Marian Goodman Gallery

Tacita Dean

DANTE

DANTE, 2023

Presented in a custom-made box with the first recording of Thomas Adè's DANTE, a double LP with artwork by Tacita Dean, designed by Martyn Ridgewell and released by Nonesuch Records. 12 inch photogravure on Hahnemühle 300 g.
34 × 34 cm
13 3/8 x 13 3/8 in.
Edition of 45 plus 10 artist's proofs Photo Credits: All Rights reserved Copyright: Tacita Dean Courtesy the Artist and Marian Goodman Gallery

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Paradise: Archangels

Paradise: Archangels, 2021

19 color screenprint with a satin seal varnish on Somerset Satin Tub 410g.
145 × 61.5 cm
24 1/4 x 57 1/8 in.
Edition of 24 plus 8 artist's proofs Photo credit: Alex Yudzon Copyright: Tacita Dean Courtesy of The artist and Marian Goodman Gallery

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Paradise: Empyrean

Paradise: Empyrean, 2021

19 color screenprint with a satin seal varnish on Somerset Satin Tub 410g.
145 × 61.5 cm
24 1/4 x 57 1/8 in.
Edition of 24 plus 8 artist's proofs Photo credit: Alex Yudzon Copyright: Tacita Dean Courtesy of The artist and Marian Goodman Gallery

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Paradise: Angels

Paradise: Angels, 2021

19 color screenprint with a satin seal varnish on Somerset Satin Tub 410g.
145 × 61.5 cm
24 1/4 x 57 1/8 in.
Edition of 24 plus 8 artist's proofs Photo credit: Alex Yudzon Copyright: Tacita Dean Courtesy of The artist and Marian Goodman Gallery

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Paradise: Seraphim

Paradise: Seraphim, 2021

19 color screenprint with a satin seal varnish on Somerset Satin Tub 410g.
145 × 61.5 cm
24 1/4 x 57 1/8 in.
Edition of 24 plus 8 artist's proofs Photo credit: Alex Yudzon Copyright: Tacita Dean Courtesy of The artist and Marian Goodman Gallery

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Paradise: Virtues

Paradise: Virtues, 2021

19 color screenprint with a satin seal varnish on Somerset Satin Tub 410g.
145 × 61.5 cm
24 1/4 x 57 1/8 in.
Edition of 24 plus 8 artist's proofs Photo credit: Alex Yudzon Copyright: Tacita Dean Courtesy of The artist and Marian Goodman Gallery

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Paradise: Cherubim

Paradise: Cherubim, 2021

19 color screenprint with a satin seal varnish on Somerset Satin Tub 410g.
145 × 61.5 cm
24 1/4 x 57 1/8 in.
Edition of 24 plus 8 artist's proofs Photo credit: Alex Yudzon Copyright: Tacita Dean Courtesy of The artist and Marian Goodman Gallery

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Paradise: Powers

Paradise: Powers, 2021

19 color screenprint with a satin seal varnish on Somerset Satin Tub 410g.
145 × 61.5 cm
24 1/4 x 57 1/8 in.
Edition of 24 plus 8 artist's proofs Photo credit: Alex Yudzon Copyright: Tacita Dean Courtesy of The artist and Marian Goodman Gallery

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Paradise: Thrones

Paradise: Thrones, 2021

19 color screenprint with a satin seal varnish on Somerset Satin Tub 410g.
145 × 61.5 cm
24 1/4 x 57 1/8 in.
Edition of 24 plus 8 artist's proofs Photo credit: Alex Yudzon Copyright: Tacita Dean Courtesy of The artist and Marian Goodman Gallery

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Paradise: Principalities

Paradise: Principalities, 2021

19 color screenprint with a satin seal varnish on Somerset Satin Tub 410g.
145 × 61.5 cm
24 1/4 x 57 1/8 in.
Edition of 24 plus 8 artist's proofs Photo credit: Alex Yudzon Copyright: Tacita Dean Courtesy of The artist and Marian Goodman Gallery

