Varela’s first exhibition with the gallery, and in New York, sees him paired with the American-Cuban minimalist in an exhibition which explores presence and absence, color and space, and structure and transcendence

new Plexiglas works and watercolors by the pioneering conceptual artist in his first LA solo exhibition since 2019

presented for the first time since its celebrated 2002 debut, this is another chance to catch Hammons’ acclaimed installation work

all new works in the British artist’s first US solo exhibition with the gallery - together with the US premiere of a collaborative creation with the acclaimed choreographer Sharon Eyal

to celebrate its anniversary, an exhibition surveying the history from 1975 to now of one of the longest-established contemporary art galleries on the West Coast

works that explore the foundations of our perception and question the origins of our certainties, delving into the ambiguity of the notion of truth and revealing the shadowy spaces that lie between reality and illusion

Landy and Wearing’s first exhibition conceived together in over twenty years presents new work responding to Naples and its history, alongside works from the last three decades reflecting their ongoing personal and artistic relationship

in the gallery’s micro-project space, a new sculpture by the London-based artist

the Japanese artist returns to the gallery with a compelling new exhibition “of a Kyoto pottery workshop, of an ancestral craft passed down through generations, but also of a group of schoolgirls whose story might have remained forever buried”

new paintings by Breslow made during a period of immense productivity following the loss of her husband

an exhibition of hand-woven textiles by the self-taught artist, offering a contemporary take on Iran’s traditional kilim and gabbeh rugs

Pesonen “never treats her paintings as pure studies of form, but rather as an inquiry into the meanings that emerge from interactions of compositional elements”

curated by Sam Hanson, an exhibition of William Shakespeare-inspired paintings by one of the influential generation that emerged from the Slade School of Art following the Second World War

“ranging from the conceptual to the political, the traditional to the experimental, the figurative to the abstract, this exhibition positions paper as a principal art form”

“since 1944 my painting has been concerned with the ‘magical’: the metamorphosis of the unreal into reality and, vice versa, reality into the unreal - and reality beyond itself into extra existences” - Feitelson

“to define Jacanamijoy’s paintings is to construct the genealogy of a signature cosmology that is the outcome of an intercultural fusion between his ancestors’ traditions and his Western artistic baggage”

small-scale sculptures and drawings by Moore in dialogue with pieces of furniture from Casa Malaparte - drawing unexpected connections between sculptor and designer

the gallery’s first solo exhibition with Nauman presents sculptures, installations, sound works, videos, works on paper, and editions to explore the prolific decade that established him as one of the most important contemporary artists of our time

the gallery’s first solo exhibition of Benassi, whose work spans photography, installation, painting, performance, and sculpture

eighteen paintings unified by Guccione’s sensitive and singular approach, complicating our understanding of Surrealist iconography and style

three new series from one of Japan’s most celebrated sculptors and installation artists in his first US solo exhibition for over five years

curated by John Douglas Millar and Gary Schneider, with Alex Sainsbury, this is the first exhibition to comprehensively present the work of one of the leading figure in the downtown scene of 1970s and early 80s New York

new paintings by Murakami where he pursues his fascination with the narrative of Japanese art, offering interpretations of and interventions in iconic historical paintings

“Feldman’s marks are digitally manipulated photo impressions made using hand-carved potato stamps, which begin the process of shriveling and rotting the moment they are cut open ... a kind of dance with Father Time” - Sara Roffino

the debut exhibition of Michael’s paintings, both at the gallery and on the west coast - “abstraction, a siren for expansive thinking, offers generous clarity and strangeness; also, brutal, base forms of beauty” - Michael

new paintings and sculptural installations which present Garaicoa’s exploration of architecture, mathematics, geometry, and the tensions between culture and nature

“through meticulously crafted vignettes of prosaic objects laden with strange melodramas and desperate longings, Doyle’s deadpan scenes tease at the gears of the machine that feeds us” - Sara O’Keeffe

new paintings by Israel - “like the filmmakers before him, Israel is defining the noir tendency in his own way, through images. These are painted streetscapes” - Sam Wasson

exhibited for the first time, a powerful series of rough and complex collages by Franco, based on LA and made from layers of images and signs, symbols and text

Johansson’s new paintings and works on paper “shift between the familiar and the unfamiliar, between memories, associations and something more abstract”

