Roseberys

 


У палатки (At the Tent), circa 1913

Gouache, 64.5 x 44cm (unframed)
440.0 × 645.0 mm
64.5 x 44cm (unframed)
Provenance: Pre-revolutionary collection of Alexander E. Burtsev; Private collection, London.

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La Liseuse, 1938

Bronze
0.0 × 0.0 × 0.0 mm
length 90.5cm(ARR)
signed and numbered HC1 on the base, stamped with the Blanchet foundry stamp and marked AC (Atelier Csaky). Provenance: Galerie Vallois, No.9802 3085 ; Private Collection

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Abstract untitled, circa 1940

Gouache on board
430.0 × 605.0 mm
60.5 x 43cm (ARR)
Signed lower right

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Péniches sur la Seine,

Gouache
0.0 × 0.0 × 0.0 mm
34.7 x 55.8 (ARR)
Signed lower right. Provenance: Stephen Ongpin, London where purchased by the present owner.

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Landschaft,

Oil on board
410.0 × 330.0 mm
33 x 41cm
Signed lower right

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Abstract in blue and green, 1948

Gouache on card
320.0 × 470.0 mm
47x32cm (ARR)
Signed and dated 48 lower right. Provenance: Private Collection

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Viki, 1912/13

Bronze

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White You Eat Shit (at NeverLodge), 2015

Mixed media on canvas
2970.0 × 2000.0 mm
200 x 297cm
Signed with initials, titled and dated 2015 on the reverse

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James Dean on Times Square, New York, 1955

Gelatin silver print

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A rare pair of Chinese porcelain imperially inscribed wall vases, Qianlong marks and of the period,

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A fine Chinese porcelain doucai bowl, Jiaqing mark and of the period,

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A Chinese rhinoceros horn libation cup, 17th century,

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A rare Chinese porcelain 'Sanduo' bowl, Daoguang mark and of the period,

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A rare Chinese cinnabar lacquer tiered double lozenge shaped box and cover, Qianlong period,

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A rare Chinese porcelain powder blue ground bottle vase, Kangxi period,

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(Attributed to, 1647-1716),

Ink and colour on silk, hanging scroll

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Child's Portrait,

Oil on canvas

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A pair of Chinese reverse paintings on glass, depicting a girl holding a jardinière of flowers, mid-19th century

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Hokusai School, Japanese, seven shunga prints depicting various amorous couples, woodblock prints in colour, c.1820s

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Untitled, 1980

Mixed media, welded wire mesh, acrylic, and cardboard
0.0 × 0.0 × 0.0 mm
82cm x 73cm
Signed and dated 80 in paint on the reverse

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Village Garden, Jan Feb 1956

Oil on canvas
865.0 × 710.0 mm
71x86.5cm
Signed, titled and dated on the reverse

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Manhattan II, 1978

Acrylic on canvas, mixed media construction
570.0 × 1525.0 mm
152.5x57cm (two pieces)
Signed, titled and dated on an attached canvas tag

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Bucklee, 1972

Oil, wood and canvas
900.0 × 2250.0 mm
225 x 90cm
Signed and dated 1972 on the reverse

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Illa Guber Mentem, 2010

Oil on canvas
760.0 × 965.0 mm
96.5 x 76cm
Signed, titled and dated to verso

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Peonies,

Watercolour on paper
560.0 × 440.0 mm
44x56cm
Signed

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Portrait of a girl, 1958

Pencil on paper
0.0 × 0.0 × 0.0 mm
50.7cm x 35.4cm
Signed and dated July 1958

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Heron House Garden, Chiswick,

Oil on canvas
890.0 × 710.0 mm
71x89cm
Signed

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Celebration. Light and Sound 1, 1989

Oil on canvas
915.0 × 915.0 mm
91.5 x 91.5cm
Signed, dated and titled on the reverse

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To Plough, 1975

Horton stone
305.0 × 150.0 × 130.0 mm
15x30.5x13cm
Signed with the initials, titled and numbered IV VIIV

