the gallery’s inaugural exhibition - and Megall’s first solo exhibition in LA - brings together paintings in which porcelain figurines and floral forms appear in states of repetition, fragmentation, and recombination

new paintings by Delhanty - “charged with a vast sense of landscape, the vigor of hot climate and the turbulence of shifting weather - they are ablaze with the literal and metaphorical light for which the exhibition is named”

new works by Huotari, whose meticulously beaded sculptures and wall tapestries reimagine traditional Finnish rya textiles

the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time”

an exhibition of gouaches, drawings, lithographs, and tapestry work by one of the central figures in twentieth-century modernism

these new paintings by the Japanese artist blur the boundary between figuration and abstraction with work that is introspective and reflective, focusing on phenomena observable in his everyday environment

“structure and depth develop through the superimposition of gestures, sweeps and loops … colours accumulate at the edges of the picture surface, while traces of successive layers converge into lines of demarcation” - Mareike Dittmer

new paintings and works on paper - “Sanditz has spent more than two decades making landscape painting with a palette that runs hot and synthetic, closer to Kool-Aid, while maintaining an active dialogue with the paintings of the Hudson River School”

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

the gallery’s first collaboration with the artist brings together thirteen paintings created between 2020 and 2026 and centres on Qi Lei’s recent reflections on music, painting, and time

Op de Beeck’s first solo exhibition with the gallery “reminds us that wonder has not disappeared. It is found precisely where things begin to fade, at the threshold between presence and disappearance” - Ruud Priem, curator

projected light installations of geometric shapes specially designed for the architecture and specific characteristics of the location in which they are created - alongside works made from sheets of bent and cut stainless steel

in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

“Enoc came up with a painting process as if he’d plugged into an early moog synthesizer. It straddled the line between abstraction and representation … making him an artist who feeds the hand that shakes him” - Richard Prince

new paintings by Evans, landscapes, waterways, moonlit scenes, and botanical paintings - “Evans has increasingly reduced and abstracted the natural world, distilling familiar subjects into arrangements of color, shape, line, and pattern”

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

an exhibition bringing together key works from Baselitz’ breakthrough series of his formative years, widely regarded as one of the defining achievements of his early career and a landmark in post-war European painting

over twenty new works on paper by Gormley, some monumental in scale and each a direct trace of a place and a body, in an attempt to both subjectivise and universalise the question “where am I?”

Turner’s first solo gallery exhibition is a site-responsive installation of dark wool and horsehair, which fills the ground-floor galleries and continues twelve metres up the façade of the Georgian townhouse

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives”

curated by An Jo Fermon, an exhibition of Caziel’s abstract painting and Isabelle Nothomb’s ceramics - “each chose as a core practice the stripping away of noise to focus on raw sensory perception, space, and being”

the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

paintings by the two artists, whose works challenge the conventional approaches to figures and identity which tend to be singular and teleological, and suggest that everyone is “Me & My Plurals”

“both Olúlòde and Reeve construct worlds where movement guides the viewer. Olúlòde’s figures swim, Reeve’s fabrics float in the wind … they explore intimacy from different starting points, but both culminate in a grasping, a holding, a unity, a beauty”

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

James D Wilson and Phil Shakespeare - “one is urban and the other suburban. Their subjects are very different and yet each artist builds their work from geometric forms and fragments of light and shadow”

a group exhibition organised by Rashid Johnson with Charles Gaines, Firelei Báez, and Cristina Iglesias which “considers directionlessness as a conceptual zone - a space of suspension, drift, and openness”

in its own dedicated and expansive space at the gallery, the Amsterdam-based studio unveil a new, interactive, and large-scale installation that “captures the movement of wind through the use of glass and light”

new paintings in an exhibition exploring how identity is reshaped by experience - “bodies merge with forests, rivers and stone; landscapes grow through the human form; figures become entangled with one another; and faces repeat, fragment and disappear”

an interactive ten metre long sculpture made of 4,000 suspended yellow PVC tubes - by one of the pioneers of kinetic art

works spanning several decades reveal an artist continually attentive to the dignity, vitality and complexity of Black experience - “there is warmth throughout Lloyd’s work, but never sentimentality” - Cameron Amiri

“by rejecting the picturesque and narrative, by favouring gradations over contrasts, silences over assertions, Molaeb constructs a pictorial language of rare coherence”

the Mexico City-based studio founded by Isabel Abascal and Alessandro Arienzo presents a serpentine pavilion as the 2026 Serpentine Pavilion

