Khosravi’s first solo exhibition in the US is inspired by the Pasolini film Salò - and his own archival images - and explores memory, beauty, and violence through layered paintings

“her work is less about portraying people as they were, but about how they linger in the mind: dramatised, distorted, and embellished” - Mollie Barnes

on three hundred bus shelters across New York City, Chicago, and Boston, works by six photographers – Kennedi Carter, Lougè Delcy, Camila Falquez, Ruby Okoro, Dana Scruggs and Juan Veloz – who “move fluidly between commercial and fine art practices”

exceptional paintings, works on paper, and sculptures by George C. Ault, Milton Avery, George Bellows, Oscar Bluemner, Stuart Davis, Charles Demuth, Arthur Dove, Marsden Hartley, Edward Hopper, Walt Kuhn, Georgia O’Keeffe, and Charles Sheeler

“Halley, with humor and precision, continues to question the relationship between modernist utopia and digital reality” - Stefania Angelini

on three hundred bus shelters across New York City, Chicago, and Boston, works by six photographers – Kennedi Carter, Lougè Delcy, Camila Falquez, Ruby Okoro, Dana Scruggs and Juan Veloz – who “move fluidly between commercial and fine art practices”

the first exhibition to focus on the decades-long evolution of one of Beuys’ major late sculptural motifs is centred around the rarely shown monumental Bathtub, on view in the UK for the first time, and shown alongside its key precursors

an exhibtion of the work of Bernard Heesen, Massimo Micheluzzi, and Ritsue Mishima’s - “the dialogue between the vase and its contents is precisely the basis of the work of art”

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

the French-Ivorian artist’s first solo exhibition - “her sculptural practice begins with personal archives and the textures of domestic life. Through processes of carving and assembling, she reanimates these remnants into new, enigmatic forms”

two bodies of work see Einarsson examining how linguistic and visual structures both shape our understanding of the world and mask systems of power

an installation of new paintings of abstracted landscapes on paper and panel alongside mixed media works and objects - “in Helene Billgren’s artistry, even the most insignificant and fragile can become important and meaningful”

works by eight artists ”focussing on the raw mechanics of making — the calibration, structural clarity and material decisions that define each practice”

Lima presents a garden filled with “architectural-sculptures”, transforming the gallery space into a habitat for birds, squirrels, rodents and their predators - straw hats become perches and invite interaction

with Roman artefacts discovered on the Bloomberg site, a new installation will invite visitors to consider how our understanding of history is constructed from the fragments that survive

an exhibition which examines the development from Impressionism to Neo- and Post-Impressionism - a pivotal period when the movements liberated “both color and painting itself”

titled after a late photobook by Frank, this exhibition “explores people and places across his long and multifaceted life through images and fragments of memory presented through the artist’s original maquette”

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

more than ninety works by a dozen contemporary artists in a major group exhibition examining political dissent and erasure through the idea of collage

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

Mushtaq’s first exhibition with the gallery explores notions of nationhood and identity through the lens of her home country of Pakistan

exploring Kounellis’s experiments in painting and music, an exhibition and performance programme in dialogue with Christian Marclay

this major exhibition dedicated to the celebrated artist - “celebrates a special relationship built on complicity, loyalty, and a shared adventure … an ideal setting for Tayou’s generous, hybrid, and free-spirited universe” - Charlotte Lidon

curated by Alessandro Rabottini and Leonardo Bigazzi, the artist and filmmaker’s first institutional solo exhibition in the UK explores socio-economic independence and patriarchy within West African culture and society

stretching from the 1930s to the early 21st century, and focusing on Freud’s mastery of drawing in all its forms, the first UK museum exhibition to focus on his works on paper includes pieces never previously on display

an exhibition of new, large-scale, intricate, web-like installations by Shiota, woven floor-to-ceiling across the gallery’s top floor - alongside drawings, early performance videos, and photographs

curated by Maria do Carmo M. P. de Pontes, the gallery’s first presentation of both artists - the late Moraes and emerging talent Takyi - highlights the enduring influence of spirituality and identity as driving conceptual catalysts

paintings on latex alongside an installation inspired by the homes of Vietnamese families living in London social housing in the 1980’s in Duong’s first solo exhibition with the gallery

this flagship exhibition explores mental health and the human condition, and the relationship between personal pressures and universal challenges

Young-Il Ahn, Gabriel de la Mora, and Shim Moon-Seup in a three-person exhibition which explores “abstractions of the sea and sky”

