MEYER*KAINER

Gelatin

untitled (Mona Lisa)

Gelatin
untitled (Mona Lisa), 2007

Plasticine, wood
660.0 × 830.0 × 30.0 mm
83 x 66 x 3 cm

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untitled (Mona Lisa)

Gelatin
untitled (Mona Lisa), 2020

Plasticine, wood
360.0 × 360.0 × 65.0 mm
36 x 36 x 6.5 cm

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untitled (Mona Lisa)

Gelatin
untitled (Mona Lisa), 2020

Plasticine, wood
405.0 × 510.0 × 90.0 mm
51 x 40.5 x 9 cm

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untitled (Mona Lisa)

Gelatin
untitled (Mona Lisa), 2020

Plasticine, wood
490.0 × 735.0 × 80.0 mm
73.5 x 49 x 8 cm

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BoB

Gelatin
BoB, 2021

Bust: painted aluminium , cast 1/3 base: resin, pigment, polystyrene
700 × 1170 × 550 mm
117 x 70 x 55 cm / 99 x 85 x 58 cm

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EllE

Gelatin
EllE, 2021

Bust: painted aluminium , cast 1/3 base: resin, pigment, polystyrene
780 × 1150 × 560 mm
115 x 78 x 56 cm / 156 x 55 x 59 cm

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NoN

Gelatin
NoN, 2021

Bust: painted aluminium , cast 1/3 base: resin, pigment, polystyrene
620 × 1020 × 290 mm
102 x 62 x 29 cm / 73 x 71 x 39 cm

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Mona Lisa (#1)

Gelatin
Mona Lisa (#1) , 2023

Plasticine, wood, metal
40 × 60 × 14 cm

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Mona Lisa (#2)

Gelatin
Mona Lisa (#2), 2023

Plasticine, wood
137 × 192 × 25 cm

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Mona Lisa (#3)

Gelatin
Mona Lisa (#3) , 2021

Plasticine, wood
46 × 73 × 9 cm

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Mona Lisa (#4)

Gelatin
Mona Lisa (#4) , 2023

Plasticine, wood
54 × 67 × 19 cm

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Mona Lisa (#5)

Gelatin
Mona Lisa (#5) , 2023

Plasticine, wood
40 × 48 × 9 cm

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Mona Lisa (#6)

Gelatin
Mona Lisa (#6) , 2023

Plasticine, wood, metal
98 × 126 × 48 cm

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Mona Lisa (#7)

Gelatin
Mona Lisa (#7) , 2023

Plasticine, wood
60 × 87 × 10 cm

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Mona Lisa (#8)

Gelatin
Mona Lisa (#8) , 2023

Plasticine, wood
54 × 71 × 12 cm

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Mona Lisa (#9)

Gelatin
Mona Lisa (#9) , 2023

Plasticine, wood
60 × 79 × 15 cm

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Mona Lisa (#10)

Gelatin
Mona Lisa (#10), 2023

Plasticine, wood
63 × 81 × 13 cm

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Mona Lisa (#11)

Gelatin
Mona Lisa (#11) , 2023

Plasticine, wood
74 × 86 × 8 cm

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Mona Lisa (#12)

Gelatin
Mona Lisa (#12) , 2023

Plasticine, wood
63 × 82 × 12 cm

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Mona Lisa (#13)

Gelatin
Mona Lisa (#13), 2023

Plasticine, wood
70 × 70 × 15 cm

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Mona Lisa (#14)

Gelatin
Mona Lisa (#14) , 2023

Plasticine, wood
85 × 118 × 9 cm

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Mona Lisa (#15)

Gelatin
Mona Lisa (#15) , 2023

Plasticine, wood
42 × 65 × 12 cm

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Mona Lisa (#16)

Gelatin
Mona Lisa (#16) , 2023

Plasticine, wood
60 × 82 × 6 cm

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Added to list

Done

Removed

Liam Gillick

Mountains? What Mountains?

Liam Gillick
Mountains? What Mountains?, 2023

Grey office carpet
Variable dimensions
Photo: Kati Göttfried / Courtesy MEYER*KAINER, Vienna

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Artist A+-

Liam Gillick
Artist A+-, 2023

Powder-coated aluminium, cut vinyl graphic
150 × 150 × 10.5 cm
Photo: Kati Göttfried / Courtesy MEYER*KAINER, Vienna

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Artist A-+

Liam Gillick
Artist A-+, 2023

Powder-coated aluminium, cut vinyl graphic
150 × 150 × 10.5 cm
Photo: Kati Göttfried / Courtesy MEYER*KAINER, Vienna

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Curator B+-

Liam Gillick
Curator B+-, 2023

Powder-coated aluminium, cut vinyl graphic
150 × 150 × 10.5 cm
Photo: Kati Göttfried / Courtesy MEYER*KAINER, Vienna

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Theorist B-+

Liam Gillick
Theorist B-+, 2023

Powder-coated aluminium, cut vinyl graphic
150 × 150 × 10.5 cm
Photo: Kati Göttfried / Courtesy MEYER*KAINER, Vienna

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Gallerist C++

Liam Gillick
Gallerist C++, 2023

Powder-coated aluminium, cut vinyl graphic
150 × 150 × 10.5 cm
Photo: Kati Göttfried / Courtesy MEYER*KAINER, Vienna

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Three Borrowed Gray Rotations

Liam Gillick
Three Borrowed Gray Rotations, 2021

Photo: Kati Göttfried / Courtesy MEYER*KAINER, Vienna

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Dan Graham

Going Nowhere

Dan Graham
Going Nowhere, 2019

Two-way mirror glass, aluminum, wood, acrylic, corian. Ed. 3
175 × 92 × 100 cm
Courtesy MEYER*KAINER, Vienna

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Round and Around (Whirligig)

Dan Graham
Round and Around (Whirligig), 2019

Two-way mirror glass, aluminum, wood, acrylic, corian. Ed. 3
125 × 92 × 125 cm
Courtesy MEYER*KAINER, Vienna

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Inspired by Moon Window

Dan Graham
Inspired by Moon Window, 2003

Two-way mirror glass, stainless steel
356 × 215 × 356 cm
Courtesy MEYER*KAINER, Vienna

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High-Rise Building, Chicago

Dan Graham
High-Rise Building, Chicago, 1969

Photograph
25 × 37 cm
Courtesy MEYER*KAINER, Vienna

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Dan Graham
"Split-Level" and "Ground Level" - "Two Home Homes", 1966

Photographs
19 × 27.5 cm
Courtesy MEYER*KAINER, Vienna

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Top: Row Houses, Bayonne, N.J. / Bottom: Rows of Sweater in Discount Store, Jersey City, N.J.

