anniversary “two artists whose practices … converge in their investigation of form in relation to nature and to the structures that organize the visual field”

with the first screening of a filmed interview, an array of archival documents, and a selection of artworks and artist tools, this exhibition explores “the echoes, parallels, and differences that construct[ed] the relationship between the two friends”

curated by Seohyun Kang, works by Song E Yoon and Frédéric Bruly Bouabré exploring humanity’s engagement with memory, recording, and the passage of time

an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

curated by Davide Mogetta this exhibition explores the formative tension of fragility in works by Dadamaino, François Morellet, Arcangelo Sassolino, Günter Umberg, and Grazia Varisco - five leading figures from different generations of international art

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

night-time landscapes of every full-moon - sketched by Hockney on his iPad - during the 2020 lockdown in Normandy

including piece that have not been exhibited before, an exhibition of the late artist’s works on paper show alongside two tapestries

an exhibition devoted to Uslé’s drawings - “kinds of visual fragment that have accompanied his artistic process for more than thirty-five years”

“conceived as the pages of a vast manuscript [the exhibition] transforms the gallery into an in-between space: a fertile, ever-shifting organism threaded with passages to other worlds, oscillating between unease and a longing for re-enchantment”

new works exploring our relationship to the universe and the ways humankind has sought to inhabit and shape it - “the exhibition traces a passage from planetary materiality to celestial speculation, where human thought, law, and imagination intersect”

the multimedia artist’s large-scale sculptures of buttons, beads, and crystals reflect Zen Buddhism’s discipline and mindfulness through meticulous, repetitive craftsmanship and themes of change and resilience

small-scale sculptures and paintings from antiquity to modernity showing scale not as a limitation but “an invitation to look closely ... celebrating intimacy, precision, and sensitivity”

the American artist’s first solo exhibition in Milan presents new paintings alongside an important watercolour by Turner in a dialogue between her atmospheric renderings merging figuration with abstract geometries and his visionary approach to landscape

“ink, charcoal, and video works exploring bodily memory, gesture, and the fragile relationship between image and surface through porous, atmospheric drawings and a looping video of fleeting landscapes”

new sculptures, paintings, and installations in Richards’ first solo exhibition with the gallery

an exhibition pairing seminal works by Caro with the pioneering practice of Capper to explore a cross-generational dialogue and the evolution of British sculpture

the American artist’s first solo exhibition with the gallery - “atmospheres of interiority in relatively private spaces … each image suspended between emergence and erasure, as though what we are seeing has only just come into view” - Matthew James Holman

“Ha Chong-Hyun continues to push the boundaries of abstraction beyond clear-cut conceptual apprehension, inviting the viewer into a direct encounter where mind and matter meet” - Pieter Vermeulen

curated by Lavinia Filippi, a group exhibition that takes a photograph of a wall in the cemetery of San Michele as a conceptual starting point for a visual investigation of Venice itself

a group exhibition by Brush Tu founders Boniface Maina, David Thuku, and Michael Musyoka

in Cassigneul’s first solo US exhibition for 40 years - “luminous harmonies of color and expressive linearity coalesce into compositions of emotional clarity and understated restraint”

raw plaster sculptures alongside limited edition prints and drawings - “Love invites viewers to feel those emotional states that flow not just between us but throughout our wider ecology where fragility, tenderness and strength understand each other”

recent paintings and object from one of the founders of the Supports/Surfaces movement, who has spent six decades pushing the boundaries of painting

including many pieces not previously exhibited, and covering thirty years of work by the painter often seen as an ‘artist’s artist’ - “Oxlade’s paintings echo the vast, often glorious muddle of our existence” - Jennifer Higgie

an installation that sees Andrew draw on romanticised historical images of Aboriginal people - disrupting, reframing, and transforming them through new symbolic interventions

a focused exhibition highlighting Silberberg’s porcelain sculptures from the 1980s - “a distinct and powerful body of work that marks a pivotal moment of evolution in her practice and material exploration”

the gallery’s first exhibition of Chase’s work since announcing its representation of her estate - Chase occupied a distinctive position between the New Image Painting and Neo-Expressionist movements in the New York art scene of the 70s and 80s

Sterling’s first solo exhibition with the gallery and in Istanbul - “involving food, the body, and stains, Sterling’s paintings appear playful and exaggerated … yet reveal underlying hierarchies, processes of objectification, [and] microaggressions”

an ambitious exhibition positioning the esteemed Japanese contemporary artist as a vital continuation of American Abstract Expressionism who simultaneously redefines its underlying Eastern spirituality within the broader context of global art history

including several paintings never previously exhibited, this exhibition focusses on a pivotal period in the early 1950s when Heron negotiated his own path between figuration and abstraction

Sütunç's process-oriented practice uses sculpture, photography, video, installation, and text to explore different ways of being in the world through carrying, relationality, and fragility

“Groobey … explores emotions that cut across individual experience, like awe, success, joy, tenderness, adoration, and desire. Her work depicts the body, the primary site through which the world is felt and known”

in a dynamic installation, new paintings and a series of drawings by Cardenas - “an alluring gesamtkunstwerk … his reimaginings of art, design, mythology, and fantasy are masterfully woven into a dreamlike vision of the future” - Paul Laster