“my working method has always had a constructive character, the painting is built up from fragments, and the painting seems to have exploded, and these fragments return as a result of an expanding wave, floating in space” - Daiber

drawings and a neon - presented for the first time in France - by an artist who belongs to a generation which, since the 1960s, have challenged traditional art by experimenting with industrial materials such as felt, latex, glass flock, and plastic

artworks by working Warlayirti artists, alongside pieces from private collections representing the founding and early stages of the Balgo movement, offer a glimpse into the history and evolution of one of Australia’s most vibrant artist communities

painting, installation, embroidery and scent form “a sensory journey exploring ancestral memory, ritual and migration” in the Indonesian artist’s first solo UK exhibition

the pioneering feminist artist’s first London retrospective showcases fifty years of her montage, photography, performance and sculpture - from early, punk, 1970s photomontages to new digital works shown for the first time

“Nina’s photographs depict artificial landscapes that are nonetheless so familiar it feels as though we’ve been there ... in Hallgerður’s work, by contrast, we observe a reality that has existed” - Halla Þórlaug Óskarsdóttir

with two new cinematic series of photographs, one shot at night and one taken in the day and presented as a cyclorama, An-My Lê explores “the contradictory nature of the manifest and the sublime within the contemporary American landscape”

“the uniqueness of Poliakoff’s gouaches lies in their space for exploration and discovery” - Dr. Dimitri Ozerkov

in his first exhibition solely to present works on paper, Crews-Chubb takes an increasingly abstract direction as he continues his exploration into the timeless and universal

Adams’ West Coast debut, as well as her inaugural solo exhibition with the gallery, presents eleven abstract paintings in an exhibition titled after a note from poet Patricia Spears Jones to philosopher Audre Lorde

the artist duo explore the “abstract condition in which time loses its linearity, and the boundaries between yesterday, today, and tomorrow dissolve, giving rise to a blurred and undefined emotional state”

in O’Brien’s debut solo exhibition at the gallery, a striking suspended sculpture that merges two grand pianos into a singular form, hovering mid-air. alongside smaller works created from repurposed materials partly sourced in Berlin

over two decades of Gorman’s handmade works on paper, with a focus on the motif of the circle

“a journey through five rooms that reflects on our contemporary reality and privileges, immersing us in realms of thought filled with depth and irony”

an exhibition which “invites us to reflect on the passage of time, the fragility of memory and our connection with nature, offering a meditation on the cyclical and ever-changing rhythms of life”

in collaboration with the Comité Picabia and curated by Beverley Calté and Arnauld Pierre, over forty post-war artworks by Picabia in the first major solo exhibition exclusively exploring his unique final period

artworks from the 1990s and 2000s - and a recent film shot in Korea - where Gillick explores “the aesthetics of our socio-political infrastructure ... that are the backdrop to daily life in post-industrial society”

important works from two of the most significant periods of Schiele’s life, loaned from a prestigious private collection

new portrait paintings in Kim’s first solo exhibition with the gallery - “just as the philosophical scope of Kim’s portraiture has become more complex, so too has her painting become more lush and lyrical”

an intricate selection of works by twenty-three artists from multiple generations which “distill the essence of the artist’s expression into an intimate, compact format”

the gallery inaugurates its new London space with works by established and emerging artists who are part of its identity and who showcase the innovative practices and thematic diversity that define it

“an exhibition that delves into the intricate relationship between consumerism and sustainability, questioning how objects are attributed worth in a world shaped by disposability”

twenty photographs and a painting present “Heck’s unique fusion of photography and painting, characterized by a bold embrace of natural light, resulting in a stunning array of unapologetically beautiful and vividly colorful images”

curated by Sabina Jaskot-Gill, over 200 photographs in an exhibition of iconic images and portraits from the trail-blazing youth culture magazine

important works of art from the most significant private collection of regionalist and social realist art created between 1920 and 1970, including works by Romare Bearden, Thomas Hart Benton, Jared French, Jacob Lawrence, Paul Sample, and Ben Shahn

“Welling’s photographic works are defined by relentless experimentation, much of which takes place entirely in the darkroom”

sculptural reflections on seashells and the questions raised by their forms

new works, including a striking installation, where the renowned artist presents a provocative exploration of contemporary issues through the lens of historical and artistic reference

paintings, sculpture, and collages dating from 1969 to 2025 by the 99-year-old African American artist who works in a pure abstract style that comes out of the tradition of the Abstract Expressionist painters

layered paintings by the Los Angeles-based artist “inviting viewers into an introspective journey, exploring resilience, memory, and the shifting nature of time”

works by artists including Jean-Michel Basquiat, Julien Berthier, Blutch, Alain Bublex, Robert Cottingham, Gilles Elie, Douglas Gordon, Charles Hascoët, Gregor Hildebrandt, Jim Jarmusch, Mike Kelley, Martin Kersels, Elodie Lesourd, Christian Marclay ...

