“structure and depth develop through the superimposition of gestures, sweeps and loops … colours accumulate at the edges of the picture surface, while traces of successive layers converge into lines of demarcation” - Mareike Dittmer

new paintings and works on paper - “Sanditz has spent more than two decades making landscape painting with a palette that runs hot and synthetic, closer to Kool-Aid, while maintaining an active dialogue with the paintings of the Hudson River School”

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

the gallery’s first collaboration with the artist brings together thirteen paintings created between 2020 and 2026 and centres on Qi Lei’s recent reflections on music, painting, and time

Op de Beeck’s first solo exhibition with the gallery “reminds us that wonder has not disappeared. It is found precisely where things begin to fade, at the threshold between presence and disappearance” - Ruud Priem, curator

an exhibition of new paintings and works on paper by Pozanti - “she builds forms that shift fluidly between flower, body, and current, resisting fixed identity in favour of continuous transformation”

Barrero’s first exhibition with the gallery debuts eight large-scale ceramic bead sculptures - a “chorus” of mother figures, “bearing witness and answering one another across the room” - Barrero

an exhibition of Janice Guy, Joe Mama-Nitzberg, Shaun Pierson, and David Seidner - four photographers “sharing an approach to portraiture that rejects notions of idealization”

projected light installations of geometric shapes specially designed for the architecture and specific characteristics of the location in which they are created - alongside works made from sheets of bent and cut stainless steel

fourteen artists who explore transformation through material process and altered perception - “throughout the exhibition, light changes the encounter with each work and draws attention to the physical properties of its materials”

“in this exhibition, the artist further develops his conception of painting as a field in which a range of dynamics emerges from his response to individual colors”

new paintings from the ongoing Bondage Baggage series alongside the debut of new sculptural and video works in an exhibition which examines migration as a condition of simultaneous perceptions, where multiple histories, and systems of knowledge coexist

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

“Enoc came up with a painting process as if he’d plugged into an early moog synthesizer. It straddled the line between abstraction and representation … making him an artist who feeds the hand that shakes him” - Richard Prince

guest curated by Dr. Jiyoon Lee, an exhibition of major new sculptures and recent work in the gallery’s first exhibition with one of the most influential artists of her generation

across both Bethnal Green spaces, new sculptures by Warren - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

Afro-Caribbean American multidisciplinary portrait artist Lopez works with communities historically rendered invisible - people she has met and engaged with whose presence carries cultural memory, resilience, vulnerability, and unmistakable swag

new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models”

new sculptures by Warren across both Bethnal Green spaces - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

including the gallery’s first presentation of his iconic “Line Describing a Cone” - and the debut of his newest work - significant pieces spanning over fifty years of McCall’s pioneering solid light works

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting

“both Olúlòde and Reeve construct worlds where movement guides the viewer. Olúlòde’s figures swim, Reeve’s fabrics float in the wind … they explore intimacy from different starting points, but both culminate in a grasping, a holding, a unity, a beauty”

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

curated by An Jo Fermon, an exhibition of Caziel’s abstract painting and Isabelle Nothomb’s ceramics - “each chose as a core practice the stripping away of noise to focus on raw sensory perception, space, and being”

an unprecedented exhibition pairing paintings by Chaïm Soutine with new paintings by Ilana Savdie - separated by a century, both painters make the instability of their subjects the substance of their work

the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives”

two artists who approach nature from opposite directions in an exhibition siting Michèle Buhofer’s photographs of extreme landscapes within Marya Kazoun’s installation of imagined organisms and environments

James D Wilson and Phil Shakespeare - “one is urban and the other suburban. Their subjects are very different and yet each artist builds their work from geometric forms and fragments of light and shadow”

an exhibition of works by Defne Tesal and Stephan Baumkötter - “in both artists’ work, depth emerges through material, touch and repetition rather than illusion. The surface becomes a space in itself: layered, tactile and open to continued looking”

recent paintings by the British artist, whose “luminous abstractions transform impressions of light, memory, and landscape into atmospheric compositions of gesture and color”

new work by the New York-based abstract artist - “Mait’s paintings are infused with pure emotions but remain controlled and not overwhelmed by them”