“when I work with plants, flowers, or everyday elements, I am not aiming for literal representation; they are a vehicle to express abstract metaphors of myself and the moment I am living while creating the work” - Olaso

having opened at the London space, the second international open call exhibition for painters exploring our relationship with the environment moves to Messums Wilthsire

Macchi’s first solo exhibition at the gallery’s Marais space “presents a new constellation of works that unfolds as a subtle and unsettling investigation into perception, absence, and the fragile mechanisms through which meaning is constructed”

an expanded, multisensory experience from the Cuban artist, presented for the first time at the gallery’s Paris Marais space

Pilar’s first solo exhibition in the gallery’s Marais space “weaves a mosaic of narratives in which the artist’s personal journey resonates with centuries of migration between Africa, the Americas, Europe, and Asia” - N’Goné Fall, curator

in their first joint exhibition, sculptures and a new site specific installation by Rance alongside Pemberton’s paintings of the Thames and the London docks

an exhibitions conceived around pivotal events in the work of leading Latin American modernists - specific years, journeys, returns, or historical junctures that crystallized artistic language and redirected careers

an exhibition of outstanding Italian and Spanish paintings including Old Master works rarely seen outside of museums

a major exhibition by the distinguished Australian artist, her most extensive in the US to date, presents new paintings exploring the dialogue between abstraction and landscape through layered oil and wax

Quarles’ first exhibition with the gallery in Los Angeles - “at its core, her practice contemplates the instability of existence, the extent of resilience and what it means to inhabit multiple realities at once”

from a collection focused on women, artists of color, and California, more than eighty works reflecting Harris Norton’s prescient vision and commitment to social justice and learning

Khosravi’s first solo exhibition in the US is inspired by the Pasolini film Salò - and his own archival images - and explores memory, beauty, and violence through layered paintings

Ikemura’s first exhibition in Los Angeles explores “the relationship between the female body and the natural world, the heavens and the horizon line, or as she describes it - ‘the place where two worlds come together’”

the acclaimed Hong Kong-born art director and multidisciplinary artist explores parallel dimensions of reality, where myth, memory and technology converge

recent and past works in the first solo exhibition in Los Angeles by one of the most influential living artists in the decorative arts

works by artists including Lynne Drexler, Sheila Hicks, Robert Indiana, Richard Serra, and Sean Scully in an exhibition focused on the 1970s, a decade of profound artistic and cultural change

continuing the gallery’s series exploring the use of a single colour - this time looking at one of the most symbolic in the history of art - an exhibition of works by an international collection of modern masters and contemporary artists

“through layered surfaces, shifting densities, and an acute sensitivity to material process, Jackson creates paintings that oscillate between physical presence and perceptual openness”

iconic early works, recent paintings, large-scale cast sculptures, and video works by one of the defining artists of his generation

more than twenty artists in a curatorial project and art installation focussing on the artist’s studio in the 21st Century

organised by Christoph Doswald, Hildebrandt’s first solo exhibition with the gallery, as well as in Turkey, creates an energetic, all-over-environment that reflects the ambiguity of cultural interferences in Berlin

new oil paintings depicting doors left ajar and offering a glimpse into an ambiguous and surreal terrain beyond - transforming the gallery into a labyrinth of thresholds

the inaugural exhibition at the gallery's new space on 54th Street focuses on Genzken’s projects for outdoor sculptures

bringing together four London-based artists, Hunter Amos, Alexander Carey-Morgan, Charlie Gosling and Emily Wilcock in an exhibition of painting, drawing and sculpture, in the inaugural show hosted by the gallery

an exhibition featuring work selected by the artist to highlight key stages and developments in his career, spanning from the mid 1960s to the present day, and marking his thirteenth solo show with the gallery

conceived as a metaphorical river, RÍO flows through cascades, forests, and tropical jungles - employing textiles, painting, porcelain, and video, the exhibition conjures memory, emotion, and material transformation

curated by Maria do Carmo M. P. de Pontes, “a constellation of objects, images, and sonic interventions that reflect  Feriancová’s longstanding interest in origins, be them mythological, biological, or archaeological”

in a “varied and nuanced selection of works … that reflect the complexity of the theme of love”, sculpture, photography, painting, print, and drawings by over thirty artists, from the 15th Century to today

an exhibition of works by two of the most important and influential artists in South African photography - who have shaped how their realities have been seen and discussed worldwide

