examining the enduring impact of Jaar’s foundational public installation, a newly digitized version, the original storyboard drawings, photographic suites, lightboxes, and videos showing how it remains a poignant emblem of American identity

the Zürich-based photographer’s first solo exhibition with the gallery -“moving between portraiture, urban detail, and still life, Morgenstern captures a society caught in the attempt to hold back time”

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

an exhibition of gouaches, drawings, lithographs, and tapestry work by one of the central figures in twentieth-century modernism

these new paintings by the Japanese artist blur the boundary between figuration and abstraction with work that is introspective and reflective, focusing on phenomena observable in his everyday environment

“structure and depth develop through the superimposition of gestures, sweeps and loops … colours accumulate at the edges of the picture surface, while traces of successive layers converge into lines of demarcation” - Mareike Dittmer

new paintings and works on paper - “Sanditz has spent more than two decades making landscape painting with a palette that runs hot and synthetic, closer to Kool-Aid, while maintaining an active dialogue with the paintings of the Hudson River School”

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

the gallery’s first collaboration with the artist brings together thirteen paintings created between 2020 and 2026 and centres on Qi Lei’s recent reflections on music, painting, and time

Op de Beeck’s first solo exhibition with the gallery “reminds us that wonder has not disappeared. It is found precisely where things begin to fade, at the threshold between presence and disappearance” - Ruud Priem, curator

an exhibition of new paintings and works on paper by Pozanti - “she builds forms that shift fluidly between flower, body, and current, resisting fixed identity in favour of continuous transformation”

an exhibition of Janice Guy, Joe Mama-Nitzberg, Shaun Pierson, and David Seidner - four photographers “sharing an approach to portraiture that rejects notions of idealization”

in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

an exhibition bringing together key works from Baselitz’ breakthrough series of his formative years, widely regarded as one of the defining achievements of his early career and a landmark in post-war European painting

guest curated by Dr. Jiyoon Lee, an exhibition of major new sculptures and recent work in the gallery’s first exhibition with one of the most influential artists of her generation

Afro-Caribbean American multidisciplinary portrait artist Lopez works with communities historically rendered invisible - people she has met and engaged with whose presence carries cultural memory, resilience, vulnerability, and unmistakable swag

over twenty new works on paper by Gormley, some monumental in scale and each a direct trace of a place and a body, in an attempt to both subjectivise and universalise the question “where am I?”

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

“Enoc came up with a painting process as if he’d plugged into an early moog synthesizer. It straddled the line between abstraction and representation … making him an artist who feeds the hand that shakes him” - Richard Prince

the first solo exhibition in London since 2015 of the celebrated Colombian artist has a scenography by Cécile Degos and presents a major selection of paintings, drawings, and sculptures produced over almost six decades

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

“through paintings and works on paper, White investigates the construction of historical memory, exploring postcolonial histories and … addressing the unstable boundary between historical fact, national myth, and cultural identity”

“for half a century, Rauschenberg’s work has challenged convention through extraordinary risk-taking and ingenuity, fundamentally transforming the very notion of painting”

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the gallery’s first exhibition of the leading Impressionist focusses on his paintings of the gardens of his own summer residence on the west shore of Berlin’s Lake Wannsee

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

an unprecedented exhibition pairing paintings by Chaïm Soutine with new paintings by Ilana Savdie - separated by a century, both painters make the instability of their subjects the substance of their work

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

the gallery inaugurates their new space with work by Beatriz Guzman Catena and Laurence Perratzi which explores “the material and emotional systems of support that guide us, particularly the ways women and mothers hold us throughout our lives”

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting

organized by Alexis Lowry and inaugurating the gallery’s new Palo Alto space, an exhibition of exceptional works by the two artists, shown with archival materials from their decades-long friendship

an exhibition of works by Defne Tesal and Stephan Baumkötter - “in both artists’ work, depth emerges through material, touch and repetition rather than illusion. The surface becomes a space in itself: layered, tactile and open to continued looking”

“both Olúlòde and Reeve construct worlds where movement guides the viewer. Olúlòde’s figures swim, Reeve’s fabrics float in the wind … they explore intimacy from different starting points, but both culminate in a grasping, a holding, a unity, a beauty”

“like Foucault’s pendulum, which moves in an ellipse as it oscillates between its outer limits, Zio Ziegler’s 'The Tesseract' swings the viewer in whirling, elliptical fashion from one aesthetic mode to another” - Jeffrey Richmond-Moll, Ph.D.