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Ecstasy: St Agatha, 1983

Red verona marble
0.0 × 0.0 × 0.0 mm
194x87cm, 143x176cm, 108x190cm

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Pantominoe, 1966

Vacuum-formed acrylic sheet
610.0 × 610.0 mm
61x61cm
From the edition of 60

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Mescaline Sensation II, 1984

Mixed media, coloured pencils
470.0 × 300.0 mm
30x47cm
Signed, titled, inscribed and dated in ink to verso

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Shadow No.64, 1996

Oil on canvas
1100.0 × 1850.0 mm
185x110cm (unframed)
Signed with initials and dated 1996 verso

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Arbre en hiver, 1956

Oil on canvas
800.0 × 985.0 mm
98.5x80cm
Signed lower centre

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Still life with Lemons, Oranges and a Rose,

Oil on canvas
1075.0 × 605.0 mm
60.5x107.5cm

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Abstract in blue and green, 1948

Gouache on card
320.0 × 470.0 mm
47x32cm
Signed and dated 48 lower right

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Three Black Swans,

Oil on panel
1010.0 × 780.0 mm
78x101cm
Signed with monogram, inscribed on the reverse

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Abstract Fear, 1993

Oil on canvas
1003.0 × 1205.0 mm
120.5x100.3cm (unframed)
Initialled and dated 1993 on the reverse

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Large Swiss Red, 1968

Lithograph in colours on wove
634.0 × 906.0 mm
90.6 x 63.4cm (unframed)
Signed, dated and numbered 84/100 in pencil

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The Image In Search of Itself [Bowness & Lambertini 65], 1977

the complete portfolio of eleven screenprints in colours on 250gsm Arches wove, printed by Kelpra Studios, published by Kelpra Editions, London, sheets loose as issued within original hard back case
360.0 × 521.0 × 25.0 mm
overall 52.1 x 36 x 2.5cm
Signed and numbered 34/50 in pencil

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Norwich, 1999

Lift-ground etching, aquatint and carborundum with hand-colouring on hand-made 270gsm Two Rives Somerset wove, initialled, printed by Jack Shirreff at 107 Workshop, published by Alan Cristea, London
420.0 × 475.0 mm
sheet 47.5 x 42cm
Dated and inscribed 17/40 in pencil

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Concetto Spaziale [Ruhé & Rigo E038], 1968

Etching with aquatint in colours on Fabriano wove, printed by Stamperia 2RC, Rome, published by Stamperia 2RC and Marlborough, Rome, with their blindstamp
641.0 × 486.0 mm
sheet 48.6 x 64.1cm (unframed)
Signed, dated and numbered 46/80 in pencil

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Colombe Volant [Mourlot 214], 1952

Lithograph in colours on Arches wove, printed by Mourlot, Paris
550.0 × 765.0 mm
sheet 76.5 x 55cm (framed)
Signed and numbered 159/200 in pencil

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Formulation Articulation, 1972

five screenprints in colours on three sheets of wove, each folded as issuedco-published by Harry N. Abrams, New York, and Ives-Sillman, Inc., New Haven
381.0 × 507.0 mm
each folded sheet 50.7 x 38.1cm (unframed)

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Le Souffre Douleur [Dupin 539], 1970

Etching with aquatint and carborundum in colours on Arches wove, printed by Arte Adrien, published by Maeght, Paris
630.0 × 490.0 mm
image 49 x 63cm (framed)
Signed and numbed 42/75 in pencil

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Grey Elipse, 1976

Lithograph in colours on wove, signed and inscribed HC in pencil, a proof aside from the edition of 175, from the portfolio Our Unfinished Revolution, printed by Mourlot, Paris, published by Alba Editions, Inc., New York
760.0 × 560.0 mm
sheet 56 x 76cm (unframed)

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Untitled, 1978

Lithograph in colours on wove
711.0 × 972.0 mm
sheet 97.2 x 71.1cm (unframed)
Signed and numbered from the edition 50 in pencil

