Thaddaeus Ropac

Ali Banisadr

Axe to the frozen sea within us, 2021

Oil on linen
3048.0 × 2083.0 × 0.0 mm
208.3 x 304.8 cm (82 x 120 in). Frame 211 x 307.5 x 7.6 cm (83.07 x 121.07 x 3 in)
© Ali Banisadr. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. Photo: Genevieve Hanson

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Fireworks, 2021

Oil on linen
610.0 × 457.0 × 0.0 mm
45.7 x 61 cm (18 x 24 in). Frame 48.6 x 63.5 x 6.7 cm (19.125 x 25 x 2.625 in)
© Ali Banisadr. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul

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Pyramids of the Sun and the Moon, 2022

Oil on linen
0.0 × 0.0 × 0.0 mm
Frame 211 x 307.5 x 7.6 cm (83.07 x 121.06 x 3 in)
© Ali Banisadr. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. Photo: Genevieve Hanson

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Return to Mother, 2022

Oil on linen
4572.0 × 2083.0 × 0.0 mm
208.3 x 457.2 cm (82 x 180 in). Frame 212.8 x 461.7 x 8.3 cm (83.78 x 181.77 x 3.27 in)
© Ali Banisadr. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. Photo: Genevieve Hanson

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The Great Replacement, 2022

Oil on linen
0.0 × 0.0 × 0.0 mm
Frame 124.6 x 155.1 x 7.6 cm (49.06 x 61.06 x 3 in)
© Ali Banisadr. Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. Photo: Genevieve Hanson

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Miquel Barceló

Gran bisonte, 2021

Mixed media on canvas
2850 × 2350 × 30 mm
235 x 285 x 3 cm (92.52 x 112.2 x 1.18 in)
© Miquel Barceló / Adagp, Paris, 2022. Courtesy Thaddaeus Ropac, London · Paris · Salzburg · Seoul. Photo: David Bonet

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Tableau couleur orange sanguine, 2021

Mixed media on canvas
2350 × 2350 × 40 mm
235 x 235 x 4 cm (92.52 x 92.52 x 1.57 in)
© Miquel Barceló / Adagp, Paris, 2022. Courtesy Thaddaeus Ropac, London · Paris · Salzburg · Seoul. Photo: David Bonet

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Taula goliàrdica, 2021

Mixed media on canvas
2950 × 2350 × 35 mm
235 x 295 x 3.5 cm (92.52 x 116.14 x 1.38 in)
© Miquel Barceló / Adagp, Paris, 2022. Courtesy Thaddaeus Ropac, London · Paris · Salzburg · Seoul. Photo: David Bonet

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Cárdeno sobre azul, 2022

Mixed media on canvas
1625 × 1300 × 35 mm
130 x 162.5 x 3.5 cm (51.18 x 63.98 x 1.38 in)
© Miquel Barceló / Adagp, Paris, 2022. Courtesy Thaddaeus Ropac, London · Paris · Salzburg · Seoul. Photo: David Bonet

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Bodegón groc, 2021

Mixed media on canvas
2400 × 1900 × 35 mm
190 x 240 x 3.5 cm (74.8 x 94.49 x 1.38 in)
© Miquel Barceló / Adagp, Paris, 2022. Courtesy Thaddaeus Ropac, London · Paris · Salzburg · Seoul. Photo: David Bonet

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Nature morte avec lapin, 2021

Mixed media on canvas
2850 × 2850 × 40 mm
285 x 285 x 4 cm (112.2 x 112.2 x 1.57 in)
© Miquel Barceló / Adagp, Paris, 2022. Courtesy Thaddaeus Ropac, London · Paris · Salzburg · Seoul. Photo: David Bonet

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Nature morte avec gâteau d'anniversaire, 2021

Mixed media on canvas
2350 × 2350 × 35 mm
235 x 235 x 3.5 cm (92.52 x 92.52 x 1.38 in)
© Miquel Barceló / Adagp, Paris, 2022. Courtesy Thaddaeus Ropac, London · Paris · Salzburg · Seoul. Photo: David Bonet

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Mezza vita, 2022

Mixed media on canvas
2850 × 2350 × 40 mm
235 x 285 x 4 cm (92.52 x 112.2 x 1.57 in
© Miquel Barceló / Adagp, Paris, 2022. Courtesy Thaddaeus Ropac, London · Paris · Salzburg · Seoul. Photo: David Bonet

