Maureen Paley

Lawrence Abu Hamdan

Once Removed, 2019

HD video, colour, sound
0.0 × 0.0 × 0.0 mm
30 minutes
Commissioned by Sharjah Art Foundation © Lawrence Abu Hamdan, courtesy Maureen Paley, London

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For the Otherwise Unaccounted (shelf a), 2020

3 thermographic prints and text panel on shelf
0.0 × 0.0 × 0.0 mm
Shelf: 30 x 150 x 52 cm. Prints: 42 x 29.7 cm. Text panel: 42 x 24 cm
© Lawrence Abu Hamdan, courtesy Maureen Paley, London

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For the Otherwise Unaccounted (shelf b), 2020

6 thermographic prints with text panel on shelf
0.0 × 0.0 × 0.0 mm
Shelf: 30 x 263 x 52 cm. Prints: 42 x 29.7 cm. Text panel: 42 x 24 cm
© Lawrence Abu Hamdan, courtesy Maureen Paley, London

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For the Otherwise Unaccounted (shelf d), 2020

4 thermographic prints and text panel on shelf
0.0 × 0.0 × 0.0 mm
Shelf: 30 x 182 x 52 cm. Prints: 42 x 29.7 cm. Text panel: 42 x 24 cm
© Lawrence Abu Hamdan, courtesy Maureen Paley, London

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Felipe Baeza

Wayward, 2021

Ink, cut paper, graphite, twine, and acrylic collaged on paper
0.0 × 0.0 × 0.0 mm
167.6 x 121.9 cm 66 x 48 inches
© Felipe Baeza, courtesy Maureen Paley, London

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If you surrender to the air, you can ride it (Unruly Suspension), 2021

Ink, cut paper, graphite, acrylic, and twine collaged on paper
0.0 × 0.0 × 0.0 mm
167.6 x 121.9 cm 66 x 48 inches
© Felipe Baeza, courtesy Maureen Paley, London

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Keeper of secrets, 2021

Ink, acrylic, graphite, and cut paper collaged on panel
0.0 × 0.0 × 0.0 mm
35.6 x 27.9 cm 14 x 11 inches
© Felipe Baeza, courtesy Maureen Paley, London

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I know that my memory of you will live even there as I too become a child of the sea, 2021

Ink, cut paper, watercolour, acrylic, graphite, and varnish on panel
0.0 × 0.0 × 0.0 mm
30.5 x 22.9 cm 12 x 9 inches
© Felipe Baeza, courtesy Maureen Paley, London

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Only the future revisits the past, 2021

Ink, graphite, flashe, cut paper, acrylic, varnish, interference powder, collage, and embroidery on panel
0.0 × 0.0 × 0.0 mm
22.9 x 30.5 cm 9 x 12 inches
© Felipe Baeza, courtesy Maureen Paley, London

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As bare as open flesh, 2022

ink, watercolour, acrylic, and cut paper on panel
30.5 × 4.06 cm
© Felipe Baeza, courtesy Maureen Paley, London Photo: Mark Blower

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Tom Burr

An Abstract Orange, 2022

Birch plywood, paint, glass mirror, fabric, ‘abstracts’ journal (1986), spring clamps, C-clamps, cabinet hinges and wire rope
0.0 × 0.0 × 0.0 mm
204 × 45.7 × 163 cm
© Tom Burr, courtesy Maureen Paley, London. Photo: Mark Blower

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Neurotica Etcetera, 2022

Birch plywood, paint, glass mirror, issues of Neurotica Magazine (1948–51), rubber gloves, spring clamps, C-clamps, cabinet hinges and carpet
0.0 × 0.0 × 0.0 mm
77.5 × 61 × 223 cm, platform: 213.7 × 213.7 × 18 cm
© Tom Burr, courtesy Maureen Paley, London. Photo: Mark Blower

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Hannah Collins

Salt (5), 1996

Silver gelatin print mounted on canvas
2630.0 × 2200.0 × 0.0 mm
220 x 263 cm
© Hannah Collins, courtesy Maureen Paley, London

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Small Flame, Copal Tree II, 2021

Silver gelatin print
322.0 × 398.0 × 30.0 mm
frame: 39.8 x 32.2 x 3 cm
© Hannah Collins, courtesy Maureen Paley, London

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Small Flame, Copal Tree I, 2021

C-type print
417.0 × 518.0 × 30.0 mm
frame: 51.8 x 41.7 x 3 cm
© Hannah Collins, courtesy Maureen Paley, London

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votive candles on shelf,

430.0 × 524.0 × 150.0 mm
52.4 x 43 x 15 cm
© Hannah Collins, courtesy Maureen Paley, London

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Flaming Forest, 2021

Pigment print on paper
4000.0 × 2400.0 × 0.0 mm
240 x 400 cm
© Hannah Collins, courtesy Maureen Paley, London

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120 years ago today, 2021

Silver gelatin print
498.0 × 618.0 × 30.0 mm
frame: 61.8 x 49.8 x 3 cm
© Hannah Collins, courtesy Maureen Paley, London

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Flaming trees, 2021

Colour pencil, felt tip pen and graphite on paper
488.0 × 370.0 × 35.0 mm
frame: 37 x 48.8 x 3.5 cm
© Hannah Collins, courtesy Maureen Paley, London

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In the Course of Time (12) Small Fire, 1996

Silver gelatin print mounted on canvas
1580.0 × 1940.0 × 0.0 mm
194 x 158 cm
© Hannah Collins, courtesy Maureen Paley, London

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votive candle on shelf,

300.0 × 974.0 × 300.0 mm
97.4 x 30 x 30 cm
© Hannah Collins, courtesy Maureen Paley, London

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Parícutin, 2021

Silver gelatin print
514.0 × 418.0 × 30.0 mm
frame: 41.8 x 51.4 x 3 cm
© Hannah Collins, courtesy Maureen Paley, London

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Fiona Connor

Untitled (shoes), 2020

Bronze
420 × 120 × 300 mm
Each: 11.5 × 28 × 12 cm overall: 12 × 42 × 30 cm
© Fiona Connor, courtesy Maureen Paley, London

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Untitled #53, (24700 McBean Pkwy, Valencia CA 91355), 2022

Cast resin, paint
610 × 610 × 18 mm
61 × 61 × 1.8 cm
© Fiona Connor, courtesy Maureen Paley, London

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Untitled (folding chair), 2020

Bronze
440 × 900 × 110 mm
90 × 44 × 11 cm
© Fiona Connor, courtesy Maureen Paley, London

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Community Notice Board (Real Estate), 2022

Enclosed cork board, silkscreen and UV print on aluminium, pins, tape, staples, vinyl, surface treatments
763 × 915 × 65 mm
91.5 × 76.3 × 6.5 cm
© Fiona Connor, courtesy Maureen Paley, London

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Daniel Correa Mejía

Las flores me visitan, 2024

oil on jute
30 × 45 cm
© Daniel Correa Mejía, courtesy Maureen Paley, London

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Lo primordial, 2024

oil on jute
60 × 90 cm
© Daniel Correa Mejía, courtesy Maureen Paley, London

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Agua dulce, 2024

oil on jute
40 × 40 cm
© Daniel Correa Mejía, courtesy Maureen Paley, London

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Por siempre, 2024

terracotta
12 × 20 × 10 cm
© Daniel Correa Mejía, courtesy Maureen Paley, London

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El vuelo del tiempo, 2024

oil on jute
22 × 15 cm
© Daniel Correa Mejía, courtesy Maureen Paley, London

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Lo primordial, 2024

oil on jute
60 × 90 cm
© Daniel Correa Mejía, courtesy Maureen Paley, London

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Kaye Donachie

In the nights of absence, 2023

oil on linen
36.0 × 51.0 cm
© Kaye Donachie, courtesy Maureen Paley, London. Photo: Stephen Bishop

