on show for the first time at Petworth - and extending thoughout the house and grounds - towering sculptures by the renowned ceramicist

a ground breaking exhibition exploring Stephenson’s large works from the late 1960s and early 70s - “great paintings of flux still the mind in contemplation of their wholeness, harmony, and radiance”

curated by Jenée-Daria Strand, Othello’s first solo outdoor exhibition in the city presents large-scale bronzes and new totemic redwood sculptures exploring ritual, spiritual, and healing objects from Western and Central Africa

a new exhibition by the French artists and designers, reflecting on how perspectives and observations are shaped by journeys and movements through shifting landscapes

Ernest T. explores painting through his Peintures nulles series, using repeated signatures and unconventional colors to challenge art’s authenticity, trends, and commercialization with humor and subversion

new stone sculpture by Simonetti shown alongside her first exhibition of paintings - “in an uncharacteristically personal body of work, Simonetti grapples with themes of agency, cruelty, and the mechanics of anthropomorphisation”

across both gallery spaces, and on the centenary of her birth, the gallery celebrates Szapocznikow’s work with a chronological journey through her creations from 1946 to 1972

“instead of a theme that connects these seven artists, this exhibition tries to create possibilities for associations tied to the artworks and objects in the space” - Hector Hollein, curator

curated as a cabinet of curiosities, new sculptures by Houseago alongside objects ranging from ancient artefacts to works by artists including Joseph Beuys, Louise Bourgeois, Jacob Epstein, Lucio Fontana, Henri Gaudier-Brzeska, Julia Isídrez, …

“what unfolds over 50 years of Irma Blank’s practice is a kind of universal writing, that belongs to no single language and therefore, in a sense, to all of them”

the debut of new Plexiglas works from the pioneering conceptual artist in his first exhibition at Hauser & Wirth’s Paris gallery

the gallery’s first exhibition of one of the most distinctive figures associated with British Surrealism spans almost thirty years of her paintings, collages, and mixed-media works

the gallery’s third annual summer exhibition dedicated to women artists who helped define major movements of the last century, and whose influence continues to grow and shape contemporary understanding of that period

an exhibition that brings together works by over a dozen artists - spanning from 1870s mammoth plate albumen prints to contemporary daguerreotypes - to explore the ever-evolving relationship between photography and the American landscape

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

the gallery’s first exhibition of one of the most distinctive figures associated with British Surrealism spans almost thirty years of her paintings, collages, and mixed-media works

works by Anna Pakosz, Sabine Pigalle, Jan Urant, Phil Goss, John Bartlett, and Seohyun Oh

this exhibition presents a recently released series of Hockney iPad works of the moon, made at his Normandy studio in France

“across these eight paintings, transformed forms abound, deconstructed through a liberation of mind and brushstroke” - Louisa Mahoney

Báez first NYC exhibition with the gallery presents “an ambitious, enveloping constellation of radiant new paintings and works on paper” shown alongside new large-scale bronze sculptures

including rarely exhibited works from private collections, a multimedia exhibition of New York city-centric paintings, photos, and prints

the fifth in the gallery’s biannual performance series - a living meadow sculpted by Nicole Rossi encasing the latest work by choreographer Andrew Skeels, performed by two of contemporary dance’s most distinctive artists, Lloyd Knight and Jacquelin Harris

“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits”

on the centenary of Nancy Spero’s birth, this exhibition honours the women of her generation and since, who, through their art, confront the realities of womanhood in the face of an ongoing battle for dignity and agency

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

new work by the Venezuelan artist - “Griss stages a slow-motion collapse of order. Not a catastrophe with sirens and headlines, but a more intimate undoing”

new paintings and sculptures anchored by a film based on a civil rights text against lynching, in the Los Angeles–based artist’s first solo exhibition with the gallery

“Heinze’s work moves between painting and drawing and is characterized by a distinctive, often fragmentary visual language … in which bodies, spaces, and signs overlap”

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

in an immersive environment, the London-based composer, artist, and DJ presents her ongoing trilogy of films, rooted in her biography and relationship to Jamaica

