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| The Weekendervisit site 27 December 2024 for the last Weekender of 2024 we bring you twelve must-see exhibitions in twelve cities – from Amsterdam to Zürich: |
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| Hiroshi Sugimoto: Form is Emptiness, Emptiness is Form @ Lisson Gallery, Los Angeles |
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| in his first exhibition in Los Angeles for over a decade, a new presentation by the multi-disciplinary artist which showcases his investigation of both the visible and invisible world through photography, architecture, sculpture and the written word | |||||||||||||||||||||||
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| Arte Povera. Charting a Revolution Virtual Tour ▶ @ Tornabuoni Art, Paris |
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| historical works and large-scale installations by key protagonists of the Arte Povera movement, with Boetti, Fabro, Kounellis, Merz, Paolini, Pascali, and Pistoletto – “Freedom, in the visual arts, is an all-contaminating germ” – Germano Celant | |||||||||||||||||||||||
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| 18 Women: 50 Years @ Michael Rosenfeld Gallery, New York |
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| over forty paintings, sculptures, collages, assemblages, ceramics, and textiles produced by some of the most innovative artists of the twentieth century, all of whom have been integral to the gallery’s thirty-five-year history | |||||||||||||||||||||||
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| Louise Bonnet: Reversal of Fortune @ Galerie Max Hetzler, Berlin |
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| new paintings on linen and paper which examine fragility, melancholy, loneliness, and grief – by the artist known for her emotional images of the human form in often exaggerated poses | |||||||||||||||||||||||
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| Japanese Art History à la Takashi Murakami @ Gagosian, London |
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| a dramatic exhibition of new paintings by Murakami where he pursues his fascination with the narrative of Japanese art, offering interpretations of, and interventions in, iconic historical paintings | |||||||||||||||||||||||
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| Diego Cibelli: Un vuoto che non ha luogo @ Alfonso Artiaco, Naples |
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| “the story of an artist who emerged from the Arte Povera revolt that aesthetically, intellectually and morally dominated education and artistic circles still in the 1910s” – Sylvain Bellenger | |||||||||||||||||||||||
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| Gavin Turk: The Age of Entanglement @ Reflex, Amsterdam |
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| “we are what we throw away” – Turk’s muted paintings of used packaging elevate these empty containers of used products from our commercial culture | |||||||||||||||||||||||
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| Hauck Plümpe: Standortfaktor @ Galerie Bärbel Grässlin, Frankfurt |
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| constantly changing walk-through spatial installations and sculptures from the artist duo of Alice Hauck and Amelie Plümpe | |||||||||||||||||||||||
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| Jens Fänge: Parlour @ Perrotin, Tokyo |
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| “Fänge’s parlour becomes a private, domestic theater where people, animals, and ordinary objects appear like half-remembered scenes, familiar yet spliced and rearranged, as if he has reanimated an interior world from elsewhere” | |||||||||||||||||||||||
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| Mark Bradford. Exotica @ Hauser & Wirth, Hong Kong |
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| with a title referencing a 1968 encyclopedia which catalogued exotic plants from a western perspective and for a western reader, this major solo exhibition of new paintings by Bradford sees him shift his perspective as well as his method as he examines “otherness” | |||||||||||||||||||||||
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| Niele Toroni: Impronte di pennello n. 50 @ A arte Invernizzi, Milan |
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| a comprehensive overview of the work of this pivotal figure on the international art scene, for whom “painting was always a means of conversing with space” | |||||||||||||||||||||||
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| Surprise, Surprise! @ Lullin + Ferrari, Zürich |
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| the gallery celebrates its one hundredth exhibition with a presentation of works by gallery artists and guests | |||||||||||||||||||||||
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