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Georg Baselitz

Scherbenhaufen, 2018

Oil on canvas
2120.0 × 3100.0 mm
310 x 212 cm (122,05 x 83,46 in)
© Georg Baselitz, 2019. Photo: Jochen Littkemann. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg

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Signora cavolo, salve, 2019

Oil on canvas
2080.0 × 3000.0 mm
300 x 208 cm (118,11 x 81,89 in)
© Georg Baselitz, 2019. Photo: Jochen Littkemann. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg

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Felice runter, 2019

Oil and painter’s gold varnish on canvas
3500.0 × 3040.0 mm
304 x 350 cm (119,69 x 137,8 in)
© Georg Baselitz, 2019. Photo: Jochen Littkemann. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg

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Due donne senza ombra, 2019

Oil on canvas
3500.0 × 3040.0 mm
304 x 350 cm (119,69 x 137,8 in)
© Georg Baselitz, 2019. Photo: Jochen Littkemann. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg

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Arrivare, annunciare, 2019

Oil on canvas
2100.0 × 3000.0 mm
300 x 210 cm (118,11 x 82,68 in)
© Georg Baselitz, 2019. Photo: Jochen Littkemann. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg

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Arrivare con cenere, 2019

Oil on canvas
3500.0 × 3040.0 mm
304 x 350 cm (119,69 x 137,8 in)
© Georg Baselitz, 2019. Photo: Jochen Littkemann. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg

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Un passo falso, Signora Kraut, 2019

Oil on canvas
2090.0 × 2900.0 mm
290 x 209 cm (114,17 x 82,28 in)
© Georg Baselitz, 2019. Photo: Jochen Littkemann. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg

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Das dritte rosa, 2019

Oil on canvas
3500.0 × 3040.0 mm
304 x 350 cm (119,69 x 137,8 in)
© Georg Baselitz, 2019. Photo: Jochen Littkemann. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg

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Surdororeal, 2019

Oil and painter’s gold varnish on canvas
3500.0 × 3040.0 mm
304 x 350 cm (119,69 x 137,8 in)
© Georg Baselitz, 2019. Photo: Jochen Littkemann. Courtesy Galerie Thaddaeus Ropac, London, Paris, Salzburg

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Elke in Frankreich II, 2019

Oil on canvas
2120.0 × 3000.0 mm
300 x 212 cm (118,11 x 83,46 in)
© Georg Baselitz. Photo: Jochen Littkemann. Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg

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Joseph Beuys

Braunkreuz, c. 1960

Oil on paper
14.8 × 20.8 cm

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Sylvie Fleury

VISIONAIRE (FREE LANCE FORD GT 40 I), 1998

Colour photograph mounted on aluminium
1000.0 × 1000.0 mm
100 x 100 cm (39,37 x 39,37 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury. Photo: Charles Duprat

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VISIONAIRE (FREE LANCE FORD GT 40 II), 1998

Colour photograph mounted on aluminium
1000.0 × 1000.0 mm
100 x 100 cm (39,37 x 39,37 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury. Photo: Charles Duprat

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VISIONAIRE (FREE LANCE FORD GT 40 III), 1998

Colour photograph mounted on aluminium
1000.0 × 1000.0 mm
100 x 100 cm (39,37 x 39,37 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury. Photo: Charles Duprat

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VISIONAIRE (PHYLEA FERRARI I), 1998

Colour photograph mounted on aluminium
1000.0 × 1000.0 mm
100 x 100 cm (39,37 x 39,37 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury. Photo: Charles Duprat

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VISIONAIRE (FREE LANCE COUNTACH), 1998

Colour photograph mounted on aluminium
1000.0 × 1000.0 mm
100 x 100 cm (39,37 x 39,37 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury. Photo: Charles Duprat

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VISIONAIRE (MENUDIER PORSCHE), 1998

Colour photograph mounted on aluminium
1000.0 × 1000.0 mm
100 x 100 cm (39,37 x 39,37 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury. Photo: Charles Duprat

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VISIONAIRE (PRADA ALFISSIMA), 1998

Colour photograph mounted on aluminium
1000.0 × 1000.0 mm
100 x 100 cm (39,37 x 39,37 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury. Photo: Charles Duprat