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Caress of Metaphor, 2024

Oil on linen
46 × 60 cm
© Kaye Donachie, courtesy Maureen Paley, London. Photo: Stephen James

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Inward Night, 2024

Oil on linen
46 × 66 cm
© Kaye Donachie, courtesy Maureen Paley, London. Photo: Stephen James

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Roses Slumber, 2024

Oil on linen
36 × 51 cm
© Kaye Donachie, courtesy Maureen Paley, London. Photo: Stephen James

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Untitled, 2024

Framed monotype on paper
28.5 × 37 cm
© Kaye Donachie, courtesy Maureen Paley, London. Photo: Stephen James

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Mirrors face, 2024

Oil on linen
41 × 51 cm
© Kaye Donachie, courtesy Maureen Paley, London. Photo: Stephen James

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Untitled, 2024

Framed monotype on paper
28.5 × 37 cm
© Kaye Donachie, courtesy Maureen Paley, London. Photo: Stephen James

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Occasional Magic, 2024

Oil on linen
40.8 × 56 cm
© Kaye Donachie, courtesy Maureen Paley, London. Photo: Stephen James

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Silence Sings, 2024

Oil on linen
40.8 × 56 cm
© Kaye Donachie, courtesy Maureen Paley, London. Photo: Stephen James

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Perishable Songs, 2024

Oil on linen
40.8 × 56 cm
© Kaye Donachie, courtesy Maureen Paley, London. Photo: Stephen James

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Chioma Ebinama

The Tower, 2021

Watercolour, sumi ink, coffee on paper
1400.0 × 1000.0 × 0.0 mm
100 × 140 cm
© Chioma Ebinama, courtesy Maureen Paley, London

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The Empress, 2021

Watercolour and sumi ink on paper
1400.0 × 1000.0 × 0.0 mm
100 × 140 cm
© Chioma Ebinama, courtesy Maureen Paley, London

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My life as a seed in the wind, 2021

Watercolour and coffee on paper
2000.0 × 800.0 × 0.0 mm
80 × 200 cm
© Chioma Ebinama, courtesy Maureen Paley, London

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Tender Touch, 2021

Watercolour, sumi ink and coffee on paper
450.0 × 650.0 × 0.0 mm
65 × 45 cm
© Chioma Ebinama, courtesy Maureen Paley, London

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Igba Gharie (ambivalence), 2021

Watercolour, sumi ink and coffee on paper
450.0 × 650.0 × 0.0 mm
65 × 45 cm
© Chioma Ebinama, courtesy Maureen Paley, London

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Obi Uto (joy), 2021

Watercolour, sumi ink and coffee on paper
450.0 × 650.0 × 0.0 mm
65 × 45 cm
© Chioma Ebinama, courtesy Maureen Paley, London

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Petting a bumblebee, 2021

Watercolour, coffee and turmeric on paper
1000.0 × 1400.0 × 0.0 mm
140 × 100 cm
© Chioma Ebinama, courtesy Maureen Paley, London

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An exquisite yam, 2021

Watercolour, sumi ink and coffee on paper
940.0 × 675.0 × 0.0 mm
67.5 × 94 cm
© Chioma Ebinama, courtesy Maureen Paley, London

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a hụrụ m gị n’anya (i see you in my eye), 2023

Watercolour, sumi ink, gouache and coffee on handmade cotton rag paper
200 × 90 cm
© Chioma Ebinama, courtesy Maureen Paley, London. Photo: Stephen James

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locus amoenus (pleasant spot), 2023

Watercolour, sumi ink, and coffee on handmade cotton rag paper
200 × 80 cm
31 1/2 x 78 3/4 in
© Chioma Ebinama, courtesy Maureen Paley, London. Photo: Stephen James

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and so began the mud-formed life, 2023

Watercolour, sumi ink, and coffee on handmade cotton rag paper
28 × 45.72 cm
18 x 11 in
© Chioma Ebinama, courtesy Maureen Paley, London. Photo: Stephen James

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ogbanje bride, waiting, 2023

Watercolour and coffee on handmade cotton rag paper
23 × 33 cm
13 x 9 in

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sister 03, 2023

Watercolour and coffee on handmade cotton rag paper
14 × 15 cm
5 7/8 x 5 1/2 in
© Chioma Ebinama, courtesy Maureen Paley, London. Photo: Stephen James

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sister 01, 2023

Watercolour, sumi ink, and coffee on handmade cotton rag paper
14 × 15 cm
5 7/8 x 5 1/2 in
© Chioma Ebinama, courtesy Maureen Paley, London. Photo: Stephen James

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saint george, 2023

Watercolour, gouache, sumi ink, and coffee on handmade cotton rag paper
55 × 80 cm
31 1/2 x 21 5/8 in
© Chioma Ebinama, courtesy Maureen Paley, London. Photo: Stephen James

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living deliciously on earth, 2023

Watercolour, gouache and coffee on handmade cotton rag paper
110 cm
43 1/4 in
© Chioma Ebinama, courtesy Maureen Paley, London. Photo: Stephen James

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hope mantra, 2023

Watercolour gouache and coffee on handmade cotton rag paper
33 × 42 cm
Photo: Stephen James

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a beloved, 2023

Watercolour gouache and coffee on handmade cotton rag paper
21 × 32 cm
12 5/8 x 8 1/4 in
© Chioma Ebinama, courtesy Maureen Paley, London. Photo: Stephen James

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eze nwanyi (woman king), 2022

Watercolour, sumi ink, and coffee on handmade cotton rag paper
45 × 68 cm
26 3/4 x 17 3/4 in
© Chioma Ebinama, courtesy Maureen Paley, London. Photo: Stephen James

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sister 02, 2023

Watercolour, sumi ink, and coffee on handmade cotton rag paper
14 × 15 cm
5 7/8 x 5 1/2 in
© Chioma Ebinama, courtesy Maureen Paley, London. Photo: Stephen James

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piscean dream 3, 2023

Watercolour, sumi ink, and coffee on handmade cotton rag paper
100 × 70 cm
27 1/2 x 39 3/8 in
© Chioma Ebinama, courtesy Maureen Paley, London. Photo: Stephen James

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Liam Gillick

Everything Good Goes, 2008

Red digital video converted to H.264
14 minutes, 48 seconds
© Liam Gillick, courtesy Maureen Paley, London

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Festive Self-Regulation, 2019

Silver anodized aluminium
450.0 × 320.0 × 80.0 mm
32 x 45 x 8 cm unique
© Liam Gillick, courtesy Maureen Paley, London

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Statistical Degradation, 2019

Silver anodized aluminium
1000.0 × 550.0 × 50.0 mm
55 x 100 x 5 cm unique
© Liam Gillick, courtesy Maureen Paley, London

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Mercantile Empiricism, 2019

Silver anodized aluminium
900.0 × 320.0 × 80.0 mm
32 x 90 x 8 cm unique
© Liam Gillick, courtesy Maureen Paley, London

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1848!!!, 2010

HD video H.264
38 minutes, 12 seconds
© Liam Gillick, courtesy Maureen Paley, London

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Heroism of the Anyone, 2019

Silver anodized aluminium
1000.0 × 150.0 × 150.0 mm
15 x 100 x 15 cm unique
© Liam Gillick, courtesy Maureen Paley, London

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Tertiary Society at Le Palace, 2019

Silver anodized aluminium
1130.0 × 1000.0 × 30.0 mm
100 x 113 x 3 cm unique
© Liam Gillick, courtesy Maureen Paley, London

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Margin Time 3, 2018

HD video H.264
20 minutes, 20 seconds
© Liam Gillick, courtesy Maureen Paley, London

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The Sleepwalker, 2021

4K video, 16 minutes 30 seconds, looped
Courtesy Maureen Paley, London. Photo: Stephen James

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Introduction, 2002

Matt black vinyl text on wall
Courtesy Maureen Paley, London. Photo: Stephen James

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(The What If? Scenario) Spatial Definition Device #2, 1996

Cardboard box, ribbons
58 × 42 × 42 cm
Courtesy Maureen Paley, London. Photo: Stephen James

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Redaction, 2005

Large glass, Polish Pure Spirit
20 × 50 mm
Courtesy Maureen Paley, London. Photo: Stephen James

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McNamara Setting, 1994

Old clothing, fake snow, flashlights, papers, cigarettes, airport security tray
53 × 20 × 38 cm
Courtesy Maureen Paley, London. Photo: Stephen James

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Discussion Island Liability Platform #4, 1997

Anodised aluminium and Plexiglas
120 × 2.5 × 120 cm
Courtesy Maureen Paley, London. Photo: Stephen James

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Andrew Grassie

Diving Suit, Loch Ness, 2022

Egg tempera on paper on board
210 × 280 mm
Image: 28 x 21 cm; Frame: 38.7 x 31.8 cm
© Andrew Grassie courtesy Maureen Paley, London. Photo: Mark Blower

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0.000000000002013% of Loch Ness, 2022

Water, jerry can
380 × 450 × 260 mm
45 x 38 x 26 cm
© Andrew Grassie courtesy Maureen Paley, London. Photo: Mark Blower

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Lampshade, Loch Ness, 2021

Egg tempera on paper on board
280 × 210 mm
Image: 21 x 28 cm; Frame: 31.8 x 38.7 cm
© Andrew Grassie courtesy Maureen Paley, London. Photo: Mark Blower

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Prolonged View, Loch Ness, 2022

Egg tempera on paper on board
280 × 210 mm
Image: 21 x 28 cm; Frame: 31.8 x 38.7 cm
© Andrew Grassie courtesy Maureen Paley, London. Photo: Mark Blower

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Flags, Loch Ness, 2022

Egg tempera on paper on board
280 × 210 mm
Image: 21 x 28 cm; Frame: 31.8 x 38.7 cm
© Andrew Grassie courtesy Maureen Paley, London. Photo: Mark Blower

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Through the Trees, Loch Ness, 2022

Egg tempera on paper on board
280 × 210 mm
Image: 21 x 28 cm; Frame: 31.8 x 38.7 cm
© Andrew Grassie courtesy Maureen Paley, London. Photo: Mark Blower

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Window Seat, Loch Ness, 2022

Egg tempera on paper on board
280 × 210 mm
Image: 21 x 28 cm; Frame: 31.8 x 38.7 cm
© Andrew Grassie courtesy Maureen Paley, London. Photo: Mark Blower

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Shed and Bush, Loch Ness, 2021

Egg tempera on paper on board
280 × 210 mm
Image: 21 x 28 cm; Frame: 31.8 x 38.7 cm
© Andrew Grassie courtesy Maureen Paley, London. Photo: Mark Blower

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Sandwich Board, Loch Ness, 2022

Egg tempera on paper on board
280 × 210 mm
Image: 21 x 28 cm; Frame: 31.8 x 38.7 cm
© Andrew Grassie courtesy Maureen Paley, London. Photo: Mark Blower

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Anne Hardy

Future Trace (The Depth of Darkness, the Return of the Light), 2020

Framed unique photogram on c-type paper
0.0 × 0.0 × 0.0 mm
62.2 x 52 x 4 cm
© Anne Hardy, courtesy Maureen Paley, London

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Simultaneous Reality (The Depth of Darkness, the Return of the Light), 2020

Framed unique photogram on c-type paper
0.0 × 0.0 × 0.0 mm
62.2 x 52 x 4 cm
© Anne Hardy, courtesy Maureen Paley, London

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Twilight Fever (The Depth of Darkness, the Return of the Light), 2020

Framed unique photogram on c-type paper
0.0 × 0.0 × 0.0 mm
62.2 x 52 x 4 cm
© Anne Hardy, courtesy Maureen Paley, London

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Into Darkness (The Depth of Darkness, the Return of the Light), 2020

Framed unique photogram on c-type paper
0.0 × 0.0 × 0.0 mm
62.2 x 52 x 4 cm
© Anne Hardy, courtesy Maureen Paley, London

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Equilibrium (The Depth of Darkness, the Return of the Light), 2020

Framed unique photogram on c-type paper
0.0 × 0.0 × 0.0 mm
62.2 x 52 x 4 cm
© Anne Hardy, courtesy Maureen Paley, London

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Time Shift (The Depth of Darkness, the Return of the Light), 2020

Framed unique photogram on c-type paper
0.0 × 0.0 × 0.0 mm
62.2 x 52 x 4 cm
© Anne Hardy, courtesy Maureen Paley, London

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Descent (The Depth of Darkness, the Return of the Light), 2020

Framed unique photogram on c-type paper
0.0 × 0.0 × 0.0 mm
62.2 x 52 x 4 cm
© Anne Hardy, courtesy Maureen Paley, London

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Rising Heat (The Depth of Darkness, the Return of the Light), 2020

Framed unique photogram on c-type paper
0.0 × 0.0 × 0.0 mm
62.2 x 52.1 x 4.1 cm
© Anne Hardy, courtesy Maureen Paley, London

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Being (Immaterial), 2023 - 2024

artists clothes, rusted wire, shells, welded steel, jesmonite, jewellery, cast concrete, bronze, pewter, white metal, dried plant, earth
116 × 82 × 130 cm
© Anne Hardy, courtesy Maureen Paley, London Photo: Angus Mill

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Being (Interloper), 2022 - 2024

artist’s clothes, tin cans crushed by trucks outside the studio, welded steel, cast pewter, cast jesmonite, jewellery, earth, wood, wire
55 × 115 × 360 cm
© Anne Hardy, courtesy Maureen Paley, London Photo: Angus Mill

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Survival Spell, 2022 - 2024

found materials, earth, cast pewter, Chinati rocks
115 × 85 × 75 cm
© Anne Hardy, courtesy Maureen Paley, London Photo: Angus Mill

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Solar Tank, 2023 - 2024

found materials, aluminium, glass, paint, rusted wire, rust, light, steel, copper
140 × 60 × 18 cm
© Anne Hardy, courtesy Maureen Paley, London Photo: Angus Mill

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Lure (wand), 2023 - 2024

found materials, rusted metal, cast and polished pewter
70 × 15 × 15 cm
© Anne Hardy, courtesy Maureen Paley, London Photo: Angus Mill

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Energy Locator, 2023 - 2024

ound materials, stones, welded steel, light, custom - designed computer system for light source that responds to Marfa meteorological data
81 × 99 cm
© Anne Hardy, courtesy Maureen Paley, London Photo: Angus Mill

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Max Hooper Schneider

Twilight at the Earth’s Crust, 2023

modelled landscape, miniature N-scale train, preserved crayfish, copper-plated caves, miniature screens, custom computer program and hardware, artist’s documentary footage, custom table
133 × 50 × 80 cm
© Max Hooper Schneider, courtesy Maureen Paley, London Photo: Stephen James

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Dendrite Bonsai (Artichoke Heart), 2023

copper electroplated vegetables and wooden shrub assemblage
66 × 60 × 63 cm
© Max Hooper Schneider, courtesy Maureen Paley, London. Photo: Stephen James

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No. 1 Bar in Heaven, 2023

modelled plywood box, programmed miniature televisions, assorted matter, UV grow light, custom vintage acrylic vitrine
43.5 × 39 × 21.5 cm
© Max Hooper Schneider, courtesy Maureen Paley, London Photo: Paul Salveson

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Dendrite Bonsai (Celery Canyon), 2023

copper electroplated vegetables and wooden shrub assemblage
30 × 69 × 71 cm
© Max Hooper Schneider, courtesy Maureen Paley, London Photo: Stephen James

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Tar Beach, 2023

modelled plywood box, motorised miniature, assorted matter, LED light, powder coated aluminium armature
28 × 28 × 22 cm
© Max Hooper Schneider, courtesy Maureen Paley, London Photo: Paul Salveson

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Dendrite Bonsai (Chili Pepper), 2023

copper electroplated fruits and vegetables and wooden shrub assemblage
44 × 82 × 90 cm
© Max Hooper Schneider, courtesy Maureen Paley, London Photo: Stephen James

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Cereal Cave, 2023

modelled plywood box, UV blown glass mushrooms, epoxy resin, assorted matter and toy dogs, cereals, UV LED light, powder coated aluminium table
59 × 50 × 38 cm
Max Hooper Schneider, courtesy Maureen Paley, London Photo: Paul Salveson

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Peter Hujar

David Brintzenhofe Applying Makeup, 1982

Vintage gelatin silver print
0.0 × 0.0 × 0.0 mm
frame: 56.5 x 57.8 cm, image: 37.1 x 37.5 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Larry Ree Backstage, 1973

Vintage gelatin silver print
0.0 × 0.0 × 0.0 mm
frame: 56.5 x 57.8 cm, image: 37.5 x 37.5 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Cockette (Bearded Cockette), 1971

Vintage gelatin silver print
0.0 × 0.0 × 0.0 mm
frame: 56.5 x 57.8 cm, image: 37.1 x 37.5 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Georg Osterman Backstage at ''Camille'', 1974

Vintage gelatin silver print
0.0 × 0.0 × 0.0 mm
frame: 56.5 x 57.8 cm, image: 37.5 x 37.5 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Mario Montez Backstage at the Palm Casino Revue, 1974

Vintage gelatin silver print
0.0 × 0.0 × 0.0 mm
frame: 56.5 x 57.8 cm, image: 34.3 x 33.7 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Divine, 1975

Pigmented ink print
0.0 × 0.0 × 0.0 mm
frame: 56.5 x 57.8 cm, image: 37.5 x 37.5 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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John Waters (I), 1975

Pigmented ink print
0.0 × 0.0 × 0.0 mm
frame: 56.5 x 57.8 cm, image: 37.5 x 37.5 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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David Lighting Up, Manhattan-Night (I), November 26, 1985

Pigmented ink print
0.0 × 0.0 × 0.0 mm
frame: 56.5 x 57.8 cm, image: 37.5 x 37.5 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Charles Ludlam Backstage at ''Gallas'', Ridiculous Theater, 1984

Vintage gelatin silver print
0.0 × 0.0 × 0.0 mm
frame: 56.5 x 57.8 cm, image: 25.4 x 25.4 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Fran Lebowitz (at Home in Morristown), 1974

Pigmented ink print
0.0 × 0.0 × 0.0 mm
frame: 56.5 x 57.8 cm, image: 37.5 x 37.5 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Paul Thek (In Hooded Sweatshirt), 1975

Pigmented ink print
0.0 × 0.0 × 0.0 mm
frame: 56.5 x 57.8 cm, image: 25.4 x 25.4 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Merlin James

Street, 1987

acrylic on canvas
35.5 × 25 cm
© Merlin James, courtesy Maureen Paley, London. Photo: Ruth Clark

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The Bandstand, 2024

mixed materials
166 × 136 × 8.5 cm
© Merlin James, courtesy Maureen Paley, London. Photo: Ruth Clark

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Hesh, 2024

acrylic and charcoal on canvas
75 × 49.5 cm
© Merlin James, courtesy Maureen Paley, London. Photo: Ruth Clark

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Bandstand With 2 Birds, 2024

acrylic on canvas
47.5 × 57.5 cm
© Merlin James, courtesy Maureen Paley, London. Photo: Ruth Clark

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Likeness (West Coast), 2024

acrylic and charcoal on canvas
37.5 × 43 cm
© Merlin James, courtesy Maureen Paley, London. Photo: Ruth Clark

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Bandstand (Moon), 2024

acrylic on canvas
53.5 × 67.5 cm
© Merlin James, courtesy Maureen Paley, London. Photo: Ruth Clark

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Table, 1988

acrylic on canvas
41 × 43 cm
© Merlin James, courtesy Maureen Paley, London. Photo: Ruth Clark

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Rower, 2009

acrylic on canvas
41 × 61.5 cm
© Merlin James, courtesy Maureen Paley, London. Photo: Ruth Clark

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Boats, 1984

acrylic on canvas
48.5 × 63 cm
© Merlin James, courtesy Maureen Paley, London. Photo: Ruth Clark

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Corner Door, 1986

acrylic on canvas, wood frame
59 × 56 cm
© Merlin James, courtesy Maureen Paley, London. Photo: Ruth Clark

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Spring, c. 1982

acrylic on canvas
54 × 63 cm
© Merlin James, courtesy Maureen Paley, London. Photo: Ruth Clark

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Pacific, 2024

acrylic on canvas
40.5 × 50 cm
© Merlin James, courtesy Maureen Paley, London. Photo: Ruth Clark

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Corot, 1998-99

acrylic on canvas
45 × 33 cm
© Merlin James, courtesy Maureen Paley, London. Photo: Ruth Clark

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Penarth Pier, 2003-04

acrylic on canvas
41 × 30.5 cm
© Merlin James, courtesy Maureen Paley, London. Photo: Ruth Clark

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Work, 2012

mixed materials
47 × 45 cm
© Merlin James, courtesy Maureen Paley, London. Photo: Ruth Clark

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The Sewing Table, 2024

mixed materials
92 × 103 × 7 cm
© Merlin James, courtesy Maureen Paley, London. Photo: Ruth Clark

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Knowledge, Experience, 2024

acrylic on canvas, and paper
55 × 43 cm
© Merlin James, courtesy Maureen Paley, London. Photo: Ruth Clark

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Sarah Jones

Mynah (Mimic) (I), 2021

Framed c-type print from black and white negative mounted on aluminium
480.0 × 600.0 × 0.0 mm
60 x 48 cm
© Sarah Jones, courtesy Maureen Paley, London

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Le Sang d’un Poète (for Cocteau) (I), 2021

Framed c-type print from black and white negative mounted on aluminium
480.0 × 600.0 × 0.0 mm
60 x 48 cm
© Sarah Jones, courtesy Maureen Paley, London

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Mirror (Pandora) (I), 2021

Framed c-type print from black and white negative mounted on aluminium
480.0 × 600.0 × 0.0 mm
60 x 48 cm
© Sarah Jones, courtesy Maureen Paley, London

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Desert Rose (I), 2021

Framed c-type print from black and white negative mounted on aluminium
480.0 × 600.0 × 0.0 mm
60 x 48 cm
© Sarah Jones, courtesy Maureen Paley, London

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Love Apples (I), 2021

Framed c-type print from black and white negative mounted on aluminium
480.0 × 600.0 × 0.0 mm
60 x 48 cm
© Sarah Jones, courtesy Maureen Paley, London

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Torch Lily (Icarus) (I), 2021

Framed c-type print mounted on aluminium
1220.0 × 1520.0 × 0.0 mm
152 x 122 cm
© Sarah Jones, courtesy Maureen Paley, London

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Mimosa (Actor) (I), 2021

Framed c-type print mounted on aluminium
1220.0 × 1520.0 × 0.0 mm
152 x 122 cm
© Sarah Jones, courtesy Maureen Paley, London

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Mimosa (Actor) (II), 2021

Framed c-type print mounted on aluminium
1220.0 × 1520.0 × 0.0 mm
152 x 122cm
© Sarah Jones, courtesy Maureen Paley, London

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Screen (Orphee) (I), 2021

Framed c-type print from black and white negative mounted on aluminium
480.0 × 600.0 × 0.0 mm
60 x 48 cm
© Sarah Jones, courtesy Maureen Paley, London

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Mirror Ball (Narcissus) (II), 2021

Framed c-type print from black and white negative mounted on aluminium
800.0 × 1000.0 × 0.0 mm
100 x 80 cm
© Sarah Jones, courtesy Maureen Paley, London

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Screen (Orphee) (II), 2021

Framed c-type print from black and white negative mounted on aluminium
480.0 × 600.0 × 0.0 mm
60 x 48 cm
© Sarah Jones, courtesy Maureen Paley, London

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Magpie (Camera) (I), 2021

Framed c-type print from black and white negative mounted on aluminium
480.0 × 600.0 × 0.0 mm
60 x 48 cm
© Sarah Jones, courtesy Maureen Paley, London

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Magpie (Camera) (II), 2021

Framed c-type print from black and white negative mounted on aluminium
480.0 × 600.0 × 0.0 mm
60 x 48cm
© Sarah Jones, courtesy Maureen Paley, London

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Erik van Lieshout

Untitled, 2021

Vinyl and oil paint on canvas
800.0 × 490.0 × 0.0 mm
49 × 80 cm
© Erik van Lieshout, courtesy Maureen Paley, London

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Untitled, 2021

Vinyl and oil paint on canvas
340.0 × 400.0 × 0.0 mm
40 × 34 cm
© Erik van Lieshout, courtesy Maureen Paley, London

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Untitled, 2021

Conté crayon and edding ink on paper
590.0 × 420.0 × 0.0 mm
42 × 59 cm
© Erik van Lieshout, courtesy Maureen Paley, London

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Untitled, 2020

Vinyl and acrylic paint on canvas
330.0 × 450.0 × 0.0 mm
45 × 33 cm
© Erik van Lieshout, courtesy Maureen Paley, London

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Untitled, 2021

Oil on canvas
660.0 × 380.0 × 0.0 mm
38 × 66 cm
© Erik van Lieshout, courtesy Maureen Paley, London

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Untitled, 2020

Vinyl and oil paint on canvas
750.0 × 1140.0 × 0.0 mm
114 × 75 cm
© Erik van Lieshout, courtesy Maureen Paley, London

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Untitled, 2021

Conté crayon on paper
590.0 × 420.0 × 0.0 mm
42 × 59 cm
© Erik van Lieshout, courtesy Maureen Paley, London

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Untitled, 2020

Vinyl and acrylic paint on canvas
325.0 × 430.0 × 0.0 mm
43 × 32.5 cm
© Erik van Lieshout, courtesy Maureen Paley, London

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Untitled, 2020

Vinyl and acrylic paint on canvas
460.0 × 680.0 × 0.0 mm
68 × 46 cm
© Erik van Lieshout, courtesy Maureen Paley, London

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Alastair MacKinven

Untitled, 2022

Oil and iron powder on canvas
1500.0 × 1700.0 × 0.0 mm
170 × 150 cm
© Alastair Mackinven, courtesy Maureen Paley, London. Photo: Mark Blower

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Untitled, 2022

Oil and iron powder on canvas
1400.0 × 1200.0 × 0.0 mm
120 x 140 cm
© Alastair Mackinven, courtesy Maureen Paley, London. Photo: Mark Blower

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Untitled, 2022

Oil and iron powder on canvas
1600.0 × 2200.0 × 0.0 mm
220 × 160 cm
© Alastair Mackinven, courtesy Maureen Paley, London. Photo: Mark Blower

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Untitled, 2022

Oil and iron powder on canvas
2200.0 × 1600.0 × 0.0 mm
160 × 220 cm
© Alastair Mackinven, courtesy Maureen Paley, London. Photo: Mark Blower

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Reverend Joyce McDonald

Untitled, 2021

glazed ceramic and marker
14.61 × 21.59 × 5.08 cm
© Reverend Joyce McDonald, courtesy Maureen Paley, London and Gordon Robichaux, New York. Photo: Stephen Bishop

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Untitled, 2021

glazed ceramic, glass beads, adhesive, acrylic paint, on found ceramic
18.41 × 18.41 × 3.81 cm
© Reverend Joyce McDonald, courtesy Maureen Paley, London and Gordon Robichaux, New York. Photo: Stephen Bishop

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Untitled, 2021

glazed ceramic,
18.41 × 17.14 × 17.78 cm
© Reverend Joyce McDonald, courtesy Maureen Paley, London and Gordon Robichaux, New York

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Mr. Senior, 2021

glazed ceramic, adhesive and acrylic on found ceramic
19.7 × 19.7 × 1.9 cm
© Reverend Joyce McDonald, courtesy Maureen Paley, London and Gordon Robichaux, New York

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Concerned Family, 1999

air dry clay, acrylic paint, fabric
15.2 × 17.8 × 6.3 cm
© Reverend Joyce McDonald, courtesy Maureen Paley, London and Gordon Robichaux, New York

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Marian Anderson, 2021

air dry clay, metallic paint, glitter, plastic jewellery
16.5 × 15.2 × 15.9 cm
© Reverend Joyce McDonald, courtesy Maureen Paley, London and Gordon Robichaux, New York

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Inner Focus, 2020

air dry clay, glitter, glue, acrylic, wood
19.7 × 22.9 × 8.9 cm
© Reverend Joyce McDonald, courtesy Maureen Paley, London and Gordon Robichaux, New York

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Bowed in Grace, 2021

glazed ceramic
21 × 14.6 × 10.2 cm
© Reverend Joyce McDonald, courtesy Maureen Paley, London and Gordon Robichaux, New York

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Queen of Vaccine, 2021

sealed air dry clay
20.3 × 14 × 14.6 cm
© Reverend Joyce McDonald, courtesy Maureen Paley, London and Gordon Robichaux, New York

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My Three Loving Grands (Qulazia, Jesse, Ebony), 1999

air dry clay, wood, acrylic, wite-out, mod podge
20.3 × 21 × 5.7 cm
© Reverend Joyce McDonald, courtesy Maureen Paley, London and Gordon Robichaux, New York

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Surrendered, 2021

glazed ceramic
10.2 × 17.8 × 4.4 cm
© Reverend Joyce McDonald, courtesy Maureen Paley, London and Gordon Robichaux, New York

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Deimantas Narkevicius

The Fifer, 2019

(detail of installation) HD colour video with stereo sound (looped), holographic screen, archival black and white photograph (image: Central State Archive of Lithuania), digitally produced black and white photograph, bronze cast object
© Deimantas Narkevičius, courtesy Maureen Paley, London. Photo: Stephen James

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The Fifer, 2019

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Akmenys Po Du (1), 2023

enlarged double exposure Polaroid prints on paper
51.5 × 35 cm
© Deimantas Narkevičius, courtesy Maureen Paley, London. Photo: Stephen James

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Akmenys Po Du (5), 2023

enlarged double exposure Polaroid prints on paper
51.5 × 35 cm
© Deimantas Narkevičius, courtesy Maureen Paley, London. Photo: Stephen James

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Akmenys Po Du (9), 2023

enlarged double exposure Polaroid prints on paper
51.5 × 35 cm
© Deimantas Narkevičius, courtesy Maureen Paley, London. Photo: Stephen James

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Akmenys Po Du (13), 2023

enlarged double exposure Polaroid prints on paper
51.5 × 35 cm
© Deimantas Narkevičius, courtesy Maureen Paley, London. Photo: Stephen James

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Europa 54° 54′ – 25° 19′, 1997

16 mm film, colour, sound, duration: 8 minutes, English spoken, optical ratio: 4:3
Deimantas Narkevičius, The Fifer, 2024, exhibition view, Maureen Paley, London
© Deimantas Narkevičius, courtesy Maureen Paley, London. Photo: Stephen James

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The Fifer, 2019

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Avis Newman

Strategies of Engagement VI (Thirteen Chapters),, 2018/2022

acrylic and chalk on unstretched cotton canvas
2 part work: 1. 192 x 183 cm, 2. 20 x 20 cm
© Avis Newman, courtesy Maureen Paley, London

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Strategies of Engagement VII (Thirteen Chapters), 2022

acrylic and chalk on unstretched cotton canvas
183 × 232 cm
Avis Newman, courtesy Maureen Paley, London

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Watching the Map (Thirteen Chapters) I, 2023

acrylic on cotton canvas, acrylic and ink on cotton canvas, acrylic on linen canvas, acrylic on paper, ink on paper, graphite on wall, wood and glass (optional)
17 part work as shown: 1. 120 x 125 cm - 47 1/4 x 49 1/4 in 2. 95 x 100 cm - 37 3/8 x 39 3/8 in 3. 75 x 85 cm - 29 1/2 x 33 1/2 in 4. 25.5 x 30.5 cm - 10 x 12 in 5. 21.5 x 30.5 cm - 8 1/2 x 12 in 6. 20.5 x 25.5 cm - 8 1/8 x 10 in 7. nine folded paper wall
© Avis Newman, courtesy Maureen Paley, London. Photo: Mark Blower

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Aporia (Thirteen Chapters), e, 2022-23

acrylic on linen canvas
42 × 30 cm
© Avis Newman, courtesy Maureen Paley, London. Photo: Mark Blower

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Aporia (Thirteen Chapters), c, 2022-23

acrylic on linen canvas
30 × 21 cm
© Avis Newman, courtesy Maureen Paley, London. Photo: Mark Blower

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Paulo Nimer Pjota

Ballet triadico 2, 2021

Oil, tempera and acrylic on canvas, iron support and bronze sculpture
2100.0 × 2600.0 × 0.0 mm
210 x 260 cm
© Paulo Nimer Pjota, courtesy Maureen Paley, London

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Campo-santo de ouro, 2022

Acrylic, oil, tempera on canvas and aluminium plate plus bronze objects
2100.0 × 2570.0 × 0.0 mm
210 x 257 cm
© Paulo Nimer Pjota, courtesy Maureen Paley, London

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Crânio de bronze, 2022

Acrylic on canvas and aluminium sheet with magnet plus painted wooden frame
450.0 × 560.0 × 0.0 mm
45 x 56 cm
© Paulo Nimer Pjota, courtesy Maureen Paley, London

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site-specific wall painting, 2022

Exhibition view, Studio M, London
0.0 × 0.0 × 0.0 mm
© Paulo Nimer Pjota, courtesy Maureen Paley, London

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Jardim alquímico de noite, 2022

Acrylic, oil and tempera on canvas plus resin objects
2000.0 × 2560.0 × 0.0 mm
200 x 256 cm
© Paulo Nimer Pjota, courtesy Maureen Paley, London

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Jardim alquímico de dia, 2022

Acrylic, oil and tempera on canvas plus bronze objects
1570.0 × 2000.0 × 0.0 mm
206 x 157 cm
© Paulo Nimer Pjota, courtesy Maureen Paley, London

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Sorriso, 2022

Acrylic on canvas and iron sheet plus painted aluminium frame
440.0 × 700.0 × 0.0 mm
70 x 44 cm
© Paulo Nimer Pjota, courtesy Maureen Paley, London

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Paul P.

Untitled, 2019

Oil on linen
220.0 × 270.0 mm
27 x 22 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2019

Oil on canvas
220.0 × 330.0 mm
33 x 22 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2012

Oil on linen
240.0 × 330.0 mm
33 x 24 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2019

Oil on linen
190.0 × 240.0 mm
24 x 19 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2014

Oil on canvas
190.0 × 270.0 mm
27 x 19 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2017

Oil on canvas
330.0 × 410.0 mm
41 x 33 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2015

Oil on linen
330.0 × 240.0 mm
24 x 33 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2018

Oil on canvas
240.0 × 190.0 mm
19 x 24 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2016

Oil on linen
220.0 × 270.0 mm
27 x 22 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2019

Oil on linen
220.0 × 270.0 mm
27 x 22 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2010

Oil on canvas
190.0 × 240.0 mm
24 x 19 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2019

Oil on linen
240.0 × 330.0 mm
33 x 24 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2018

Oil on canvas
240.0 × 350.0 mm
35 x 24 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2019

Oil on linen
220.0 × 270.0 mm
27 x 22 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2018

Oil on canvas
190.0 × 270.0 mm
27 x 19 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2019

Oil on linen
480.0 × 610.0 mm
61 x 48 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2021

Watercolour on paper
215.0 × 285.0 × 0.0 mm
Paper: 28.5 x 21.5 cm. Frame: 48.7 x 39 cm
© Paul P., courtesy Maureen Paley, London. Photo: Mark Blower

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Untitled, 2022

Watercolour on paper
215.0 × 285.0 × 0.0 mm
Paper: 28.5 x 21.5 cm. Frame: 48.5 x 39 cm
© Paul P., courtesy Maureen Paley, London. Photo: Mark Blower

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Untitled, 2022

Watercolour on paper
215.0 × 285.0 × 0.0 mm
Paper: 28 x 21.5 cm. Frame: 48.5 x 39 cm
© Paul P., courtesy Maureen Paley, London. Photo: Mark Blower

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Untitled, 2022

Watercolour on paper
210.0 × 110.0 × 0.0 mm
Paper: 11 x 21 cm. Frame: 29.6 x 38.5 cm
© Paul P., courtesy Maureen Paley, London. Photo: Mark Blower

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Untitled, 2020

Oil on linen
240.0 × 160.0 × 0.0 mm
16 x 24 cm
© Paul P., courtesy Maureen Paley, London. Photo: Mark Blower

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Untitled, 2020

Oil on linen
270.0 × 410.0 × 0.0 mm
41 x 27 cm
© Paul P., courtesy Maureen Paley, London. Photo: Mark Blower

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Untitled, 2022

oil on linen
24 × 33 cm
© Paul P., courtesy Maureen Paley, London. Photo: Stephen Bishop

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Untitled, 2023

oil on linen
24 × 33 cm
© Paul P., courtesy Maureen Paley, London. Photo: Stephen Bishop

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Untitled, 2022

oil on linen
27 × 33 cm
© Paul P., courtesy Maureen Paley, London. Photo: Stephen Bishop

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Seb Patane

Filiberta - Miss Alice Lonnon, 2024

Ballpoint pen, colour tape, collage and enamel on printed paper
26.3 × 34.4 cm
© Seb Patane, courtesy Maureen Paley, London. Photo: Mark Blower

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Miss Granville, 2024

Ballpoint pen, colour pencil and enamel on printed paper
24.6 × 35 cm
© Seb Patane, courtesy Maureen Paley, London. Photo: Mark Blower

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Miss Doris Keane, 2024

Ballpoint pen, collage and enamel on printed paper
20.5 × 28.3 cm
© Seb Patane, courtesy Maureen Paley, London. Photo: Mark Blower

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Josephine, as Merva, does not come up to Miss Ventnor’s expectation, 2024

Ballpoint pen, colour pencil, collage and enamel on printed paper
20 × 29 cm
© Seb Patane, courtesy Maureen Paley, London. Photo: Mark Blower

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Untitled Glee (B), 2024

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Untitled Glee (D), 2024

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Olivia Plender

Arrest!, 2021

Framed pencil on paper
274.0 × 360.0 × 0.0 mm
36 x 27.4 cm
© Olivia Plender, courtesy Maureen Paley, London. Photo: Mark Blower

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Arrest!, 2021

Framed pencil on paper
274.0 × 360.0 × 0.0 mm
36 x 27.4 cm
© Olivia Plender, courtesy Maureen Paley, London. Photo: Mark Blower

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Arrest!, 2021

Framed pencil on paper
274.0 × 360.0 × 0.0 mm
36 x 27.4 cm
© Olivia Plender, courtesy Maureen Paley, London. Photo: Mark Blower

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Arrest!, 2021

Framed pencil on paper
274.0 × 360.0 × 0.0 mm
36 x 27.4 cm
© Olivia Plender, courtesy Maureen Paley, London. Photo: Mark Blower

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Arrest!, 2021

Framed pencil on paper
274.0 × 360.0 × 0.0 mm
36 x 27.4 cm
© Olivia Plender, courtesy Maureen Paley, London. Photo: Mark Blower

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Arrest!, 2021

Framed pencil on paper
274.0 × 360.0 × 0.0 mm
36 x 27.4 cm
© Olivia Plender, courtesy Maureen Paley, London. Photo: Mark Blower

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Arrest!, 2021

Framed pencil on paper
274.0 × 360.0 × 0.0 mm
36 x 27.4 cm
© Olivia Plender, courtesy Maureen Paley, London. Photo: Mark Blower

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Neither Strivers Nor Skivers, They Will Not Define Us, 2020

Sound (20 minutes and 36 seconds, looped), series of wall mounted posters and wall painting
0.0 × 0.0 × 0.0 mm
© Olivia Plender, courtesy Maureen Paley, London. Photo: Mark Blower

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Our Bodies Are Not the Problem, the Problem is Power, 2022

Acrylic on canvas with wooden dowels and string
1495.0 × 1330.0 × 0.0 mm
133 x 149.5 cm / 52 3/8 x 58 7/8 in
© Olivia Plender, courtesy Maureen Paley, London. Photo: Mark Blower

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Our Bodies Are Not the Problem, the Problem is Power, 2022

Acrylic on canvas with wooden dowels and string
1495.0 × 1330.0 × 0.0 mm
133 x 149.5 cm / 52 3/8 x 58 7/8 in
© Olivia Plender, courtesy Maureen Paley, London. Photo: Mark Blower

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Our Bodies Are Not the Problem, the Problem is Power, 2022

Acrylic on canvas with wooden dowels and string
1495.0 × 1330.0 × 0.0 mm
133 x 149.5 cm / 52 3/8 x 58 7/8 in
© Olivia Plender, courtesy Maureen Paley, London. Photo: Mark Blower

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Michael Queenland

Rudy's Ramp of Remainders: Cereal Ramp, 2018/2023

Paper and cardboard cereal box packages
6140 × 350 × 1780 mm
35 x 614 x 178 cm 13 3/4 x 241 3/4 x 70 1/8 in
© Michael Queenland, courtesy Maureen Paley, London Photo: Mark Blower

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Rudy’s Ramp of Remainders – BG4/#1, 2023

Polyurethane resin, latex balloon
400 × 370 × 330 mm
37 × 40 × 33 cm 15 3/8 x 17 3/8 x 13 3/4 in
© Michael Queenland, courtesy Maureen Paley, London Photo: Mark Blower

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Untitled (1), 2023

Vinyl, felt
813 × 1321 mm
132.1 x 81.3 cm 52 x 32 in
© Michael Queenland, courtesy Maureen Paley, London Photo: Mark Blower

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Rudy's Ramp of Remainders, Untitled #1, 2012

Toilet gasket, concrete, balloon
305 × 635 × 305 mm
63.5 x 30.5 x 30.5 cm 25 x 12 x 12 in
© Michael Queenland, courtesy Maureen Paley, London Photo: Mark Blower

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Rudy's Ramp of Remainders, Untitled #10, 2022

Broom, concrete, balloon
370 × 380 × 350 mm
38 x 37 x 35 cm 15 x 14 5/8 x 13 3/4 in
© Michael Queenland, courtesy Maureen Paley, London Photo: Mark Blower

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Eduardo Sarabia

Más Oro, 2023

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Infinity Rose, 2023

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Looking Glass, 2023

acrylic, gold leaf and silver leaf on paper
75 × 55 cm
© Eduardo Sarabia, courtesy Maureen Paley, London. Photo: Gretel Morales

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Rose Window II, 2023

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Change The World From Old To New, 2023

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Home, 2012-2022

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100PRE X <3<3 V, 2023

hand-painted ceramic vase, resin and enamel paint
vase: 51 x 32 x 27.5 cm; shelf: 33 x 39 x 25 cm
© Eduardo Sarabia, courtesy Maureen Paley, London. Photo: Gretel Morales

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Nopal Mágico, 2022

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Maaike Schoorel

zelfportret met Adriaan (self portrait with Adriaan), 2023

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viering (celebration), 2023

oil on linen
in three parts: 1: 170 x 95 cm, 2: 170 x 95 cm, 3: 170 x 55 cm
© Maaike Schoorel, courtesy Maureen Paley, London Photo: Stephen James

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dancing diptych, 2023

oil on linen with pigments, air brush and appliqué
in two parts: 1: 212 x 140 cm, 2: 212 x 110 cm
© Maaike Schoorel, courtesy Maureen Paley, London. Photo: Stephen James

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bruidspaar II (wedding couple II), 2023

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the wedding figures, 2023

plaster and pigments
1: 18 x 9.5 x 5.5 cm, 2: 21 x 9 x 5.5 cm
© Maaike Schoorel, courtesy Maureen Paley, London. Photo: Stephen James

centaur, 2023

hyacinth, 2023

monkey, 2023

vase, 2023

dancing couple, 2023

oil on linen with powder pigment
in two parts: 1: 150 x 90 cm, 2: 150 x 90 cm
© Maaike Schoorel, courtesy Maureen Paley, London Photo: Stephen James

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bruidspaar I (wedding couple I), 2023

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meditation, 2023

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Hannah Starkey

Untitled, November 2023, 2023

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Untitled, April 2024, 2024

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Untitled, January 2023, 2023

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Metaverse, May 2022, 2022

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Untitled, November 2023, 2023

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Dirk Stewen

Geheimnis, 2018

Inkjet print on baryth, ink on paper
700 × 1000 mm
100 x 70 cm 39 3/8 x 27 1/2 inches
© Dirk Stewen, courtesy Maureen Paley, London Photo: Mark Blower

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Untitled, 2022

Circular reflector discs, rubber, ink on wood, gesso on paper, mild steel needles
3030 × 2400 × 710 mm
Overall: 240 x 303 x 71 cm 94 1/2 x 119 1/4 x 28 in wooden poles, each: 240 x 1.3 x 1.3 cm 15 3/4 x 1/2 x 1/2 in
© Dirk Stewen, courtesy Maureen Paley, London Photo: Mark Blower

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CUPID VICTORIOUS, 2018

B/W Lasercopy, vintage paper, rubber, ink on wood, iron needles
1100 × 900 mm
Overall: 90 x 110 cm 35 3/8 x 43 1/4 in frame: 52.5 x 69.7 cm 20 5/8 x 27 1/2 in
© Dirk Stewen, courtesy Maureen Paley, London Photo: Mark Blower

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Studio K.O.S

The Scarlet Letter / All About Love (after Nathaniel Hawthorne and bell hooks) Affirmation, 2023

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Wolfgang Tillmans

Adam redeye, 1991

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Dimitry & Ivan, St. Petersburg, 2014

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CLC 800, dismantled, a, 2011

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Donald Urquhart

Transfiguration I, 2023

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Botanical Parentheses, 2023

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Transfiguration II, 2023

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Esther Pearl Watson

Gene didn’t come home last night, 2019

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Wash Your Hands, 2019

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Mothership, 2019

Acrylic, collage and glitter on canvas
914.0 × 914.0 mm
91.4 x 91.4 cm
© Esther Pearl Watson, courtesy Maureen Paley, London

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High Static Thrust, 2019

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Due to Transportation, 2019

Acrylic, collage and glitter on canvas
914.0 × 914.0 mm
91.4 x 91.4 cm
© Esther Pearl Watson, courtesy Maureen Paley, London

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One Good Thing, 2019

Acrylic, collage, foil and glitter on panel
610.0 × 457.0 mm
45.7 x 61 cm
© Esther Pearl Watson, courtesy Maureen Paley, London

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Gillian Wearing

Untitled (lockdown portrait), 2020

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Lockdown Portrait 1, 2020

Framed watercolour on paper
0.0 × 0.0 × 0.0 mm
30.3 x 22.8 cm 11 7/8 x 9 inches, framed: 39.5 x 31.5 cm 15 1/2 x 12 3/8 inches
© Gillian Wearing, courtesy Maureen Paley, London

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Lockdown Portrait 3, 2020

Framed watercolour on paper
0.0 × 0.0 × 0.0 mm
31 x 23 cm 12 1/4 x 9 1/8 inches, framed: 39.5 x 31.5 x 2.6 cm 15 1/2 x 12 3/8 x 1 1/8 inches
© Gillian Wearing, courtesy Maureen Paley, London

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Lockdown Portrait 4, 2020

Framed watercolour on paper
0.0 × 0.0 × 0.0 mm
30.9 x 23 cm 12 1/8 x 9 1/8 inches, framed: 39.5 x 31.5 x 2.6 cm 15 1/2 x 12 3/8 x 1 1/8 inches
© Gillian Wearing, courtesy Maureen Paley, London

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Lockdown Portrait 5, 2020

Framed watercolour on paper
0.0 × 0.0 × 0.0 mm
30.4 x 21.2 cm 12 x 8 3/8 inches, framed: 39.5 x 31.5 x 2.6 cm 15 1/2 x 12 3/8 x 1 1/8 inches
© Gillian Wearing, courtesy Maureen Paley, London

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Lockdown Portrait 2, 2020

Framed watercolour on paper
0.0 × 0.0 × 0.0 mm
31 x 23 cm 12 1/4 x 9 1/8 inches, framed: 39.5 x 31.5 x 2.6 cm 15 1/2 x 12 3/8 x 1 1/8 inches
© Gillian Wearing, courtesy Maureen Paley, London

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Untitled (lockdown portrait), 2020

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Mask Masked, 2020

Fabric mask, wax sculpture, steel rod and wooden plinth
0.0 × 0.0 × 0.0 mm
56 x 14 x 10 cm 22 x 5 1/2 x 3 7/8 inches, plinth: 92 x 38 x 28 cm 36 1/4 x 15 x 11 inches
© Gillian Wearing, courtesy Maureen Paley, London

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Untitled (lockdown portrait), 2020

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Untitled (lockdown portrait), 2020

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Your Views, 2013 - present

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Helena Swanwick: feminist, pacifist and Walter Sickert’s sister, 2022

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Volodymyr Zelenskyy, one year on, 2022

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James Welling

Portrait of Avidia Plautia, 2019

Framed oil pigment and electrostatic print on polyester
305.0 × 457.0 mm
45.7 x 30.5 cm
© James Welling, courtesy Maureen Paley, London

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Head of a goddess. 2nd century A. D. marble imitation of a 5th - 4th century B. C. c hryselephantine (gold and ivory) sculpture, 2019

Framed oil pigment and electrostatic print on polyester
305.0 × 457.0 mm
45.7 x 30.5 cm
© James Welling, courtesy Maureen Paley, London

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IYPD, 2018

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Athlete’s torso, 2019

Framed oil pigment and electrostatic print on polyester
305.0 × 457.0 mm
45.7 x 30.5 cm
© James Welling, courtesy Maureen Paley, London

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Eleusis. Kallichoros (Well of the fair dances), 2019

Framed oil pigment and electrostatic print on polyester
457.0 × 305.0 mm
30.5 x 45.7 cm
© James Welling, courtesy Maureen Paley, London

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Parthenon. West pediment. Crowning akroterion (floral ornament), 2019

Framed oil pigment and electrostatic print on polyester
305.0 × 457.0 mm
45.7 x 30.5 cm
© James Welling, courtesy Maureen Paley, London

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IBBY, 2018

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ICYR, 2018

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Erechtheion. North porch. Sunset, 2019

Inkjet print on rag paper with watercolour
572.0 × 425.0 mm
42.5 x 57.2 cm
© James Welling, courtesy Maureen Paley, London

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Erechtheion. Western façade. Sacred olive, karyatids and old temple of Athena Polias in foreground, 2019

Framed oil pigment and electrostatic print on polyester
457.0 × 305.0 mm
30.5 x 45.7 cm
© James Welling, courtesy Maureen Paley, London

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Propylaia. South pteron (wing) looking toward the Saronic Gulf, 2019

Framed oil pigment and electrostatic print on polyester
457.0 × 305.0 mm
30.5 x 45.7 cm
© James Welling, courtesy Maureen Paley, London

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IYGM, 2018

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Jane and Louise Wilson

The Toxic Camera (video still), 2012

HD video for projection
0.0 × 0.0 × 0.0 mm
20 minutes, 59 seconds, dimensions variable
© Jane and Louise Wilson, courtesy Maureen Paley, London. Photo: Mark Blower

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Transmission (with steam-formed Ash), 2022

Steam-formed Ash, wooden dowels, screws and rubber O-rings with c-type handprint on aluminium with Diasec and UV emulsion
4220.0 × 3000.0 × 60.0 mm
overall dimensions: 300 × 422 × 6 cm
© Jane and Louise Wilson, courtesy Maureen Paley, London. Photo: Mark Blower

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Konvas Avtomat, The Toxic Camera, 2012

Bronze
248.0 × 197.0 × 197.0 mm
24.8 × 19.7 × 19.7 cm
© Jane and Louise Wilson, courtesy Maureen Paley, London. Photo: Mark Blower

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HID140415_025 HID140415_027 (steam-formed Ash), 2022

Steam-formed Ash with screws and metal
670.0 × 3850.0 × 670.0 mm
385 × 67 × 67 cm
© Jane and Louise Wilson, courtesy Maureen Paley, London. Photo: Mark Blower

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Imperial Measure 16 (Atomgrad, Ukraine), 2014

Photo print and collage on Hahnemühle paper
599.0 × 454.0 × 0.0 mm
45.4 × 59.9 cm
© Jane and Louise Wilson, courtesy Maureen Paley, London. Photo: Mark Blower

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Imperial Measure 19 (Atomgrad, Ukraine), 2014

Photo print and collage on Hahnemühle paper
546.0 × 397.0 × 0.0 mm
framed: 39.7 × 54.6 cm
© Jane and Louise Wilson, courtesy Maureen Paley, London. Photo: Mark Blower

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Imperial Measure 11 (Atomgrad, Ukraine), 2014

Photo print and collage on Hahnemühle paper
394.0 × 546.0 × 0.0 mm
framed: 54.6 × 39.4 cm
© Jane and Louise Wilson, courtesy Maureen Paley, London. Photo: Mark Blower

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Garage, 1989-2008

2 black and white photographs mounted on aluminium with Diasec
left: 185 x 154 cm, right: 177.5 x 140 cm
© Jane and Louise Wilson, courtesy Maureen Paley, London. Photo: Mark Blower

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