curated by James Lingwood, works by Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari explore the concept of “maps”

more than ninety works by a dozen contemporary artists in a major group exhibition examining political dissent and erasure through the idea of collage

comprised of scanned documents, photographs, and auditory sculptures, Scala explores systems of standardisation in music through reproductions and sampling

curated by the photographer’s granddaughter, Caroline Avedon, an exhibition of rare prints from the series “In the American West”, including works not shown since their 1985 debut

the acclaimed Hong Kong-born art director and multidisciplinary artist explores parallel dimensions of reality, where myth, memory and technology converge

the late painter and photographer’s first solo exhibition in Europe highlights the central role of portraiture in his practice and offers a comprehensive overview of his multifaceted work

“a groundbreaking physical and digital art collection honouring some of Marvel’s most legendary comic book characters”

an exhibition exploring the late Canadian artist’s longstanding relationship to the natural world through two major bodies of work related to trees - accompanied by a new “accidental novella” in 100-word bursts by Max Porter

an exhibition featuring work selected by the artist to highlight key stages and developments in his career, spanning from the mid 1960s to the present day, and marking his thirteenth solo show with the gallery

centred around three monumental sculptures, a landmark exhibition focussing on Kapoor’s recent work as well as his seminal early pieces

small-scale sculptures and paintings from antiquity to modernity showing scale not as a limitation but “an invitation to look closely ... celebrating intimacy, precision, and sensitivity”

immersive installations and sculptures in the first major UK survey exhibition of the artist who makes “multimedia artworks that negotiate the spaces between memories, individuals and the globalised societies that we live in today”

following the gallery’s seasonal theme of artistic responses to the natural world – Ikemura presents a nocturnal garden of sculptures, paintings, works on paper, and poems

“The In-Between affirms the power of the ‘middle’: a fertile space where the world can be reborn, where man and nature can once again find each other and be attuned, where transformation occurs” - Michaël Ferrier (translation Kate Deimling)

“Aimee Goguen, Margaret Haines, and P. Staff brandish prophecy, theatre, poetry, surveillance, alchemical instruments, masks, blades, regurgitated teratomas, and the fixative properties of cement itself” - Henry Hopper, curator

the leading organisation supporting early career and emerging artists in the UK presents its annual group exhibition. showcasing 26 artists selected through an open call by Pio Abad, Louise Giovanelli, and Grace Ndiritu

works by Saâdane Afif, Lotus L. Kang, Tuan Andrew Nguyen, Celeste Rapone, and Rafa Silvares

“drawing from fragments of daily observation, Tuapennot constructs layered visual narratives in which global brand symbols, youth fashion, cartoon figures, and spontaneous text collide”

“what emerges is not merely a painting of a photograph, but an interrogation of how images circulate, what they signify, and what happens when they're forced to be still”

“her canvases reflect a meditation on the transience of moments sensed along the paths she has walked, on rhythms that flow beyond conscious awareness, and on the tension between a constantly changing world and human perception”

Patil’s first solo exhibition in Switzerland presents sculpture, painting, drawing, video, and immersive installation in a powerful meditation on labor, migration, and visibility

works by Eleni Bagaki, Chloe Beddow, Beth McAlester, Heeyoung Noh, Boo Saville, and Nina Silverberg, six female artists who examine how the body is mediated, fragmented, and spatially constructed in contemporary practice

the first major UK museum exhibition of the American artist’s photographic portraits includes her first major work, and pieces both in dialogue with each other as well as with works from the permanent Collection

referencing the influential postmodernist architect’s belief that even a cardboard house would last forever if people were motivated to care for it, Levi de Jong, Ali Glover, Zayd Menk, and Zachary Merle in a tribute to Sir Terry Farrell

shown together for the first time, works of meditative minimalism by the Chinese artist alongside pieces by one of the forefathers of the Los Angeles light artists

van Son’s debut solo exhibition with the gallery presents new paintings examining the intimate fascination she has of her partner as their wedding approaches

in an exhibition titled after the neurological condition, Alison Blickle and Irini Karayannopoulou “join forces in an act of painterly sisterhood; a transcontinental communion rooted in shared mythologies and a mutual devotion to the feminine image”

“civilisation is approached not as moral progress, but as performance—rehearsed through spectacle, ornament, and repetition”

new paintings by Raedecker, whose work “is driven as much by the craft and process of making as it is by the image”