Dan Graham
Top: Row Houses, Bayonne, N.J. / Bottom: Rows of Sweater in Discount Store, Jersey City, N.J., 1966

Photographs
32 × 50 cm
Courtesy MEYER*KAINER, Vienna

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Children’s Pavilion

Dan Graham
Children’s Pavilion, 1988

83 × 63 cm
Courtesy MEYER*KAINER, Vienna

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Julia Haller

Untitled

Julia Haller
Untitled, 2020

Acrylic on canvas
520.0 × 520.0 mm
52 x 52 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Marcel Koehler

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Untitled

Julia Haller
Untitled, 2020

Acrylic on canvas
1000.0 × 1000.0 mm
100 x 100 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Marcel Koehler

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Untitled

Julia Haller
Untitled, 2020

Acrylic on canvas
1200.0 × 1750.0 mm
175 x 120 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Marcel Koehler

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Untitled

Julia Haller
Untitled, 2020

Acrylic on canvas
1200.0 × 1750.0 mm
175 x 120 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Marcel Koehler

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Untitled

Julia Haller
Untitled, 2020

Acrylic on canvas
1010.0 × 1400.0 mm
140 x 101 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Marcel Koehler

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Untitled

Julia Haller
Untitled, 2020

Acrylic on canvas
830.0 × 980.0 mm
98 x 83 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Marcel Koehler

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Untitled

Julia Haller
Untitled, 2020

Acrylic on canvas
1010.0 × 1550.0 mm
155 x 101 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Marcel Koehler

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Untitled

Julia Haller
Untitled, 2020

Acrylic on canvas
1200.0 × 1695.0 mm
169,5 x 120 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Marcel Koehler

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Untitled

Julia Haller
Untitled, 2020

Acrylic on canvas
1550.0 × 2000.0 mm
200 x 155 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Marcel Koehler

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Rachel Harrison

Unfinished Masterpiece Fourteen

Rachel Harrison
Unfinished Masterpiece Fourteen, 2019

Colored pencil, graphite, watercolor, liquid acrylic, and wax crayon on pigmented inkjet print
430.0 × 360.0 mm
36 x 43 cm

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Unfinished Masterpiece Eleven

Rachel Harrison
Unfinished Masterpiece Eleven, 2019

Colored pencil, graphite, watercolor, liquid acrylic, and wax crayon on pigmented inkjet print
430.0 × 360.0 mm
36 x 43 cm

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Unfinished Masterpiece Thirteen

Rachel Harrison
Unfinished Masterpiece Thirteen, 2019

Colored pencil, graphite, watercolor, liquid acrylic, and wax crayon on pigmented inkjet print
430.0 × 360.0 mm
36 x 43 cm

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Unfinished Masterpiece Fifteen

Rachel Harrison
Unfinished Masterpiece Fifteen, 2019

Colored pencil, graphite, watercolor, liquid acrylic, and wax crayon on pigmented inkjet print
430.0 × 360.0 mm
36 x 43 cm

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Unfinished Masterpiece Twelve

Rachel Harrison
Unfinished Masterpiece Twelve, 2019

Colored pencil, graphite, watercolor, liquid acrylic, and wax crayon on pigmented inkjet print
430.0 × 360.0 mm
36 x 43 cm

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Unfinished Masterpiece Sixteen

Rachel Harrison
Unfinished Masterpiece Sixteen, 2019

Colored pencil, graphite, watercolor, liquid acrylic, and wax crayon on pigmented inkjet print
430.0 × 360.0 mm
36 x 43 cm

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Sculpture in a Corner

Rachel Harrison
Sculpture in a Corner, 2021

Mixed media
635.0 × 1626.0 × 584.0 mm
162.6 x 63.5 x 58.4 cm

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Infanta Margarita

Rachel Harrison
Infanta Margarita, 2021

Dye sublimation print, acrylic, flashe, and gouache on aluminum
1216.0 × 1575.0 × 30.0 mm
157.5 x 121.6 x 3 cm

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Laptop

Rachel Harrison
Laptop, 2021

Dye sublimation print and flashe on aluminum
1216.0 × 1575.0 × 30.0 mm
157.5 x 121.6 x 3 cm

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Bar

Rachel Harrison
Bar, 2021

Dye sublimation print, acrylic, and gouache on aluminum
1216.0 × 1575.0 × 30.0 mm
157.5 x 121.6 x 3 cm

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Add a comment

Rachel Harrison
Add a comment, 2021

Dye sublimation print, acrylic, and gouache on aluminum
1216.0 × 1575.0 × 30.0 mm
157.5 x 121.6 x 3 cm

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Queens

Rachel Harrison
Queens, 2021

Dye sublimation print and gouache on aluminum
1216.0 × 1575.0 × 30.0 mm
157.5 x 121.6 x 3 cm

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Open

Rachel Harrison
Open, 2021

Dye sublimation print and acrylic on aluminum
1216.0 × 1575.0 × 30.0 mm
157.5 x 121.6 x 3 cm

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Chicken

Rachel Harrison
Chicken, 2021

Dye sublimation print, acrylic, and gouache on aluminum
0.0 × 0.0 × 0.0 mm
157.5 x 121.6 x 3 cm

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Sunflowers

Rachel Harrison
Sunflowers, 2021

Dye sublimation print and flashe on aluminum
1216.0 × 1575.0 × 30.0 mm
157.5 x 121.6 x 3 cm

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Hot Topic Framing Device

Rachel Harrison
Hot Topic Framing Device, 2021

Parachute cord, cast iron hooks, binder clips, clothes pins, zip-ties, gloves, wood, polystyrene, cement, acrylic, LED party light disco balls, and pigmented inkjet prints
0.0 × 0.0 × 0.0 mm
Dimensions variable

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Infanta WOP2

Rachel Harrison
Infanta WOP2, 2022

Pigmented inkjet print
432 × 559 mm
55.9 x 43.2 cm
Unique

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Infanta WOP

Rachel Harrison
Infanta WOP, 2021

Enamel on pigmented inkjet print
432 × 559 mm
55.9 x 43.2 cm
Unique

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Flora Hauser

3in1

Flora Hauser
3in1, 2021

Oil and pens on canvas
180 × 140 cm

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OUSIA1, Umhang

Flora Hauser
OUSIA1, Umhang, 2023

Acrylic fiber yarn sewn on canvas, steel
142 × 106 × 113 cm

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PARADE (PARRY): ONE

Flora Hauser
PARADE (PARRY): ONE, 2022

Acrylic fiber yarn sewn on canvas
20 × 43 cm

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Barbie’s Shed

Flora Hauser
Barbie’s Shed, 2016/2021

Pens and oil on canvas
60 × 100 cm

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PARADE, PARRY: TAPESTRY

Flora Hauser
PARADE, PARRY: TAPESTRY, 2022

Acrylic fiber yarn sewn on canvas
70 × 100 cm

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Die zwei Jahreszeiten (2/2 – 23): Winter