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Flame Painting no 1, 1998

Acrylic on canvas
1070.0 × 1220.0 mm
122 x 107 cm (48,03 x 42,13 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury. Photo: Charles Duprat

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Flame Painting no 2, 1998

Acrylic on canvas
1070.0 × 1220.0 mm
122 x 107 cm (48,03 x 42,13 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury.Photo: Charles Duprat

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Antony Gormley

REST, 2018

2 mm square section stainless steel bar
1430.0 × 800.0 × 980.0 mm
80 x 143 x 98 cm - 3 Kg
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg. Photos: Stephen White, London © Antony Gormley

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LEVEL, 2019

Cast Iron
1867.0 × 495.0 × 339.0 mm
49,5 x 186,7 x 33,9 cm - 60,4 Kg
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg. Photos: Stephen White, London © Antony Gormley

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FLOAT, 2019

Cast Iron
1624.0 × 574.0 × 464.0 mm
57,4 x 162,4 x 46,4 cm - 54,8 Kg
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg. Photos: Stephen White, London © Antony Gormley

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HEAD, 2019

Cast Iron
388.0 × 1877.0 × 374.0 mm
187,7 x 38,8 x 37,4 cm - 80,6 Kg
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg. Photos: Stephen White, London © Antony Gormley

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FOLD V, 2018

Carbon and casein on paper
Unframed 38,2 x 28 cm (15,04 x 11,02 in) Frame 49,4 x 39,3 x 3 cm (19,45 x 15,47 x 1,18 in.)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg. Photos: Stephen White, London © Antony Gormley

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SET V, 2018

Carbon and casein on paper
Unframed 38,2 x 27,9 cm (15,04 x 10,98 in) Frame 49,4 x 39,3 x 3 cm (19,45 x 15,47 x 1,18 in.)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg. Photos: Stephen White, London © Antony Gormley

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CRUMP, 2016

Cast iron
190 x 51.5 x 32 cm (74,8 x 202,76 x 12,6 in) - 96,5 Kg
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg. Photos: Stephen White, London © Antony Gormley

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NEST, 2019

Cast iron
1080.0 × 1080.0 × 1065.0 mm
108 x 108 x 106,5 cm (42,52 x 42,52 x 41,93 in) - 94,2 Kg
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg. Photos: Stephen White, London © Antony Gormley

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FILL, 2019

Cast iron
222 x 55,6 x 67,3 cm (74,8 x 202,76 x 12,6 in) - 49,6 Kg
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg. Photos: Stephen White, London © Antony Gormley

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TANGLE VI, 2020

Carbon and casein on paper
unframed 19 x 14 cm (7,48 x 5,51 in) Frame 30 x 25 x 2,8cm (11,81 x 9,84 x 1,1 in.)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg. Photos: Stephen White, London © Antony Gormley

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Anselm Kiefer

Habent sua fata libelli, 2017 - 2023

Emulsion, oil, acrylic, shellac, sediment of electrolysis, steel, lead and charcoal on canvas
280 × 190 cm
74.8 x 110.24 in

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Liza Lou

for myself,

Oil paint and graphite on gessoed linen
129.5 × 127 × 3.8 cm
50 x 51 x 1.5 in
Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. Photo: JWPictures Inc. © Liza Lou

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i am alive,

Oil paint and graphite on gessoed linen
129.5 × 127 × 3.8 cm
50 x 51 x 1.5 in
Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. Photo: JWPictures Inc. © Liza Lou

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in,

Oil paint and graphite on gessoed linen
129.5 × 127 × 3.8 cm
50 x 51 x 1.5 in
Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. Photo: JWPictures Inc. © Liza Lou

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Heart Meat, 2022-2023

Acrylic paint on glass beads
140.97 × 142.24 × 5.08 cm
56 x 55.5 x 2 in
Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul. Photo: JWPictures Inc. © Liza Lou

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Marcin Maciejowski

Are you going to paint today, 2019

Oil on canvas
900.0 × 1200.0 mm
120 x 90 cm (47,24 x 35,43 in)
© Marcin Maciejowski. Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg

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Constance of Austria (Pieskowa Skala Castle), 2019

Oil on canvas
1200.0 × 1600.0 mm
160 x 120 cm (62,99 x 47,24 in)
© Marcin Maciejowski. Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg

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I'm looking forward to seeing you soon, 2014

