Hauser & Wirth
Allan Kaprow
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Anna Maria Maiolino
![Entre Si [Among Itself], from Hilomorfos [Hylomorphs] series](https://www.galleriesnow.net/wp-content/uploads/2024/07/MAIOL76944-hires.webp)
Berlinde De Bruyckere
Bharti Kher
David Zink Yi
Diana Thater
Untitled (Butterfly Videowall 2), 2008
5 flat screens, 1 media player, 2 LED lights, window film
0.0 × 0.0 × 0.0 mm
Installation view, ‘Diana Thater’, Hauser & Wirth Swallow Street, London, England © Diana Thater. Courtesy the artist, Hauser & Wirth, David Zwirner, New York/London, and 1301PE, Los Angele
Ellen Gallagher
François Morellet
4 morceaux d'un carré (tableau) assemblés 2 par 2 perpendiculairement à l'aide d'un seul clou, 1984
Acrylic on wood
0.0 × 0.0 × 0.0 mm
200 x 240 x 148 cm / 78 3/4 x 94 1/2 x 58 1/4 in
© François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet. Photo: Thomas Barratt
Angle droit (fer plat) et sa bissectrice (miroir) (Right Angle (Flat Iron) and Its Bisector (Mirror)), 1982
Mirror and flat iron
0.0 × 0.0 × 0.0 mm
120 x 120 cm / 47 1/4 x 47 1/4 inches (mirror) 120 x 8 x 0.8 cm / 47 1/4 x 3 1/8 x 3/8 inches (flat iron)
Unique. © François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet. Photo: Thomas Barratt
Seule droite (cornière métallique) passant dans 2 carrés (toiles) ayant le milieu d'un de leurs côtés en contact (Single straight line (metal angle iron) passing through 2 squares (canvases) having the middle of one of their sides in contact), 1978
Acrylic on canvas on wood and metal angle iron
0.0 × 0.0 × 0.0 mm
140 x 140 cm / 55 1/8 x 55 1/8 in (each panel)
© François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet. Photo: Thomas Barratt
Un tableau 78°-12° et un angle droit en néon + fil électrique 8°-98° (A canvas 78°-12° and a right angle neon + electric wire 8°-98°), 1992
Acrylic on canvas on wood, argon tube, high-voltage cable and transformer
0.0 × 0.0 × 0.0 mm
230 x 170 cm / 90 1/2 x 66 7/8 in. Panel 140 x 140 cm / 55 1/8 x 55 1/8 in
© François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet. Photo: Dan Bradica
4 trames 30°, 60°, 120°, 150° partant des 4 angles du mur. Intervalles : hauteur du mur (4 Grids 30°, 60°, 120°, 150° starting from the 4 Corners of the Wall. Intervals: Height of the Wall), 1977/2021
Matt adhesive tape, 5 cm wide
0.0 × 0.0 × 0.0 mm
356.2 x 891.5 cm / 140 1/4 x 351 in
© François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet. Photo: Dan Bradica
Frank Bowling
Guillermo Kuitca
Ida Applebroog
Isa Genzken
Untitled, 2018
15 airplane window panels with wood and metal mounting; 3 airplane bench seats
Window panels: each 130 x 106 x 38 cm / 51 1/8 x 41 3/4 x 15 in. Bench seats: each 116 x 154 x 56 cm / 45 5/8 x 60 5/8 x 22 in. Installation dimensions variable
© Isa Genzken / Licensed by Artists Rights Society (ARS), New York. Courtesy the artist, Hauser & Wirth and Galerie Buchholz Cologne / Berlin / New York. Photo: Todd- White
Fenster, Venloer Straße, 1988. Project for the façade of Galerie Buchholz, Venloer Str. 21, Cologne, realized/not installed, 2015
Model, scale 1:50. Plastic, acrylic paint, metal, acrylic glass, wood
500.0 × 1760.0 × 500.0 mm
176 x 50 x 50 cm / 69 1/4 x 19 5/8 x 19 5/8 in
© Isa Genzken / Licensed by Artists Rights Society (ARS), New York. Courtesy the artist, Hauser & Wirth and Galerie Buchholz Cologne / Berlin / New York. Photo: Jen Ziehe
Atelierfenster, 1999. Project for Almere, on the occasion of ‚Eingeladen / Uitgenodigd‘ at the Almeers Centrum Hedendaagse Kunst, De Paviljoens, Almere, unrealized, 2015
Model, scale 1:50. Plastic, acrylic paint, metal, wood
700.0 × 1530.0 × 500.0 mm
153 x 70 x 50 cm / 60 1/4 x 27 1/2 x 19 5/8 in
© Isa Genzken / Licensed by Artists Rights Society (ARS), New York. Courtesy the artist, Hauser & Wirth and Galerie Buchholz Cologne / Berlin / New York. Photo: Jen Ziehe
Philip Guston
Louise Bourgeois
Les Petites Fleurs, 2007
Watercolour, gouache, colored pencil, and etching on paper
210 × 305 mm
30.5 x 21 cm / 12 x 8 1/4 in 52.1 x 41.6 x 3.8 cm / 20 1/2 x 16 3/8 x 1 1/2 in (framed)
© The Easton Foundation / Licensed by VAGA at ARS, NY and DACS, London 2022. Courtesy The Easton Foundation and Hauser & Wirth. Photo: Peter Malle
The Sky Was Spinning, 2008
Watercolor, gouache, pencil, and etching on paper
222 × 133 mm
13.3 x 22.2 cm / 5 1/4 x 8 3/4 in; 31.8 x 39.4 x 3.8 cm / 12 1/2 x 15 1/2 x 1 1/2 in (framed)
© The Easton Foundation / Licensed by VAGA at ARS, NY and DACS, London 2022. Courtesy The Easton Foundation and Hauser & Wirth. Photo: Peter Malle
Lair (Fée Couturière), 2007
Watercolor, pencil, and etching on paper
127 × 191 mm
19.1 x 12.7 cm / 7 1/2 x 5 in; 36.8 x 30.5 x 3.8 cm / 14 1/2 x 12 x 1 1/2 in (framed)
© The Easton Foundation / Licensed by VAGA at ARS, NY and DACS, London 2022. Courtesy The Easton Foundation and Hauser & Wirth. Photo: Peter Malle
Orbits and Gravity, 2009
Watercolor, ink, pencil and etching on paper
241 × 140 mm
14 x 24.1 cm / 5 1/2 x 9 1/2 in ; 31.8 x 41.9 x 3.8 cm / 12 1/2 x 16 1/2 x 1 1/2 in (framed)
© The Easton Foundation / Licensed by VAGA at ARS, NY and DACS, London 2022. Courtesy The Easton Foundation and Hauser & Wirth. Photo: Peter Malle
La Plage, 2007
Watercolor, coloured pencil and etching on paper
292 × 143 mm
14.3 x 29.2 cm / 5 5/8 x 11 1/2 in; 33 x 49.5 x 3.8 cm / 13 x 19 1/2 x 1 1/2 in (framed)
© The Easton Foundation / Licensed by VAGA at ARS, NY and DACS, London 2022. Courtesy The Easton Foundation and Hauser & Wirth. Photo: Peter Malle
Nature Study, 2007
Watercolor, gouache, colored pencil, and etching on paper
165 × 254 mm
25.4 x 16.5 cm / 10 x 6 1/2 in; 44.5 x 36.8 x 3.8 cm / 17 1/2 x 14 1/2 x 1 1/2 in (framed)
© The Easton Foundation / Licensed by VAGA at ARS, NY and DACS, London 2022. Courtesy The Easton Foundation and Hauser & Wirth. Photo: Peter Malle
Blue Confrontation, 2006
Watercolor, ink, pencil, and etching on paper
368 × 200 mm
20 x 36.8 cm / 7 7/8 x 14 1/2 in; 41.6 x 56.8 x 3.8 cm / 16 3/8 x 22 3/8 x 1 1/2 in (framed)
© The Easton Foundation / Licensed by VAGA at ARS, NY and DACS, London 2022. Courtesy The Easton Foundation and Hauser & Wirth. Photo: Peter Malle
Maria Lassnig
Würdevoll (Dignified), c. 2005-2006
Acrylic and pen on paper, six parts
5 drawings: 44 × 60 cm / 17 3/8 × 23 5/8 in 55.6 × 72 × 3.5 cm / 21 7/8 × 28 3/8 × 1 3/8 in (framed) 1 drawing: 50 × 70 cm / 19 5/8 × 27 1/2 in 61.5 × 81 × 3.5 cm / 24 1/4 × 31 7/8 × 1 3/8 in (framed)
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth
Entwurf zu einem Wandfries(s), 1 x 30m, in der Chirurgie, Landeskrankenhaus in Klagenfurt (Design for a wall frieze, 1 x 30m, at the Surgical Ward State Hospital in Klagenfurt), ca. 1961
Watercolour, ballpoint pen on paper
1455.0 × 540.0 mm
54 x 145.5 cm / 21 1/4 x 57 1/4 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth. Photo: Roland Krauss
Mark Bradford
Martin Creed
Mary Heilmann
Matthew Day Jackson
![Bouquet and Picnic (Bull Run) [B63]](https://www.galleriesnow.net/wp-content/uploads/2020/09/JADAY106099-hires.jpg)
Bouquet and Picnic (Bull Run) [B63], 2020
Formica, silkscreen, oil paint, acrylic, urethane plastic, fiberglass, lead on panel, stainless steel frame
2467.0 × 2115.0 × 55.0 mm
211.5 x 246.7 x 5.5 cm / 83 1/4 x 97 1/8 x 2 1/8 in
© Matthew Day Jackson. Courtesy the artist and Hauser & Wirth. Photo: Stefan Altenburger Zurich