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Paradise: Dominations

Paradise: Dominations, 2021

19 color screenprint with a satin seal varnish on Somerset Satin Tub 410g.
145 × 61.5 cm
24 1/4 x 57 1/8 in.
Edition of 24 plus 8 artist's proofs Photo credit: Alex Yudzon Copyright: Tacita Dean Courtesy of The artist and Marian Goodman Gallery

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Cristina Iglesias

Cave Study II

Cave Study II, 2022

Acid on silkscreen on copper
100 × 50 × 1.5 cm
Photo Credits : Rebecca Fanuele. Courtesy Cristina Iglesias and Marian Goodman Gallery

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Cave Study VII

Cave Study VII, 2022

Acid on silkscreen on copper
100 × 50 × 1.5 cm
Photo Credits : Rebecca Fanuele. Courtesy Cristina Iglesias and Marian Goodman Gallery

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Cave Study XIV

Cave Study XIV, 2022

Acid on silkscreen on copper
100 × 50 × 1.5 cm
Photo Credits : Rebecca Fanuele. Courtesy Cristina Iglesias and Marian Goodman Gallery

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Cave Study XX

Cave Study XX, 2022

Acid on silkscreen on copper
100 × 50 × 1.5 cm
Photo Credits : Rebecca Fanuele. Courtesy Cristina Iglesias and Marian Goodman Gallery

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Hondalea Study (Seaweed Green)

Hondalea Study (Seaweed Green), 2021

Photo-engraving and intaglio inks on paper
76 × 56 cm
Photo Credits : Rebecca Fanuele Courtesy Cristina Iglesias and Marian Goodman Gallery

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Hondalea Study (Sky Blue)

Hondalea Study (Sky Blue), 2021

Photo-engraving and intaglio inks on paper
76 × 56 cm
Photo Credits : Rebecca Fanuele Courtesy Cristina Iglesias and Marian Goodman Gallery

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Hondalea Study (Turquoise blue)

Hondalea Study (Turquoise blue), 2021

Photo-engraving and intaglio inks on paper
76 × 56 cm
Photo Credits : Rebecca Fanuele Courtesy Cristina Iglesias and Marian Goodman Gallery

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Hondalea Study (Sage Green)

Hondalea Study (Sage Green), 2021

Photo-engraving and intaglio inks on paper
76 × 56 cm
Photo Credits : Rebecca Fanuele Courtesy Cristina Iglesias and Marian Goodman Gallery

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Hondalea Study (Aegean Blue)

Hondalea Study (Aegean Blue), 2021

Photo-engraving and intaglio inks on paper
76 × 56 cm
Photo Credits : Rebecca Fanuele Courtesy Cristina Iglesias and Marian Goodman Gallery

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The Rocky Coast and the Ocean VI

The Rocky Coast and the Ocean VI, 2022

Mixed media on paper
40 × 31 cm
Photo Credits : Rebecca Fanuele Courtesy Cristina Iglesias and Marian Goodman Gallery

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The Rocky Coast and the Ocean VII

The Rocky Coast and the Ocean VII, 2022

Mixed media on paper
40 × 31 cm
Photo Credits : Rebecca Fanuele Courtesy Cristina Iglesias and Marian Goodman Gallery

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Sin Titulo

Sin Titulo, 2007

Screenprint on curved stainless steel
200 × 100 cm
Photo Credits : Rebecca Fanuele Courtesy Cristina Iglesias and Marian Goodman Gallery

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An-My Lê

Grey Wolf

Grey Wolf, 2024

360 degree cyclorama installation comprised of 7 vinyl prints
64 1/2 × 48 in

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Launch Facility I-02 (aka ‘India 02), located at the intersection of Boston Coulee Road and Eden Road, approximately one mile south of Eden, Cascade County, (47.257615, -111.277166), Montana, 2024, from Grey Wolf

Launch Facility I-02 (aka ‘India 02), located at the intersection of Boston Coulee Road and Eden Road, approximately one mile south of Eden, Cascade County, (47.257615, -111.277166), Montana, 2024, from Grey Wolf, 2024

Inkjet Print
64 1/2 × 48 in

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Park Point North Overlook II, Mesa Verde National Park, Colorado, 2024, from Dark Star

Park Point North Overlook II, Mesa Verde National Park, Colorado, 2024, from Dark Star, 2024

Inkjet Print
60 × 48 in

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Park Point North Overlook I, Mesa Verde National Park, Colorado, 2024, from Dark Star

Park Point North Overlook I, Mesa Verde National Park, Colorado, 2024, from Dark Star, 2024

Inkjet Print
60 × 48 in

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Sun Point View II, Mesa Verde National Park, Colorado, 2024, from Dark Star

Sun Point View II, Mesa Verde National Park, Colorado, 2024, from Dark Star, 2024

Inkjet Print
60 × 48 in

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Oak Tree House I, Mesa Verde National Park, Colorado, 2024, from Dark Star

Oak Tree House I, Mesa Verde National Park, Colorado, 2024, from Dark Star, 2024

Inkjet Print
60 × 48 in

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Oak Tree House II, Mesa Verde National Park, Colorado, 2024, from Dark Star

Oak Tree House II, Mesa Verde National Park, Colorado, 2024, from Dark Star, 2024

Inkjet Print
60 × 48 in

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Fire Temple and New Fire House, Mesa Verde National Park, Colorado, 2024, from Dark Star

Fire Temple and New Fire House, Mesa Verde National Park, Colorado, 2024, from Dark Star, 2024

Inkjet Print
60 × 48 in

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Sun Point View, Mesa Verde National Park, Colorado, 2024, from Dark Star

Sun Point View, Mesa Verde National Park, Colorado, 2024, from Dark Star, 2024

Inkjet Print
60 × 48 in

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Pinyon/Juniper Trees from 2002 Long Mesa Fire, Mesa Verde National Park, Colorado, 2024, from Dark Star

Pinyon/Juniper Trees from 2002 Long Mesa Fire, Mesa Verde National Park, Colorado, 2024, from Dark Star, 2024

Inkjet Print
60 × 48 in

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Park Point South Overlook, Mesa Verde National Park, Colorado, 2024, from Dark Star

Park Point South Overlook, Mesa Verde National Park, Colorado, 2024, from Dark Star, 2024

Inkjet Print
60 × 48 in

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Delcy Morelos

La doble negación

La doble negación, 2006

Acrylic on cotton weave
53 × 42 × 3 cm
16 1/2 x 20 7/8 x 1 1/8 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Agua salada organizada

Agua salada organizada, 2014

2 parts; acrylic on jute
7.5 × 289.2 × 12 cm
113 7/8 x 3 x 4 3/4 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Agua salada organizada

Agua salada organizada, 2014

2 parts; acrylic on jute
7.5 × 289.2 × 12 cm
113 7/8 x 3 x 4 3/4 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Agua salada organizada

Agua salada organizada, 2014

2 parts; acrylic on jute
7.5 × 289.2 × 12 cm
113 7/8 x 3 x 4 3/4 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Agua salada organizada

Agua salada organizada, 2014

2 parts; acrylic on jute
7.5 × 289.2 × 12 cm
113 7/8 x 3 x 4 3/4 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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En la trama personal

En la trama personal, 2004

Acrylic on paper
202.8 × 156.5 × 2.8 cm
61 5/8 x 79 7/8 x 1 1/8 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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En la trama personal

En la trama personal, 2004

Acrylic on paper
212.6 × 159 × 2.8 cm
62 5/8 x 83 3/4 x 1 1/8 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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En la trama personal

En la trama personal, 2004

Acrylic on paper
202.8 × 156.5 × 2.8 cm
61 5/8 x 79 7/8 x 1 1/8 in
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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En la trama personal

En la trama personal, 2004

Acrylic on paper
213.1 × 158 × 2.8 cm
62 1/4 x 83 7/8 x 1 1/8 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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El oscuro de abajo

El oscuro de abajo, 2023

Earth, clay, cinnamon, cloves and fragrance
Dimensions variable
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Untitled

Untitled, 2020

Ink on paper
32 × 48.5 cm
19 1/8 x 12 5/8 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Untitled

Untitled, 2020

Ink on paper
32 × 48 cm
18 7/8 x 12 5/8 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Untitled

Untitled, 2020

Ink on paper
48 × 32 cm
12 5/8 x 18 7/8 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Untitled

Untitled, 2018

Watercolor on paper
25.4 × 41 cm
16 1/8 x 10 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Untitled

Untitled, 2018

Watercolor on paper
40.8 × 25.4 cm
10 x 16 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Untitled

Untitled, 2018

Watercolor on paper
33.1 × 25.5 cm
10 x 13 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Espacios concentrados

Espacios concentrados, 2001-2004

Acrylic on fabric
40.4 × 60.7 × 2.4 cm
23 7/8 x 15 7/8 x 1 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Untitled

Untitled, 2018

Ink on paper
32 × 48.7 cm
19 1/8 x 12 5/8 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Untitled

Untitled, 2019

Watercolor on paper
31.8 × 48.6 cm
19 1/8 x 12 1/2 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Untitled

Untitled ,

Watercolor on paper
31.8 × 48.6 cm
19 1/8 x 12 1/2 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Untitled

Untitled, 2009

Ink on paper
102 × 67 cm
26 3/8 x 40 1/8 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Untitled

Untitled, 2009

Ink on paper
103.2 × 67.3 cm
26 1/2 x 40 1/2 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Untitled

Untitled, 2010

Ink on paper
48.5 × 31.7 cm
12 1/2 x 19 1/8 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Untitled

Untitled ,

Ink on paper
33 × 25 cm
9 7/8 x 13 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Untitled

Untitled, 2009

Ink on paper
60 × 89 cm
35 x 23 5/8 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Untitled

Untitled, 2010

Ink on paper
37.1 × 39 cm
15 3/8 x 14 5/8 in.
Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Eva

Eva, 2013

Clay, brick dust, and acrylic binder on cotton weave
69 3/4 × 14 1/2 × 1 3/8 cm
Courtesy of Delcy Morelos and Marian Goodman Gallery Photo: Alex Yudzon

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Eva

Eva, 2013

Clay, brick dust, and acrylic binder on cotton weave
48 × 14 × 1 3/8 cm
Courtesy of Delcy Morelos and Marian Goodman Gallery Photo: Alex Yudzon

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Eva

Eva, 2013

Clay, brick dust, and acrylic binder on cotton weave
47 1/4 × 20 × 1 3/8 cm
Courtesy of Delcy Morelos and Marian Goodman Gallery Photo: Alex Yudzon

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Eva

Eva, 2013

Clay, brick dust, and acrylic binder on cotton weave
48 1/4 × 19 × 1 3/8 cm
Courtesy of Delcy Morelos and Marian Goodman Gallery Photo: Alex Yudzon

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Eva

Eva, 2013

Clay, brick dust, and acrylic binder on linen and wood support
164 × 86 5/8 × 57 1/4 in
Courtesy of Delcy Morelos and Marian Goodman Gallery Photo: Alex Yudzon

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The Double Negation (La doble negación)

The Double Negation (La doble negación), 2008

Acrylic on cotton thread
25 5/8 × 33 1/8 × 3/4 in
Courtesy of Delcy Morelos and Marian Goodman Gallery Photo: Tom Powel Imaging

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Eva

Eva, 2013

143 fragments; clay brick dust, and acrylic binder on chipboard
Courtesy of Delcy Morelos and Marian Goodman Gallery Photo: Alex Yudzon

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Eva

Eva, 2013

24 pieces; clay, brick dust, and acrylic binder on jute
4 × 140 × 3 3/4 in
Courtesy of Delcy Morelos and Marian Goodman Gallery Photo: Alex Yudzon

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Giuseppe Penone

Pressione

Pressione, 1977-2024

Charcoal on wall
Courtesy Archivio Penone and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Avvolgere la terra

Avvolgere la terra, 2024

Terracotta, pigment
4 × 7 7/8 × 4 in
Courtesy Archivio Penone and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Avvolgere la terra

Avvolgere la terra, 2024

Terracotta, pigment
4 × 7 7/8 × 4 in
Courtesy Archivio Penone and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Avvolgere la terra

Avvolgere la terra, 2015

Typographical ink and acrylic on paper
9 1/2 × 13 in
© Archivio Penone. Courtesy Archivio Penone and Marian Goodman Gallery

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Avvolgere la terra

Avvolgere la terra, 2015

Typographical ink and acrylic on paper
13 × 9 1/2 in
© Archivio Penone. Courtesy Archivio Penone and Marian Goodman Gallery

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Robert Smithson

Mars-Venus

Mars-Venus, 1961-63

Pencil, gouache, photo collage, watercolor on paper
61 × 45.7 cm
© Holt/Smithson Foundation /Licensed by Artists Rights Society, New York. Courtesy Holt/Smithson Foundation and Marian Goodman Gallery. Photo: Dan Bradica

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Hands Stigmata

Hands Stigmata, 1961

Gouache on paper
34.6 × 45.7 cm
© Holt/Smithson Foundation /Licensed by Artists Rights Society, New York. Courtesy Holt/Smithson Foundation and Marian Goodman Gallery. Photo: Alex Yudzon

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Untitled

Untitled, 1960

Gouache, ink on paper
40 × 45.7 cm
© Holt/Smithson Foundation /Licensed by Artists Rights Society, New York. Courtesy Holt/Smithson Foundation and Marian Goodman Gallery. Photo: Alex Yudzon

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Untitled

Untitled, 1964

Pencil and crayon with collage on paper
55.9 × 76.2 cm
© Holt/Smithson Foundation /Licensed by Artists Rights Society, New York. Courtesy Holt/Smithson Foundation and Marian Goodman Gallery. Photo: Alex Yudzon

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Untitled

Untitled, 1963

Pencil and crayon with collage on paper
45.7 × 61 cm
© Holt/Smithson Foundation /Licensed by Artists Rights Society, New York. Courtesy Holt/Smithson Foundation and Marian Goodman Gallery. Photo: Alex Yudzon

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Untitled

Untitled, 1964

Marker with collage on graph paper
55.9 × 43.2 cm
© Holt/Smithson Foundation /Licensed by Artists Rights Society, New York. Courtesy Holt/Smithson Foundation and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Occult Books

Occult Books, 1963

Watercolor and collage on paper
33 × 43.2 cm
© Holt/Smithson Foundation /Licensed by Artists Rights Society, New York. Courtesy Holt/Smithson Foundation and Marian Goodman Gallery. Photo: Rebecca Fanuele

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Ettore Spalletti

Carte rosa

Carte rosa, 1998

Color impasto on panel, painted front and back
94 1/2 × 94 1/2 × 1/8 in
Courtesy of Fondazione Ettore Spalletti and Marian Goodman Gallery Photo: Alex Yudzon

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Colonna, portacipria

Colonna, portacipria, 2016

White marble, pink onyx
Courtesy of Fondazione Ettore Spalletti and Marian Goodman Gallery Photo: Alex Yudzon

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Senza titolo, azzurro

Senza titolo, azzurro, 1990

Color impasto on board, round frame on 3 sides
90 1/2 × 66 7/8 × 1 5/8 in
Courtesy of Fondazione Ettore Spalletti and Marian Goodman Gallery Photo: Tom Powel Imaging

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Senza titolo, (grigio chiaro)

Senza titolo, (grigio chiaro), 2019

Color impasto on board, tapered frame on 4 sides, gold leaf
39 3/8 × 39 3/8 × 1 5/8 in
Courtesy of Fondazione Ettore Spalletti and Marian Goodman Gallery Photo: Tom Powel Imaging

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Colonna tagliata

Colonna tagliata, 2016

Color impasto on white marble
9 1/2 × 9 1/2 × 19 3/4 in
Courtesy of Fondazione Ettore Spalletti and Marian Goodman Gallery Photo: Tom Powel Imaging

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Thomas Struth

Beam Line Zone 1, EHN 1, CERN, Prévessin-Moens

Beam Line Zone 1, EHN 1, CERN, Prévessin-Moens, 2021

Inkjet print
441.7 × 175.7 cm
© Thomas Struth. Courtesy of the artist and Marian Goodman Gallery

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ProtoDUNE, EHN 1, CERN, Prévessin-Moens

ProtoDUNE, EHN 1, CERN, Prévessin-Moens, 2023

Inkjet print
382.8 × 165 cm
© Thomas Struth. Courtesy of the artist and Marian Goodman Gallery

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Magnet 2, COMPASS, CERN, Prévessin-Moens 2019

Magnet 2, COMPASS, CERN, Prévessin-Moens 2019, 2019

Inkjet print
251.4 × 178 cm
© Thomas Struth. Courtesy of the artist and Marian Goodman Gallery

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Decay Station, ISOLDE, CERN, Meyrin

Decay Station, ISOLDE, CERN, Meyrin, 2019

Inkjet print
312.2 × 152 cm
© Thomas Struth. Courtesy of the artist and Marian Goodman Gallery

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Container 7, CERN, Meyrin

Container 7, CERN, Meyrin, 2023

Inkjet print
73.4 × 96.7 cm
© Thomas Struth. Courtesy of the artist and Marian Goodman Gallery

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Container 2, CERN, Meyrin

Container 2, CERN, Meyrin, 2023

Inkjet print
85.4 × 112.9 cm
© Thomas Struth. Courtesy of the artist and Marian Goodman Gallery

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Container 5, CERN, Meyrin

Container 5, CERN, Meyrin, 2023

Inkjet print
72 × 96 cm
© Thomas Struth. Courtesy of the artist and Marian Goodman Gallery

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Container 3, CERN, Meyrin

Container 3, CERN, Meyrin, 2023

Inkjet print
80 × 107 cm
© Thomas Struth. Courtesy of the artist and Marian Goodman Gallery

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Sumatra-Tiger (Panthera tigris sumatrae), Leibniz IZW, Berlin

Sumatra-Tiger (Panthera tigris sumatrae), Leibniz IZW, Berlin, 2022

Inkjet print
89.6 × 65.1 cm
© Thomas Struth. Courtesy of the artist and Marian Goodman Gallery

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Zebra (Equus grevyi), Leibniz IZW, Berlin

Zebra (Equus grevyi), Leibniz IZW, Berlin, 2017

Inkjet print
190.5 × 126 cm
© Thomas Struth. Courtesy of the artist and Marian Goodman Gallery

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Brillenbär (Tremarctos ornatus), Leibniz IZW, Berlin

Brillenbär (Tremarctos ornatus), Leibniz IZW, Berlin, 2018

Inkjet print
197.6 × 142 cm
© Thomas Struth. Courtesy of the artist and Marian Goodman Gallery

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James Welling

Michelangelo’s Studio Door, Rome

Michelangelo’s Studio Door, Rome, 2024

UV-curable ink on Dibond aluminum
42 × 63 in
© James Welling. Courtesy the artist and Marian Goodman Gallery

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Ceiling, Sant'Agnese in Agone, Rome

Ceiling, Sant'Agnese in Agone, Rome, 2024

UV-curable ink on Dibond aluminum
42 × 63 in
© James Welling. Courtesy the artist and Marian Goodman Gallery

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MAXXI Museum, Rome

MAXXI Museum, Rome, 2024

UV-curable ink on Dibond aluminum
63 × 42 in
© James Welling. Courtesy the artist and Marian Goodman Gallery

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Fountain, Rome

Fountain, Rome, 2024

UV-curable ink on Dibond aluminum
63 × 42 in
© James Welling. Courtesy the artist and Marian Goodman Gallery

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Piazza Navona, Rome

Piazza Navona, Rome, 2024

UV-curable ink on Dibond aluminum
63 × 42 in
© James Welling. Courtesy the artist and Marian Goodman Gallery

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Rose 2, Rome

Rose 2, Rome, 2024

UV-curable ink on Dibond aluminum
28 × 42 in
© James Welling. Courtesy the artist and Marian Goodman Gallery

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Zucchini Flower, Rome

Zucchini Flower, Rome, 2024

UV-curable ink on Dibond aluminum
28 × 42 in
© James Welling. Courtesy the artist and Marian Goodman Gallery

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Bike, Rome

Bike, Rome, 2024

UV-curable ink on Dibond aluminum
42 × 63 3/8 × 1 7/8 in
© James Welling. Courtesy the artist and Marian Goodman Gallery

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Artichoke, Rome

Artichoke, Rome, 2024

UV-curable ink on Dibond aluminum
28 × 42 × 1 5/8 in
© James Welling. Courtesy the artist and Marian Goodman Gallery

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Façade, Rome

Façade, Rome, 2024

UV-curable ink on Dibond aluminum
63 3/8 × 42 × 1 7/8 in
© James Welling. Courtesy the artist and Marian Goodman Gallery

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Arches, Milan

Arches, Milan, 2024

UV-curable ink on Dibond aluminum
42 × 63 3/8 × 1 7/8 in
© James Welling. Courtesy the artist and Marian Goodman Gallery

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Paris Door

Paris Door, 2017/2023

UV-curable ink on Dibond aluminum
42 × 63 3/8 × 1 7/8 in
© James Welling. Courtesy the artist and Marian Goodman Gallery

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The Royal Salt-Works of Arc-et-Senans, 1775-78, Claude-Nicolas Ledoux

The Royal Salt-Works of Arc-et-Senans, 1775-78, Claude-Nicolas Ledoux, 1988/2023

UV-curable ink on Dibond aluminum
42 × 63 3/8 × 1 7/8 in
© James Welling. Courtesy the artist and Marian Goodman Gallery

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Staircase, Villa Savoye, 1929, Le Corbusier

Staircase, Villa Savoye, 1929, Le Corbusier, 2020/2022

UV-curable ink on Dibond aluminum
42 × 63 3/8 × 1 7/8 in
© James Welling. Courtesy the artist and Marian Goodman Gallery

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9407, Maison de verre

9407, Maison de verre, 2009

Inkjet print on Museo Max paper
37 5/8 × 27 3/4 in
© James Welling. Courtesy the artist and Marian Goodman Gallery

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9360, Maison de verre

9360, Maison de verre, 2009

Inkjet print on Museo Max paper
37 5/8 × 27 3/4 in
© James Welling. Courtesy the artist and Marian Goodman Gallery

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9754, Maison de verre

9754, Maison de verre, 2009

Inkjet print on Museo Max paper
27 3/4 × 37 5/8 in
© James Welling. Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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9345, Maison de verre

9345, Maison de verre, 2009

Inkjet print
15 × 22 5/8 in
© James Welling. Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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9345, Maison de verre

9345, Maison de verre, 2009

Inkjet print
16 × 22 5/8 in
© James Welling. Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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9345, Maison de verre

9345, Maison de verre, 2009

Inkjet print
15 × 22 5/8 in
© James Welling. Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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9567, Maison de verre

9567, Maison de verre, 2009

Inkjet print on Museo Max paper
29 1/2 × 19 7/8 in
© James Welling. Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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9469, Maison de verre

9469, Maison de verre, 2009

Inkjet print on Museo Max paper
29 1/2 × 19 7/8 in
© James Welling. Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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9205, Maison de verre

9205, Maison de verre, 2009

Inkjet print on Museo Max paper
29 1/2 × 19 7/8 in
© James Welling. Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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9552, Maison de verre

9552, Maison de verre, 2009

Inkjet print on Museo Max paper
29 1/2 × 19 7/8 in
© James Welling. Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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9236, Maison de verre

9236, Maison de verre, 2009

Inkjet print on Museo Max paper
37 5/8 × 27 3/4 in
© James Welling. Courtesy the artist and Marian Goodman Gallery. Photo: Rebecca Fanuele

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