Koch's first solo exhibition in New York - “known for her use of architectural elements ... her interventions have always been generous invitations to discovery, participation, and interaction” - Mark Lee

“in his most well-known series ... the artist uses as little paint as possible and works hard to conceal the labor that goes into achieving the sense of efficacy that often defines his all-over compositions” - Émile Rubino

paintings and tapestries of the threatened flora and fauna of her native Colombia in González’s first solo exhibition in New York

“Müller’s fascination with the production and manufacturing of things through tales, images, patterns and materials ... keeps giving and building a world on top of a world that is slowly disappearing”


Kelley’s final “Extracurricular Activity Projective Reconstruction”, one of the last videos he ever made, is shown alongside related works including never-before exhibited paintings of the cast, a lightbox, and sculptures made using props from the video

new and recent sculptures, animations and paintings by Opie, united by the theme of the walking figure

new paintings on aluminum from Fischer see him explore the imagery of online “fishing” and the definition of beauty

the debut of new large-scale abstract paintings by the British artist whose “characteristically expressive brushwork yields animated surfaces that pulse with the frenetic energy of their making”

curated by James Langdon, the first exhibition in London dedicated to the design practice explores “the passage of cultural artefacts holistically, through conception, production, and distribution” - Langdon

an exhibition of contemporary painters who explore portraiture both as a mirror to reality and as a window into the unseen or imaginary

organized in association with the Cy Twombly Foundation, this exhibition of paintings, sculpture, and works on paper includes key bodies of work as well as pieces that have never been shown before

thirty-one figurative sculptures drawn from over fifty years of acquisition by one of the most significant and comprehensive private collections of Aboriginal sculpture held outside Australia

in Akashi’s first exhibition with the gallery, new works with glass, earth, stone and bronze elements “rich with the possibilities of making, remaking and unmaking”

over fifty works in the debut retrospective exhibition celebrating the late artist’s wide creativity, and showcasing one of the most original painters to have emerged in recent years

sculptural reliefs by the Helsinki-based ceramic artist - “Paikkari simply lets the material find its own form, cracking along undetectable internal fault lines” - Glenn Adamson

exploring the relationship between form and perception, new works by Andrew Bryant, Alice Channer, Callum Innes, Damien Meade, Robin Megannity, Jack Otway, Hannah Perry, and Hayley Tompkins

vibrant paintings and the debut of new bronze sculptures in Henrot’s first major exhibition with the gallery in New York “address the friction between a nascent sense of imagination and society’s system of signs”

works from Divola’s latest series, alongside selections from a seminal early series, offer a rare opportunity to trace the evolution of his practice and his examination of the process of image-making

an exhibition looking at life, productivity, slowing down, and downtime - through a series of works about eggs

pre-colonial tradition in dialogue with canonical modernist figures in the Native American artist’s first solo exhibition outside of the US

new watercolor paintings and quartz glass bead works see Nguyen working with Vietnamese traditions while focussing on the subject of light

in the first retrospective in France of the British artist, photographs of Morris’s youth in London, his portraits of Bob Marley and the Sex Pistols, and his work with artists including Oasis, Lee ‘Scratch’ Perry, and Marianne Faithfull

curated by Pieter-Jan De Paepe, an exhibition which examines the history of still life and its place within contemporary society

new works by Condo in a two-part exhibition staged with Sprüth Magers offering “a glimpse into the artist’s creative process and limitless inventive drive in the medium of pastel on paper”

with 50% of profits going to the LA Art Community Fire Relief Fund, Timbaland and Sotheby’s present an exhibition about the love affair between art and music, centered around the dynamic canvas

two and three dimensional abstract paintings and works on paper in the artist’s first solo exhibition with the gallery - “I use inverse perspective and conflicting light sources to redirect attention from pictorial space back to the viewer” - Hitchcock