Oil on canvas
500.0 × 500.0 mm
50 x 50 cm (19,69 x 19,69 in)
© Marcin Maciejowski. Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg

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It Certainly Has A Fairly Intriguing - Strange Composition, 2019

Oil on canvas
1500.0 × 1900.0 mm
190 x 150 cm (74,8 x 59,06 in)
© Marcin Maciejowski. Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg

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It Is Enough I'm Delighted, Don't Make Me Understand It, 2019

Oil on canvas
1500.0 × 1900.0 mm
190 x 150 cm (74,8 x 59,06 in)
© Marcin Maciejowski. Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg

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Private view (Witkacy), 2019

Oil on canvas
700.0 × 1000.0 mm
100 x 70 cm (39,37 x 27,56 in)
© Marcin Maciejowski. Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg

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Tattoo (Audrey Kawasaki), 2019

Oil on canvas
1100.0 × 1400.0 mm
140 x 110 cm (55,12 x 43,31 in)
© Marcin Maciejowski. Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg

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Friederike Maria Beer (Klimt), 2006

Oil on canvas
500.0 × 700.0 mm
10 x each: 70 x 50 cm (27,56 x 19,69 in)
© Marcin Maciejowski. Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg

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Jack Pierson

BECAUSE YES​, 2020

Gold Leaf, Metal, Plastic, and Wood
1702.0 × 1194.0 × 76.0 mm
119,4 x 170,2 x 7,6 cm (47 x 67 x 3 in)
© Jack Pierson Studio. Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg

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Imran Qureshi

Threatened, 2023

Gouache and gold leaf on wasli paper
28.4 × 35.3 cm
13.9 x 11.18 in
Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul © Imran Qureshi. Photo: Usman Javed

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Other side story, 2023

Gouache and gold leaf on wasli paper
27.7 × 35.5 cm
13.9 x 10.91 in
Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul © Imran Qureshi. Photo: Usman Javed

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Where the shadows are so deep, 2023

Gouache and gold leaf on wasli paper
28 × 35 cm
11.7 x 8.7 in
Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul © Imran Qureshi. Photo: Usman Javed

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Camouflaged love, 2023

Gouache and gold leaf on wasli paper
27.6 × 35.1 cm
13.82 x 10.67 in
Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul © Imran Qureshi. Photo: Usman Javed

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Camouflaged love, 2023

Gouache and gold leaf on wasli paper
27.6 × 35.3 cm
13.9 x 10.87 in
Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul © Imran Qureshi. Photo: Usman Javed

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Easy cutting, 2023

Gouache and Letraset transfer on wasli paper
35.6 × 28.2 cm
10.7 x 14 in
Courtesy Thaddaeus Ropac gallery, London · Paris · Salzburg · Seoul © Imran Qureshi. Photo: Usman Javed

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Robert Rauschenberg

Copperhead-Bite V / ROCI CHILE, 1985

Silkscreen ink, acrylic and tarnish on copper
123.8 × 245.7 × 3 cm
96.75 x 48.75 x 1.1 in

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James Rosenquist

Paramus, 1966

Oil on shaped canvas
1575.0 × 1219.0 mm
121,9 x 157,5 cm (48 x 62 in)
Collection Thaddaeus Ropac. Artwork © 2019 Estate of James Rosenquist /Licensed by VAGA at Artists Rights Society (ARS), NY. Used by permission. All rights reserved.

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Coenties Slip Studio, 1961

Oil on shaped canvas
1092.0 × 864.0 mm
86,4 x 109,2 cm (34 x 43 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg. Photo: Ulrich Ghezzi. Artwork © 2019 Estate of James Rosenquist /Licensed by VAGA at Artists Rights Society (ARS), NY. Used by permission. All rights reserved.

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Yellow Applause, 1966

Oil on two mechanised sliding canvas panels, with recessed Formica panel
1880.0 × 1524.0 mm
152,4 x 188 cm (60 x 74 in) right panel 60” x 36” x 1 1/4” left panel (with spacer) 60” x 40” x 2” apparatus 35 1/2” x 59 1/2” x 2”
Courtesy of the Estate of James Rosenquist. Artwork © 2019 Estate of James Rosenquist /Licensed by VAGA at Artists Rights Society (ARS), NY. Used by permission. All rights reserved.