Flora Hauser
Die zwei Jahreszeiten (2/2 – 23): Winter, 2023

Acrylic fiber yarn sewn on canvas
25 × 34.5 cm

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Wrenkh1 - Schlürfen werden wir wohl dürfen

Flora Hauser
Wrenkh1 - Schlürfen werden wir wohl dürfen, 2022

Acrylic fiber yarn sewn on canvas
20 × 25 cm

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Die zwei Jahreszeiten (1/2 – 23): Sommer

Flora Hauser
Die zwei Jahreszeiten (1/2 – 23): Sommer, 2023

Acrylic fiber yarn sewn on canvas
24.5 × 35.5 cm

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Annette Kelm

Dr. M. Crede-Hörder, Volk in Not! Das Unheil des Abtreibungsparagraphen (§218), 1927, Carl Reissner Verlag Dresden, Druck bei Gerold Verlag Pößneck, mit 16 Schöpfungen von Käthe Kollwitz

Annette Kelm
Dr. M. Crede-Hörder, Volk in Not! Das Unheil des Abtreibungsparagraphen (§218), 1927, Carl Reissner Verlag Dresden, Druck bei Gerold Verlag Pößneck, mit 16 Schöpfungen von Käthe Kollwitz, 2020

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Upton Sinclair, Das Geld schreibt. Eine Studie über die amerikanische Literatur, 1930, autorisierte Übersetzung von Elias Canetti, Malik Verlag, Berlin, Einbandgestaltung John Heartfield

Annette Kelm
Upton Sinclair, Das Geld schreibt. Eine Studie über die amerikanische Literatur, 1930, autorisierte Übersetzung von Elias Canetti, Malik Verlag, Berlin, Einbandgestaltung John Heartfield, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Bertolt Brecht, Mann ist Mann. Die Verwandlung des Packers Galy Gay in den Militärbaracken von Kilkoa im Jahre 1925, 1926, Propyläen-Verlag im Ullsteinhaus, Berlin

Annette Kelm
Bertolt Brecht, Mann ist Mann. Die Verwandlung des Packers Galy Gay in den Militärbaracken von Kilkoa im Jahre 1925, 1926, Propyläen-Verlag im Ullsteinhaus, Berlin, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Kurt Tucholsky, Lerne lachen ohne zu weinen, 1931, Ernst Rowohlt Verlag, Berlin, Fotografie: Wellington Film Manufacture

Annette Kelm
Kurt Tucholsky, Lerne lachen ohne zu weinen, 1931, Ernst Rowohlt Verlag, Berlin, Fotografie: Wellington Film Manufacture, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Erich Maria Remarque, Im Westen nichts Neues, 1929, Remarques Buch ist das Denkmal unseres unbekannten Soldaten von allen Toten geschrieben (Walter von Mole), 1929 Propyläen-Verlag, Berlin, Einbandgestaltung Werner Beucke

Annette Kelm
Erich Maria Remarque, Im Westen nichts Neues, 1929, Remarques Buch ist das Denkmal unseres unbekannten Soldaten von allen Toten geschrieben (Walter von Mole), 1929 Propyläen-Verlag, Berlin, Einbandgestaltung Werner Beucke, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Erich Kästner, Das verhexte Telefon, 1935, Williams & Co. Verlag GmbH, Berlin-Grunewald, Copyright Atrium Verlag AG, Zürich, 1935, Einbandgestaltung Walter Trier

Annette Kelm
Erich Kästner, Das verhexte Telefon, 1935, Williams & Co. Verlag GmbH, Berlin-Grunewald, Copyright Atrium Verlag AG, Zürich, 1935, Einbandgestaltung Walter Trier, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Joachim Ringelnatz, Kinder Verwirr Buch, 1931, Ernst Rowohlt Verlag, Berlin, Einbandgestaltung Joachim Ringelnatz

Annette Kelm
Joachim Ringelnatz, Kinder Verwirr Buch, 1931, Ernst Rowohlt Verlag, Berlin, Einbandgestaltung Joachim Ringelnatz, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Heinrich Mann, Little Superman, 1945, übersetzt von Ernest Augustus Boyd, Creative Age Press Verlag, New York

Annette Kelm
Heinrich Mann, Little Superman, 1945, übersetzt von Ernest Augustus Boyd, Creative Age Press Verlag, New York, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Alfred Döblin, Berlin Alexanderplatz. Die Geschichte vom Franz Biberkopf, 1931, S. Fischer Verlag, Berlin, Einbandgestaltung Georg Salter

Annette Kelm
Alfred Döblin, Berlin Alexanderplatz. Die Geschichte vom Franz Biberkopf, 1931, S. Fischer Verlag, Berlin, Einbandgestaltung Georg Salter, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Alexandra Kollontay, Wege der Liebe. Drei Erzählungen: Die Liebe in drei Generationen, Schwestern, Wassilissa Maligyna, 1925, Malik-Verlag A.-G. Berlin, Autorisierte Übertragung aus dem Russischen von Etta Federn- Kohlhaas, Einbandgestaltung John Heartfield

Annette Kelm
Alexandra Kollontay, Wege der Liebe. Drei Erzählungen: Die Liebe in drei Generationen, Schwestern, Wassilissa Maligyna, 1925, Malik-Verlag A.-G. Berlin, Autorisierte Übertragung aus dem Russischen von Etta Federn- Kohlhaas, Einbandgestaltung John Heartfield, 2021

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Else Lasker-Schüler, Hebräische Balladen, 1913, U.R. Mener Verlag, Berlin Wilmersdorf, Einbandgestaltung Else Lasker-Schüler, „Jussufs Versunkenheit“

Annette Kelm
Else Lasker-Schüler, Hebräische Balladen, 1913, U.R. Mener Verlag, Berlin Wilmersdorf, Einbandgestaltung Else Lasker-Schüler, „Jussufs Versunkenheit“, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Magnus Hirschfeld, Sittengeschichte des Weltkrieges, 1930, herausgegeben von Sanitätsrat Dr. Magnus Hirschfeld, Erster Band, Verlag für Sexualwissenschaft Schneider & Co., Leipzig, Wien

Annette Kelm
Magnus Hirschfeld, Sittengeschichte des Weltkrieges, 1930, herausgegeben von Sanitätsrat Dr. Magnus Hirschfeld, Erster Band, Verlag für Sexualwissenschaft Schneider & Co., Leipzig, Wien, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Sigmund Freud, Die Zukunft einer Illusion, 1927, 1.-50. Tausend, Internationaler Psychoanalytischer Verlag, Wien