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

“bringing together works by Maike Freess, Barbara Boekelman, Mana Urakami, and Clara Tournay, the exhibition unfolds around the presence of pink — not as a decorative theme, but as a quiet, insistent pulse”

new paintings by Erben - “within the fields of colour there now speaks a flowing contextual richness: colour topographies that tell of the vibration of drawing light”

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

“two artists, two ways of breaking free from photography in order to question it more effectively”

“a cross-generational conversation in which painting emerges as an open system – one capable of absorbing language, history, and material experimentation while continually renewing its own terms”

this exhibition follows Danish designers Mette Bentzen and Lasse Kristensen’s recent artist residency at the Wendell Castle Workshop and features hand-carved furniture inspired by the natural forms and muted tones of the Scandinavian landscape

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

a two-person exhibition in which Jiyeon Lee and Son Kyungeun “each choose to lose what was originally theirs … they affirm the false emotions that seep into the tunnels dug out from the original”

the first exhibition in Europe to bring together Taylor, one of today’s most celebrated artists, in dialogue with his teacher, the late California modernist Jarvaise

curated by Seohyun Kang, works by Song E Yoon and Frédéric Bruly Bouabré exploring humanity’s engagement with memory, recording, and the passage of time

“the exhibition is to be read as the elaborated dreams of The Overslept Mayfly … moving through drift, metamorphosis, and private symbolism, the exhibition unfolds like a tale remembered incompletely”

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

new photographs by Lambri shown with a selection of paintings by Emblema in an exhibition which “brings together two practices that approach space and light from fundamentally different positions, without attempting to reconcile them”

works by Anne-Lise Coste, Slawomir Elsner, Franziska Furter, Eleni Gkinosati, Bob Gramsma, Rachel Lumsden, Koka Ramishvili and Dieter Roth

curated by Luca Massimo Barbero, the first exhibition in a national project to mark the centenary of Morellet’s birth explores the relationship between these two leading figures in the international art world

“a group exhibition marking the 250th anniversary of American independence … a focused reflection on the vitality and diversity of American post-war and contemporary art”

the British photographer’s first exhibition with the gallery - "Young’s Venice is both elegy and diary. The city appears suspended at the threshold of submergence … both shielded and already defeated” - Alona Pardo

Smith’s first solo exhibition in the UK - “I don’t think the show is prescribing anything. It’s more a question about what we’re actually building when we build a life, and what it might mean to let it go” - Smith

“one of the great friendships in modern art … what they shared was a refusal to follow the rules of art history, and a belief that painting had no limits”

focussed on the First World War, the interwar period, and the Second World War, a chronological and thematic exploration of the relationship between conflict and artistic transformation

new paintings - “vivid, figurative scenes of striking intensity” - drawn from two years of research into ancestral customs and rituals across Diagne’s homeland of Senegal

curated by Jessica Cerasi, works by “four painters for whom the canvas operates as a site of reflection … where colour is not decoration or description; it is a primary language, capable of saying what words can only attempt to approach”

Grant explores form as a structure of thought, and image as process and relation, referencing the optical mirage where images appear unstable and shifting

nineteen works by the Belgian painter exploring mythologized French women including Joan of Arc and Bardot to examine how the authority of the gaze shapes their iconic images and collective memory

presented with Castlefield Gallery, an exhibition bringing together O’Rourke’s DVD-case paintings, larger mixed-media works, wall-based and freestanding paintings - drawing viewers through a landscape of repeated motifs, images, text, and materials

new paintings of abstracted florals by Salgado in this exhibition of his first non-figurative works

the debut solo exhibition by the Los Angeles-based artist known for his hyperreal photography includes dual-imaged lenticulars, lightbox, installation, sculpture, and self portraiture