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Nike Sneakers Representing Peter Moore [F. & S. IIIB.36], 1984

screenprint in colours on wove, stamped with Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts blue inkstamp verso
380.0 × 268.0 mm
sheet 26.8 x 38cm (unframed)

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Dophin Saddle, 2009

Lithograph in colours on wove
628.0 × 810.0 mm
sheet 81 x 62.8cm (framed)
Sgned, dated and numbered from the edition of 50 in pencil

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Les Indes Galantes IV [Axsom 89], 1973

Offset lithograph in colours on on J. Green mould-made paper, printed by Cook, Hammond and Kell Lithographers, London, published by Petersburg Press, New York
407.0 × 560.0 mm
sheet 56 x 40.7cm (unframed)
Signed, dated and numbered from the edition of 100

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Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts), 1973

The complete portfolio of twelve offset lithographic photos in colours on gloss wove, printed by Orel Fussli, published by Giampaolo Prearo and Galleria Toselli, Milan
243.0 × 325.0 mm
each sheet 32.5 x 24.3cm (folio)
Signed and numbered from the edition of 500 in black ballpoint pen to colophon, a publisher's reserved set aside from the edition of 2000

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Tondo Stars, 2002

The complete set of six linocuts in colours on 300gsm Somerset wove, printed at Watanabe Studio, New York
688.0 × 688.0 mm
each sheet 68.8 x 68.8cm (unframed)
Each signed and numbered from the edition of 100 in pencil

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Moonstrips Empire News, 1967

the incomplete portfolio, comprising 99 of 100 screenprints in colours on wove, with 7 of the 8 signed and numbered 114/500 in pencil, printed by Kelpra Studio London, with their inkstamp, published by Editions Alecto, London, with their inkstamp
254.0 × 380.0 mm
each sheet loose as issued, in original pink formed acrylic box, each sheet 38 x 25.4 cm (folio)

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Some Poems of Jules Laforgue [Cristea 38], 1973

The complete portfolio of twenty-two screenprints in colours on wove, Edition B, signed and inscribed AP in pencil to the justification, an artist's proof from the edition of 20, aside from the edition of 200
0.0 × 0.0 × 0.0 mm
each sheet 40 x 35cm, overall 42 x 36.2 x 6cm (folio)

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Lagoon, 2018

Hand-painted photographic multiple with archival inkjet in colours, signed and inscribed in pencil, from the artist's proof edition of 10, housed in the original Perspex box
890.0 × 570.0 × 156.0 mm
overall 57 x 89 x 15.6cm

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From One to the Other [Karsten Schubert 61], 2005

Screenprint in colours on wove
494.0 × 915.0 mm
sheet 91.5 x 49.4cm (unframed)
Signed, dated, titled and numbered 14/75 in pencil, published by the artist

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Untitled (Saturn), 2017

Ditone print on 350gsm Hahnemuhle photorag wove, signed, dated and numbered from the edition of 30 in pencil, from the Charcoal portfolio, published by Hatje Cantz, Berlin
560.0 × 610.0 mm
sheet 61 x 56cm (unframed)

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Untitled girlfriend #7, 1992

Ektacolor print in colours on Kodak Professional photopaper, initialled in ballpoint pen to verso, from the edition of 26, from the portfolio of 14 prints Cowboys and Girlfriends, published by Patrick Painter Editions
505.0 × 610.0 mm
sheet 61 x 50.5cm (unframed)

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The Sadness in Our Art, 1970

Unique letterpress and line block print on dyed and burnt paper, with artist's inkstamp, published by Art for All, London
375.0 × 252.0 mm
sheet 25.2 x 37.5cm (unframed)

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Welcome Mat, 2020

Hand-stitched mat in fabric repurposed from life vests abandoned on Mediterranean beaches, fabricated at Greek refugee camps in collaboration with Love Welcomes, London, produced by Gross Domestic Product, London, with their numbered label attached
420.0 × 620.0 mm
overall 62 x 42cm