Annette Kelm
Sigmund Freud, Die Zukunft einer Illusion, 1927, 1.-50. Tausend, Internationaler Psychoanalytischer Verlag, Wien, 2021

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Vicki Baum, stud. chem. Helene Willfüer, 1928, 71.-80. Tausend, Ullstein Verlag, Berlin

Annette Kelm
Vicki Baum, stud. chem. Helene Willfüer, 1928, 71.-80. Tausend, Ullstein Verlag, Berlin, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Erika Mann, School for Barbarians, 1938, Education under the Nazis, Introduction by Thomas Mann, Translation by Mrs. H.T. Lowe-Porter, Princeton, N.J. – May 28, 1938 Modern Age Books, New York

Annette Kelm
Erika Mann, School for Barbarians, 1938, Education under the Nazis, Introduction by Thomas Mann, Translation by Mrs. H.T. Lowe-Porter, Princeton, N.J. – May 28, 1938 Modern Age Books, New York, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Wera Inber, Der Platz an der Sonne, 1930, autorisierte Übersetzung aus dem russischen Manuskript von Elena Frank, 1. - 7. Tausend, Malik-Verlag, Berlin, Druck der Spamerschen Buchdruckerei in Leipzig, Einbandgestaltung John Heartfield

Annette Kelm
Wera Inber, Der Platz an der Sonne, 1930, autorisierte Übersetzung aus dem russischen Manuskript von Elena Frank, 1. - 7. Tausend, Malik-Verlag, Berlin, Druck der Spamerschen Buchdruckerei in Leipzig, Einbandgestaltung John Heartfield, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Helene Stöcker, Liebe, 1927, Verlag der Neuen Generation, Berlin-Nikolassee, Einbandgestaltung John Heartfield

Annette Kelm
Helene Stöcker, Liebe, 1927, Verlag der Neuen Generation, Berlin-Nikolassee, Einbandgestaltung John Heartfield, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Henri Guilbeaux, Wladimir Iljitsch Lenin. Ein treues Bild seines Wesens, 1923, Verlag die Schmiede, Berlin, Ohlenrothsche Buchdruckerei Georg Richters, Erfurt, Einbandgestaltung Georg Salter

Annette Kelm
Henri Guilbeaux, Wladimir Iljitsch Lenin. Ein treues Bild seines Wesens, 1923, Verlag die Schmiede, Berlin, Ohlenrothsche Buchdruckerei Georg Richters, Erfurt, Einbandgestaltung Georg Salter, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Thomas Mann, Mario der Zauberer. Ein tragisches Reiseerlebnis, 1930, S. Fischer Verlag, Berlin, Einband, Vorsatz und dreizehn Textbilder von Hans Meid

Annette Kelm
Thomas Mann, Mario der Zauberer. Ein tragisches Reiseerlebnis, 1930, S. Fischer Verlag, Berlin, Einband, Vorsatz und dreizehn Textbilder von Hans Meid, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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E(katerina) D. Nikitina,13 Frauen fliehen, 1930, Mopr Verlag, Berlin, Einbandgestaltung Günther Wagner

Annette Kelm
E(katerina) D. Nikitina,13 Frauen fliehen, 1930, Mopr Verlag, Berlin, Einbandgestaltung Günther Wagner, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Franz Kafka, Amerika, 1927, Kurt Wolff Verlag, München

Annette Kelm
Franz Kafka, Amerika, 1927, Kurt Wolff Verlag, München, 2020

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Friedrich Wolf, Cyankali. § 218, Für Constanze Menz, 1929, Internationaler Arbeiter-Verlag, Berlin/Wien/Zürich, Einbandgestaltung Max Keilson, Einbandgestaltung Elli Markus, Atelier für Photographie

Annette Kelm
Friedrich Wolf, Cyankali. § 218, Für Constanze Menz, 1929, Internationaler Arbeiter-Verlag, Berlin/Wien/Zürich, Einbandgestaltung Max Keilson, Einbandgestaltung Elli Markus, Atelier für Photographie, 2019

Archival pigment print
0.0 × 0.0 × 0.0 mm
70 x 52.5 cm
Ed. 6 + 2AP

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Anita Leisz

Untitled

Anita Leisz
Untitled, 2016

Gypsum fibre board
1100.0 × 265.0 × 110.0 mm
26,5 x 110 x 11 cm

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Untitled

Anita Leisz
Untitled, 2018/2022

Steel prop, galvanized / corroded
80 × 600 mm
600 x 8 cm

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Marcin Maciejowski

#Puppylove (Todi)

Marcin Maciejowski
#Puppylove (Todi), 2020

Oil on canvas
350.0 × 350.0 mm
35 x 35 cm

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Dog day

Marcin Maciejowski
Dog day, 2020

Oil on canvas
440.0 × 530.0 mm
53 x 44 cm

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I’ve got my eyes on you

Marcin Maciejowski
I’ve got my eyes on you, 2020

Oil on canvas
800.0 × 1200.0 mm
120 x 80 cm

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What are you working on?

Marcin Maciejowski
What are you working on?, 2020

Oil on canvas
1500.0 × 2000.0 mm
200 x 150 cm

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InstaFriends

Marcin Maciejowski
InstaFriends, 2020

Oil on canvas
1100.0 × 1400.0 mm
140 x 110 cm

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Breathe

Marcin Maciejowski
Breathe, 2020

Oil on canvas
700.0 × 900.0 mm
90 x 70 cm

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Centrala

Marcin Maciejowski
Centrala, 2014

Oil on canvas
1300.0 × 1800.0 mm
180 x 130 cm

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Working from Home (Christian Dior sketching)

Marcin Maciejowski
Working from Home (Christian Dior sketching), 2020

Oil on canvas
1500.0 × 2000.0 mm
200 x 150 cm

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Looking for the best (Christian Dior)

Marcin Maciejowski
Looking for the best (Christian Dior), 2020

Oil on canvas
700.0 × 500.0 mm
50 x 70 cm

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Surprised at the world, and you

Marcin Maciejowski
Surprised at the world, and you, 2020

Oil on canvas
440.0 × 530.0 mm
53 x 44 cm

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I Love the „Cat Period“ in Your Art

Marcin Maciejowski
I Love the „Cat Period“ in Your Art, 2020

Oil on canvas
700.0 × 1100.0 mm
110 x 70 cm

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S.S. (Red Carpet 3) sketch VIP

Marcin Maciejowski
S.S. (Red Carpet 3) sketch VIP, 2007

Oil on canvas
270 × 350 mm
35 x 27 cm

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A.T. 2 (Red Carpet 2) sketch VIP