“Bruiseless is a state of collision that leaves no superficial marks on the skin. Yet it hints towards impact. Both in Ja Jess’ still lifes of an egg donation and in Andrea Marcellier’s masturbatory sculptures, a touch reaches inside”

referencing a short-lived 19th century volcanic island in the Mediterranean, a new video and mixed-media installation by the interdisciplinary artist

titled after Emily Dickinson poem and curated with London-based painter Shaqúelle Whyte, this exhibition presents eleven artists who “explore the in-between, searching out moments that hover at the threshold of articulation, suspended in time and space”

“working across batik, tapestry, Jacquard weaving, carpet inlay, embroidery, digital image-making and AI, the exhibition explores textiles not simply as a medium, but as a way of thinking: one built through connection, accumulation and transformation”

an exhibition of sixteen 2026 fine art graduates from the Slade School of Fine Art and the Royal College of Art

“Padeu works with the tradition of narrative painting, employing the language and stories of the Old Masters and Christianity to depict contemporary Cameroon and the continuing legacy of colonialism”

Dorothy Cross, Samuel Laurence Cunnane, Willie Doherty, Nathalie Du Pasquier, Justin Fitzpatrick, Mark Francis, Guggi, Callum Innes, Jaki Irvine, Zhou Li, Stephen McKenna, Ailbhe Ní Bhriain, Isabel Nolan, Hazel O’Sullivan, Sean Scully, Liliane Tomasko

“the culmination of a year-long programme led by the artist team of Immanuel Adelowo, Henny Shaw and Eva Jonas … this exhibition explores environmental processes of growth and decay”

named after an Old English word for “a gathering of people” Ryan’s new site-specific commission responds directly to the gallery’s archaeological site to bring ancient and contemporary London into dialogue

an exhibition of works highlighting Ramos Martínez’s profound connection to his homeland

“Baeza has long possessed a discursive, wayward intelligence, from his collages of vintage beefcake photography … to his mythologically inflected collagraphs depicting scenes of violence and intimacy” - Christopher Alessandrini

works by Andreas Breunig, Günther Förg, Secundino Hernández, Jana Schröder, and Alicia Viebrock

Bühler-Rose’s first solo exhibition with the gallery “propose[s] that collecting is not the accumulation of objects, but the continual recontextualization of the things we choose to live with”

“an exhibition of youthful love, lust, and longing, distilled, moistened, and telegraphed in the way only Los Angeles is able … a dizzying love affair with love itself”

new collage-paintings by Mutu, exploring water “not only as a mythical realm but also as a fragile, symbiotic ecosystem”

the gallery’s first group exhibition at their Fleet Street space “uses the fairytale as a lens … six artists have been invited to respond to this broad line of inquiry however they wish”

a site-specific installation which coats the gallery’s spare wc in 200 kilograms of Murdoch’s signature jelly-like biomaterial - “a meditation on fantasy and permanence, desire and disgust”

six recent alumni of the Certificate Program at the Art Students League of New York, who work in a range of media, formats, techniques, and practices to address cultural memory, identity, embodiment, abstraction, and materiality

curated by Luis Pérez-Oramas, this group exhibition “considers nature not merely as a subject or landscape, but as the constellation of phenomena, forces, and forms of life through which the world is structured and continually transformed”

emblematic as well as previously unseen works at the intersection of photography, language, and conceptual détournement - “a journey through contemporary imaginaries, a space where images, objects, and words cease to function as mere references”

an exhibition of thirty seven artists who engage the concept of the window - not as a romantic device but a site of tension, between visibility and obstruction, intimacy and exposure, architecture and atmosphere

referencing a short-lived 19th century volcanic island in the Mediterranean, a new video and mixed-media installation by the interdisciplinary artist

including rarely exhibited works from private collections, a multimedia exhibition of New York city-centric paintings, photos, and prints

one of the leading figures in photorealism presents photographs as standalone artworks for the first time - “my camera is like my sketchbook really … in a way, showing these photographs is like revealing my process”

a group exhibition organised by Rashid Johnson with Charles Gaines, Firelei Báez, and Cristina Iglesias which “considers directionlessness as a conceptual zone - a space of suspension, drift, and openness”

the gallery’s first exhibition with the Mexican artist duo who use analogue and digital photography to explore iconic works of modern architecture under conditions of darkness and reflective full moon light

accompanying the Forest Cathedral installation in the Barn this summer, a group exhibition which “extends from the forest floor to the sea and sky and encompasses sculpture, painting, drawing, photography, ceramic and multi-media”