“in a world where religious and cultural difference is so often used to separate, Wassall’s marionette suggests another possibility - that what unites these faiths might be as visible, and as luminous, as what sets them apart”

as part of the gallery’s 25th anniversary program - and during the country’s Semiquincentennial - a retrospective spanning five decades of the storied career of one of the most quintessential visual narrators of the American experience

organized by Curatorial Senior Director Alexis Lowry, this is the first New York exhibition in nearly fifteen years dedicated to the seminal German-French modernist

Toh Djojo’s first solo exhibition in the US - “the artifice of the medium and the feeling of its impact is the point. Big vistas - cityscapes, deserts … recall key moments of peak Hollywood-esque visual magic” - James Casey

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

painting, ceramics, and text-based assemblages in a powerful First Nations exhibition with new works by Tony Albert and artists from Iltja Ntjarra (Many Hands) and the Hermannsburg Potters, honouring Albert Namatjira and his enduring legacy

“to care is to act; to recognise another person’s needs is to take responsibility for their wellbeing. In Clothes (Kleidung), love therefore becomes material: it is found in what is remembered, reclaimed, shared, given away” - Anna Roberta Goetz

“Andrés’s work invites an intimate psychological experience: an excavation sparked by loosened, slightly abstracted images rendered as if viewed only by candlelight. These images pull one into oneself and allow the inside to turn out” - DJ Hellerman

a new series of mural works and sculptures in the self-taught artist’s first solo exhibition

the debut solo exhibition in Taiwan of the German artist - “Salz paints with a paint roller and harnesses the gravitational flow of poured resin, allowing his work to move beyond the conventions of traditional Minimalism”

curated by An Jo Fermon, an exhibition of Caziel’s abstract painting and Isabelle Nothomb’s ceramics - “each chose as a core practice the stripping away of noise to focus on raw sensory perception, space, and being”

Bishop-Sauve’s first solo exhibition - “a highly distinctive pictorial language, in which intimate, sensitive figuration meets a loose, direct, and spontaneous handling of paint … as much as a fragmented self-portrait as an observation of a generation”

new works from iconic series by the major figure of the contemporary Korean art scene, combining traditional Asian calligraphy with Western abstraction

Indiana’s first monographic exhibition with the gallery - “the technique, if successful, is that happy transmutation of the lost into the found, junk into art, the neglected into the wanted, the unloved into the loved, dross into gold, hence: alchemy”

the gallery’s first exhibition of this leading figure in contemporary sculpture, who has helped redefine the place of ceramics in contemporary art over the past twenty years

titled after Calder’s house in the Loire Valley as well as the gallery’s street in Paris, the first major exhibition dedicated to the postwar return to France of one of the greatest artists of the 20th Century

William’s first solo exhibition in France brings together pictorial and sculptural elements within a complex, immersive spatial environment - with water as its starting point

a series of combinations of artists exploring unexpected correspondences between different generations and sensibilities

curated by Guillaume Logé and inspired by his forthcoming book of the same title - “spanning from ancient arts to contemporary creation, the exhibition brings together works from different periods in a dialogue centered on nature and love”

“a large-scale storage unit containing works from each of Dzinic’s series occupies the gallery. Across three successive rotations, works move between storage and the gallery walls”

two distinct bodies of black and white photographs, alongside the short film “Family Portraits” in the acclaimed American photographer’s first exhibition with the gallery, following the recent announcement of her representation

examining the enduring impact of Jaar’s foundational public installation, a newly digitized version, the original storyboard drawings, photographic suites, lightboxes, and videos showing how it remains a poignant emblem of American identity

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

“Dobokay examines the limits of the photographic medium, the exhaustion of chemical processes, the material structure of the image, and the paradox of repetition that can never produce exactly the same result twice”

an “imaginative, idiosyncratic and quietly provocative” multimedia exhibition by the Taiwanese artist known for a humorous practice that navigates between reality and the surreal

an exhibition of Janice Guy, Joe Mama-Nitzberg, Shaun Pierson, and David Seidner - four photographers “sharing an approach to portraiture that rejects notions of idealization”