“in this new body of work the artist reflects on the emotional contradiction of nostalgia - the impossibility of fully recapturing the dazzling immediacy of an experience once it had passed, and the lingering desire to try”

in the artists' first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time.

“from the early 1990s, Bulloch glimpsed the twenty-first century. The central subject of her work is the condition of the human being caught within an automated society” - Nicolas Bourriaud

the Czech poet and artist, whose radical approach transformed the possibilities of collage, is being recognized for his lasting contribution to twentieth-century art and his influence on generations of artists

“inspired by the power of light and heat in producing remarkable objects of contemporary craftsmanship - from the flames of a potter’s kiln and the illumination that vitalizes functional artworks to the intense temperatures that mold glass and metal”

a duo exhibition with new painting, sculpture, and installation by the Brooklyn-based artists, exploring the theatrical nature of storytelling, the instability of representation, and the evolving relationships between humanity, nature, and identity

new paintings, in Gunderson’s first solo exhibition with the gallery, continuing her exploration of the haptic with works that shift and respond to their surroundings through richly worked surfaces and a deeply hued palette

paintings by the two artists, whose works challenge the conventional approaches to figures and identity which tend to be singular and teleological, and suggest that everyone is “Me & My Plurals”

“an open-ended, ambivalent affair. Lindeman’s textual works murmur with nuance - a Barthesian drift across witty musings, and stream of consciousness confessions”

new and recent photographs by Core that examine the expressive qualities of plants and perennials, both as types and as singular forms, documenting varieties she has cultivated in her garden at different stages in their life-cycle

curated by Michael Lindeman, a presentation of many of Ball’s iconic series, celebrating his innovation and major contribution to Australian abstraction, as well as the resilience and restless pursuit of discovery that sustained his practice

“Scheirl astonishes us with an even greater variety of materials and techniques: pencil, pastel, crayons, oil stick, ballpointpen, charcoal, watercolour, acrylic on collage of printed paper”

“Knebl’s work explores how art and design are shaped by spatial, social, and political conditions, both historically and in the present. Her installations offer a sensual invitation: they awaken desire and create spaces in which it can take shape”

“a large-scale storage unit containing works from each of Dzinic’s series occupies the gallery. Across three successive rotations, works move between storage and the gallery walls”

a new exhibition of photo-based imagery on satin banners by the Melbourne artist - “echoing unstretched paintings, these satin banners incorporate a compelling array of imagery based on manipulated photographic sources”

an exhibition of Janice Guy, Joe Mama-Nitzberg, Shaun Pierson, and David Seidner - four photographers “sharing an approach to portraiture that rejects notions of idealization”

in the artists' first solo presentation in New York, large-scale photographic works, immersive moving-images, and hand-cut glass mosaic wall sculptures exploring how colour, flora, and imagination can transform spaces shaped by abandonment and time.

the first major UK exhibition of the American land artist invites visitors to explore art shaped by light, language, and space - with early Concrete Poetry, photography, film, and two landmark installations

in the gallery’s new Seoul location, an exhibition by the acclaimed British artist presenting a major new moving image piece alongside a series of expanded photographic works, sculptures, and frottages

films and archival images in a major solo show by the American artist and activist - “Goldin’s extraordinary perspective, seen through the lens of her camera, invites you to understand how personal experience and political action are interconnected”

continuing the gallery’s city-based curatorial series, an exhibition looking at the cultural and artistic development in and around San Fransisco, reconsidering significant works from different periods and how they relate to art history and collecting now

curated by Guillaume Logé and inspired by his forthcoming book of the same title - “spanning from ancient arts to contemporary creation, the exhibition brings together works from different periods in a dialogue centered on nature and love”