Marcin Maciejowski
A.T. 2 (Red Carpet 2) sketch VIP, 2007

Oil on canvas
270 × 350 mm
35 x 27 cm

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Ulrike Müller

Grammatik

Ulrike Müller
Grammatik, 2018

Monotype with chine-collé, printed with 10 Grand Press in Brooklyn, NY
559.0 × 737.0 mm
73,7 x 55,9 cm

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Celadon

Ulrike Müller
Celadon, 2018

Monotype with pochoir, printed with 10 Grand Press in Brooklyn, NY
566.0 × 737.0 mm
73,7 x 56,6 cm

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Rote Blume

Ulrike Müller
Rote Blume, 2018

Monotype, printed with 10 Grand Press in Brooklyn, NY
559.0 × 737.0 mm
73,7 x 55,9 cm

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Knife Act

Ulrike Müller
Knife Act, 2018

Monotype with pochoir, printed with 10 Grand Press in Brooklyn, NY
559.0 × 737.0 mm
73,7 x 55,9 cm

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Hinges

Ulrike Müller
Hinges, 2023

Vitreous enamel on steel
305 × 394 mm
39.4 x 30.5 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Hinges

Ulrike Müller
Hinges,

Vitreous enamel on steel
305 × 394 mm
39.4 x 30.5 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Hinges

Ulrike Müller
Hinges, 2023

Vitreous enamel on steel
305 × 394 mm
39.4 x 30.5 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Hinges

Ulrike Müller
Hinges, 2021

Vitreous enamel on steel
305 × 394 mm
39.4 x 30.5 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Hinges

Ulrike Müller
Hinges, 2022

Vitreous enamel on steel
305 × 394 mm
39.4 x 30.5 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Hinges

Ulrike Müller
Hinges, 2022

Vitreous enamel on steel
305 × 394 mm
39.4 x 30.5 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Hinges

Ulrike Müller
Hinges, 2022

Vitreous enamel on steel
305 × 394 mm
39.4 x 30.5 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Instrumentarium

Ulrike Müller
Instrumentarium, 2021

Monotype chine-collé on paper, pencil
210 × 274 mm
27.4 x 21 cm
Unique. Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Instrumentarium

Ulrike Müller
Instrumentarium, 2021

Monotype chine-collé on paper
210 × 274 mm
27.4 x 21 cm
Unique. Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Instrumentarium

Ulrike Müller
Instrumentarium, 2021

Monotype chine-collé on paper, Unique
210 × 274 mm
27.4 x 21 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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To Teach

Ulrike Müller
To Teach, 2022

Monotype chine-collé on paper and pochoir on paper, with 10 Grand Press in Brooklyn, NY Unique
570 × 740 mm
74 x 57 cm

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Home Office

Ulrike Müller
Home Office, 2022

Monotype chine-collé on paper and pochoir on paper, with 10 Grand Press in Brooklyn, NY Unique
570 × 740 mm
74 x 57 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Bric-a-Brac

Ulrike Müller
Bric-a-Brac, 2022

Monotype chine-collé on paper and pochoir on paper, with 10 Grand Press in Brooklyn, NY Unique
570 × 740 mm
74 x 57 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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For Now

Ulrike Müller
For Now, 2022

Monotype chine-collé on paper on paper, with 10 Grand Press in Brooklyn, NY Unique
570 × 740 mm
74 x 57 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Rug (por ahora)

Ulrike Müller
Rug (por ahora), 2022

Sheep wool, handwoven in the workshop of Jerónimo and Josefina Hernández Ruiz, Teotitlán del Valle del Valle, Oaxaca, Mexico
4140 × 2560 mm
256 x 414 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried. Unique

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Rug (una sola)

Ulrike Müller
Rug (una sola), 2022

Sheep wool, handwoven in the workshop of Jerónimo and Josefina Hernández Ruiz, Teotitlán del Valle del Valle, Oaxaca, Mexico
1925 × 2550 mm
255 x 192.5 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried. Unique

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Creatures of Queens 2023

Ulrike Müller
Creatures of Queens 2023, 2023

Wallpainting
8730 × 2390 mm
239 x 873 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried. executed by Eva Balayan

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Yoshitomo Nara

untitled

Yoshitomo Nara
untitled, 2003

Colored pencil on paper (envelope)
120.0 × 260.0 mm
26 x 12 cm

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untitled

Yoshitomo Nara
untitled, 2005

Colored pencil on paper (envelope)
240.0 × 390.0 mm
39 x 24 cm

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untitled

Yoshitomo Nara
untitled, 2005

Colored pencil on paper (envelope)
335.0 × 235.0 mm
23,5 x 33,5 cm

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untitled

Yoshitomo Nara
untitled, 2004

Colored pencil on paper (envelope)
380.0 × 270.0 mm
27 x 38 cm

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untitled

Yoshitomo Nara
untitled, 2004

Colored pencil on cardboard
155.0 × 212.0 × 55.0 mm
21,2 x 15,5 x 5,5 cm

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Raymond Pettibon

untitled

Raymond Pettibon
untitled, 2003

Ink on paper
360.0 × 575.0 mm
57,5 x 36 cm

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untitled

Raymond Pettibon
untitled, 1998

Ink on paper
295.0 × 420.0 mm
42 x 29,5 cm

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untitled

Raymond Pettibon
untitled, 2001

Ink on paper
435.0 × 555.0 mm
55,5 x 43,5 cm

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untitled

Raymond Pettibon
untitled, 2003

Ink, pencil on paper
360.0 × 470.0 mm
47 x 36 cm

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Untitled

Raymond Pettibon
Untitled, 2003

Ink on paper
380 × 560 mm
56 x 38 cm

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Untitled

Raymond Pettibon
Untitled, 1998

Ink on paper
295 × 420 mm
42 x 29.5 cm

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Untitled

Raymond Pettibon
Untitled, 2003

Ink, pencil on paper
320 × 370 mm
37 x 32 cm

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Mathias Poledna

Untitled – animation drawings for Imitation of Life

Mathias Poledna
Untitled – animation drawings for Imitation of Life, 2013

Pencil on animation bond paper each
420 × 345 mm
34.5 x 42 cm

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Florian Pumhösl

Formed Speech 2019 Negative 5

Florian Pumhösl
Formed Speech 2019 Negative 5, 2019

Granite - Nero Assoluto
60.0 × 1600.0 × 60.0 mm
160 x 6 x 6 cm

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Formed Speech 2019 Negative 10

Florian Pumhösl
Formed Speech 2019 Negative 10, 2019

Granite - Nero Assoluto
40.0 × 1600.0 × 60.0 mm
160 x 4 x 6 cm

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Formed Speech 2019 Negative 2

Florian Pumhösl
Formed Speech 2019 Negative 2, 2019

Granite - Nero Assoluto
40.0 × 1600.0 × 60.0 mm
160 x 4 x 6 cm

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Formed Speech 2019 Negative 7