![Den Porthole 5 [Gemini 2]](https://www.galleriesnow.net/wp-content/uploads/2020/09/JADAY106100-hires.jpg)
![Bouquet of Flowers (Strasbourg) [B60]](https://www.galleriesnow.net/wp-content/uploads/2020/09/JADAY106103-hires.jpg)
Bouquet of Flowers (Strasbourg) [B60], 2020
Formica, silkscreen, oil paint, acrylic, urethane plastic, fiberglass, lead on panel, stainless steel frame
1530.0 × 2115.0 × 55.0 mm
211.5 x 153 x 5.5 cm / 83 1/4 x 60 1/4 x 2 1/8 in
© Matthew Day Jackson. Courtesy the artist and Hauser & Wirth. Photo: Stefan Altenburger Zurich
Still life with Flowers in a Sculpted Vase (B50), 2020
Formica, silkscreen, oil paint, acrylic, urethane plastic, fiberglass, lead on panel, stainless steel frame
1530.0 × 2115.0 × 51.0 mm
211.5 x 153 x 5.1 cm / 83 1/4 x 60 1/4 x 2 in
© Matthew Day Jackson. Courtesy the artist and Hauser & Wirth. Photo: Stefan Altenburger Zurich
Paul McCarthy
Phyllida Barlow
Pipilotti Rist
Nives, la petite-fille illuminée (noir blanc) (Familie Elektrobranche), 2020
Swimsuit, round metal lamp shade skeleton, frosted glass spherical lamp, fabric cable and plug, clothes hanger, ribbons
420.0 × 820.0 × 420.0 mm
82 x 42 x 42 cm / 32 1/4 x 16 1/2 x 16 1/2 in
© Pipilotti Rist
. Courtesy the artist and Hauser & Wirth. Photo: Atelier Rist
Anouk, The Enlightened Granddaughter (orange turquoise) , 2021
Swimsuit, round metal lamp shade skeleton, frosted glass spherical lamp, fabric cable and plug, clothes hanger, ribbons
420.0 × 800.0 × 370.0 mm
80 x 42 x 37 cm / 31 1/2 x 16 1/2 x 14 5/8 inches
© Pipilotti Rist. Courtesy the artist and Hauser & Wirth. Photo: Atelier Rist
Rachel Khedoori
Rashid Johnson
Untitled Broken Crowd, 2019
Ceramic tile, mirror tile, spray enamel, bronze, oil stick, branded red oak flooring, black soap, wax
3264.0 × 2400.0 × 76.0 mm
240 x 326.4 x 7.6 cm / 94 1/2 x 128 1/2 x 3 in left: H.96 W.66 D.3 in right: H.96 W.66 D.3 in
© Rashid Johnson. Courtesy the artist and Hauser & Wirth. Photo: Martin Parsekian
Richard Jackson
Rita Ackermann
Rodney Graham
Actor / Director, 1954, 2013
Painted aluminium lightboxes with transmounted chromogenic transparencies; diptych
3680 × 2610 × 180 mm
261 x 368 x 18 cm / 102 3/4 x 144 7/8 x 7 1/8 in; each panel: 261 x 182 x 18 cm / 91 5/8 x 71 5/8 x 7 in
© Rodney Graham. Courtesy the artist and Hauser & Wirth. Photo: Rodney Graham
Paddler, Mouth of the Seymour, 2012 – 2013
Painted aluminum lightboxes with transmounted chromogenic transparencies; triptych
5540 × 3040 × 180 mm
304 x 554 x 18 cm / 119 5/8 x 218 1/8 x 7 1/8 in; each panel 304 x 182 x 18 cm / 119 5/8 x 71 5/8 x 7 in
© Rodney Graham. Courtesy the artist and Hauser & Wirth
Smoke Break 2 (Drywaller), 2012
Painted aluminium lightboxes with transmounted chromogenic transparencies; diptych
3680 × 3040 × 180 mm
304 x 368 x 18 cm / 119 5/8 x 144 7/8 x 7 1/8 in; each panel: 304 x 182 x 18 cm / 119 5/8 x 71 5/8 x 7 in
© Rodney Graham. Courtesy the artist and Hauser & Wirth. Photo: Rodney Graham
Roni Horn
Wits’ End Mash (Elvis has left the building), v.1, 2019
Individually silkscreened idioms. Original texts handwritten, authored by app. 300 people. Silkscreen on paper (Hahnemuhle roll, 305 grms). Up to 50 colors
0.0 × 0.0 × 0.0 mm
132.1 x 162.6 cm / 52 x 64 in
© Roni Horn. Courtesy the artist and Hauser & Wirth. Photo: Ron Amstutz
Wits’ End Mash (get under my skin), 2019
Individually silkscreened idioms. Original texts handwritten, authored by app. 300 people. Silkscreen on paper (Hahnemuhle roll, 305 grms). Up to 50 colors
0.0 × 0.0 × 0.0 mm
132.1 x 162.6 cm / 52 x 64 in
© Roni Horn. Courtesy the artist and Hauser & Wirth. Photo: Ron Amstutz