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

in the gallery’s new Seoul location, an exhibition by the acclaimed British artist presenting a major new moving image piece alongside a series of expanded photographic works, sculptures, and frottages

a rare and immersive presentation of more than forty of Baskin’s hand-tinted photographs in the first comprehensive exhibition of work by one of the greatest pop culture witnesses of our time

the first major UK exhibition of the American land artist invites visitors to explore art shaped by light, language, and space - with early Concrete Poetry, photography, film, and two landmark installations

Mr. returns to Seoul with a new body of paintings, works on paper, and a sculpture in his first exhibition at Perrotin Dosan Park, inviting visitors into a world where memory, familiarity, and everyday observation converge

“in a world where religious and cultural difference is so often used to separate, Wassall’s marionette suggests another possibility - that what unites these faiths might be as visible, and as luminous, as what sets them apart”

spanning more than five decades, and illuminating her use of diverse methods and materials, glazed ceramic, bronze, pleated, and paper works by Benglis, shown alongside rarely exhibited glass sculptures

alongside new drawings, sculptures, and editioned works on paper, the gallery presents the global premiere of Kentridge’s new stop-animation film, the twelfth in his globally acclaimed cycle of Drawings for Projection

new paintings from the ongoing Bondage Baggage series alongside the debut of new sculptural and video works in an exhibition which examines migration as a condition of simultaneous perceptions, where multiple histories, and systems of knowledge coexist

curated by Luis Pérez-Oramas, an exhibition which brings together a series of white works produced during the later years of Ohtake’s life with works from her “blind paintings\" series

in its own dedicated and expansive space at the gallery, the Amsterdam-based studio unveil a new, interactive, and large-scale installation that “captures the movement of wind through the use of glass and light”

spanning the Main Gallery and the Fire Station, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

two artists who approach nature from opposite directions in an exhibition siting Michèle Buhofer’s photographs of extreme landscapes within Marya Kazoun’s installation of imagined organisms and environments

“Andrés’s work invites an intimate psychological experience: an excavation sparked by loosened, slightly abstracted images rendered as if viewed only by candlelight. These images pull one into oneself and allow the inside to turn out” - DJ Hellerman

earthworks, sculpture, tapestry, ceramics, and large-scale outdoor installations by world-renowned artists, all placed in conversation with the Foundation’s 70-acre estate

this major selection of paintings and works on paper “invites us to look anew at a history we may think we already know: not as three separate trajectories, but as a constellation shaped by friendship, admiration and the circulation of ideas”

six emerging Chinese artists selected from over a thousand open-call submissions make their debut on London's global art stage

drawing on the gallery’s location, an exhibition of new paintings and performance making a connection between British military history and the histories of labour, craft, and production of Savile Row itself

new paintings by Magill - “the drama is these paintings is released and withheld … there is no simple meaning; instead there is much ambiguity and strange, coiled beauty” - Colm Tóibín

titled from Clarice Lispector’s posthumous novel, Sintura’s first solo exhibition at the gallery presents a series of new paintings - “an attempt to unite form, material, and subject in order to bring something elusive and hard to grasp to light”

new paintings by Evans, landscapes, waterways, moonlit scenes, and botanical paintings - “Evans has increasingly reduced and abstracted the natural world, distilling familiar subjects into arrangements of color, shape, line, and pattern”

Biała and Orving reveal - with a tenderness, playfulness and ingenuity that matches their subject - the risks and rewards of our fundamentally and irrevocably interconnected lives” - Rebecca Birrell, PhD.

in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming

the Dutch artist and designer continues his engagement in reinterpreting classical furniture - “sinuous, brushstroke-like shapes, which are created from sketches and rendered in patinated bronze, evoke the feeling of matter in flux”

with pieces by Edgar Degas, Elisabeth Frink, Kenneth Armitage, Reg Butler, and William Turnbull, a 20th Century masterpiece exhibition presented as part of the gallery’s wider spotlight on sculpture

accompanying the Christie Brown retrospective, a substantial analysis of 20th and 21st century figurative drawing practice

“in celebrating this gathering of major work by Brown we are grateful for her sustained attention to the spaces where story-telling is revivified, bodies are inhabited, our fears and our delights are brought into magnificent focus” - Edmund de Waal