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M-Fluorobenzylamine, 2018

Woodcut in colours on wove, signed in pencil, numbered from the edition of 55, published by Paragon Press, London
870.0 × 1160.0 mm
sheet 116 x 87cm (framed)

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The Tree (Pictures of Junk), 2009

Digital C-print on wove
1000.0 × 1270.0 mm
sheet 127 x 100cm (framed)
Signed and dated in black ink and numbered 4/6 to label verso

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Cosmic Girl: Eyes Closed / Eyes Open, 2008

Two offset lithographs in colours on smooth wove, from the unnumbered edition of 500, published by BALTIC, Gateshead
502.0 × 700.0 mm
each sheet 70 x 50.2cm (framed)

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Flowers Blooming in This World and the and of Nirvana, 2013

Five offset lithograph in colours on wove, each signed and numbered from the edition of 300 in black and silver pen, published by Kaikai Kiki Co., Tokyo
498.0 × 498.0 mm
each sheet 49.8 x 49.8cm (unframed)

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L.O.V.E., 2014

Cement sculpture in white, from the unnumbered edition of 200, 1:28 scale of the Milan sculpture, produced by Seletti, makers mark to base, with original wooden box
180.0 × 400.0 × 180.0 mm
overall 40 x 18 x 18cm

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I love..., 2019

Screenprint in colours on 410gsm Somerset Tub Satin wove, signed, dated and numbered from the edition of 125 in pencil verso, published by Counter Studio, Margate
600.0 × 760.0 mm
sheet 76 x 60cm (framed)

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Stairs (the Theatre Trap Door), 1919

Ink and wash
270.0 × 200.0 mm
20x27cm
Signed and dated

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Head, c.1955

Oil on board
380.0 × 475.0 mm
47.5x38cm (unframed)

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Fragment, 1958

Burnt and painted books and plaster
480.0 × 420.0 × 300.0 mm
42x48x30cm

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Almost erased,

Oil on canvas
960.0 × 1120.0 mm
112x96cm
Signed on the reverse

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Testa, c.1980-1983

Red verona marble
440.0 × 810.0 mm
81x44cm (approx.)

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Dirdal 2, 1990

Oil on canvas, signed, titled and dated on the reverse
762.0 × 1015.0 mm
101.5 x 76.2cm

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Interior (Square), 2013

Oil on canvas
2135.0 × 2135.0 mm
213.5 x 213.5cm (unframed)
Signed titled and dated 2013 on the reverse

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BLOODY HAEMORRHAGING NARCISSUS, 2009

Red silicone rubber, steel, wood, light projector
620.0 × 345.0 × 1400.0 mm
34.5x62x140 cm

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Second Series Biopsy: M132/246-Lung_cancer._scanning_electron_micrograph-SPL.jpg, 2010

Ink jet on canvas, gloss paint, scalpel blades, fish hooks, pins, glass and religious trinkets
1218.0 × 1598.0 mm
159.8x121.8cm
Signed, titled, dated 2010 and bears Science label on the reverse

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Figure II, 1986

Wet pastel
760.0 × 560.0 mm
56x76cm
Signed and dated 1986

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Daisy Bank Mill,

Oil on board
165.0 × 310.0 mm
31x16.5cm
Signed

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Untitled (figure), 1985

Charcoal on irregular shaped buff sheet
500.0 × 559.0 mm
55.9x50cm
Signed and dated in pencil

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Stardust Series, 2012

Pigment print with acrylic paint and glitter in colours on wove
305.0 × 205.0 mm
20.5 x 30.5cm
Unique, signed and dated in black ink recto

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I liked the two tone record label, 2011

Acrylic on panel, with two holes and wire hanging to top
305.0 × 200.0 mm
20x30.5cm
Signed, dated and inscribed in pencil on the reverse

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Chagford Churchyard, 1916

Oil on panel
0.0 × 0.0 × 0.0 mm
24x15.5cm
Signed

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Lower Thames Street, London, 1955