Florian Pumhösl
Formed Speech 2019 Negative 7, 2019

Granite - Nero Assoluto
45.0 × 1600.0 × 40.0 mm
160 x 4,5 x 4 cm

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Formed Speech 2019 Negative 8

Florian Pumhösl
Formed Speech 2019 Negative 8, 2019

Granite - Nero Assoluto
40.0 × 1600.0 × 60.0 mm
160 x 4 x 6 cm

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Falklands II

Florian Pumhösl
Falklands II, 2005/2019

Reverse glass painting, epoxy resin on handcrafted glass
470.0 × 720.0 mm
72 x 47 cm

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Falklands I

Florian Pumhösl
Falklands I, 2005/2019

Reverse glass painting, epoxy resin on handcrafted glass
680.0 × 510.0 mm
51 x 68 cm

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Java Sea

Florian Pumhösl
Java Sea, 2005/2019

Reverse glass painting, epoxy resin on handcrafted glass
540.0 × 720.0 mm
72 x 54 cm

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Warped Relief (T)

Florian Pumhösl
Warped Relief (T), 2021

Acrylic on primed lead foil
0.0 × 0.0 × 0.0 mm
160 x 213 cm

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Warped Relief (B)

Florian Pumhösl
Warped Relief (B), 2021

Acrylic on primed lead foil
0.0 × 0.0 × 0.0 mm
160 x 213 cm

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Anne Speier

Halloween Edition

Anne Speier
Halloween Edition, 2019

Acrylic, oil and screen print and paper on canvas
1000.0 × 900.0 mm
90 x 100 cm
Photo: Marcel Koehler, Courtesy Galerie Meyer Kainer

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Why don’t you come up in the tree in which I am sitting and in my head am sweating

Anne Speier
Why don’t you come up in the tree in which I am sitting and in my head am sweating, 2019

Vinyl paint, acrylic, water-based varnish, synthetic resin varnish, oil and screen print on canvas
1300.0 × 1700.0 mm
170 x 130 cm
Photo: Marcel Koehler, Courtesy Galerie Meyer Kainer

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Crossover

Anne Speier
Crossover, 2019

Acrylic, water-based varnish, synthetic resin varnish, oil and uv-print on canvas
2200.0 × 1500.0 mm
150 x 220 cm
Photo: Marcel Koehler, Courtesy Galerie Meyer Kainer

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More Diligence, More Sisters.

Anne Speier
More Diligence, More Sisters., 2019

Acrylic, oil and screen print on canvas
2500.0 × 1500.0 mm
150 x 250 cm
Photo: Marcel Koehler, Courtesy Galerie Meyer Kainer

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The Red Trousers

Anne Speier
The Red Trousers, 2019

Vinyl paint, acrylic, oil and screen print on canvas
1900.0 × 1300.0 mm
130 x 190 cm
Photo: Marcel Koehler, Courtesy Galerie Meyer Kainer

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Idols hitting rock bottom

Anne Speier
Idols hitting rock bottom, 2019

Vinyl paint, acrylic, synthetic resin varnish oil and screen print on canvas
1300.0 × 1300.0 mm
130 x 130 cm
Photo: Marcel Koehler, Courtesy Galerie Meyer Kainer

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Castle of Men. Oberservations by Anne Speier

Anne Speier
Castle of Men. Oberservations by Anne Speier, 2019

Vinyl paint, acrylic, oil and screen print on canvas
1300.0 × 1700.0 mm
170 x 130 cm
Photo: Marcel Koehler, Courtesy Galerie Meyer Kainer

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Judith at the Window

Anne Speier
Judith at the Window, 2019

Vinyl paint, acrylic, oil and screen print on canvas
1300.0 × 1300.0 mm
130 x 130 cm
Photo: Marcel Koehler, Courtesy Galerie Meyer Kainer

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Funky Monkey, What Are You Afraid Of?

Anne Speier
Funky Monkey, What Are You Afraid Of?, 2017

Steel, polyurethan, papier mâché, plaster, pigment, fake hair, rope
Variable dimensions

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Franz West

untitled

Franz West
untitled, c. 1985

Papier mâché (painted by Herbert Brandl)
780.0 × 630.0 mm
63 x 78 cm

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Passstück

Franz West
Passstück, c. 1983

Papier mâché (painted by Eugenia Rochas)
740.0 × 400.0 × 110.0 mm
40 x 74 x 11 cm

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Empedokles

Franz West
Empedokles, 2002

Mixed media on wood, mounted on aluminium
980.0 × 1340.0 × 0.0 mm
134 x 98 cm

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Bilderwand Mondschein

Franz West
Bilderwand Mondschein, 2001

6 Collages
1735.0 × 500.0 × 0.0 mm
50 x 173.5 cm

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Autosex

Franz West
Autosex, 1999

Transparent mirror foil, rubber mat, 2 chairs. Ed. 3
152 × 320 cm
Courtesy MEYER*KAINER, Vienna

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Amelie von Wulffen

Untitled

Amelie von Wulffen
Untitled, 2020

Oil on wood, ceramic, acrylic, shells, wood, wire, dried flowers
1500.0 × 770.0 × 550.0 mm
77 x 150 x 55 cm

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Untitled

Amelie von Wulffen
Untitled, 2020

Oil on wood, ceramic, acrylic, shells, wood, snails, wire
1210.0 × 610.0 × 480.0 mm
61 x 121 x 48 cm

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Untitled

Amelie von Wulffen
Untitled, 2020

Paper mache, acrylic, wire, mussels
600.0 × 1620.0 × 900.0 mm
162 x 60 x 90 cm

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untitled

Amelie von Wulffen
untitled, 2007

Acrylic, watercolor, baryt print on paper
1110.0 × 1690.0 mm
169 x 111 cm

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untitled

Amelie von Wulffen
untitled, 2007

Charcoal, acrylic, retouching paint, photo on paper
4200.0 × 1130.0 mm
113 x 420 cm

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untitled

Amelie von Wulffen
untitled, 2007

Acrylic, watercolor, baryt print on paper
1730.0 × 1980.0 mm
198 x 173 cm

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untitled

Amelie von Wulffen
untitled, 2010

Watercolor, ink on paper
210.0 × 297.0 mm
29,7 x 21 cm

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untitled

Amelie von Wulffen
untitled, 2010

Watercolor, ink on paper
200.0 × 290.0 mm
29 x 20 cm

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untitled

Amelie von Wulffen
untitled, 2019

Watercolor, ink on paper
210.0 × 290.0 mm
29 x 21 cm

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untitled

Amelie von Wulffen
untitled, 2010

Watercolor, ink on paper
210.0 × 297.0 mm
29,7 x 21 cm

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untitled

Amelie von Wulffen
untitled, 2019

Watercolor, ink on paper
227.0 × 306.0 mm
30,6 x 22,7 cm

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untitled

Amelie von Wulffen
untitled, 2019

Watercolor, ink on paper
296.0 × 210.0 mm
21 x 29,6 cm

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Modriger Sommer

Amelie von Wulffen
Modriger Sommer, 2019

Oil on canvas
1200.0 × 1000.0 × 0.0 mm
100 x 120 cm

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Bernsteinzimmer und Biene Maja

