Richard Saltoun

Eleanor Antin

Carolee Schneemann (from Portraits of Eight New York Women), 1970

Full-length mirror, broken fragment of mirror, jar of honey, easel, velvet throw
3912.0 × 2210.0 × 2108.0 mm
221 x 391.2 x 210.8 cm
© The Artist. Courtesy Richard Saltoun Gallery

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Library Science, 1971

27 library catalogue cards, 25 black and white photographs, 1 original artist's statement, 1 original outline of Library of Congress code system, 1 Pamphlet of Xerox pages of the Outline of the Library of Congress Classification schedule
0.0 × 0.0 × 0.0 mm
Cards: 7.5 x 13 cm each, artist's statement: 27.9 x 21.6 cm
© The Artist. Courtesy Richard Saltoun Gallery

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Yvonne Rainer (from Portraits of Eight New York Women), 1970

Exercise bike, bike horn, bike mirror, basket, plastic flowers, sweatshirt 
1143.0 × 1194.0 × 660.0 mm
119.4 x 114.3 x 66 cm
© The Artist. Courtesy Richard Saltoun Gallery

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Margaret Mead (from Portraits of Eight New York Women), 1970

Umbrella, chair, binoculars, thermos 
1194.0 × 1397.0 × 965.0 mm
139.7 x 119.4 x 96.5 cm
© The Artist. Courtesy Richard Saltoun Gallery

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Amy Goldin (from Portraits of Eight New York Women), 1970

Mattress, bed frame, lantern, sheet, pillow case, pillow, blanket, earrings 
1854.0 × 2134.0 × 1118.0 mm
213.4 x 185.4 x 111.8 cm
© The Artist. Courtesy Richard Saltoun Gallery

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Rochelle Owens (from Portraits of Eight New York Women), 1970

Dymo adhesive label 
343.0 × 6.0 × 0.0 mm
34.3 x 0.6 cm
© The Artist. Courtesy Richard Saltoun Gallery

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Naomi Dash (from Portraits of Eight New York Women), 1970

Litter box, cat litter, towel, stockings, shower cap, towel rack 
838.0 × 1422.0 × 381.0 mm
142.2 x 83.8 x 38.1 cm
© The Artist. Courtesy Richard Saltoun Gallery

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Hannah Weiner (from Portraits of Eight New York Women), 1970

Table, 3 chairs, 3 plates, 3 forks, 3 knives, 3 napkins, 3 tumblers, hammer, teapot 
1346.0 × 889.0 × 914.0 mm
88.9 x 134.6 x 91.4 cm
© The Artist. Courtesy Richard Saltoun Gallery

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The Lovers (from Roman Allegories), 2004

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Added to list

Done

Removed

Renate Bertlmann

Übergestülpt – Boris-Zyklus (Slipped over – Boris Cycle), 1976

Pencil, color pencil, Transparency paper backed with tissue paper
388.0 × 528.0 mm
52.8 x 38.8 cm
Courtesy Richard Saltoun Gallery

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Wurfmesser (Throwing Knife), 1980

Condom, knife, polyurethane foam, perspex, velvet, wood, needles
425.0 × 175.0 × 140.0 mm
17.5 x 42.5 x 14 cm
Courtesy Richard Saltoun Gallery

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Farphalla transparent rosa (Farphalla rose lucent), 1998

Plastic, dildo, perspex, wood
440.0 × 290.0 × 300.0 mm
29 x 44 x 30 cm
Courtesy Richard Saltoun Gallery

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Boris lügt [Boris is Lying], 1974

Pencil, gouache and tracing paper on paper
490.0 × 360.0 mm
36 x 49 cm
Courtesy Richard Saltoun Gallery

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Der wassersüchtige Onkel wird abgezapft (Brecht "Kleinbürgerhochzeit") [The bloated uncle is tapped (Brecht Petty Bourgeois Wedding)], 1973

Mixed media on transparent paper on paper 38 x 53 cm
Courtesy Richard Saltoun Gallery

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Wurm [Worm], 1973

Pencil and crayon on tracing paper and tissue paper
290.0 × 410.0 × 0.0 mm
41 x 29 cm Framed 61 x 47 cm
Signed

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Würmer [Worms], 1973

Pencil and crayon on tracing paper and tissue paper
280.0 × 420.0 × 0.0 mm
42 x 28 cm Framed 61 x 47 cm
Signed and dated

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Skin with worms, 1977

Ink and pencil on paper
214.0 × 122.0 × 0.0 mm
12.2 x 21.4 cm Framed 30 x 39 cm
Signed and dated

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Skin with blood, 1977

Ink and pencil on graph tracing paper, mounted on paper
214.0 × 122.0 × 0.0 mm
12.2 x 21.4 cm Framed 30 x 39 cm
Signed and dated

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9 Lappenobjekte für Reinhold (9 Lobe objects for Reinhold), 1976

Pencil and colour pencil on transparent paper
297.0 × 210.0 × 0.0 mm
21 x 29.7 cm
Signed and dated

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Untitled, 1974

Pencil, crayon, tracing paper and tissue paper
720.0 × 590.0 × 0.0 mm
38 x 51 cm Framed 59 x 72 cm
Signed

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Für Ingeborg Bachmann, 1975

Pencil and colour pencil on tracing paper
880.0 × 621.0 × 0.0 mm
62.1 x 88 cm

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Mutter mit Kind, 1975

Pencil and colour pencil on tracing paper
841.0 × 622.0 × 0.0 mm
62.2 x 84.1 cm

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Mutter mit 2 Kindern, 1975

Pencil and colour pencil on tracing paper
845.0 × 621.0 × 0.0 mm
62.1 x 84.5 cm

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EEG 1, 1975

Collaged, pencil and colour pencil on tracing paper
846.0 × 622.0 × 0.0 mm
62.2 x 84.6 cm

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Intensiv-Station IV, 1975

Collaged, pencil and colour pencil on tracing paper
880.0 × 624.0 × 0.0 mm
62.4 x 88 cm

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EEG 2, 1975

Collaged, pencil, colour pencil and ink on tracing paper
852.0 × 624.0 × 0.0 mm
62.4 x 85.2 cm

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Bracha

Eurydice, Graces, Demeter, 2006-2012

Oil on canvas
0.0 × 0.0 × 0.0 mm
50 x 41 cm
© Bracha, courtesy Richard Saltoun Gallery

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Eurydice - Medusa - Pieta n. 1, 2015-2018

Oil on canvas
0.0 × 0.0 × 0.0 mm
30 x 40 cm
© Bracha, courtesy Richard Saltoun Gallery

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Mamalangue n.6, 2014-2015

Oil on canvas
0.0 × 0.0 × 0.0 mm
25 x 25 cm
© Bracha, courtesy Richard Saltoun Gallery

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From Eurydice - Pieta series, 2018

Xerox, India ink, carbon toner, photocopic pigment and ashes on paper
0.0 × 0.0 × 0.0 mm
35.3 x 24.7 cm
© Bracha, courtesy Richard Saltoun Gallery

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Eros - Pieta n.4, 2019

Oil on canvas
0.0 × 0.0 × 0.0 mm
25 x 25 cm
© Bracha, courtesy Richard Saltoun Gallery

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Eros – Pieta n.5, 2019

Oil on canvas
0.0 × 0.0 × 0.0 mm
20 x 20 cm
© Bracha, courtesy Richard Saltoun Gallery

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from the series Eurydice - Pieta, 2019

India ink, carbon toner, photocopic pigment and ashes on paper
0.0 × 0.0 × 0.0 mm
23.5 x 28 cm
© Bracha, courtesy Richard Saltoun Gallery