“Spann seeks to make the flag a banner more explicit in its aims … this weighty work on wood panel confronts us like a roadside banner warning that some of us will find scant shelter here” - Seph Rodney

a group exhibition which examines how eleven contemporary artists reduce figurative forms - embracing design and line to create non-objective work, communicating an essence that reaches beyond the surface of the canvas

Tingleff, one of Scandinavia’s leading ceramic artists, gives an “impression of the natural world beyond human-made walls, made powerfully and palpably present … all normal sense of scale is suspended” - Glenn Adamson

Sean Zhang curates an exhibition that brings together Elizabeth Dimitroff, Alice Ningci Jiang, Paulina Moncada, and Yutong Yin, who explore how identity is formed through transition, environment, encounters, and the traces we carry forward

an ambitious exhibition celebrating two centuries since the dawn of photography

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

referencing both décor (ornamentation) and corps (the body), Pini’s exhibition of sculpture, photography, and relief places symbolic bodies in space and plays with “their fragile yet imposing nature to create what is perhaps a theatrical experience”

the British multidisciplinary artist captures subtle, absurd disruptions - small fractures in the ordinary that reveal tension, humour, and the poetic instability of everyday life

the first major UK museum exhibition of the American artist’s photographic portraits includes her first major work, and pieces both in dialogue with each other as well as with works from the permanent Collection

double-sided photographs by the French artist, reflecting on the act of capturing movement and the ethical and formal implications of image-making

recent works centered on questions of history, beauty, mortality, and perception, continue Bremer’s long-standing exploration of photography, painting, memory, and time

a group exhibition which examines how eleven contemporary artists reduce figurative forms - embracing design and line to create non-objective work, communicating an essence that reaches beyond the surface of the canvas

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

an exhibition focusing on Yamamoto’s photographs of owls - gelatin silver prints printed by the artist reveal his deep respect, depicting not only the owls’ beauty and grace, but also their eccentricity, companionship and individuality

organized by Megan N. Liberty - “from the stitching required to bind a book, to machine-stitched drawings added to collages of photographs and photocopies, Colby and Smith … [manifest] desires for themselves and their family”

Patil’s first solo exhibition in Switzerland presents sculpture, painting, drawing, video, and immersive installation in a powerful meditation on labor, migration, and visibility

sculptures from 2009 to the present and his latest painted self-portraits in an exhibition spanning almost twenty years of the Swiss artist’s work, “exemplifying Vital’s multidisciplinary approach and his alternative strategies of representation”

“crowns built from keyboard keys, bottle caps, and combs stand for authority and power, but are always rooted in Black experience … Takadiwa’s work makes room for critique, but also suggests that change is possible” - Fernanda Brenner

curated by Thierry Raspail, Lee Mingwei’s first exhibition at the gallery’s Paris space presents interactive works as “he questions the world and offers no answer. And this way he questions us too”

small-scale sculptures and paintings from antiquity to modernity showing scale not as a limitation but “an invitation to look closely ... celebrating intimacy, precision, and sensitivity”

working with textile, chalk, stone, fabric, wool, and found objects, Prendergast explores themes of identity, geography, and the human body through sculpture, work on paper, and installation

centred around three monumental sculptures, a landmark exhibition focussing on Kapoor’s recent work as well as his seminal early pieces

the two artists present “figurative painting and sculpture exploring deconstruction of meaning and materiality through fragments, detritus, and offbeat characters in a shared Berlin context”

the Montreal-born, London-based artist’s first solo exhibition with the gallery in New York “proposes painting as a medium uniquely capable of holding disparate registers within a single, shifting field of vision”

“for this project - another in my Imaginary Architecture series - I chose to explore iridescent clouds, sometimes known as "rainbow clouds", a meteorological phenomenon characterised by vibrant, colourful bands appearing on thin, semi-transparent clouds”

“I have continued to use 4.5 cm as the module and the paintings are always grey. I use these two constant elements to discover different ways of making the paintings” - Charlton

Agematsu’s first solo exhibition with the gallery and in Germany is in two parts, the first featuring a year of “zips” - tiny devotional sculptures made of detritus from New York’s streets inside the cellophane sleeves of cigarette packs

with Isidore Bishop-Sauve, Kate Lewis, Jean Bosphore, Loïc Burzotta, Craig Cameron-Mackintosh, Mirko Leuzzi, Alejandro Asensio, Thomas Andréa Barbey, and Saree Robinson

Shin’s debut exhibition with the gallery presents paintings and ceramics which examine Asian-American diasporic identity and foreground the cultural, economic, and scientific legacies of colonial trade

new works on paper and large-scale canvases in Chihota's first solo presentation with the gallery - “a fluid exchange between media … to explore profound questions of being, belonging, and the mutability of self”

new wall-mounted, hand-painted sculptures as Cowan transforms regular studio items through the process of casting to examine their nature and how we look at and think about them

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor