Hirschl & Adler

 

Egg 1

María Elena González
Egg 1, 2020

Egg shell, epoxy, steel, rubber
1.75 × 5.5 × 1.75 in

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Stand

María Elena González
Stand, 2022

Ceramic, epoxy, wood, latex paint, varnish, brass
21.25 × 15 × 4.25 in

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Fragment

María Elena González
Fragment, 2021

Porcelain, epoxy, wood, latex paint
6.5 × 12.75 × 5.5 in

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Tepco Combos-1

María Elena González
Tepco Combos-1, 2023

Archival pigment print
12 × 9.5 in
Edition: 5 plus 1 AP

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D-1

María Elena González
D-1, 2022

Glass, epoxy, stainless steel
12 × 9.5 × 5 in

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Plate II

María Elena González
Plate II, 2022

Vitrelle porcelain, epoxy, aluminum
10 × 12 × 3.75 in

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PS-2

María Elena González
PS-2, 2023

Archival pigment print
9.5 × 12 in
Edition: 5 plus 1 AP

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TS-2

María Elena González
TS-2, 2023

Archival pigment print
9.5 × 12 in
Edition: 5 plus 1 AP

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Fragment 2

María Elena González
Fragment 2, 2021

Porcelain, epoxy, wood, latex paint
10.25 × 13.75 × 3.5 in

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Braced/Calder

María Elena González
Braced/Calder, 2022

Ceramic with glaze, epoxy, wood, latex paint, aluminum, wire
18.25 × 15.25 × 8 in

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Sail 2

María Elena González
Sail 2, 2021

Ceramic with glaze, epoxy, wood, latex paint, steel
13.5 × 9 × 3 in

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Head

María Elena González
Head, 2020

Ceramic, plaster, epoxy
3.75 × 4.75 × 5 in

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Tepco II

María Elena González
Tepco II, 2022

Ceramic with glaze, epoxy, wood, latex paint
17.25 × 7.5 × 13.5 in

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Blue Rim

María Elena González
Blue Rim, 2023

Archival pigment print
12 × 9.5 in
Edition: 5 plus 1 AP

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Broken

María Elena González
Broken, 2021

Ceramic, epoxy, aluminum
14 × 20.5 in

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Tube-Reflective

María Elena González
Tube-Reflective, 2021

Mirror, epoxy, steel
4 × 8 × 2.5 in

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Fragment 1

María Elena González
Fragment 1, 2021

Porcelain, epoxy, wood, latex paint
11.5 × 13.25 × 3.5 in

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Untitled (Greek Backwards)

Stuart Davis
Untitled (Greek Backwards), 1921

Watercolor and pencil on paper
18 × 23 1/2 in
Signed (at lower right): Stuart Davis 1921

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Coastal Scene with Boat, Cliffs, and Shorebird

Frank Walter
Coastal Scene with Boat, Cliffs, and Shorebird,

Mixed media on paper
6 1/4 × 9 3/8 in
20th Century Latin American Art

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Cabaret

Reginald Marsh
Cabaret, 1938

Tempera and pencil on gessoed panel
23 3/4 × 35 3/4 in
Signed (at lower right): REGINALD MARSH

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Roulade

George L. K. Morris
Roulade, 1934

Oil on canvas
45 × 26 in
Signed (at lower right): Morris, dated:(at lower left):1934

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Africans

Joseph Stella
Africans, 1930

Oil on canvas
36 1/4 × 28 3/4 in
Signed (at upper right): Joseph Stella

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Sail 3

María Elena González
Sail 3, 2021

Ceramic with glaze, epoxy, steel
13 3/4 × 18 × 4 1/4 in
Contemporary American

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Andros [Thrown Drapery]

David Ligare
Andros [Thrown Drapery], 1978

Oil on canvas
110 × 78 mm

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We are in a Time of New Suns

Angela Fraleigh
We are in a Time of New Suns, 1976

Oil and acrylic on Dibond panel
57 × 78 mm

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I Get No Kick in a Plane...

Honoré Sharrer
I Get No Kick in a Plane..., n.d

Opaque paint on heavy paper
13 × 14 mm

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J Class

Randall Exon
J Class, 2022

Oil on canvas
30 × 30 mm

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Soft Fists Insist 8

Lily Cox-Richard
Soft Fists Insist 8, 2022

Mushroom spores, graphite, and pigment on paper
29 3/4 × 20 3/8 mm

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Wristie

Lily Cox-Richard
Wristie, 2022

Wildhorse swirl sandstone, plaster, concrete, sweater fuzz, and pigment
11 × 12 mm

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Untitled

Louisa Chase
Untitled, about 1979

Oil on canvas
18 3/4 × 15 1/4 mm

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Passage 2

Elizabeth Turk
Passage 2, 2015-22

Marble and gold leaf
14 1/4 × 7 1/2 × 2 in

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Passage 4

Elizabeth Turk
Passage 4, 2023

Marble and gold leaf
4 1/2 × 9 1/2 × 4 1/2 in

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Passage 6

Elizabeth Turk
Passage 6, 2014-22

Marble and gold leaf
16 3/4 × 9 1/2 × 4 in

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Passage 5

Elizabeth Turk
Passage 5, 2023

Marble and gold leaf
4 1/2 × 9 1/2 × 4 1/2 in

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Passage 8

Elizabeth Turk
Passage 8, 2016-23

Marble and gold leaf
23 × 8 3/8 × 2 1/2 in

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Passage 13

Elizabeth Turk
Passage 13, 2015-23

Marble and gold leaf
22 1/2 × 10 1/2 × 2 3/4 in

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Passage 16

Elizabeth Turk
Passage 16, 2021-22

Marble and gold leaf
6 1/2 × 11 1/4 × 2 3/4 in

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Passage 1

Elizabeth Turk
Passage 1, 2014-22

Marble and gold leaf
12 × 6 × 2 in

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Passage 9

Elizabeth Turk
Passage 9, 2021-22

Marble and gold leaf
8 1/2 × 7 3/4 × 4 1/2 in

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Passage 10

Elizabeth Turk
Passage 10, 2014-22

Marble and gold leaf
7 × 7 3/4 × 4 1/4 in

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Passage 11

Elizabeth Turk
Passage 11, 2021-23

Marble and gold leaf
4 3/8 × 8 3/4 × 3 1/4 in

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Passage 12

Elizabeth Turk
Passage 12, 2018-22

Marble and gold leaf
11 × 6 × 3 1/8 in

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Passage 14

Elizabeth Turk
Passage 14, 2018

Marble and gold leaf
23 × 12 × 2 1/2 in

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Passage 15

Elizabeth Turk
Passage 15, 2021-23

Marble and gold leaf
8 1/4 × 7 × 3 3/8 in

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Passage 17

Elizabeth Turk
Passage 17, 2021

Marble and gold leaf
4 3/4 × 10 3/4 × 3 1/8 in

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Passage 18

Elizabeth Turk
Passage 18, 2021-22

Marble and gold leaf
10 3/4 × 7 × 3 1/4 in

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Passage 19

Elizabeth Turk
Passage 19, 2017

Marble and gold leaf
7 1/4 × 4 3/4 × 4 1/4 in

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Passage 20

Elizabeth Turk
Passage 20, 2021

Marble and gold leaf
11 1/2 × 7 1/4 × 2 5/8 in

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Passage 21

Elizabeth Turk
Passage 21, 2021-22

Marble and gold leaf
11 1/4 × 5 3/4 × 3 3/8 in

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Passage 22

Elizabeth Turk
Passage 22, 2021

Marble and gold leaf
4 3/4 × 11 × 2 1/2 in

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Passage 23

Elizabeth Turk
Passage 23, 2020

Marble and gold leaf
12 1/4 × 3 × 4 3/4 in

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Along the Boardwalk

Frederick Brosen
Along the Boardwalk, 2017

Watercolor over graphite on paper
14 × 19 in
Signed and dated (at lower right): BROSEN; titled (at lower left): Boardwalk, Coney Island

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Grand Street and Broadway

Frederick Brosen
Grand Street and Broadway, 2019

Watercolor over graphite on paper
32 × 45 1/2 in
Signed and dated (at lower right): BROSEN 21

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Wonder

Frederick Brosen
Wonder, 2020

Watercolor over graphite on paper
25 × 35 in
Signed and dated (at lower right): BROSEN•20

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Belvedere Castle

Frederick Brosen
Belvedere Castle, 2021

Watercolor over graphite on paper
25 1/8 × 30 1/8 in
Signed and dated (at lower right): BROSEN 21

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Bethesda Fountain Terrace

Frederick Brosen
Bethesda Fountain Terrace, 2022

Watercolor over graphite on paper
14 × 18 3/4 in
Signed and dated (at lower right): BROSEN 22

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Flyer’s Boat Rental, Provincetown

Frederick Brosen
Flyer’s Boat Rental, Provincetown, 2023

Watercolor over graphite on paper
11 1/8 × 14 1/8 in
Signed and dated (at lower right): BROSEN ’23, titled (at lower left): FLYER’S BOAT RENTAL, PROVINCETOWN

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Dawn, Provincetown Bay

Frederick Brosen
Dawn, Provincetown Bay, 2023

Watercolor over graphite on paper
11 1/8 × 14 1/8 in
Signed and dated (at lower right): BROSEN ’23; titled (at lower left): DAWN, PROVINCETOWN BAY

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Provincetown Bay

Frederick Brosen
Provincetown Bay, 2020

Watercolor over graphite on paper
11 × 13 5/8 in
Signed and dated (at lower right): BROSEN ’20; titled (at lower left): PROVINCETOWN BAY

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Lobster Pot, Provincetown

Frederick Brosen
Lobster Pot, Provincetown, 2021

Watercolor over graphite on paper
11 1/8 × 14 1/4 in
Signed and dated (at lower right): BROSEN ’21, titled (at lower left): LOBSTER POT, PROVINCETOWN

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Broome Street

Frederick Brosen
Broome Street, 2019

Watercolor over graphite on paper
13 × 19 in
Signed and dated (at lower right): Brosen ’19; titled (at lower left): Broome Street

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West 74th Street

Frederick Brosen
West 74th Street, 2019

Watercolor over graphite on paper
23 1/2 × 35 in
Signed (at lower right): BROSEN

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Bethesda Fountain Esplanade

Frederick Brosen
Bethesda Fountain Esplanade, 2024

Watercolor over graphite on paper
14 × 18 1/4 in
Signed and dated (at lower right): BROSEN•24, titled (at lower left): BETHESDA FOUNTAIN ESPLANADE

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9th Street and Sixth Avenue

Frederick Brosen
9th Street and Sixth Avenue, 2024

Watercolor over graphite on paper
8 × 10 in
Signed and dated (at lower right): BROSEN•24, titled (at lower left): 9TH STREET AND SIXTH AVENUE

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72nd Street and Broadway

Frederick Brosen
72nd Street and Broadway, 2024

Watercolor over graphite on paper
8 × 10 in
Signed and dated (at lower right): BROSEN•24, titled (at lower left): 72ND STREET AND BROADWAY

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Untitled (Island)

Colin Hunt
Untitled (Island), 2024

Egg tempera on panel
44 × 33 in

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Untitled (Late Afternoon)

Colin Hunt
Untitled (Late Afternoon), 2024

Egg tempera on panel
48 × 48 in

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Untitled (Midday)

Colin Hunt
Untitled (Midday), 2024

Watercolor on paper
30 × 30 in

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Untitled (Pebble Beach)

Colin Hunt
Untitled (Pebble Beach), 2024

Watercolor on paper
22 1/2 × 22 1/2 in

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Untitled (Moss)

Colin Hunt
Untitled (Moss), 2024

Watercolor on paper
18 × 24 in

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Untitled (Pine)

Colin Hunt
Untitled (Pine), 2023

Egg tempera on panel
32 × 32 in

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Untitled (Fallen Spruce)

Colin Hunt
Untitled (Fallen Spruce), 2022

Egg tempera on panel
72 × 54 in

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(Dead Low)

Colin Hunt
(Dead Low), 2023

Egg tempera on panel
32 × 32 in

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Untitled (Fog)

Colin Hunt
Untitled (Fog), 2022

Egg tempera on panel
36 × 48 in

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Untitled (Cloud)

Colin Hunt
Untitled (Cloud), 2023

Egg tempera on panel
32 × 32 in

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Untitled (Gray Rocks)

Colin Hunt
Untitled (Gray Rocks), 2023

Egg tempera on panel
36 × 48 in

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Many-Worlds Interpretation (H.C.H.L.V.b)

Colin Hunt
Many-Worlds Interpretation (H.C.H.L.V.b), 2021

Watercolor on paper
11 × 22 in

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Many-Worlds Interpretation (H.C.H.C.E.d)

Colin Hunt
Many-Worlds Interpretation (H.C.H.C.E.d), 2021

Watercolor on paper
15 × 22 in

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Many-Worlds Interpretation (E.P.K.B.H)

Colin Hunt
Many-Worlds Interpretation (E.P.K.B.H), 2022

Egg tempera on panel
24 × 24 in

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Untitled (Red Rocks)

Colin Hunt
Untitled (Red Rocks), 2021

Egg tempera on panel
42 × 42 in

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Untitled (Fire Study)

Louisa Chase
Untitled (Fire Study), 1983

Oil and wax on canvas
26 × 22 in
Signed (at lower right): L.C. 83; (on verso): Louisa Chase 1983

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FACE to ECAF Study

Louisa Chase
FACE to ECAF Study, 1985

Oil on canvas
10 × 11 in
Signed (on verso): Louisa Chase 1985

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One Afternoon in Tuscany

Alan Feltus
One Afternoon in Tuscany, 1986

Alkyd on canvas
48 × 70 in
Signed (at lower right): ALAN FELTUS 1986

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I Wake Knowing that I Will Sing Again, if I promise to never look back

Angela Fraleigh
I Wake Knowing that I Will Sing Again, if I promise to never look back, 2022

Oil and acrylic on Dibond panel
30 × 40 in

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Rooted in Constellations

Angela Fraleigh
Rooted in Constellations, 2021

Oil on linen
66 × 90 in
Signed (on verso): Angela Fraleigh 2021

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An Odyssey for Moderns

O. Louis Guglielmi
An Odyssey for Moderns, 1942-43

Oil on canvas
30 × 24 in
Signed (at lower left): Guglielmi

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Self Portrait with Birds in My Fingers

Julie Heffernan
Self Portrait with Birds in My Fingers, 2005

Oil on canvas
57 1/8 × 67 1/8 in

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Self-Portrait with Eruption

Julie Heffernan
Self-Portrait with Eruption, 2018-23

Oil on canvas
55 × 68 in

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Destruction of Babel

Jules Kirschenbaum
Destruction of Babel, 1956

Oil on canvas mounted to Masonite
24 × 15 in
Signed (at lower left with monogram): K [circled]

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Still Life with Polykleitian Head and Candles (Idea)

David Ligare
Still Life with Polykleitian Head and Candles (Idea), 2018

Oil on canvas
54 × 42 in
Signed (at lower right): L; (on verso): D. Ligare/2018

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Still Life with Figs, Pomegranate and Rose

David Ligare
Still Life with Figs, Pomegranate and Rose, 2018

Oil on canvas
48 × 38 in
Signed (at lower right): L; (on verso): D. Ligare/2018

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The Excluded (2 Vases)

Robert Minervini
The Excluded (2 Vases), 2019

Acrylic on canvas
22 × 34 in
Signed (on verso): Robert Minervini / 2019 / 2 Vases

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Venus De Milo

Ruth Ray
Venus De Milo, 1963

Oil on canvas
30 × 40 in
Signed (at lower right): Ruth Ray 1963

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The Portal

Ruth Ray
The Portal, 1945

Oil on canvas
14 1/8 × 17 1/8 in
Signed (at lower right): Ruth Ray 1945

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[Opus 3: Adam and Eve in the Garden]

Winold Reiss
[Opus 3: Adam and Eve in the Garden],

Pastel and graphite on black paper
9 × 11 7/8 in

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[Opus 4: Eve's Awakening - John Milton, Paradise Lost, Book IV, Lines 450-455],

Winold Reiss
[Opus 4: Eve's Awakening - John Milton, Paradise Lost, Book IV, Lines 450-455],,

9 × 11 7/8 in

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[Opus 5: The Endearment of Adam and Eve - John Milton, Paradise Lost, Book IX, lines 1042-1044]

Winold Reiss
[Opus 5: The Endearment of Adam and Eve - John Milton, Paradise Lost, Book IX, lines 1042-1044],

Pastel and graphite on black paper
9 × 11 7/8 in

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[Opus 7: Mutual Accusation - John Milton, Paradise Lost, Book IX, line 1187]

Winold Reiss
[Opus 7: Mutual Accusation - John Milton, Paradise Lost, Book IX, line 1187],

Pastel and graphite on black paper
9 1/8 × 11 15/16 in

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[Opus 8: To Guilty Shame - John Milton Paradise Lost, Book IX, line 1058]

Winold Reiss
[Opus 8: To Guilty Shame - John Milton Paradise Lost, Book IX, line 1058],

Pastel and graphite on black paper
9 × 11 7/8 in

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[Opus 9: God All-Seeing - John Milton, Paradise Lost, Book X, line 6]

Winold Reiss
[Opus 9: God All-Seeing - John Milton, Paradise Lost, Book X, line 6],

Pastel and graphite on black paper
8 7/8 × 11 7/8 in

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[Opus 10: Their Eyes Now Opened - John Milton, Paradise Lost, Book IX, line 1053]

Winold Reiss
[Opus 10: Their Eyes Now Opened - John Milton, Paradise Lost, Book IX, line 1053],

Pastel and graphite on black paper
9 × 12 in

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[Expulsion from the Garden]

Winold Reiss
[Expulsion from the Garden],

Pastel on black paper
25 5/8 × 20 in

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The Play

Honoré Sharrer
The Play, 1997

Oil on canvas
19 × 18 in
Signed (at upper right): Sharrer

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(Nude on Car/Man/Stag)

Honoré Sharrer
(Nude on Car/Man/Stag),

Casein on paper
16 1/2 × 16 in

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Pine Study

Colin Hunt
Pine Study, 2023

Watercolor on paper
9 × 9 in

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Goggles

Lee Alban
Goggles, 2015

Oil on panel
18 × 24 in

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Venus at Dillicar

John Austin
Venus at Dillicar, 1971

Oil on canvas
34 × 24 1/2 in

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West Side Cowboy

Cecil Crosley Bell
West Side Cowboy, before 1941

Oil on Masonite
30 × 22 cm

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Choctaw Railroad Certificate (The Choctaw Route), from the series A Choctaw Story of Land and Blood

Karen Clarkson
Choctaw Railroad Certificate (The Choctaw Route), from the series A Choctaw Story of Land and Blood, c. 2017

Watercolor and gouache on enlarged print of a stock certificate
17 × 11 in

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Lostwithiel Crossing Signal Box

Terence Cuneo
Lostwithiel Crossing Signal Box, 1990

Oil on canvas
30 × 24 in

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Le Canal Saint-Martin et le petit train

Arthur Filon
Le Canal Saint-Martin et le petit train, c. 1930s

Oil on canvas
21 × 17 1/2 in

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Sugar Cane Train

Gerard Fortune
Sugar Cane Train, c. 1970s

Oil on plywood
23 1/2 × 23 1/2 in

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Polishing

Zhongli Gong
Polishing, 1984

Oil on canvas
45 × 55 in

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When Winter Comes

Walter Greene
When Winter Comes, 1925

Oil on canvas
30 × 24 in

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Track Inspectors

David Halbach
Track Inspectors,

Watercolor on paper
29 × 21 in

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Euston, Next Stop

Philip D. Hawkins
Euston, Next Stop, 2007

Oil on canvas
25 × 20 in

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Green and Gold to Golders Green

Peter Insole
Green and Gold to Golders Green, 2006

Gouache and crayon
17 1/2 × 13 1/2 in

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By Rail across Great Salt Lake, Overland Route

Maurice Logan
By Rail across Great Salt Lake, Overland Route, 1928

Oil on panel
17 1/2 × 22 1/2 in

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A Last Goodbye

Joseph Lorusso
A Last Goodbye, 2004

Oil on board
30 × 24 in

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The Golden Spike

Allan Mardon
The Golden Spike, 1997

Mixed media
72 5/8 × 45 1/2 in

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Almost There

Adam Normandin
Almost There, 2017

Oil and acrylic on linen
40 × 60 in

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The Bridge

Gregorio Prestopino
The Bridge, 1947

Oil on board
26 × 18 in

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Waiting Local

Philip Reisman
Waiting Local, 1979

Oil on canvas
40 × 20 in

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Train Station

Valery Sekret
Train Station, 2007

Oil on canvas
22 1/2 × 18 1/4 in

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Dutton Viaduct over the River Weaver

Arthur Fitzwilliam Tait
Dutton Viaduct over the River Weaver, 1849

Oil on canvas
34 × 24 in

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Times Square

Roger Watt
Times Square, 2013

Graphite on paper
16 1/2 × 10 1/2 in

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The Sunset over the Arroyo

Dennis Ziemienski
The Sunset over the Arroyo, 2008

Oil on canvas
41 1/4 × 34 3/4 in

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A Specific View (SCIENTIA, ARTE, VENUSTAS) (Knowledge, Skill, Beauty)

David Ligare
A Specific View (SCIENTIA, ARTE, VENUSTAS) (Knowledge, Skill, Beauty), 2024

Oil on canvas
72 × 48 in
Signed and inscribed (LL): Artist’s monogram; (L center): SCIENTIA ARTE VENVSTAS; (LR): L

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Landscape with an Owl (ATHENE NOCTUA) (Owl of Athena)

David Ligare
Landscape with an Owl (ATHENE NOCTUA) (Owl of Athena), 2024

Oil on canvas
50 × 40 in
Signed (LR): L

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NOVUM INCREMENTUM (New Growth)

David Ligare
NOVUM INCREMENTUM (New Growth), 1995/2024

Oil on canvas
18 × 24 in
Signed (LR): L

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SCIRE (To Know)

David Ligare
SCIRE (To Know), 2022

Oil on canvas
14 × 18 in
Signed (LR): L

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DISCERE (To Learn)

David Ligare
DISCERE (To Learn), 2023

Oil on canvas
10 × 14 in
Signed (LR): L

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ORDINE NATURAE (The Order of Nature)

David Ligare
ORDINE NATURAE (The Order of Nature), 2015

Oil on canvas
10 × 14 in
Signed (LR): L

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PERMETTO (To Allow)

David Ligare
PERMETTO (To Allow), 2024

Oil on canvas
10 × 14 in
Signed (LR): L

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SOLIS (Sunlight)

David Ligare
SOLIS (Sunlight), 2024

Oil on canvas
18 × 24 in
Signed (LR): L

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VIRTUS (Virtue)

David Ligare
VIRTUS (Virtue), 2024

Oil on canvas
10 × 14 in
Signed (LR): L

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Red Sky at Dusk

John Moore
Red Sky at Dusk, 2023

Oil on canvas
69 × 59 in
Signed (LR): MOORE 23

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Yellow Mist in the Morning

John Moore
Yellow Mist in the Morning, 2024

Oil on canvas
69 × 59 in
Signed (LR): MOORE 24

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Sundial

John Moore
Sundial, 2021

Oil on canvas
46 × 46 in
Signed (LR): MOORE 21

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Marker

John Moore
Marker, 2021

Oil on canvas
46 × 46 in
Signed (LR): MOORE 21

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Stillwater

John Moore
Stillwater, 2022

Oil on canvas
46 × 46 in
Signed (LR): MOORE 22

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Two Bridges

John Moore
Two Bridges, 2022

Oil on canvas
46 × 46 in
Signed (LR): MOORE/ \'22

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Seaside Arrangement

John Moore
Seaside Arrangement, 2022

Oil on canvas
46 × 46 in
Signed (LR): MOORE/ 22

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Ironwork

John Moore
Ironwork, 2022

Oil on canvas
46 × 46 in
Signed (LR): MOORE \'22

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Ivanhoe at Main

John Moore
Ivanhoe at Main, 2023

Oil on canvas
46 × 46 in
Signed (LR): MOORE \'23

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Bench by the Sea

John Moore
Bench by the Sea, 2024

Oil on canvas
46 × 46 in
Signed (LR): MOORE 24

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Dawning

John Moore
Dawning, 2024

Oil on canvas
46 × 46 in
Signed (LR): MOORE 24

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Parkside

John Moore
Parkside, 2024

Oil on canvas
46 × 46 in
Signed (LR): MOORE 24

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Victory

John Moore
Victory, 2024

Oil on canvas
46 × 46 in
Signed (LR): MOORE 24

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Girl in Decorative Wrap

Winold Reiss
Girl in Decorative Wrap, n.d.

Mixed media on watercolor board
21 1/2 × 29 7/8 in

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Girl with Black Curls

Winold Reiss
Girl with Black Curls, n.d.

Mixed media on watercolor board
18 × 17 7/8 in

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Girl with Doll

Winold Reiss
Girl with Doll, n.d.

Mixed media on paper
20 × 29 in
Signed (at lower left): WINOLD/REISS

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Henry Whitford

Winold Reiss
Henry Whitford, about 1931

Mixed media on Whatman board
22 × 30 in
Signed (at lower left): WINOLD/REISS

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Indian Man from Mexico

Winold Reiss
Indian Man from Mexico, n.d.

Pastel on paper
19 × 25 in
Signed (at lower left): WINOLD/REISS

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Japanese Girl

Winold Reiss
Japanese Girl, n.d.

Pastel on Whatman board
14 5/8 × 15 1/8 in
Signed (at lower right): WINOLD/REISS

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Katherine [Kathryn] Hamill

Winold Reiss
Katherine [Kathryn] Hamill, 1930

Mixed media on Whatman board
21.75 × 29.75 in
Signed (at lower left): WINOLD/REISS

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Long Time River Woman (Blackfoot Maiden)

Winold Reiss
Long Time River Woman (Blackfoot Maiden), n.d.

Mixed media on paper
21 1/4 × 29 1/2 in
Signed (at lower right): WINOLD/REISS

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Mexican Girl

Winold Reiss
Mexican Girl, 1920

Conté crayon and colored pencil on paper
14 7/8 × 19 7/8 in
Signed (at lower left): WINOLD/REISS

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Natokiochkome (Howling Twice)

Winold Reiss
Natokiochkome (Howling Twice), 1937

Mixed media on paper
21 × 29 in
Signed (at lower right): WINOLD/REISS

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Nicke II

Winold Reiss
Nicke II, 1931

Pastel on watercolor board
21 5/8 × 30 1/8 in

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Portrait of a Girl in Blue (Miss Heimsoth)

Winold Reiss
Portrait of a Girl in Blue (Miss Heimsoth), 1943

Pastel on Whatman board
21 7/8 × 30 in
Signed (at lower left): WINOLD/REISS

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Portrait of Carol Moon Gardner (1909–1964)

Winold Reiss
Portrait of Carol Moon Gardner (1909–1964), n.d.

Pastel on paper
25 3/4 × 39 1/2 in
Signed (at lower left): WINOLD/REISS

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Portrait of Miss C. Burton - Texas

Winold Reiss
Portrait of Miss C. Burton - Texas, 1930

Pastel on Whatman board
26 × 39 in
Signed (at lower right): WINOLD/REISS

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Portrait of Robert Nathaniel Dett (1882–1943)

Winold Reiss
Portrait of Robert Nathaniel Dett (1882–1943), about 1925

Pastel on Whatman board
15 1/8 × 20 in
Signed (at lower right): WINOLD/REISS

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Rosalee Sondheimer I

Winold Reiss
Rosalee Sondheimer I, 1931

Pastel on board
30 × 53 in

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Runs Over His Enemy

Winold Reiss
Runs Over His Enemy, 1943

Pastel and tempera on paper
22 × 30 in

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Russian Girl I

Winold Reiss
Russian Girl I, 1924

Pastel on illustration board
8 7/8 × 11 3/8 in
Signed (at lower left): WINOLD/REISS

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Sally Geyger

Winold Reiss
Sally Geyger, about 1930

Pastel and tempera on Whatman board
26 × 39 in
Signed (at lower right): WINOLD/REISS

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Separated Spear Woman in Snake Headdress

Winold Reiss
Separated Spear Woman in Snake Headdress, 1936

Mixed media on board
30 × 52 3/8 in
Signed (at lower right): WINOLD/REISS

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Spider Bonnet

Winold Reiss
Spider Bonnet, n.d.

Pastel and tempera on Whatman board
26 × 39 1/8 in
Signed (at lower left): WINOLD/REISS

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Twins

Winold Reiss
Twins, n.d.

Pastel on Whatman board
21 3/4 × 30 in

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Young Woman Holding Flower

Winold Reiss
Young Woman Holding Flower, about 1927

Mixed media on board
21 3/4 × 30 in

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Young Woman in Black Stole

Winold Reiss
Young Woman in Black Stole, 1934

Pastel on Whatman board
22 × 30 in

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Bedtime Story

Jeanne Brousseau
Bedtime Story, 2023

Colored marker on heavy paper
14 × 11 in

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Couples

Jeanne Brousseau
Couples, 2023

Ink and colored marker on paper
11 × 14 in

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Untitled [Engagement]

Jeanne Brousseau
Untitled [Engagement], 2023

Ink and colored marker on paper
14 × 11 in

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Untitled [Figures pointing and words]

Jeanne Brousseau
Untitled [Figures pointing and words], 2023

Ink and colored marker on heavy paper
14 × 11 in

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Construction (Figure in Pink Coat with Black Buttons)

James Castle
Construction (Figure in Pink Coat with Black Buttons), mid-20th century

Assorted found papers, string, soot, and felt pen
4 1/4 × 10 1/8 in

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Untitled (Shed with Friends/ Chair with Friends) [Double-Sided drawing]

James Castle
Untitled (Shed with Friends/ Chair with Friends) [Double-Sided drawing],

Soot and saliva on found paper
10 × 7 1/2 in

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Untitled (Stove with Kettles)

James Castle
Untitled (Stove with Kettles),

Soot and saliva on found paper
8 1/2 × 5 1/2 in

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James Edward Deeds, Jr.
"DIXEY ARKTECTURE"/ Steamer Ship [175/176],

Graphite and crayon on ledger paper
8 3/8 × 9 1/4 in

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James Edward Deeds, Jr.
"ENDIA STEAMER"/ "SANTEFEE. LADY" [42/43],

Graphite and crayon on ledger paper
8 3/8 × 9 1/4 in

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James Edward Deeds, Jr.
"JOHN, CLIDESDALE" / "LEVATHAN AND COPPER BOTTOM" [275/276],

Graphite and crayon on ledger paper
8 3/8 × 9 1/4 in

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James Edward Deeds, Jr.
"MISS. MARTIN"/ "GRAY. EAGLE" [64/65],

Graphite and crayon on ledger paper
8 3/8 × 9 1/4 in

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Untitled (Horn & Gun), Wall Piece

Lonnie Holley
Untitled (Horn & Gun), Wall Piece, about 2002-03

Mixed media assemblage
38 1/4 × 33 1/2 × 5 3/4 in

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Untitled (Horn & Wine Bottle), Floor Piece

Lonnie Holley
Untitled (Horn & Wine Bottle), Floor Piece, about 2002-03

Mixed media assemblage
38 1/2 × 49 1/2 × 14 1/4 in

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Alua Dance (Mehinaku Tribe #12)

Alua Dance (Mehinaku Tribe #12), about 1970-80

Gouache on paper
18 5/8 × 12 7/8 in
Amazonian Native (c. 1970)

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Birth (Yanomami Tribe #92)

Birth (Yanomami Tribe #92), about 1970-80

Gouache on paper
17 1/4 × 12 1/2 in
Amazonian Native (c. 1970)

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Karanai matipu and symbols (Mehinaku Tribe #200)

Karanai matipu and symbols (Mehinaku Tribe #200), about 1970-80

Gouache on paper
12 1/2 × 17 1/8 in

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Man with Zunidor (Mehinaku Tribe #36)

Man with Zunidor (Mehinaku Tribe #36), 1970-80

Gouache on paper
11 3/4 × 16 1/2 in
Amazonian Native (c. 1970)

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Man, Animal, Canoe, and Necklace (Mehinaku Tribe #63)

Man, Animal, Canoe, and Necklace (Mehinaku Tribe #63), about 1970-80

Gouache on paper
12 3/8 × 18 3/8 in
Amazonian Native (c. 1970)

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The Rain Tree (Yanomami Tribe #41)

The Rain Tree (Yanomami Tribe #41), about 1970-80

Gouache on paper
12 7/8 × 18 5/8 in
Amazonian Native (c. 1970)

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Blue Man Reading

Bill Traylor
Blue Man Reading, about 1940

Pencil and poster paint on cardboard
7 7/8 × 11 1/2 in

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Brown Cat with White Face

Bill Traylor
Brown Cat with White Face, about 1939-42

Poster paint and pencil on cardboard
13 1/2 × 7 1/2 in

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Flat-backed Drinker (Drunken Chicken Walk)

Bill Traylor
Flat-backed Drinker (Drunken Chicken Walk), about 1939-42

Colored pencil and pencil on cardboard
8 × 9 3/4 in

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Man Sprouting Hand with Dog and Bird

Bill Traylor
Man Sprouting Hand with Dog and Bird, about 1939-42

Pencil on cardboard
8 3/4 × 11 1/4 in

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Mother and Child

Bill Traylor
Mother and Child, 1939

Pencil and colored pencil on cardboard
11 3/4 × 15 1/2 in

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Untitled (Birds, Dog and Man with Green Construction)

Bill Traylor
Untitled (Birds, Dog and Man with Green Construction), about 1939-42

Colored pencil and pencil on cardboard
8 × 9 3/4 in

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Untitled (Three Figures on Construction)

Bill Traylor
Untitled (Three Figures on Construction), about 1939-42

Colored pencil and pencil on carboard
8 3/4 × 11 1/4 in

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Family Leaving Shreveport Coming to Texas

Willard Watson
Family Leaving Shreveport Coming to Texas, 1981

Colored marker and pencil on paper
17 × 13 1/4 in

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Untitled (The Wreck)

Willard Watson
Untitled (The Wreck), 1980

Colored marker and pencil on 100% rag board
15 × 13 1/4 in

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Landscape with Christ- like Figure

Purvis Young
Landscape with Christ- like Figure,

Oil on plywood with carpet
48 × 32 in

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Shackles

Purvis Young
Shackles, early 1970s

Paint on window shade with paper and fabric
23 1/2 × 17 in

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