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from the series Eurydice - Pieta, 2019

India ink, carbon toner, photocopic pigment and ashes on paper
0.0 × 0.0 × 0.0 mm
25 x 33.5 cm
© Bracha, courtesy Richard Saltoun Gallery

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from the series Eurydice - Pieta, 2019

India ink, carbon toner, photocopic pigment and ashes on paper
0.0 × 0.0 × 0.0 mm
25 x 34 cm
© Bracha, courtesy Richard Saltoun Gallery

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from the series Eurydice - Pieta, 2018

India ink, carbon toner, photocopic pigment and ashes on paper
0.0 × 0.0 × 0.0 mm
36 x 24.6 cm
© Bracha, courtesy Richard Saltoun Gallery

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Eros – Pieta n. 3, 2019

Oil on canvas
0.0 × 0.0 × 0.0 mm
25 x 25 cm
© Bracha, courtesy Richard Saltoun Gallery

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Pieta n. 3, 2015

Oil on canvas
0.0 × 0.0 × 0.0 mm
20 x 20 cm
© Bracha, courtesy Richard Saltoun Gallery

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Medusa and owl, 2012

Oil on canvas
0.0 × 0.0 × 0.0 mm
20 x 25 cm
© Bracha, courtesy Richard Saltoun Gallery

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from the series Eurydice - Pieta, 2018

India ink, carbon toner, photocopic pigment and ashes, aquarelle, pigment on paper
0.0 × 0.0 × 0.0 mm
35.5 x 25 cm
© Bracha, courtesy Richard Saltoun Gallery

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From Eurydice - Pieta series, 2013-2020

India ink, carbon toner, photocopic pigment and ashes, aquarelle, charcoal, pigment on paper
0.0 × 0.0 × 0.0 mm
18.5 x 29.4 cm
© Bracha, courtesy Richard Saltoun Gallery

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From Eurydice - Pieta series, 2013-2020

India ink, carbon toner, photocopic pigment and ashes, aquarelle, charcoal on paper
0.0 × 0.0 × 0.0 mm
25 x 35 cm
© Bracha, courtesy Richard Saltoun Gallery

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from the series Eurydice - Pieta, 2018

India ink, carbon toner, photocopic pigment and ashes, aquarelle, pencil on paper
0.0 × 0.0 × 0.0 mm
25 x 30.5 cm
© Bracha, courtesy Richard Saltoun Gallery

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From Eurydice - Pieta series, 2018

Xerox, India ink, carbon toner, photocopic pigment and ashes, aquarelle, pigment on paper
0.0 × 0.0 × 0.0 mm
25 x 33.5 cm
© Bracha, courtesy Richard Saltoun Gallery

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Kaddish n.4, 2015-2019

Oil on canvas
0.0 × 0.0 × 0.0 mm
40 x 30 cm
© Bracha, courtesy Richard Saltoun Gallery

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Kaddish n.5, 2015-2020

Oil on canvas
0.0 × 0.0 × 0.0 mm
40 x 30 cm
© Bracha, courtesy Richard Saltoun Gallery

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Kaddish n.6, 2015-2020

Oil on canvas
0.0 × 0.0 × 0.0 mm
40 x 30 cm
© Bracha, courtesy Richard Saltoun Gallery

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Medusa n.3, 2015-2019

Oil on canvas
0.0 × 0.0 × 0.0 mm
25 x 25 cm
© Bracha, courtesy Richard Saltoun Gallery

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Untitled, 2018

India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
0.0 × 0.0 × 0.0 mm
22.4 x 16.5 cm
© Bracha, courtesy Richard Saltoun Gallery

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From Eurydice - Pieta series, 2013-2018

India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
0.0 × 0.0 × 0.0 mm
27.4 x 27.8 cm
© Bracha, courtesy Richard Saltoun Gallery

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From Eurydice - Pieta series, 2013-2020

Xerox, India ink, carbon toner, photocopic pigment and ashes on paper
0.0 × 0.0 × 0.0 mm
26 x 35.5 cm
© Bracha, courtesy Richard Saltoun Gallery

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From Eurydice - Pieta series, 2013-2020

Xerox, India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
0.0 × 0.0 × 0.0 mm
22.5 x 37.2 cm
© Bracha, courtesy Richard Saltoun Gallery

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From Eurydice - Pieta series, 2013-2021

India ink, carbon toner, photocopic pigment and ashes, color pencil, aquarelle on paper
0.0 × 0.0 × 0.0 mm
24.9 x 37.8 cm
© Bracha, courtesy Richard Saltoun Gallery

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From Eurydice - Pieta series, 2013-2020

Xerox, India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
0.0 × 0.0 × 0.0 mm
20.7 x 40.2 cm
© Bracha, courtesy Richard Saltoun Gallery

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Eros - Pieta n.2, 2015-2019

Oil on canvas
0.0 × 0.0 × 0.0 mm
40 x 30 cm
© Bracha, courtesy Richard Saltoun Gallery

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Eros - Pieta n.1, 2015-2019

Oil on canvas
0.0 × 0.0 × 0.0 mm
40 x 30 cm
© Bracha, courtesy Richard Saltoun Gallery

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from the series Eurydice - Pieta, 2013-2018

India ink, carbon toner, photocopic pigment and ashes, aquarelle, color pencil on paper
0.0 × 0.0 × 0.0 mm
22.4 x 37 cm
© Bracha, courtesy Richard Saltoun Gallery

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From Eurydice - Pieta series, 2013-2020

Xerox, India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
0.0 × 0.0 × 0.0 mm
20.4 x 40.6 cm
© Bracha, courtesy Richard Saltoun Gallery

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From Eurydice - Pieta series, 2013-2018

India ink, carbon toner, photocopic pigment and ashes, aquarelle, color pencil, charcoal on paper
0.0 × 0.0 × 0.0 mm
28 x 28 cm
© Bracha, courtesy Richard Saltoun Gallery

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From Eurydice - Pieta series, 2013-2020

India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
0.0 × 0.0 × 0.0 mm
25.9 x 38.3 cm
© Bracha, courtesy Richard Saltoun Gallery

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From Eurydice - Pieta series, 2013-2021

India ink, carbon toner, photocopic pigment and ashes, aquarelle, pigment on paper
0.0 × 0.0 × 0.0 mm
25 x 38 cm
© Bracha, courtesy Richard Saltoun Gallery

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From Eurydice - Pieta series, 1992-2021

India ink, carbon toner, photocopic pigment and ashes, aquarelle, oil colours on paper
0.0 × 0.0 × 0.0 mm
35 x 24.5 cm
© Bracha, courtesy Richard Saltoun Gallery

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From Eurydice - Pieta series, 2013-2021

India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
0.0 × 0.0 × 0.0 mm
21 x 34.5 cm
© Bracha, courtesy Richard Saltoun Gallery

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From Eurydice - Pieta series, 2013-2021

India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
0.0 × 0.0 × 0.0 mm
20.5 x 21.4 cm
© Bracha, courtesy Richard Saltoun Gallery

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From Eurydice - Pieta series, 2013-2021

India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
0.0 × 0.0 × 0.0 mm
23.5 x 27.5 cm
© Bracha, courtesy Richard Saltoun Gallery

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Medusa n.3, 2015-2019

Oil on canvas
250.0 × 250.0 × 0.0 mm
25 x 25 cm

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Untitled, 2018

India ink and aquarelle on notebook paper
210.0 × 270.0 × 0.0 mm
27 x 21 cm
Signed lower right recto and verso

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From Eurydice - Pieta series, 2018

Xerox, India ink, carbon toner, photocopic pigment and ashes on paper
247.0 × 353.0 × 0.0 mm
35.3 x 24.7 cm

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from the series Eurydice - Pieta, 2019

India ink, carbon toner, photocopic pigment and ashes on paper
335.0 × 250.0 × 0.0 mm
25 x 33.5 cm

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from the series Eurydice - Pieta, 2019

 India ink, carbon toner, photocopic pigment and ashes on paper
 28 x 23.5 cm 

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Untitled, 2018-2020 

 India ink, aquarelle and charcoal on paper
 22.9 x 15.3 cm 
Signed lower right recto and verso

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Untitled, 2012-2013

India ink on notebook paper 
20 x 21.9 cm 
 Signed lower right recto and verso

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Untitled, 2018 

 India ink and aquarelle on notebook paper 
15 x 14.5 cm 
Signed lower left recto and verso

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Untitled, 2014-2016 

 India ink and wash on notebook paper
 18.7 x 16.8 cm 
Signed lower right recto

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Alexander Brodsky

Island of Stability, 1989/1990 

Collaboration with Ilya UTKIN.  Etching 
107 x 79 cm
 Edition 9 of 30 

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Glass Tower II (with figure), 1984/1990 

Collaboration with Ilya UTKIN.  Etching 
107 x 79 cm 
Edition 9 of 30 

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Jagoda Buić

La Voile [The Sail], 1971

Wool and sisal
2510.0 × 3000.0 mm
300 x 251 cm
Courtesy Richard Saltoun Gallery

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Fallen Angel, 1966

Wool and sisal
440.0 × 1900.0 mm
190 x 44 cm
Courtesy Richard Saltoun Gallery

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Dubrovnik, 1973

Wool
640.0 × 800.0 mm
80 x 64 cm
Courtesy Richard Saltoun Gallery

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Untitled, 1976

Felt tip
720.0 × 1030.0 mm
103 x 72 cm
Courtesy Richard Saltoun Gallery

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Dubrovnik, 1973 

Wool 
640.0 × 800.0 × 0.0 mm
80 x 64 cm 

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White Reflections, 1970 - 75

Wool and metallic thread
2240 × 1630 × 100 mm
163 x 224 x 10 cm
Woven signature to lower left ‘J Buić’

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Antigone, 1977

Wool
800 × 1300 mm
130 x 80 cm
Signed, dated and titled on a label on the back

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Untitled, 1976

Felt tip on paper
645 × 995 mm
99.5 x 64.5 cm
Signed and dated 1976

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Dubrovnik, 1973

Wool
640 × 800 mm
80 x 64 cm

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Helen Chadwick

In the Kitchen (Stove), 1977

Colour Archival Pigment Print.  Printed 2022
390 × 590 mm
 Image size: 59 x 39 cm. Sheet size: 66.5 x 47.5 cm
 Edition 1 of 5

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Domestic Sanitation, 1976 

ProRes 422 HQ 500 GB 
Duration: 30 minutes 
Edition 3 of 10 

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In the Kitchen (Washing Machine), 1977

 Colour Archival Pigment Print
500 × 745 mm
 Image size: 74.5 x 50 cm . Sheet size: 82.5 x 57 cm 
Edition of 3 

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In the Kitchen (Washing Machine), 1977 

Colour Archival Pigment Print
200 × 299 mm
 Image size: 29.9 x 20 cm.  Sheet size: 41 x 31 cm 
Edition 2 of 10 + 2 APs 

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In the Kitchen (Stove), 1977 

Colour Archival Pigment Print
200 × 299 mm
 Image size: 29.9 x 20 cm.  Sheet size: 41 x 31 cm 
Edition 1 of 10 + 2 APs 

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In the Kitchen (Washing Machine), 1977 

Colour Archival Pigment Print
277 × 419 mm
 Image size: 41.9 x 27.7 cm.  Sheet size: 50.8 x 40.6 cm 
Edition 2 of 10 + 2 APs 

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In the Kitchen (Washing Machine), 1977 

Colour Archival Pigment Print
277 × 419 mm
Image size: 41.9 x 27.7 cm . Sheet size: 50.8 x 40.6 cm 
Edition 6 of 10 + 2 APs 

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In the Kitchen (Washing Machine), 1977

 Archival Pigment Print. Printed 2018
173 × 300 mm
 Image size: 30 x 17.3 cm . Sheet size: 40 x 30 cm 
Edition 2 of 10 + 2 APs 

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In the Kitchen, 1977 

Set of 12 archival pigment prints. Printed 2018 
Each: 41 x 30.5 cm 
Exhibition framed proof copy - 2 of 4 EC 

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Black Hole, 1989 

Screenprint on mirror with pink flocking and brass fittings
238 × 328 × 6 mm
 32.8 x 23.8 x 0.6 cm;  3.7 cm(hole diameter)
 Edition of 20 + 2 APs 

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Et in Arcadia, 1995

 Photo etching printed on marble, presented in a clam shell box 
200 × 200 × 20 mm
20 x 20 x 2 cm 
 Signed and numbered 1/15 on reverse. Edition of 15 

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Lili Dujourie

Hommage à ... I, 1972

Video, black and white, silent
0.0 × 0.0 × 0.0 mm
Duration: 20'07"
© The Artist; Courtesy Richard Saltoun Gallery, London

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American Imperialism, 1972/2021

Steel
0.0 × 0.0 × 0.0 mm
200 x 230 x 1 cm
© The Artist; Courtesy Richard Saltoun Gallery, London

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Cabinet, 1992

Plaster on wood and painted steel
304.0 × 1714.0 × 447.0 mm
171.4 x 30.4 x 44.7 cm
Inscribed 'LD' to plaster sculpture © the Artist. Courtesy Richard Saltoun Gallery, London and Rome

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Rose English

Porcelain Dancer 1, 1973

Porcelain, enamel colours with gold and silver
178.0 × 229.0 × 25.0 mm
22.9 x 17.8 x 2.5 cm
© the Artist. Courtesy Richard Saltoun Gallery, London and Rome

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Porcelain Dancer 3, 1973

Porcelain, enamel colours with gold and silver
152.0 × 229.0 × 19.0 mm
22.9 x 15.2 x 1.9 cm
© the Artist. Courtesy Richard Saltoun Gallery, London and Rome

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Porcelain Dancer 4, 1973

Porcelain, enamel colours with gold and silver
115.0 × 220.0 × 30.0 mm
22 x 11.5 x 3 cm
© the Artist. Courtesy Richard Saltoun Gallery, London and Rome

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Romany Eveleigh

One Liners, 2017 

Oil and pastel on paper (172 Stripes) 
35.5 x 216 cm 

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Oracle Series, 2017 

Oil on canvas
 Each: 20 x 20 cm.  Overall approx: 50 x 110 cm 
Signed, titled and dated at the back of each painting 

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1/2 Eight, 1974 

Paint and printer’s ink on paper, mounted on linen canvas
 123 x 131.5 cm 

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Untitled (from the “Nomad” series), 1997 

Oil on canvas 
23 x 23 cm

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Untitled (from the “Nomad” series), 1997 

Oil on canvas 
23 x 23 cm

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Made for each other DUET E, 2017 

 Oil and pencil on canvas 
20 x 20 cm 
Signed and dated

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Inland series, 2017 

Oil and pencil on canvas
 15.3 x 14.8 cm 

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I Ching I & II, 1994-95 

Oil on canvas
 Each: 25.4 x 25.4 cm 
Signed and dated 

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Copa, 1990 

Oil on paper mounted on linen canvas 
165 x 152.5 cm 
Signed, dated and titled at the back 

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Ravenna, 1960-63

Oil on French paper, mounted on canvas
1960 × 1315 mm
131.5 x 196 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery, London and Rome

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Silvia Giambrone

Mirror n. 12, 2021

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Mirror n. 19, 2022

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Simryn Gill

Gmund-Let them eat potatoes, 2014/2015

Ink on Gmund paper
62 x 43 cm. Framed: 65.5 x 48 x 4.5 cm

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Gmund-Let them eat potatoes, 2014/2015

Ink on Gmund paper
62 x 43 cm. Framed: 65.5 x 48 x 4.5 cm

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Gmund-Let them eat potatoes, 2014/2015

Ink on Gmund paper
62 x 43 cm. Framed: 65.5 x 48 x 4.5 cm

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Gmund-Let them eat potatoes, 2014/2015

Ink on Gmund paper
62 x 43 cm. Framed: 65.5 x 48 x 4.5 cm

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Naga Doodles, 2017

Frottage (ink on paper)
Diptych. Unframed: 66 x 49 cm. Each Framed: 71 x 53.5 x 4.5 cm

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Persimmon Suite 6, 2020/2021

Ink on paper
3 panels, each 24 x 110 cm; overall 72 x 110 cm. Framed: 81 x 121.5 x 4.5 cm

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Persimmon Suite 5, 2020/2021

Ink on paper
4 panels. Each: 24.5 x 110 cm; overall 98 x 110 cm. Framed: 105 x 121.5 x 4.5 cm

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Weeds Suite 2, 2020/2021

Ink on paper
110 x 24 cm. Framed: 117 x 31 x 4.5 cm

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Maria's Garden Studies, 2020/2021

Ink on paper
95 x 55 cm. Framed: 103 x 61.5 x 4.5 cm

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Maria's Garden Studies-Morning Glory with Weed (5), 2020/2021

Ink on paper
5 panels, each 33 x 48 cm, overall 165 x 48 cm. Framed: 168.5 x 55 x 4.5 cm

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Channel, 2014

29 Ciba-chrome and Gelatine silver prints 
35 x 35 cm
Artist Proof from an edition of two plus one artist proof , of the 3 copies, 1 set is sold broken up, 1 is in Tate collection

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Alexis Hunter

Approach to Fear I: Violence - identify with aggressor, 1976

8 colour photographs in 2 framed panels
415.0 × 1000.0 mm
100 x 41.5 cm each panel
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Tits and Bums, 1986

Ink and photo-collage mounted on paper, vintage
209.0 × 298.0 mm
29.8 x 20.9 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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The Object Series, 1974

Gelatin silver print, unique, lifetime print
600.0 × 500.0 mm
50 x 60 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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The Object Series, 1974, printed 2006

Gelatin silver print
600.0 × 500.0 mm
50 x 60 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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The Object Series (Tattoo Series V), 1974, printed 2006

Gelatin silver print
700.0 × 500.0 mm
50 x 70 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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The Model’s Revenge, 1978

Crayon, watercolour and lithograph on paper
775.0 × 570.0 mm
57 x 77.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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The Model’s Revenge, 1978

Crayon, watercolour and lithograph on paper
775.0 × 570.0 mm
57 x 77.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Approach to Fear XI: Effeminacy - productive action, 1977

10 gelatin silver prints, each with ink additions and hand-tinted, mounted on board, with ink inscriptions by the artist
483.0 × 718.0 mm
71.8 x 48.3 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Gender Confusion: Succubus/Incubus, 1977

10 colour Xeroxes in 2 framed panels
400.0 × 1140.0 mm
Each: 114 x 40 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Approach to Fear III: Taboo - Demystify, 1976

30 colour photographs, mounted on board
430.0 × 570.0 mm
57 x 43 cm sheet
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Nina fixing her car, 1980

Gelatin silver prints with ink additions
253.0 × 185.0 mm
Set of 18, 18.5 x 25.3 cm each
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Nina fixing her car, 1980

Gelatin silver print
253.0 × 202.0 mm
20.2 x 25.3 cm
Part of a set of 19 © The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Lust in pursuit of Desire, 1989

Etching, hand coloured
590.0 × 760.0 mm
76 x 59 cm
Artist proof 2/14 © The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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The Artist Forum. Illustrated Lectures on Money, Art, Sex' by Alexis Hunter, 1980s

Printed poster (WIP copy)
295.0 × 420.0 mm
42 x 29.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Co-dependence, 1997

Acrylic and pen on card
420.0 × 300.0 mm
30 x 42 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Untitled (Woman and Beast series), I,

Gouache and ink on paper
104.0 × 96.0 mm
9.6 x 10.4 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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A Goddess confronting Patriarchy, 1983

Etching
560.0 × 380.0 mm
38 x 56 cm
Edition 4 of 24 © The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Goddess Harnessing Muse, 1983

Etching
280.0 × 390.0 mm
39 x 28 cm
Edition 15 of 60 © The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Untitled (Woman and Beast series),

Gouache and ink on paper
120.0 × 106.0 mm
10.6 x 12 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Domestic Warfare, 1979

20 c-type photographs, printed 2012
0.0 × 0.0 × 0.0 mm
20.3 x 25.4 cm (each)
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Sexual Warfare, 1975

18 colour photographs mounted on board, vintage
0.0 × 0.0 × 0.0 mm
Overall dimensions: 59.5 x 49 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Sexual Warfare, 1973

Collage with newsprint, felt-tip drawing and text, vintage
0.0 × 0.0 × 0.0 mm
42 x 59 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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To Silent Women (alone we failed), 1981

24 colour Xeroxes, mounted on board, vintage
0.0 × 0.0 × 0.0 mm
Each: 21 x 29.5 cm (each). Each panel: 119.4 x 36.8 cm. Overall dimensions: 120 x 220 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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The Media, 1968

2 hand-coloured Xeroxes mounted on paper, vintage
0.0 × 0.0 × 0.0 mm
46.7 x 36.7 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Approach to Fear V: Pain - Medication, 1976

10 colour photographs, mounted on paper, vintage
0.0 × 0.0 × 0.0 mm
57.5 x 44.3 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Approach to Fear XX: Rape - Violence, 1977

8 colour polaroid photos, mounted on board, vintage
0.0 × 0.0 × 0.0 mm
61.3 x 46 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Approach to Fear II : Change Decisive Action, 1976

18 colour photographs mounted board, vintage
0.0 × 0.0 × 0.0 mm
56 x 74.4 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Oh No!, 1978

49 colour photographs mounted on board, vintage
0.0 × 0.0 × 0.0 mm
43 x 57.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Approach to Fear XIV: Urban Sophistication - Aggression, 1976

21 colour photographs mounted on board, vintage
0.0 × 0.0 × 0.0 mm
44.6 x 52.9 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Anxiety/Sexual Warfare, 1974

Black and white photograph with paint mounted on paper, vintage
0.0 × 0.0 × 0.0 mm
27.5 x 35 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Untitled (Woman and Beast), c. 1990

Oil on card
0.0 × 0.0 × 0.0 mm
40 x 28.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Untitled (Woman and Beast), 1990

Oil on card
0.0 × 0.0 × 0.0 mm
40 x 28.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Scylla, 1992

Aquatint
0.0 × 0.0 × 0.0 mm
57.5 x 37.9 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Hine-nui-te-po (Great Women of Night), 1988

Print
0.0 × 0.0 × 0.0 mm
56 x 75 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Callisto, 1992

Print
0.0 × 0.0 × 0.0 mm
65 x 50 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

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Vivienne Koorland

The Local Monuments I: Childhood, 1995

Oil, paper and glue on linen 
2280.0 × 2700.0 mm
270 x 228 cm
© The Artist; Courtesy Richard Saltoun Gallery

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The Local Monuments II: Central Africa, 1997

Oil, charcoal, paper and glue on linen
2280.0 × 2700.0 mm
270 x 228 cm
© The Artist; Courtesy Richard Saltoun Gallery

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Pays Inconnu, 2016

Oil and twine on stitched linen and burlap
3660.0 × 2440.0 mm
244 x 366 cm
© The Artist; Courtesy Richard Saltoun Gallery

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POLAND IS ON PLUTO: A Change Is Gonna Come (Sam Cooke’s Version), 2017

Oil, pigment and twine on linen and burlap
0.0 × 0.0 × 0.0 mm
213.4 x 248.9 cm 84 x 98 in
Courtesy of Richard Saltoun Gallery

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JAN van RIEBEECK'S MAP: Königsberg, 2017

Oil, pigment and twine on linen and burlap
0.0 × 0.0 × 0.0 mm
213.4 x 248.9 cm 84 x 98 in
Courtesy of Richard Saltoun Gallery

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TEREZIN PAINTING: Josef, 1991

Oil on linen set into wood mantel
0.0 × 0.0 × 0.0 mm
139.7 x 152.4 x 20.3 cm 55 x 60 x 8 inches
Courtesy of Richard Saltoun Gallery

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Bob Law

River Avon Gorge, 1966 

Pencil and collage on paper 
510.0 × 280.0 mm
28 x 51 cm 
© Estate of Bob Law

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Mister Paranoia IV 20.11.70 (No. 95), 1970 

Oil on canvas 
4180.0 × 2400.0 mm
240 x 418 cm 
© Estate of Bob Law

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Blue Chair, 1982 

Painted wood 
448.0 × 907.0 × 494.0 mm
90.7 x 44.8 x 49.4 cm 
© Estate of Bob Law

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Black Watercolour 25.1.88, 1988 

Watercolour on paper 
760.0 × 560.0 mm
56 x 76 cm 
© Estate of Bob Law

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BLACK DIAMOND XIV, 1980 

Acrylic on canvas 
235.0 × 215.0 mm
21.5 x 23.5cm 
© Estate of Bob Law

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Untitled Field Drawing 22.1.63, 1963

Pencil on paper
750.0 × 550.0 × 0.0 mm
 55 x 75 cm 

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Bice Lazzari

Senza Titolo [Untitled] (Q/435), 1972-3

Acrylic on canvas
1620.0 × 800.0 × 0.0 mm
80 x 162 cm
Signed, titled and dated on reverse

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Quadro in Rosso [Picture in Red], 1953

Oil on canvas
450.0 × 550.0 × 0.0 mm
55 x 45 cm
Signed and dated on reverse Label and stamp Arte Centro, Milan on reverse

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Untitled, 1972

Pastel and pencil on paper
688.0 × 490.0 × 0.0 mm
49 x 68.8 cm
Signed and dated lower right "B. LAZZARI-ROMA-4-1972"

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Materia e colore n.3 [Matter and colour no. 3], 1960 

Oil and sand on canvas
260.0 × 605.0 × 0.0 mm
 60.5 x 26 cm 

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Untitled, 1954

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Rosa Lee

Elision, 2000

Oil on canvas
Unframed: 38.3 x 35.7 cm. Framed: 55 x 52.5 x 7 cm
Signed, dated verso

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Untitled, 2005

Oil on canvas
Unframed: 25 x 25.5 cm. Framed: 42 x 42 x 7 cm

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Untitled, 2002

Oil on canvas
Unframed: 25 x 30 cm. Framed: 47 x 44 x 7 cm
Signed, dated, written 'for Dad + Christine Xmas 2002 with love XXX'

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Fragment, 2000

Oil on canvas
Unframed: 36 x 38 cm. Framed: 52 x 55 x 7 cm
Signed, dated, titled on verso

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Untitled, 1996

Oil on canvas
Unframed: 25 x 20 cm. Framed: 42 x 37 x 7 cm
Signed, dated on verso

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Contiguity II, 1991

Oil on canvas
1780 × 1680 mm
168 x 178 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery, London and Rome

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Invocation II, 1987

Oil on canvas
300 × 250 mm
25 x 30 cm Framed dimensions: 47.5 x 42 x 7 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery, London and Rome

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Barbara Levittoux-Świderska

The Blurry Space [Rozmyta przestrzeń], 1984

Sisal, thread, metal frame
2500.0 × 4500.0 × 2500.0 mm
450 x 250 x 250 cm
Courtesy Richard Saltoun Gallery

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Gold Rain [Złoty deszcz], 1986 

Brass, wool, synthetic fabric, cotton and coins 
1700.0 × 2150.0 × 100.0 mm
215 x 170 x 10 cm

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Verticals I [Piony I], 2010

Velvet, plastic, metal, fabric 
205.0 × 205.0 × 0.0 mm
20.5 x 20.5 cm 

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Penetration of Surface II, 1982 

Thread and metal 
200.0 × 200.0 × 0.0 mm
20 x 20 cm 

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Relief II (birch bark), 1995

Thread, metal and birch bark
210 × 210 × 30 mm
21 x 21 x 3 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome

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Penetration of Surface II, 1982

Thread and metal
200 × 200 mm
20 x 20 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome

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The White Mogul [Biały mogul], 1984

Synthetic fabric
1200 × 1600 mm
160 x 120 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome

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Paradise [Raja], 1973

Wool and fabric
1150 × 2400 mm
240 x 115 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome

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Drops [Krople], 1974

Sisal and wool
1200 × 1600 mm
160 x 120 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome

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Three-fold [Potrójna], 1980

Wood, sisal
1400 × 1700 mm
170 x 140 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome. Signed and dated verso

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Meadow [Łąka], 1982

Linen and synthetic fabric
1050 × 1850 × 50 mm
185 x 105 x 5 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome. Signed and dated on verso

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Silver Shells [Srebrne muszle], 1985

Aluminium, synthetic fabric, oyster shells and metal wire
1250 × 1450 × 100 mm
145 x 125 x 10 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome. Signed and dated on verso

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Rhythms A, B, C [Rytmy, cz. A, B, C], 1996

Cotton and thread
870 × 850 mm
Each: 85 x 87 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome. Signed on verso

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Transparent Seaweed II [Wodorosty przejrzyste II], 2009

Textile collage and ink
1000 × 3000 mm
300 x 100 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome

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Horizontals and Verticals [Poziomy I piony], 2004

Cotton and synthetic fabric
99 x 75 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome. Signed on verso

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Clouds IV [Chmury IV], 1977

Oil on canvas
1240 × 1200 mm
120 x 124 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome. Name, title, dimensions, date written on back of stretcher

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PotsII [Garnki II], 2001

Oil on canvas
1200 × 900 mm
90 x 120 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome. Name, title, dimensions, date written on back of stretcher

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Clouds VI [Chmury VI], 1977

Oil on canvas
1200 × 900 mm
90 x 120 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome. Name, title, dimensions, date written on back of stretcher

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Black Line, 1987

Thread and metal
200 × 204 mm
20.4 x 20 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome. Name, title, dimensions, date written on inside edge

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Verticals I [Piony I], 2010

Velvet, plastic, metal, fabric
205 × 205 mm
20.5 x 20.5 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome. Name, title, dimensions, date written on bottom edge

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Black Linear System II [Układ linearny czarny II], 1983

Thread on fabric
150 × 150 mm
15 x 15 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome. Name, title, dimensions, date written on back

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Opposites II [Przeciwieństwa II], 2010

Organic material, fabric and thread on metal support
190 × 190 × 20 mm
19 x 19 x 2 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome. Name, title, date, dimensions written on bottom edge

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Verticals I [Piony I], 1990

Collage on fabric
460 × 455 mm
45.5 x 46 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome. Name, title, dimensions, date written on back

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Central Comp. I [Komp. Centryczna I], 2000

Collage with organic material on card
300 × 400 mm
40 x 30 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome. Name, title, dimensions, date written on back

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Untitled, 1992

Collage and gouache on board
398 × 498 mm
49.8 x 39.8 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome. Signed and dated on the front

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Tree [Drzewo], 2000s

Hand painted textile
700 × 1230 mm
123 x 70 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery London/Rome. Signed verso

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Roman arches, 2011

Fabric, thread collage
1000 × 1000 mm
100 x 100 cm

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Cuboid [Prostopadłościan], 1980 c.

Glue, synthetic fabric, plastic foil
2650 × 950 × 950 mm
95 x 265 x 95 cm

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Fire [Pożar], 1974

Sisal, rope, metal
4000 × 2500Fire [Pożar] mm
250 x 400 cm

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Space III [Przestrzeń III], 1998

Oil on canvas
1200 × 1200 mm
120 x 120 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery, London and Rome

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Bertina Lopes

Untitled, 1977 

Oil on canvas 
1200.0 × 1000.0 × 0.0 mm
100 x 120 cm 

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In memoriam de Picasso [In memory of Picasso], 1974

 Oil on canvas 
1800.0 × 750.0 × 0.0 mm
75 x 180 cm
© The Estate of Bertina Lopes. Courtesy the Artist and Richard Saltoun Gallery, Rome

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Grido grande [Big Cry], 1970

 Oil on canvas 
1500.0 × 1500.0 × 0.0 mm
150 x 150 cm
© The Estate of Bertina Lopes. Courtesy the Artist and Richard Saltoun Gallery, Rome

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Maternità [Maternity], 1971 

Oil on canvas
990.0 × 790.0 × 0.0 mm
 79 x 99 cm
© The Estate of Bertina Lopes. Courtesy the Artist and Richard Saltoun Gallery, Rome

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Totem n. 1, 1968 

Oil on canvas
1600.0 × 1400.0 × 0.0 mm
 140 x 160 cm
© The Estate of Bertina Lopes. Courtesy the Artist and Richard Saltoun Gallery, Rome

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Rais Antica 2 - Una Historia Verdadeira [Ancient Root 2 -A True Story], 1972 

Mixed media on canvas
1300.0 × 1500.0 × 0.0 mm
 150 x 130 cm
© The Estate of Bertina Lopes. Courtesy the Artist and Richard Saltoun Gallery, Rome

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Acrobacia 2 [Stunt 2], 1972/73 

Mixed media on canvas 
1300.0 × 1500.0 × 0.0 mm
150 x 130 cm
© The Estate of Bertina Lopes. Courtesy the Artist and Richard Saltoun Gallery, Rome

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Raiz antica [Ancient root], 1964 

Collage and oil on canvas 
1500.0 × 1300.0 × 0.0 mm
130 x 150 cm
© The Estate of Bertina Lopes. Courtesy the Artist and Richard Saltoun Gallery, Rome

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Totem, 1990 

Gouache on card 
465 × 670 mm
67 x 46.5 cm 
Signed and dated lower center 

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Untitled (Head), 33 x 24 cm

Marker pen and felt tip on paper
240 × 330 mm
33 x 24 cm
Signed and dated 1976 lower right; Signed and dated verso

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Untitled (Bird and Flowers), 1985

Marker pen on paper
350 × 500 mm
50 x 35 cm
Signed, dated Lonato 1985 and inscribed Per Michela con un bacione lower right

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Untitled (Idol with Fruit and Crocodile), 1976 

Marker pen and felt tip on paper
250 × 346 mm
34.6 x 25 cm 
Signed and dated 1976 centre right 

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Untitled (Prayer), 1976

Watercolour and felt tip on paper
500 × 345 mm
34.5 x 50 cm
Signed centre right; signed, dated Lonato 1976 and inscribed a Rosa, con la certezza che nella vostra casa, non sarà mai la ultima cena verso

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Nos Africa, em qualunquer parte do mundo (Our Africa, in any part of the world), 1979

Oil on canvas
1400 × 1600 mm
160 x 140 cm
Signed and dated lower right recto

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Sposa [Bride], 1969 

Goauche on card 
350 × 500 mm
50 x 35 cm 
Signed and dated upper left 

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Totem, 1986

Oil on canvas
1500 × 1300 mm
130 x 150 cm
Signed and dated lower right recto

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Dedica alla Spagna [Dedicated to Spain], Totem

Oil on canvas
1000 × 1200 mm
120 x 100 cm
Signed lower right recto Signed, dated, titled, dimensions, medium verso Inscribed 'A Franco con amore, Bertina [To Franco with love, Bertina} verso

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Respiro [Breath], 1985

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Franca Maranò

Untitled, 1965-67

Glazed ceramic
390.0 × 320.0 × 45.0 mm
32 x 39 x 4.5 cm

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Untitled, 1965/68

Glazed ceramic
1000.0 × 320.0 × 30.0 mm
32 x 100 x 3 cm

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Untitled,

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Untitled,

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Eliseo Mattiacci

Predisporsi ad un capolavoro comico astronomico [Prepare for a cosmic astronomic masterpiece], 1982

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Dinamica verticale [Vertical dynamics], 2013

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Everlyn Nicodemus

Silent Strength no 1, 1989

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Vi Kvinnor - Akersberga [We women - Akersberga], 1983

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Untitled No 31 (Baudelaire and Rimbaud), 2021 

 Pen, pencil and collage on paper
320.0 × 450.0 × 0.0 mm
 45 x 32 cm
Signed and dated lower left recto.  Titled, dated and location verso

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Untitled No 57 (Baudelaire and Rimbaud), 2022 

Pen, pencil and collage on paper
320.0 × 450.0 × 0.0 mm
 45 x 32 cm 
Signed and dated lower right recto.  Titled, dated and location verso

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The Wedding 71, 1992

Oil on canvas  
3000.0 × 1300.0 × 0.0 mm
Triptych:  130 x 100 cm each,  130 x 300 cm together  
 Signed lower right recto.  'A,B,C Borgerhout' to verso 

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The Wedding 60, 1992 

 Oil on canvas
1450.0 × 2000.0 × 0.0 mm
200 x 145 cm
Signed and dated lower right recto.  'Borgerhout' to verso

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The Wedding 46, 1991 

Oil on canvas
1500.0 × 2200.0 × 0.0 mm
200 x 150 cm
Inscribed 'Borgerhout' to verso

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Bystander 27, 2007 

Pencil and collage on parchment paper 
350.0 × 500.0 × 0.0 mm
50 x 35 cm 
Signed dated and dedicated in lower centre 

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The Widow and The Shadow (set of 12), 2018 

Pencil, ink and charcoal on paper 
0.0 × 0.0 × 0.0 mm
Each: 42 x 30 cm
Each work signed, dated, titled and numbered sequentially verso

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Untitled (set of 5), 1996 

Mixed media on paper
0.0 × 0.0 × 0.0 mm
Each: 41 x 37 cm  
Each signed and dated verso

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Untitled, 1994 

Acrylic, gold leaf, silver leaf, charcoal and pencil on paper
400.0 × 560.0 × 0.0 mm
 56 x 40 cm 
Signed and dated lower right recto 

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Untitled, 1994 

Acrylic, gold leaf, silver leaf, charcoal, pencil on paper
400.0 × 560.0 × 0.0 mm
 56 x 40 cm 
Signed and dated lower right recto

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Silent Strength 73, 1990

  Oil on canvas 
45.1 x 50.1 cm 
 Signed and dated lower left recto.  Titled, dated, 'Borgerhout Automne [Autumn] to verso

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Silent Strength 17, 1989

Oil on canvas
50.2 x 45.5 cm
Signed and dated lower right recto. Titled, dated, 'Borgerhout Summer' to verso

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Figure - Arch 3, 1990

Oil on canvas
45.2 x 50 cm
Signed and dated lower left recto. Titled, dated, 'Nov, Borgerhout' to verso

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Même à ce moment-là! [Even Then!], 1988

Oil on canvas
61.2 x 47 cm
Signed and dated lower right recto. Titled, dated, 'Berlin' to verso

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Etendue avec Chapeau [Laying with a Hat], 1987

Oil on canvas 
54.4 x 65.2  cm
 Signed and dated lower right recto.  Dated to verso 

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Silent Strength 40, 1990

Oil on canvas
52 x 62 cm
Signed lower right recto. Titled, dated, 'Borgerhout Janvier' to verso

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Without History, 1986

Oil on canvas
104 x 74 cm
Signed, dated lower right recto. Titled, dated, 'Calcutta' to verso

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Dem Djupatonen [The Deep Pitch], 1984

Oil on canvas 
Framed dimensions 68 x 56 cm 
 Signed, dated 'Skive' lower right recto. Titled, dated, and "Skive" verso 

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Marinella Pirelli

Narciso, film esperienza [Narcissus, film experience], 1966-67

Film, 16mm, digital transfer, colour, sound
0.0 × 0.0 × 0.0 mm
11’
© Marinella Pirelli. Courtesy Archivio Marinella Pirelli and Richard Saltoun Gallery

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Indumenti [Garments], 1966-67

Film, 16mm, digital transfer, colour, silent
0.0 × 0.0 × 0.0 mm
2’15’’
© Marinella Pirelli. Courtesy Archivio Marinella Pirelli and Richard Saltoun Gallery

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Doppio autoritratto [Double self-portrait], 1973-74

Film, 16mm, digital transfer, colour, sound
0.0 × 0.0 × 0.0 mm
13’
© Marinella Pirelli. Courtesy Archivio Marinella Pirelli and Richard Saltoun Gallery

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Caduta [Fall], 2001

Gold leaf, nitrolac and acetate on card
510.0 × 610.0 × 0.0 mm
Framed dimensions: 61 x 51 cm
Sgned and dated on the front, LR Marinellia 6 2001. On the back, inscription Caduta, gold and nitrolac 2001, Marinellia Pirelli, Campi d'oro 40 varese, Italia" TR inscription 8A.

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Senza titolo n.2 [Untitled n.2], 2001

Gold leaf, nitrolac and acetate on card
360.0 × 510.0 × 0.0 mm
Framed dimensions: 51 x 36 cm
Signed and dated on the front, LR Marinellia 6 2001. On the back, inscription Senza titolo N.2, oro e nitrolac 2001 , Marinellia Pirelli, Campi d’oro 40,varese, Italia”, in alto a destra, iscrizione “10A ”

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Chi Arriva? [Who's coming?], 2001

Gold leaf, nitrolac and acetate on card
485.0 × 395.0 × 0.0 mm
Framed dimensions: 39.5 x 48.5 cm
Signed on the front lower right 'Marinellia'. On the front lower left 'Oro e Nitrolac', LC 'Chi arriva?'. Back: 'Chi Arriva?' Oro e nitrolac, Marinellia 2001'

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Su Richardson

Goodbye Rug, c. 1980

Gloves, net, first world war handkerchiefs
760.0 × 560.0 × 0.0 mm
 56 x 76 cm 

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Greta Schödl

Untitled, 2019/2020

Oil, ink and gold leaf on French canvas
1030.0 × 2030.0 × 0.0 mm
203 x 103 cm

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Firenze 1966, 1970s

Ink and gold leaf on cloth
1250.0 × 1500.0 × 0.0 mm
150 x 125 cm

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Untitled, c. 1980

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Untitled, c. 1980

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Berni Searle

Untitled (brown). From the ‘Colour Me’ series, 1998

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Untitled (red). From the ‘Colour Me’ series, 1998

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Untitled (white). From the ‘Colour Me’ series, 1998

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Untitled (yellow) (From the ‘Colour Me’ series), 1998

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Black River, 2019

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As the crow flies (still), 2017

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Com-fort (Variation), 2019

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Penny Slinger

How Dark It Was, 1969/2021 

Archival inkjet print from original collage
406 × 333 mm
 Unframed: 33.3 x 40.6 cm.  Framed: 50.2 x 57.2 x 3.8 cm
 Edition 2 of 3 + 2AP's 

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And when the babe, 1969/2021 

Archival inkjet print from original collage
371 × 406 mm
 Unframed: 40.6 x 37.1 cm.  Framed: 57.2 x 54 x 3.8 cm 
Edition 2 of 3 + 2AP's 

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You Are Always Poking, 1969/2021

 Archival inkjet print from original collage
308 × 406 mm
 Unframed: 40.6 x 30.8 cm . Framed: 57.2 x 47 x 3.8 cm
 Edition 2 of 3 + 2AP's 

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For the Mantelpiece, 1969/2021 

Archival inkjet print from original collage
302 × 406 mm
 Unframed: 40.6 x 30.2 cm.  Framed: 57.2 x 47 x 3.8 cm
 Edition 2 of 3 + 2AP's 

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Twentieth Century Reconstruction, 1969/2021 

Archival inkjet print from original collage
305 × 406 mm
 Unframed: 40.6 x 30.5 cm.  Framed: 57.2 x 47 x 3.8 cm  
Edition 2 of 3 + 2AP's 

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The Grand Impressario (The Unveiling), 1969/2021 

Archival inkjet print from original collage
371 × 362 mm
 Unframed: 36.2 x 37.1 cm.  Framed: 52.7 x 53.7 x 3.8 cm 
Edition 2 of 3 + 2AP's 

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The Dialectics, 1969/2021 

Archival inkjet print from original collage 
324 × 406 mm
Unframed: 40.6 x 32.4 cm.  Framed: 57.2 x 49.2 x 3.8 cm 
Edition 2 of 3 + 2AP's 

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In The Depths, 1969/2021 

Archival inkjet print from original collage
298 × 451 mm
 Unframed: 45.1 x 29.8 cm . Framed: 61.9 x 46.7 x 3.8 cm
 Edition 2 of 3 + 2AP's 

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The Armory Show, 1969/2021 

Archival inkjet print from original collage
406 × 257 mm
 Unframed: 25.7 x 40.6 cm.  Framed: 42.5 x 57.2 x 3.8 cm 
Edition 2 of 3 + 2AP's 

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Don't look at me, 1969/2014

 Digital C-print from original collage 
345 × 470 mm
47 x 34.5 cm
 Edition 1 of 3 + 2APs 

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Flying in Dreams, 1969/2014

 C-print from original collage
289 × 406 mm
 Unframed: 40.6 x 28.9 cm.  Framed: 57.2 x 45.4 x 4.4 cm
 Edition 2 of 3 + 2AP's 

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The Larval Worm, 1969/2014

 C-print from original collage
302 × 406 mm
 Unframed: 40.6 x 30.2 cm.  Framed: 57.2 x 46.4 x 3.2 cm 
Edition 2 of 3 + 2AP's 

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Leda Legend, 1969/2014

 C-print from original collage
232 × 450 mm
 Unframed: 45 x 23.2 cm . Framed: 61 x 39.4 x 3.8 cm 
Edition 2 of 3 + 2AP's 

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Orgasm, 1969/2014

 C-print from original collage 
290 × 406 mm
Unframed: 40.6 x 29 cm . Framed: 57.2 x 45.7 x 3.8 cm 
Edition 2 of 3 + 2AP's 

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The Fetish, 1969/2014 

C-print from original collage
291 × 406 mm
 Unframed: 40.6 x 29.1 cm.  Framed: 55.9 x 45.7 x 3.8 cm 
Edition 2 of 3 + 2AP's 

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The Safe Period, 1969/2014

 C-print from original collage
269 × 406 mm
 Unframed: 40.6 x 26.9 cm.  Framed: 57.2 x 43.2 x 3.8 cm 
Edition 2 of 3 + 2AP's 

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The Surprised Tin Opener, 1969/2014 

C-print from original collage 
269 × 406 mm
40.6 x 26.9 cm 
Edition 3 of 3 + 2AP's 

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Making the Bed, 1969/2014 

C-print from original collage
289 × 406 mm
 Unframed: 40.6 x 28.9 cm.  Framed : 57.2 x 45.4 x 4.4 cm 
Edition 2 of 3 + 2AP's 

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Circe, 1969/2014

 C-print from original collage 
284 × 406 mm
Unframed: 40.6 x 28.4 cm.  Framed: 57.2 x 45.1 x 3.8 cm 
Edition 2 of 3 + 2AP's 

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Annegret Soltau

Permanente Demonstration am 19.01.1976, 1976/2008

Set of 6 black and white photo etchings
500.0 × 600.0 mm
Each: 60 x 50 cm. Edition 1 of 5 (plus 2 AP)
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

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Permanent demonstration am 19.1.1976, 1976

Gelatin silver print, vintage
310.0 × 275.0 mm
27.5 x 31 cm
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

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Ich überstochen [Myself punctured], 1991

Gelatin silver print with needles
250.0 × 300.0 mm
30 x 25 cm. Edition 14 of 14, each variant unique
Signed, dated and numbered on front © Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

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Spider installation, 1978

Found fibreglass mannequin and wooden chair, with thread
Installation: variable dimensions. Mannequin: 168 x 50 cm. Chair: 85 x 40 cm. Unique
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

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Erwartung I-III [Expectation I-III], 1980/81

Set of 60 vintage gelatin silver prints mounted on 3 panels (with original negatives attached on reverse)
750.0 × 960.0 mm
Each panel: 96 x 75 cm. Unique
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

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Meine verlorenen Haare [My lost hair], 1977

183 A4 sheets, each for 1 day, presented in 12 binders, each sheet dated and consisting of the artist's hair affixed to the paper, together with a set of 11 vintage black and white photographs
Each photo: 12 x 9 cm. Each sheet: 29.7 x 21 cm. Unique
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

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Doppelte Entfaltung [Double unfolding], 1980/82

Set of 80 vintage gelatin silver prints, mounted on 1 panel
1540.0 × 1480.0 mm
148 x 154 cm. Unique
Signed and dated on reverse © Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

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Sich-fallen-lassen [Let yourself fall], 1978/1986-87

672 gelatin silver prints mounted on 4 parts
Each photo: 11.5 x 11.5 cm. Each panel: 153 x 178 cm. Overall: 304 x 354 cm
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

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Sich verlieren (to get lost) I + II, 1986

Set of 70 gelatin silver prints taped together, in two parts
I) 73 x 55 cm II) 72.5 x 55 cm
© The Artist. Courtesy Richard Saltoun Gallery, London and Rome

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Jo Spence

Remodelling Photo History: Revisualization, 1981. Collaboration with Terry Dennett

Hand-coloured black and white print, mounted on card
0.0 × 0.0 × 0.0 mm
69.6 x 49.5 cm 27.4 x 19.5 in
Courtesy of Richard Saltoun Gallery

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Remodelling Photo History: Victimization, 1981-82. Collaboration with Terry Dennett

Black and white photograph
0.0 × 0.0 × 0.0 mm
62.5 x 78.5 cm (image size)
Courtesy of Richard Saltoun Gallery

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Remodelling Photo History: Industrialization, 1981-82. Collaboration with Terry Dennett

Black and white photograph
0.0 × 0.0 × 0.0 mm
82 x 66 cm (image size)
Courtesy of Richard Saltoun Gallery

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Ulay

Irritation - There is a Criminal Touch to Art, 1976

Set of 11 analogue Baryta prints with film, printed 2018. Single channel video, 16 mm film transferred to digital, B&W, sound
0.0 × 0.0 × 0.0 mm
27 min 51 sec. Each print: 61.5 x 45 cm
Edition 7 of 10 + 2 AP. Courtesy ULAY Foundation, LIMA, Amsterdam and Richard Saltoun Gallery, London

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Irritation - There is a Criminal Touch to Art, 1976

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Irritation - There is a Criminal Touch to Art, 1976

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Black Judges (from the series Can’t Beat the Feeling – Long Playing Record), 1992 

Set of four Polaroid/Polacolor mounted on white board, New York Studio
490.0 × 490.0 × 0.0 mm
 Each polaroid: 49 x 49 cm. Board: 100 x 100 cm
© The Artist and courtesy Richard Saltoun Gallery. Photo: Ben Westoby

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Black Judges (from the series Can’t Beat the Feeling – Long Playing Record), 1992 

Set of four Polaroid/Polacolor mounted on white board, New York Studio 
490.0 × 490.0 × 0.0 mm
Each polaroid: 49 x 49 cm. Board: 88.5 x 90 cm
© The Artist and courtesy Richard Saltoun Gallery. Photo: Ben Westoby

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Black Judges (from the series Can’t Beat the Feeling – Long Playing Record), 1992 

Set of four Polaroid/Polacolor mounted on white board, New York Studio 
490.0 × 490.0 × 0.0 mm
Each polaroid: 49 x 49 cm. Board: 90 x 90 cm
© The Artist and courtesy Richard Saltoun Gallery. Photo: Ben Westoby

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Black Judges (from the series Can’t Beat the Feeling – Long Playing Record), 1992

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Relation in Space, 1976

7 gelatin silver print, together with a colophon page, all contained within a printed folder
20 x 30 cm (image); 40.5 x 30.5 cm (sheet)
Each photo stamped 'Foto di Piccolo Sillani' on verso. Signed and numbered 'Marina Abramovic Ulay' on the colophon page. Edition 5 of 30

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Balance Proof, 1977

6 gelatin silver prints with colophon (in presentation folder)
Each: 30.5 x 40.5 cm (unframed); 41 x 31 (in presentation folder)
Signed and numbered 6/15 on the colophon folder. Edition 6 of 15

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Jan Wade

Breathe, 2021 - 2022

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Breathe, 2021 - 2022

Embroidered linen
1600 × 360 mm
36 x 160 cm 63 x 200 cm (including border)
© The Artist. Courtesy Richard Saltoun Gallery, London and Rome

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Shelagh Wakely

Le Rougissant, 1985

Acrylic and ink on canvas
1500 × 1800 mm
180 x 150 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery, London and Rome

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Wood Bird, 1985

Pastel and crayon on canvas
1380 × 1720 mm
172 x 138 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery, London and Rome

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a second enchantment, 1989-90

Gold leaf applied to cut black fabric
1100 × 1560 mm
156 x 110 cm
© The Estate of the Artist. Courtesy Richard Saltoun Gallery, London and Rome

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