paintings and drawings from throughout Lewis’ career - with musical accompaniment from his extensive record collection - in an exhibition highlighting the vital role that jazz, blues, classical, pop, and reggae played in his life and practice

a new exhibition of photo-based imagery on satin banners by the Melbourne artist - “echoing unstretched paintings, these satin banners incorporate a compelling array of imagery based on manipulated photographic sources”

the gallery’s inaugural exhibition - and Megall’s first solo exhibition in LA - brings together paintings in which porcelain figurines and floral forms appear in states of repetition, fragmentation, and recombination

new paintings by Delhanty - “charged with a vast sense of landscape, the vigor of hot climate and the turbulence of shifting weather - they are ablaze with the literal and metaphorical light for which the exhibition is named”

new works by Huotari, whose meticulously beaded sculptures and wall tapestries reimagine traditional Finnish rya textiles

the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time”

an exhibition of gouaches, drawings, lithographs, and tapestry work by one of the central figures in twentieth-century modernism

these new paintings by the Japanese artist blur the boundary between figuration and abstraction with work that is introspective and reflective, focusing on phenomena observable in his everyday environment

“structure and depth develop through the superimposition of gestures, sweeps and loops … colours accumulate at the edges of the picture surface, while traces of successive layers converge into lines of demarcation” - Mareike Dittmer

new paintings and works on paper - “Sanditz has spent more than two decades making landscape painting with a palette that runs hot and synthetic, closer to Kool-Aid, while maintaining an active dialogue with the paintings of the Hudson River School”

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

the gallery’s first collaboration with the artist brings together thirteen paintings created between 2020 and 2026 and centres on Qi Lei’s recent reflections on music, painting, and time

in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

“Enoc came up with a painting process as if he’d plugged into an early moog synthesizer. It straddled the line between abstraction and representation … making him an artist who feeds the hand that shakes him” - Richard Prince

new paintings by Evans, landscapes, waterways, moonlit scenes, and botanical paintings - “Evans has increasingly reduced and abstracted the natural world, distilling familiar subjects into arrangements of color, shape, line, and pattern”

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

an exhibition bringing together key works from Baselitz’ breakthrough series of his formative years, widely regarded as one of the defining achievements of his early career and a landmark in post-war European painting

over twenty new works on paper by Gormley, some monumental in scale and each a direct trace of a place and a body, in an attempt to both subjectivise and universalise the question “where am I?”

Turner’s first solo gallery exhibition is a site-responsive installation of dark wool and horsehair, which fills the ground-floor galleries and continues twelve metres up the façade of the Georgian townhouse

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

“both Olúlòde and Reeve construct worlds where movement guides the viewer. Olúlòde’s figures swim, Reeve’s fabrics float in the wind … they explore intimacy from different starting points, but both culminate in a grasping, a holding, a unity, a beauty”

curated by An Jo Fermon, an exhibition of Caziel’s abstract painting and Isabelle Nothomb’s ceramics - “each chose as a core practice the stripping away of noise to focus on raw sensory perception, space, and being”

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

an exhibition of works by Defne Tesal and Stephan Baumkötter - “in both artists’ work, depth emerges through material, touch and repetition rather than illusion. The surface becomes a space in itself: layered, tactile and open to continued looking”

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

in the artists\' first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time.

Floyer’s first solo exhibition with the gallery in China presents a poetic, rigorously minimalist body of work spanning sound, light projections, and readymade objects

an exhibition of works by Defne Tesal and Stephan Baumkötter - “in both artists’ work, depth emerges through material, touch and repetition rather than illusion. The surface becomes a space in itself: layered, tactile and open to continued looking”

“in this new body of work the artist reflects on the emotional contradiction of nostalgia - the impossibility of fully recapturing the dazzling immediacy of an experience once it had passed, and the lingering desire to try”

new paintings by Delhanty - “charged with a vast sense of landscape, the vigor of hot climate and the turbulence of shifting weather - they are ablaze with the literal and metaphorical light for which the exhibition is named”

a focused installation of two fire paintings by the American artist - from the pivotal series inspired by the dramatic skies and smoke of a devastating wildfire in California

presented as part of London Design Festival, and centred on a 1965 Morris Mini Cooper S race car, an exhibition which brings together design, craftsmanship, and the culture of making.

with rare works from the artist’s private collection, this major retrospective of one of the founding figures of contemporary art in the UAE offers an in-depth look at a practice that has helped shape the country’s modern visual and cultural identity

paintings and a sculpture by the Swiss-Italian artist - “the works operate at the scale of the body: figures lean, bend and fold, caught in postures that read as structural as much as physical”

this new solo exhibition dedicated to the Belgian artist brings together over twenty works exploring the relationship between sculpture, language, light, and perception

large-scale oil paintings and works on paper by Goode, spanning over three decades of his sustained engagement with the sky as both subject and site of intervention

new portrait and figure paintings show Reagh’s ongoing fascination with fictionalizing heads, figures, and scenes that begin with direct observation or photographic references, allowing something new and surprising to emerge

new paintings by Feld, whose work has evolved to use acrylic paint and collaged imagery printed on acetate - “t is a joy to find these new visual tools”

works by Raymond Pettibon, Atticus Wakefield, and Susan Kellaway

“an enigmatically powerful array of paintings and sculptures that collectively propel [Kato’s] exploration of form, color, and spatiality into new realms of consciousness” - Michelle Yun Mapplethorpe

preparatory sketches, never-before-seen archival photographs, and mixed media works crafted through photography, drawing, collage, and manual manipulation - offering insight into the making of JR’s monumental public art project