Oil on panel
0.0 × 0.0 × 0.0 mm
41x31cm

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Mending the Sails,

Oil on canvas
0.0 × 0.0 × 0.0 mm
25.5x35.5cm

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Portrait of artist, 1937

Oil on board
0.0 × 0.0 × 0.0 mm
60x51cm

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Symptoms No.2, 1986

Oil on canvas
0.0 × 0.0 × 0.0 mm
61x51cm
Signed, titled and dated on the reverse

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Composition for the Deck of Cards, 1976

Oil with pencil on paper
0.0 × 0.0 × 0.0 mm
22x17.5cm
Signed and dated (beneath mount)

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Black and Brown, 1981

Oil ink and wash on paper, irregular shape
0.0 × 0.0 × 0.0 mm
16x12.7cm (max)

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Wall Plate: Small Ridges, 1986

Acrylic on board
0.0 × 0.0 × 0.0 mm
81x55cm
Signed

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22, 2014

Acrylic and water-based paints on Fabriano Aristico paper
0.0 × 0.0 × 0.0 mm
31x27cm
Signed, dated 2014 and numbered 22/30

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Untitled, 1970

Oil on card
0.0 × 0.0 × 0.0 mm
35x35cm
Signed with initials and dated

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Magic Picture, No.69, 1977

Oil on canvas
0.0 × 0.0 × 0.0 mm
76.2x101.6cm (unframed)
Signed, titled and dated on the reverse

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The Owl Run, 2013

Oil on canvas
0.0 × 0.0 × 0.0 mm
150x203cm (unframed)
Signed, titled and dated on the reverse

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Pink Flowers,

Oil on canvas board
0.0 × 0.0 × 0.0 mm
76x46cm
Signed and titled on the reverse

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Cornish Harbour,

Oil on board
0.0 × 0.0 × 0.0 mm
27x33cm

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The Pool,

Oil on canvas laid down on board
0.0 × 0.0 × 0.0 mm
29x32cm
Signed with initials

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Continental landscape with pink sky,

Oil on canvas
0.0 × 0.0 × 0.0 mm
49.5x60.5cm

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Manifold Landscape, 1991

Oil on canvas
0.0 × 0.0 × 0.0 mm
127x152.4cm (unframed)
Signed, titled and dated on the reverse

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Horse with Anatomy, 1998

Bronze with brown patina
0.0 × 0.0 × 0.0 mm
20x22x7cm
Signed, inscribed A/C and dated on the base

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Barkcloth textile panel, c. 1954

Hand screenprint on cotton twill, stretchered, produced by Hammer Prints Ltd
0.0 × 0.0 × 0.0 mm
190x59cm (unframed)

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How Come? (In a World of so much Love this Happens), 1999

Pastel
0.0 × 0.0 × 0.0 mm
85x74cm
Signed with initials, signed, titled and dated on the reverse of the frame

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Butterfly Heart (small) [H7-4], 2020

Laminated giclée print in colours on aluminium composite panel
0.0 × 0.0 × 0.0 mm
overall 36.4 x 35cm
Stamped signature and numbered from the edition of 3510 label verso, published by Heni Editions, London, in original packaging

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Peckham Rock Postcard, 2018

postcard in colours on wood postcard, produced by the British Museum with permission of Pest Control
0.0 × 0.0 × 0.0 mm
overall 18 x 12cm (unframed)

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Stik (book), 2018

Offset lithograph in grey on thin wove, folded twice as issued; together with book, the Korean edition, published by Serif
0.0 × 0.0 × 0.0 mm
overall 22.2 x 26.8 x 2.8cm

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Walking Figures, 2010

Four lenticular postcards, including Verity Walking, Kris Walking, Sian Walking, and Jeremy in Coat Walking, published by Alan Cristea Gallery
0.0 × 0.0 × 0.0 mm
each sheet 14 x 9 cm (unframed)

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Genome No.10 7x2 122, 2009

Offset lithograph in colours on wove, published by Kaikai Kiki Co., Ltd, Tokyo
0.0 × 0.0 × 0.0 mm
sheet 68 x 87cm (unframed)
Signed and numbered 59/300 in pen