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

works by Yves Klein, Lita Albuquerque, and Jack Goldstein in an exhibition which explores the connections between the cosmos, perception, and immateriality

JR presents preparatory plastic works for La Caverne du Pont Neuf, combining photography, drawing, collage on zinc sheets, and crumpling to document the design of his monumental Paris bridge installation

Grant explores form as a structure of thought, and image as process and relation, referencing the optical mirage where images appear unstable and shifting

Le Bas’ first exhibition at the gallery spans objects, environments, textiles, costumes, and performances - occupying the intersection of the personal and the political, in dialogue with questions about land, movement, gender, and discrimination

working across painting, sculpture, installation, printmaking, and graphic design, fourteen current and recent students from the school in an exhibition reflecting the breadth of contemporary practice coming from one of the leading MFA programs in the US

presented with Matthew Marks Gallery, sculpture and drawing - including works on view in London for the first time - in an exhibition of the influential and relentlessly inventive LA-based artist

the gallery’s third annual summer exhibition dedicated to women artists who helped define major movements of the last century, and whose influence continues to grow and shape contemporary understanding of that period

monumental new sculptures, the British Nigerian artist’s largest works to date, are finished with a metallic glaze that reflects the body, and shown alongside a film produced in Ọṣun-Ọṣogbo, a sacred site of the Yoruba fertility goddess Osun

Polina Osipova, Rike Droescher, and Zayn Qahtani - three artists who work with materiality “harnessing unorthodox materials and techniques to create mysterious, encrypted objects that seem to convey a secret”

organized by the curatorial duo of Dieter Roelstraete and Abigail Winograd, this exhibition “traces the contours of a newly emerging conceptual art ethos among younger generations of Chicago-based or -trained artists”

an exhibition of thirty seven artists who engage the concept of the window - not as a romantic device but a site of tension, between visibility and obstruction, intimacy and exposure, architecture and atmosphere

an exhibition of sixteen 2026 fine art graduates from the Slade School of Fine Art and the Royal College of Art

“working across batik, tapestry, Jacquard weaving, carpet inlay, embroidery, digital image-making and AI, the exhibition explores textiles not simply as a medium, but as a way of thinking: one built through connection, accumulation and transformation”

on the centenary of Nancy Spero’s birth, this exhibition honours the women of her generation and since, who, through their art, confront the realities of womanhood in the face of an ongoing battle for dignity and agency

“in her figurative paintings, drawings and sculptures, Claire Tabouret scrutinizes identity and takes a closer look at childhood and its enigmas, the individual isolated or within a group”

an exhibition bringing together twelve artists who embrace the landscape tradition, but construct images both real and reimagined within their unique visual languages

Polina Osipova, Rike Droescher, and Zayn Qahtani - three artists who work with materiality “harnessing unorthodox materials and techniques to create mysterious, encrypted objects that seem to convey a secret”

shown across the London space and the Roman project space - nine international contemporary artists shown alongside modern masters Fernando Botero, Georges Braques, Giorgio De Chirico, and Giorgio Morandi

one of the leading figures in photorealism presents photographs as standalone artworks for the first time - “my camera is like my sketchbook really … in a way, showing these photographs is like revealing my process”

an exhibition of works highlighting Ramos Martínez’s profound connection to his homeland

the Kenyan-born artist “seeks to re/cover the layers of emotions that constitute the self and the relation to the world, the work considers lineage, and questions the notion of home and belonging”

Worede’s first solo exhibition with the gallery in Nairobi presents “his intimate and affective portraits … rendered in a reductive stylistic approach, grounding colour, gesture and surface quality”

with several important paintings from private British collections, this exhibition focusses on a pivotal period in the career of one of the foremost Pakistani painters of his generation