“a pivotal moment in Graves’ practice, as her longstanding engagement with scientific observation evolved into an increasingly fluid and open-ended visual language” - Juliette Theureau

thirteen artistic positions that explore the space between dream and reality, abstraction and figuration - “works that do not depict the world as it is, but as it can be remembered, felt, dreamed, and imagined”

a remarkable group of intimate-scale abstract paintings from the early 1960s, recently rediscovered within Kurz’s SoHo loft - “the paintings reveal a young artist deeply engaged with the language of postwar abstraction”

including rarely seen works, this exhibition of paintings and works on paper by the Abstract Expressionist and portraitist highlights the breadth of de Kooning’s practice across abstraction, representation, and portraiture

“one of the most important figures in photographic art. He takes his time over his work, creating an environment of silence. The contemplative depth of his images exudes an intense serenity”

work by the late groundbreaking American artist, including her masterwork Music of the Spheres paintings, pieces from her Heliocentric Series, and works on paper and ephemera, offering an expanded understanding of her practice and interests

an exhibition dedicated to Barney’s early black-and-white photographs, with rarely seen works offering an intimate portrait of American East Coast society in the late 1970s

an exhibition celebrating the acclaimed Brazilian artist’s enduring practice - spanning sixty years with early prints and works on paper from the 1960s and 70s, photography from the late 70s through the 80s, and sculpture from 1990 to the present

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

preparatory sketches, never-before-seen archival photographs, and mixed media works crafted through photography, drawing, collage, and manual manipulation - offering insight into the making of JR’s monumental public art project

“Dobokay examines the limits of the photographic medium, the exhaustion of chemical processes, the material structure of the image, and the paradox of repetition that can never produce exactly the same result twice”

curated by Guillaume Logé and inspired by his forthcoming book of the same title - “spanning from ancient arts to contemporary creation, the exhibition brings together works from different periods in a dialogue centered on nature and love”

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

two distinct bodies of black and white photographs, alongside the short film “Family Portraits” in the acclaimed American photographer’s first exhibition with the gallery, following the recent announcement of her representation

new and recent photographs by Core that examine the expressive qualities of plants and perennials, both as types and as singular forms, documenting varieties she has cultivated in her garden at different stages in their life-cycle

a new exhibition of photo-based imagery on satin banners by the Melbourne artist - “echoing unstretched paintings, these satin banners incorporate a compelling array of imagery based on manipulated photographic sources”

in the first exhibition at the collaborative space, five artists who consider belonging, vulnerability, material memory, and the unstable boundaries between bodies, objects and places

presented with Canvas Gallery, Karachi, new works by the acclaimed Pakistani artist bringing together “celebration and uncertainty, ornament and violence, authority and resistance in a body of work that is at once visually seductive and quietly charged”

“the gallery takes on the appearance of … an apartment-like setting where architecture, objects, and natural light become part of a choreography unfolding over time”

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

the painting, sculpture, printmaking, sound, and film in Caguiat’s first UK institutional exhibition explores the architecture, spiritual resonance, and symbolic qualities of sacred spaces, and the structures and rhythms of everyday urban infrastructure

earthworks, sculpture, tapestry, ceramics, and large-scale outdoor installations by world-renowned artists, all placed in conversation with the Foundation’s 70-acre estate

“based on folklore, shamanism and embodied knowledges, the exhibition explores the states of emergence and transformation through new and selected works spanning freehand machine embroidery, textiles, ceramics, sculpture and drawing”

“an exceptional group of artists whose bold and individual approaches helped shape the legacy of postwar abstraction”

paintings and a sculpture by the Swiss-Italian artist - “the works operate at the scale of the body: figures lean, bend and fold, caught in postures that read as structural as much as physical”

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

“Newby … pushes the boundaries of sculpture and blurs the lines between object, architecture, and landscape. Rather than simply occupying a site, her works alter how a place is understood and experienced” - Ida Simon-Raynaud

paintings by the two artists, whose works challenge the conventional approaches to figures and identity which tend to be singular and teleological, and suggest that everyone is “Me & My Plurals”

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

the gallery presents a group assembled by Ligon of earlier and new works “which conspicuously inform, contextualise, re-contextualise, appropriate and, somehow, ‘prompt’ one another”

presented with TURN Gallery, an exhibition of new work “Manion’s canvased sculptures are solely constructed vessels that summon a calmness of observation and travel across emotional and physical realms

titled after the centaur who gave up immortality - “silver, gold, and pearl filaments radiate from dense nodes and branch across the surface like star charts, maps, or neural networks, patterns of connection found in the sky, the city, and the brain”

“the gallery takes on the appearance of … an apartment-like setting where architecture, objects, and natural light become part of a choreography unfolding over time”

over twenty new works on paper by Gormley, some monumental in scale and each a direct trace of a place and a body, in an attempt to both subjectivise and universalise the question “where am I?”

the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives”

“an open-ended, ambivalent affair. Lindeman’s textual works murmur with nuance - a Barthesian drift across witty musings, and stream of consciousness confessions”

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

curated by An Jo Fermon, an exhibition of Caziel’s abstract painting and Isabelle Nothomb’s ceramics - “each chose as a core practice the stripping away of noise to focus on raw sensory perception, space, and being”

William’s first solo exhibition in France brings together pictorial and sculptural elements within a complex, immersive spatial environment - with water as its starting point