Lagos in the 1970s, the first exhibition of portraits by the husband and wife duo at one of the city’s most vibrant photographic studios, capturing its joyous spirit

an exhibition which highlights Dell'Orco’s ability to merge architectural principles with artisanal craftsmanship - furniture that is both a work of art and a practical object

dream-like tables, shelves, lamps and wall reliefs in the Danish designer and Master-cabinet maker’s first solo exhibition in France

an exhibition of still life paintings by the eminent Danish painter, sculptor, filmmaker, and author

curated by Hilton Als, this exhibition of works by the celebrated American painter focuses on her portraits of people from queer communities to extend an ongoing exploration of aspects of Neel’s work and its continuing relevance today

commemorating the one-hundredth anniversary of her birth, the first exhibition in the United States to show Adnan's works on paper in depth - representing nearly sixty years of creative output

new paintings by Adams - “brightly hued, faceted planes of acrylic paint and fabric collage ... present visions of Black Americana through figures engaged in everyday leisure and enlivened by individual daydreams and fantasies”

curated by Elisabeth Sann - with an accompanying Soul Jazz Records playlist - this exploration into the relationship between celestial bodies and the human experience offers a look at the profound and visionary works of the renowned artist

“Ghil is a London-based painter whose work reflects a profound engagement with the meditative process of repetition ... For the artist, painting serves as an existential exploration of an inner sanctuary”

in Mr.’s first solo exhibition in Los Angeles, new paintings and an installation based on his studio in Japan

curated by Daniel Malarkey and titled after the opening line of Daphne du Maurier’s “Rebecca”, over thirty artists across generations, disciplines, and geographies explore memory, transformation, and the dynamic interplay between past and present

abstract Faldbakken drawings on paper, on canvas, with pewter - “drawing has a strange essence ... it seems easier to discard a piece of paper stained by a lousy drawing than to throw away the untouched sheet”

Hong Sooyeon’s first exhibition in London - “a compelling attempt within painting to merge traditionally Western and Eastern concepts concerning the nature of reality, and how to depict it in art” - Simon Morley

monumental sculptures by Schütte in the largest presentation of his work in the United States to date

works by Leonora Carrington, Pilar Albarracín, Niki de Saint Phalle, Eulàlia Grau, Zhenya Machneva, Lucie Picandet, Virginie Yassef, and Julia Wachtel - eight radical female artists who laid the groundwork for future women artists

in artist duo’s first exhibition with the gallery, an invitation to step into a world of introspective and fragile everyday moments

“how can one represent ambiguity in painting?” asks the artist ... “as a painter, you’re confronted with white and death every day. How is it possible to make something invisible appear?” - Victorine Grataloup

this installation of 488 socks by the London based textile artist in the gallery’s 2024 Fashion Commission examines sustainability, both in fashion and in our lives more broadly

new and recent paintings in Martin’s first solo exhibition at the New York gallery - “atmospheric abstractions that revel in material discovery”

six ceramic artists with “unique interpretations of storytelling, culture, and personal identity, expressed through the medium of clay”

new paintings by the British-born, New York-based artist “fuse painterly rigor with a shrewd, quick-witted sensibility, generating complex, evocative compositions”

an exhibition bringing together artists at the forefront of the printmaking scene in London and New York in the 1960s

new prints by the Academy Award–nominated director, who uses generative AI to create imagery which he then renders into pigment and gelatin silver prints

the New York debut of Bey’s newest photographic series and film centering on Richmond, Virginia - where African captives first arrived in the US in enslavement

works created over the past decade, including new and unseen stone sculptures alongside abstract wall-based reliefs in stone, wood and iron in Dana’s first solo presentation at the gallery

paintings and new mixed media sculptures by the pioneering Spanish artist known for works that examine important art historical moments from a position which encompasses reverence, humour, and irony

paintings, photographs, collages, and installations in an exhibition presenting two decades of the internationally celebrated portraitist’s vibrant, large-scale portraits of Black women at rest

a material overview of Setsuko’s practice, as well as the first New York exhibition of the artist’s bronze and ceramic sculptures

never-before-seen photographs in this exhibition of the late artist’s “spirited exploration of culture, intimacy, desire and pain”

textural flower paintings from the partially sighted artist as the gallery announces her representation with her first major solo exhibition - evocative paintings, working from memory and sensory cues rather than direct observation

a diverse selection of recent paintings by emerging and established gallery artists

the inaugural exhibition in this collaboration with Lungley gallery

in this new program hosting artists, galleries and writers in the Paris space, an exhibition “rooted in Rochereau’s practice as a painter and installation artist, exploring ideas around categorization, ornamentation, the glamorous and the ghostly”