Amelie von Wulffen
Bernsteinzimmer und Biene Maja, 2019-20

3 parts Oil on canvas, papier-mâché, moss, wire, acrylic paint, acrylic varnish
1900.0 × 2300.0 × 0.0 mm
230 x 190 x variable depth cm

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this is the end

Amelie von Wulffen
this is the end, 2021

Oil on canvas
1400.0 × 1800.0 × 0.0 mm
180 x 140 cm

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Verwandtschaft / groß

Amelie von Wulffen
Verwandtschaft / groß, 2022

Oil on canvas
2200.0 × 1900.0 × 0.0 mm
190 x 220 cm

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Untitled

Amelie von Wulffen
Untitled, 2022

Oil on canvas
800.0 × 1000.0 × 0.0 mm
100 x 80 cm

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Untitled

Amelie von Wulffen
Untitled, 2020

Oil on plywood, ceramics, shells, mirror, silver, acrylic, moss and papier- mâché
1200.0 × 600.0 × 505.0 mm
60 x 120 x 50.5 cm

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Untitled

Amelie von Wulffen
Untitled, 2019

Oil on canvas
2000.0 × 1400.0 × 0.0 mm
140 x 200 cm

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Untitled

Amelie von Wulffen
Untitled, 2019

Oil and photos on canvas
1600.0 × 1400.0 × 0.0 mm
140 x 160 cm

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Heimo Zobernig

untitled

Heimo Zobernig
untitled, 1984

Series of 19 gouaches on paper
210.0 × 300.0 mm
c. 30 x 21 cm each

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untitled

Heimo Zobernig
untitled, 2016

Acrylic on paper
207.0 × 295.0 mm
29,5 x 20,7 cm

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untitled

Heimo Zobernig
untitled, 2016

Acrylic on paper
210.0 × 297.0 mm
29,7 x 21 cm

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untitled

Heimo Zobernig
untitled, 2016

Acrylic on paper
207.0 × 295.0 mm
29,5 x 20,7 cm

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untitled

Heimo Zobernig
untitled, 2016

Acrylic on paper
210.0 × 297.0 mm
29,7 x 21 cm

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untitled

Heimo Zobernig
untitled, 2016

Acrylic on paper
210.0 × 297.0 mm
29,7 x 21 cm

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untitled

Heimo Zobernig
untitled, 1985

Gouache on paper
205.0 × 304.0 mm
30,4 x 20,5 cm

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untitled

Heimo Zobernig
untitled, 1985

Gouache on paper
205.0 × 297.0 mm
29,7 x 20,5 cm

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Untitled

Heimo Zobernig
Untitled, 2020

Acrylic on canvas
1000.0 × 1000.0 mm
100 x 100 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Archive HZ

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Untitled

Heimo Zobernig
Untitled, 2020

Acrylic on canvas
1000.0 × 1000.0 mm
100 x 100 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Archive HZ

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Untitled

Heimo Zobernig
Untitled, 2020

Acrylic on canvas
1000.0 × 1000.0 mm
100 x 100 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Archive HZ

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Untitled

Heimo Zobernig
Untitled, 2020

Acrylic on canvas
1000.0 × 1000.0 mm
100 x 100 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Archive HZ

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Untitled

Heimo Zobernig
Untitled, 2020

Acrylic on canvas
1000.0 × 1000.0 mm
100 x 100 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Archive HZ

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Untitled

Heimo Zobernig
Untitled, 2020

Acrylic on canvas
1000.0 × 1000.0 mm
100 x 100 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Archive HZ

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Untitled

Heimo Zobernig
Untitled, 2020

Acrylic on canvas
1000.0 × 1000.0 mm
100 x 100 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Archive HZ

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Untitled

Heimo Zobernig
Untitled, 2020

Acrylic on canvas
1000.0 × 1000.0 mm
100 x 100 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Archive HZ

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Untitled

Heimo Zobernig
Untitled, 2020

Acrylic on canvas
1000.0 × 1000.0 mm
100 x 100 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Archive HZ

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Untitled

Heimo Zobernig
Untitled, 2020

Acrylic on canvas
1000.0 × 1000.0 mm
100 x 100 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Archive HZ

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Untitled

Heimo Zobernig
Untitled, 2020

Acrylic on canvas
1000.0 × 1000.0 mm
100 x 100 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Archive HZ

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Untitled

Heimo Zobernig
Untitled, 2020

Acrylic on canvas
1000.0 × 1000.0 mm
100 x 100 cm
Courtesy of the artist and Galerie Meyer Kainer, Vienna. Photo: Archive HZ

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untitled

Heimo Zobernig
untitled, 2019

Acrylic, plaster, cotton, polyester, pressboard
1050 × 2270 × 740 mm
227 x 105 x 74 cm

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untitled

Heimo Zobernig
untitled, 2020

Bronze
185 x 65 x 41 cm

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untitled

Heimo Zobernig
untitled, 2023

Bronze
84 × 194 × 68 cm
Photo: Archiv HZ/Courtesy MEYER*KAINER

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untitled

Heimo Zobernig
untitled, 2017

Bronze
65 × 185 × 41 cm
Photo: Archiv HZ/Courtesy MEYER*KAINER

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untitled

Heimo Zobernig
untitled, 2023

Bronze
50 × 190 × 49 cm
Photo: Archiv HZ/Courtesy MEYER*KAINER

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untitled

Heimo Zobernig
untitled, 2023

Bluebox, video blue, video red, greenbox Trevira Television CS, polystyrene, wood, filling cotton
140 × 310 × 60 cm
Photo: Archiv HZ/Courtesy MEYER*KAINER

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untitled

Heimo Zobernig
untitled, 2023

Bluebox, video blue, video red, greenbox Trevira Television CS, polystyrene, wood, filling cotton
110 × 280 × 80 cm
Photo: Archiv HZ/Courtesy MEYER*KAINER

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untitled

Heimo Zobernig
untitled, 2023

Bluebox, video blue, video red, greenbox Trevira Television CS, polystyrene, wood, filling cotton
110 × 180 × 50 cm
Photo: Archiv HZ/Courtesy MEYER*KAINER