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Forest Ranger, 1967

Oil on slit and shaped Mylar
Three panels (two intersecting and one freestanding) Each approx: 289.6 cm (114,02 in)
Courtesy Museum Ludwig, Cologne. Photo: © Rheinisches Bildarchiv, Albers, Michael, rba_d024407_01. Artwork © 2019 Estate of James Rosenquist /Licensed by VAGA at Artists Rights Society (ARS), NY. Used by permission. All rights reserved.

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Morning Sun, 1963

Oil on canvas and plastic, with twine, bamboo and metal fishhook
1676.0 × 1981.0 mm
198.1 x 167.6 cm (78 x 66 in.)
Private Colection. Artwork © 2019 Estate of James Rosenquist /Licensed by VAGA at Artists Rights Society (ARS), NY. Used by permission. All rights reserved.

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Deep Pile, 1966

Oil on canvas
1829.0 × 1473.0 mm
147.3 x 182.9 cm (58 x 72 in.)
© 2019 Estate of James Rosenquist / Licensed by VAGA at Artists Rights Society (ARS), NY. Used by permission. All rights reserved. Courtesy of the Estate of James Rosenquist and Galerie Thaddaeus Ropac, London, Paris, Salzburg

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Shadows, 1961

Oil on canvas
173 x 244 cm (68 x 96 in.)
© 2019 Estate of James Rosenquist / Licensed by VAGA at Artists Rights Society (ARS), NY. Used by permission. All rights reserved. Courtesy of the Estate of James Rosenquist and Galerie Thaddaeus Ropac, London, Paris, Salzburg. Photo: Joe Traina

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Painting with Bulb, 1962

Oil on canvas, with flashlight fixture and bulb
41 x 51 cm (16 x 20 in.)
© 2019 Estate of James Rosenquist / Licensed by VAGA at Artists Rights Society (ARS), NY. Used by permission. All rights reserved. Courtesy of Kunstmuseum St. Gallen. Photo: Sebastian Stadler

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Study for Circles of Confusion GE, 1966

Oil on canvas
Diameter: 40.3 cm (15 7/8 in.)
© 2019 Estate of James Rosenquist / Licensed by VAGA at Artists Rights Society (ARS), NY. Used by permission. All rights reserved. Courtesy of the Estate of James Rosenquist and Galerie Thaddaeus Ropac, London, Paris, Salzburg. Photo: Glenn Steigelman

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Source for Pushbutton, 1961

Magazine advertisement cutouts, transparent tape, masking tape, coloured paper and pencil, with adventitious marks, on paper
21 x 28.4 cm (8 1/4 x 11 1/4 in.)
© 2019 Estate of James Rosenquist / Licensed by VAGA at Artists Rights Society (ARS), NY. Used by permission. All rights reserved. Courtesy of the Estate of James Rosenquist and Galerie Thaddaeus Ropac, London, Paris, Salzburg. Photo: Peter Foe

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Source and Preparatory Sketch for Lanai, 1964

Magazine advertisement cutouts, pencil, pastel and crayon on paper
308.0 × 133.0 mm
13.3 x 30.8 cm (5 1/4 x 12 1/8 in.)
© 2019 Estate of James Rosenquist / Licensed by VAGA at Artists Rights Society (ARS), NY. Used by permission. All rights reserved. Courtesy of the Estate of James Rosenquist and Galerie Thaddaeus Ropac, London, Paris, Salzburg. Photo: Charles Duprat

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Source and Preparatory Sketch for The Light That Won't Fail I, 1961

Cropped magazine advertisement, paper, marker, pencil and crayon
352.0 × 310.0 mm
31 x 35.2 cm (12 1/4 x 13 7/8 in.)
© 2019 Estate of James Rosenquist / Licensed by VAGA at Artists Rights Society (ARS), NY. Used by permission. All rights reserved. Courtesy of the Estate of James Rosenquist and Galerie Thaddaeus Ropac, London, Paris, Salzburg. Photo: Peter Foe

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Sturtevant

Beuys Untitled, 1998

Copper-dyed print
26.4 × 39 cm
15.35 x 10.39 in
Signed (verso)

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Emilio Vedova

Venezia muore I, 1992

Acrylic paint and nitro paint on canvas
130 × 260 × 3 cm
102.36 x 51.18 x 1.1 in

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Andy Warhol

Piss Painting, 1961

Urine on linen
183 × 106.7 cm
42 x 72 in
Estate stamp and numbered PA45.142 on VErso

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