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Marching on a Butterbur Leaf, 2019

Offset lithographic poster in colours on wove, from the edition of 1000, published by Dallas Contemporary
0.0 × 0.0 × 0.0 mm
sheet 46 x 61cm (unframed)

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Great Scott!!- Delorean X-ray, 2015

Original illuminated lightbox
0.0 × 0.0 × 0.0 mm
overall 149.5 x 149cm (framed)
Signed, dated and titled in black pen verso

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Ireland, 1976

Gelatin silver print, signed in black pen recto, printed later
0.0 × 0.0 × 0.0 mm
sheet 23.5 x 35.9cm (unframed)

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Untitled,

Screenprint in colours between three-layer acrylic
0.0 × 0.0 × 0.0 mm
overall 18 x 18 x 3cm (multiple)
Needle signed and numbered 13/30

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Divided/Echoed, 2012

Four shields, aluminized low-iron glass
0.0 × 0.0 × 0.0 mm
each 123.5 x 60.5 x10.2cm

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Call Me Blue, 2017

A unique composition in blue formed by assemblage of vintage mobile phones in blue
0.0 × 0.0 × 0.0 mm
100 x 100 x 5cm
Signed and dated in white ink, black ink verso

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Crack Down, 1986

Lithograph in colours on wove, from an unnumbered edition of 2000
0.0 × 0.0 × 0.0 mm
sheet 56 x 43.5cm (unframed)

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Large Shelf Still Life, 2017

Offset lithograph in colours on wove
0.0 × 0.0 × 0.0 mm
sheet 59.5 x 59.5cm (unframed)

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Helmet Head Lithographs [Cramer 356-360], 1974-75

The complete suite of five lithographs in colours
0.0 × 0.0 × 0.0 mm
Each image 37 x 32cm (framed)
Signed, inscribed with plate number and numbered 21/50 in pencil, published by Gerald Cramer, Geneva

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Small Grey Swiss, 1968

Lithograph in colours on wove
0.0 × 0.0 × 0.0 mm
Sheet 76 x 56cm (unframed)
Signed, dated and inscribed in pencil, an artist's proof aside from the edition of 75

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Artist and Model (in green and yellow), 1980

Soft ground etching with hand-colouring on wove
0.0 × 0.0 × 0.0 mm
Sheet 105.5 x 84cm (framed)
Signed, dated and numbered from the edition of 100 in pencil, printed by Petersburg Studio, New York

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Composition in Red and Black [Kemp 27], 1957

Lithograph in colours on wove
0.0 × 0.0 × 0.0 mm
Image 54 x 40cm (framed)
Signed and dated in pencil, a proof aside from the edition of 25, published by St George's Gallery London

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Trinity II, 1995

Etching with aquatint in colours
0.0 × 0.0 × 0.0 mm
Sheet 147.5 x 117cm (framed)
Signed, titled and numbered 63/135 in pencil

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Stromboli, 1980

Etching with aquatint in colours on Magnani wove
0.0 × 0.0 × 0.0 mm
Sheet 165 x 89cm (framed)
Signed, dated and numbered 2/90 in pencil, published by 2RC, Rome, with their blindstamp

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Anatoli, 1989

Etching with aquatint in colours on wove
0.0 × 0.0 × 0.0 mm
Plate 78.5 x 57cm (framed)
Signed, titled, dated and inscribed III 203/250 in pencil

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Le Souffre Douleur [Dupin 539], 1970

Etching with aquatint and carborundum in colours on Arches wove
0.0 × 0.0 × 0.0 mm
Image 49 x 63cm (framed)
Signed and numbed 42/75 in pencil, printed by Arte Adrien, published by Maeght, Paris

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Les Moyens d’Existence, Rose et Poire [ Kaplan & Baum 20], 1969

Etching with aquatint in colours on wove
0.0 × 0.0 × 0.0 mm
Plate 15.9 x 10.8cm (framed
Signed with authorised facsimile signature and numbered 13/150 pencil, printed at Atelier Visat, Paris, bearing the Gravure Originale Atelier Rene Magritte blindstamp