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untitled

Heimo Zobernig
untitled, 2024

Interference Crystal Acrylic, canvas
200 × 200 cm
Photo: Archiv HZ/Courtesy MEYER*KAINER

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untitled

Heimo Zobernig
untitled, 2022

Interference Crystal Acrylic, canvas
200 × 270 cm
Photo: Archiv HZ/Courtesy MEYER*KAINER

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untitled

Heimo Zobernig
untitled, 2023

Trevira CS, polystyrene, filling cotton
110 × 170 × 12 cm
Photo: Archiv HZ/Courtesy MEYER*KAINER

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Autosex

Heimo Zobernig
Autosex, 1999

Transparent mirror foil, rubber mat, 2 chairs. Ed. 3
152 × 320 cm
Courtesy MEYER*KAINER, Vienna

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Michèle Pagel

No Hard Feelings

Michèle Pagel
No Hard Feelings, 2019

Brick, cement, barbed wire, glaze
200.0 × 500.0 × 100.0 mm
50 x 20 x 10 cm

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Mehrzwecknutte

Michèle Pagel
Mehrzwecknutte, 2019

Brick, cement, glaze, various materials
750.0 × 3000.0 × 750.0 mm
300 x 75 x 75 cm

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If it’s not love, then it’s the bomb

Michèle Pagel
If it’s not love, then it’s the bomb, 2019

Ceramic, metal, glaze, concrete, tape, cardboard, rosewood
variable dimensions

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Girlfriend Material

Michèle Pagel
Girlfriend Material, 2019

Ceramic, glaze, adhesive tape, cardboard, metal, bricks, leatherette
920.0 × 1100.0 × 470.0 mm
110 x 92 x 47 cm

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Sorry we are closed too

Michèle Pagel
Sorry we are closed too, 2023

Glazed brick, wrought iron
350 × 440 × 70 mm
44 x 35 x 7 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Widerstand (Resistence)

Michèle Pagel
Widerstand (Resistence), 2023

Brick, concrete
300 × 1760 × 400 mm
176 x 30 x 40 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Spirit of Extasy

Michèle Pagel
Spirit of Extasy, 2023

Glazed brick, concrete
500 × 2020 × 500 mm
202 x 50 x 50 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Abendhimmel (Good Night White Pride)

Michèle Pagel
Abendhimmel (Good Night White Pride), 2023

Tile table, pressboard, décalcomanie on acrylic, tin plate
1540 × 770 × 40 mm
77 x 154 x 4 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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All Creatures Are Beautiful

Michèle Pagel
All Creatures Are Beautiful, 2023

Charred wood, pewter fittings, mirrors, glazed ceramics, metal
600 × 1170 × 300 mm
117 x 60 x 30 cm (without flies)
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Solide Anlage (Solid Investment)

Michèle Pagel
Solide Anlage (Solid Investment), 2023

Wooden column, bronze, concrete, birdhouse
500 × 1530 × 370 mm
153 x 50 x 37 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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They Paved Paradise

Michèle Pagel
They Paved Paradise, 2023

Glazed ceramics, dragon tree
200 × 1800 × 200 mm
180 x 20 x 20 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Sorry we are closed

Michèle Pagel
Sorry we are closed, 2023

Glazed brick, concrete, wrought iron, barbed wire, asphalt
700 × 1500 × 500 mm
150 x 70 x 50 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Give Peace A Lance

Michèle Pagel
Give Peace A Lance, 2023

Glazed clay tiles, wrought iron
200 × 2350 × 150 mm
235 x 20 x 15 cm
Courtesy MEYER*KAINER, Vienna. Photo: Kati Göttfried

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Kris Lemsalu

Tame a fish, tame a bird

Kris Lemsalu
Tame a fish, tame a bird, 2020

Crib, metal, fabric, ceramic, clay
1300.0 × 1450.0 × 1250.0 mm
145 x 130 x 125 cm

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We Three Luxury Estates 1

Kris Lemsalu
We Three Luxury Estates 1, 2020

Porcelain, ceramic, fabric, wood, metal
900.0 × 1400.0 × 850.0 mm
140 x 90 x 85 cm

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We Three Luxury Estates 2

Kris Lemsalu
We Three Luxury Estates 2, 2020

Porcelain, ceramic, fabric, wood, metal
900.0 × 1380.0 × 780.0 mm
138 x 90 x 78 cm

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We Three Luxury Estates 3

Kris Lemsalu
We Three Luxury Estates 3, 2020

Porcelain, ceramic, fabric, wood, metal
880.0 × 1350.0 × 770.0 mm
135 x 88 x 77 cm

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Catherine the Peter

Kris Lemsalu
Catherine the Peter, 2021

Porcelain, cermaics, metal, wood, glass, textiles, pink quartz
900.0 × 1400.0 × 800.0 mm
140 x 90 x 80 cm

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Lazy Flower

Kris Lemsalu
Lazy Flower, 2021

Mirror, ceramic, metal, fabric, paint
1990.0 × 2360.0 × 1630.0 mm
236 x 199 x 163 cm

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Lazy Flower

Kris Lemsalu
Lazy Flower, 2022

Watercolour on paper
455.0 × 605.0 × 0.0 mm
60.5 x 45.5 cm

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River Rock Bird Sky

Kris Lemsalu
River Rock Bird Sky, 2022

Ceramic, wood, fabric, metal
2500.0 × 2200.0 × 1050.0 mm
220 x 250 x 105 cm

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River Rock Bird Sky

Kris Lemsalu
River Rock Bird Sky, 2022

Watercolour on paper
570.0 × 755.0 × 0.0 mm
75.5 x 57 cm

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HedgeDOG

Kris Lemsalu
HedgeDOG, 2022

Ceramic, plush, plastic
150.0 × 190.0 × 200.0 mm
19 x 15 x 20 cm

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Immaterial Material Love

Kris Lemsalu
Immaterial Material Love, 2021

Ceramic
500.0 × 300.0 × 500.0 mm
30 x 50 x 50 cm

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Love Is A Beautiful Thing

Kris Lemsalu
Love Is A Beautiful Thing, 2022

Ceramic, wool, glass, glass eyes, metal, plastic cigarettes
700.0 × 1500.0 × 900.0 mm
150 x 70 x 90 cm approx.

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Love Is A Beautiful Thing

Kris Lemsalu
Love Is A Beautiful Thing, 2022

Ceramics, fabric, yarn, wood, glass, metal
630.0 × 550.0 × 450.0 mm
55 x 63 x 45 cm

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Love Is A Beautiful Thing

Kris Lemsalu
Love Is A Beautiful Thing, 2022

Watercolour on paper
570.0 × 755.0 × 0.0 mm
75.5 x 57 cm

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