Floyer’s first solo exhibition with the gallery in China presents a poetic, rigorously minimalist body of work spanning sound, light projections, and readymade objects

an exhibition of works by Defne Tesal and Stephan Baumkötter - “in both artists’ work, depth emerges through material, touch and repetition rather than illusion. The surface becomes a space in itself: layered, tactile and open to continued looking”

“in this new body of work the artist reflects on the emotional contradiction of nostalgia - the impossibility of fully recapturing the dazzling immediacy of an experience once it had passed, and the lingering desire to try”

new paintings by Delhanty - “charged with a vast sense of landscape, the vigor of hot climate and the turbulence of shifting weather - they are ablaze with the literal and metaphorical light for which the exhibition is named”

a focused installation of two fire paintings by the American artist - from the pivotal series inspired by the dramatic skies and smoke of a devastating wildfire in California

including rarely seen works, this exhibition of paintings and works on paper by the Abstract Expressionist and portraitist highlights the breadth of de Kooning’s practice across abstraction, representation, and portraiture

“a large-scale storage unit containing works from each of Dzinic’s series occupies the gallery. Across three successive rotations, works move between storage and the gallery walls”

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

spanning four millennia, a major exhibition bringing together ancient Egyptian artefacts with nineteenth- and twentieth-century paintings, drawings, rare books, and photographs to examine how Egypt was made, buried, recovered, and repeatedly reimagined

the first major UK exhibition of the American land artist invites visitors to explore art shaped by light, language, and space - with early Concrete Poetry, photography, film, and two landmark installations

providing fresh insight into his work - as memory and anecdote (re)animate his photographs - an exhibition revisiting Parks through the reflections of the people and families he portrayed

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

two distinct bodies of black and white photographs, alongside the short film “Family Portraits” in the acclaimed American photographer’s first exhibition with the gallery, following the recent announcement of her representation

a group exhibition organised by Rashid Johnson with Charles Gaines, Firelei Báez, and Cristina Iglesias which “considers directionlessness as a conceptual zone - a space of suspension, drift, and openness”

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

historically significant work by nearly twenty artists across painting, sculpture, textile, photography and video, in an exhibition which considers method not simply as process but as a way of thinking

“Dobokay examines the limits of the photographic medium, the exhaustion of chemical processes, the material structure of the image, and the paradox of repetition that can never produce exactly the same result twice”

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

the first exhibition at a major UK institution of one of the most influential and significant American sculptors of her generation

new works from iconic series by the major figure of the contemporary Korean art scene, combining traditional Asian calligraphy with Western abstraction

Indiana’s first monographic exhibition with the gallery - “the technique, if successful, is that happy transmutation of the lost into the found, junk into art, the neglected into the wanted, the unloved into the loved, dross into gold, hence: alchemy”

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

in the first exhibition at the collaborative space, five artists who consider belonging, vulnerability, material memory, and the unstable boundaries between bodies, objects and places

curated by Mario Francesco Simeone, Biele’s first solo exhibition with the gallery presents new paintings and a sculptural intervention based on extensive research centered on the garden - a site of continuous negotiation between nature and artifice

presented with Canvas Gallery, Karachi, new works by the acclaimed Pakistani artist bringing together “celebration and uncertainty, ornament and violence, authority and resistance in a body of work that is at once visually seductive and quietly charged”

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives”

“an open-ended, ambivalent affair. Lindeman’s textual works murmur with nuance - a Barthesian drift across witty musings, and stream of consciousness confessions”

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

curated by An Jo Fermon, an exhibition of Caziel’s abstract painting and Isabelle Nothomb’s ceramics - “each chose as a core practice the stripping away of noise to focus on raw sensory perception, space, and being”

William’s first solo exhibition in France brings together pictorial and sculptural elements within a complex, immersive spatial environment - with water as its starting point

an exhibition of new work by the multidisciplinary artist which “challenges distinctions between the human and non-human, the present and the absent, the living and the dead”

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

a comprehensive exhibition of works on paper spanning fifty years of work by the Colombia-based artist whose fantastical drawings explore the subconscious, the body, and desire

new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models”

a group exhibition across different practices and generations which explores the relationships between writing, language, and image

Bishop-Sauve’s first solo exhibition - “a highly distinctive pictorial language, in which intimate, sensitive figuration meets a loose, direct, and spontaneous handling of paint … as much as a fragmented self-portrait as an observation of a generation”