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Banque de L’Hourloupe, 1967

The complete suite of 52 screenprints with gilt edges in colours on card
0.0 × 0.0 × 0.0 mm
Overall 18.5 x 26.5 x 10cm (folio)
numbered 55/350 in black ink to case interior, printed by Kelpra Studios, published by Editions Alecto, London, within original black portfolio case, each sheet loose as issued

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Homage to Rauschenberg I, 2011

Screenprint in colours with collage
0.0 × 0.0 × 0.0 mm
Sheet 86 x 70cm (framed)
Signed and numbered 77/125 in pencil, from the portfolio Homage to Rauschenberg, published by CCA Galleries, Surrey

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Folio, 2004

The complete suite of twelve screenprints in colours on wove
0.0 × 0.0 × 0.0 mm
Each sheet 32.6 x 100cm (unframed)
Signed dated and numbered 16/40 in pencil, published by Alan Cristea Gallery, London

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Cow, 1966

Screenprint wallpaper in colours on wove
0.0 × 0.0 × 0.0 mm
Sheet 116 x 76.5cm (unframed)
From the edition of unknown size, published by L. Castelli Gallery, New York

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Paper Plate, 1969

Screenprint in colors on paper plate
0.0 × 0.0 × 0.0 mm
26cm diameter (framed)
Stamped Roy Lichtenstein © On 1st Inc 1969 in ink verso, from the limited edition of an unknown size, published by On First Inc., New York

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Sapphire Plate, 2017

Transfer print in colours with 22ct platinum on bone china plate
0.0 × 0.0 × 0.0 mm
32cm diameter
From the limited edition of 25, produced by Parasol Unit, London, after the original painting

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Free, 2019

Lithograph with screenprint glaze and unique hand-poured varnish in colour on 410gsm Somerset Tub Satin wove
0.0 × 0.0 × 0.0 mm
Sheet 76 x 60cm (unframed)
Signed dated and numbered from the edition of 125 in pencil verso, printed and published by Counter Studio, Margate

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Bather for Secession, 2020

Digital print in colours on Somerste Radiant White Velvet wove
0.0 × 0.0 × 0.0 mm
Sheet 128 x 97cm (unframed)
Signed, dated and numbered from the edition of 123 in pencil

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One of a Long Line of Boys Dancing with Cats, 1988

Monoprint with hand colouring on Japan
0.0 × 0.0 × 0.0 mm
Sheet 50 x 39cm (framed)
Signed, titled and dated in faded pencil

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A Pumpkin GB-D [Kusama 332], 2004

Screenprint in colour on Arches wove
0.0 × 0.0 × 0.0 mm
Sheet 38.5 x 33cm (unframed)
Signed, dated, titled and numbered 79/80 in pencil

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Bokan- Camouflage Pink, Lime Green-time, Pink-time, 2008-09

Three offset lithographs in colours
0.0 × 0.0 × 0.0 mm
Each sheet 50 x 50cm (unframed)
Signed and numbered variously from the edition of 300 in black ink, published by Kaikai Kiki Co., Ltd, Tokyo

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Eroded Brillo Box, 2020

Plaster with glass fragments multiple, in collaboration with The Andy Warhol Museum
0.0 × 0.0 × 0.0 mm
Overall 24.5 x 24.5 x 24.5cm
Numbered from the edition of 500, within the original packing

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Police Riot Van (Dismaland Gift Print), 2015

Digital print in colours with hand finish on wove
0.0 × 0.0 × 0.0 mm
Sheet 23.8 x 18.1cm (framed)
Signed and dedicated in black ink recto, one of 52 given to employees at Dismaland, Weston-Super-Mare

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Bomb, 2020

Digital inkjet print on 310gsm Hahnemüle German etching wove
0.0 × 0.0 × 0.0 mm
Sheet 130 x 95cm (unframed)
Signed in black marker and numbered from the edition of 100 in pencil

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