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

an exhibition by the South Korean artist who, expressed through the Taoist philosophy of Wu Wei, creates sculptures in sterling silver inspired by the natural landscapes of her birthplace, the volcanic island of Jeju

renderings exploring how architecture embodies the spectacle, as well as how our bodies inhabit that built environment, shown alongside the newest installment of his series of multi-part wooden sculptures of bodily fragments, based on historical icons

the gallery’s first exhibition of this leading figure in contemporary sculpture, who has helped redefine the place of ceramics in contemporary art over the past twenty years

Dodd’s exhibition centers on the goddess Diana and, having relocated from upstate New York to Scotland’s Moray Coast, uses materials from her new home like peat, copper ink, spirulina, cochineal, local herbs and powdered meteorite

new works by Huotari, whose meticulously beaded sculptures and wall tapestries reimagine traditional Finnish rya textiles

the artist duo focusses “conceptually, sculpturally, and performatively on exploring the interfaces between model and architecture … they interrogatively produce permanently changing spatial installations and sculptures”

spanning more than five decades, and illuminating her use of diverse methods and materials, glazed ceramic, bronze, pleated, and paper works by Benglis, shown alongside rarely exhibited glass sculptures

in this special Paris Pop-up Project to coincide with Art Basel Paris, the gallery focuses on important works by Dayanita Singh, Małgorzata Mirga-Tas, Tacita Dean, and Cornelia Parker

“based on folklore, shamanism and embodied knowledges, the exhibition explores the states of emergence and transformation through new and selected works spanning freehand machine embroidery, textiles, ceramics, sculpture and drawing”

the current Turner Prize nominee presents new sculptures exploring the relationship between tropical leisure, militarism and colonial memory

“revisiting some of the dialogues with contemporary and post-war artists previously presented. Morandi’s paintings are thus placed in dialogue with works by Lee Ufan, Josef Albers, Ettore Spalletti and Lucio Fontana”

new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models”

in this special Paris Pop-up Project to coincide with Art Basel Paris, the gallery focuses on important works by Dayanita Singh, Małgorzata Mirga-Tas, Tacita Dean, and Cornelia Parker

a group exhibition across different practices and generations which explores the relationships between writing, language, and image

Bishop-Sauve’s first solo exhibition - “a highly distinctive pictorial language, in which intimate, sensitive figuration meets a loose, direct, and spontaneous handling of paint … as much as a fragmented self-portrait as an observation of a generation”

the debut solo exhibition in Taiwan of the German artist - “Salz paints with a paint roller and harnesses the gravitational flow of poured resin, allowing his work to move beyond the conventions of traditional Minimalism”

new works from iconic series by the major figure of the contemporary Korean art scene, combining traditional Asian calligraphy with Western abstraction

a new series of mural works and sculptures in the self-taught artist’s first solo exhibition

a wide group exhibition gathering the full range of practices from gallery artists including Jean-Marie Appriou, Iván Argote, Hernan Bas, Anna-Eva Bergman, Sophie Calle, Johan Creten, Jean-Philippe Delhomme, Wim Delvoye, and more

works by Aziza, Erin Mommsen, Jordan Rubio, Julien Heintz, Maia Twombly, Nick Jensen, Nicholas Aliberti, Sage Schachter, and Zachary Merle - “across nine practices, personal histories are salvaged through deep engagement with material”

Indiana’s first monographic exhibition with the gallery - “the technique, if successful, is that happy transmutation of the lost into the found, junk into art, the neglected into the wanted, the unloved into the loved, dross into gold, hence: alchemy”

addressing historical and modern slavery, migration, and the brutal realities of postcolonial Africa, the internationally renowned artist’s iconic masks made of repurposed plastic containers reflect on the precarious nature of the world we inhabit