“united by their mastery of the craft and influence on the medium, the artists represented in the exhibition provide a thoughtfully curated overview of the modern masters of photography”

new large-scale woodcuts of landscapes and seascapes, paired with ethereal views of sunsets and horizons, “mark the tensions between nature and human conflict”

thirty paintings and photographs by one of the leading lights of the French contemporary art scene in his first solo show in the city - coordinated by Alfred Pacquement

“through re-imagining mythological tales and folkloric rituals, re-framing them within feminist, queer, anti-colonial and anti-capitalist perspectives, the artists reclaim agency for themselves”

playful, bold, and humorous paintings by Schuler in the gallery’s inaugural exhibition at The American Cement Building

running the gamut from carved phallic deities to abstracted hardcore, this “survey of aroused physical manhood ... explores its obsession in depth”

new and recent works alongside images surveying Ruff’s career, together demonstrating his experimental approach to photography and his in-depth examination of photographic genres through both analogue and digital processes

presented with Sam Fogg, the fourth in a series of collaborative exhibitions showcasing medieval masterpieces in a contemporary context includes over forty rare pieces of sculpture, painting, ceramics, textiles, and the work goldsmith

intricate cut-outs and dynamic compositions in Gil’s first solo exhibition

in Kimeze’s first solo exhibition in the UK, new paintings inspired by the resurgent popularity of roller skating in Black communities in London and beyond explore movement, flight and freedom

new work which redefines the representation of the female form in contemporary art from the artist known for large-scale oil paintings

the debut UK exhibition of the established American painter who embodies the spirit of Abstract Expressionism, shown alongside pieces by Poons and Frankenthaler, two of her major influences

works by one of the most significant Zimbabwean artists, who explores psychological uncertainty and existential fragility

new works by Avery - “the horizon acts as a dividing line through the whole show, a mirror or Rubicon that stands between one realm and the other“

works which explore creative materiality, by Nnenna Okore, Naomi Wanjiku Gakunga, Susanne Kessler, LR Vandy, Jukhee Kwon, Sokari Douglas Camp and Sylvie Franquet, as well as Xanthe Somers, Theresa Weber, Gaia Ozwyn and Khadija Jayi

the American artist’s first UK exhibition transforms the gallery into an immersive environment related to its location in Kensington Gardens

an exhibition in which Wood-Evans “considers the mysterious and evocative allure of the nocturnal”

the British Ghanaian artist and actor explores mental health and wellbeing, invisibility, the diaspora and the archive

an exhibition showcasing the renowned German American artist’s portraits and offers a rare glimpse into his celebrated work

paintings by the French artist in an exhibition which examines his breakthrough experimentations with figuration in the early 1960s

Förg’s small and contemporaneous simulacra, presented alongside the larger works they replicate in an exhibition conceived with the artist’s estate and in collaboration with Hauser & Wirth

this survey exhibition, in honour of Kosuth on his eightieth birthday, celebrates his profound contributions to conceptual art

five recent graduates from London-based art schools - Ruth Speer, Salvatore Pione, Mizuki Nishiyama, Baijie Liu, and Shuang Jing - “an illuminating glimpse into the future of the art world”

this new UK solo exhibition by Hodges “invites an inquiry into our relationship to time, its measures, and meanings”

the European debut solo exhibition of the American contemporary artist merges scientific inquiry and visual art, and features a nine-meter-long double-sided scroll at its centre

an exhibition which “captures the raw, edgy, and moody draw of downtown New York City while showcasing the hidden beauty in the overlooked and abandoned”

new experimental vessel sculptures alongside intricate mosaic tablet works in the Japanese sculptor’s first solo exhibition in China

twelve First Nations artists showing “the plurality of styles and aesthetics of Indigenous contemporary art, and invite us to question both how and why these manifest in different geographic regions of the Australian continent” - Jennifer Guerrini Maraldi

works by Pati Hill and Wolfgang Tillmans as the gallery hosts Air de Paris for Condo 2025

nine artworks, from the fifteenth to the nineteenth centuries, each of which represents a significant art historical discovery from recent years

“manifestations of his inner landscape, deeply rooted in his past, familial heritage, and cultural influences . . . through his paintings, he fights against oblivion, preserving the traces of lives and moments that once existed” - curator Hongshuo Liu

recent works by Virginia Chihota, Alicia Henry, Joy Labinjo, Wura-Natasha Ogunji, Dawit L. Petros, Umar Rashid, and Leo Robinson, exploring sovereignty not just as a political condition but also as a deeply embodied experience

the first exhibition in the gallery’s Chelsea space of the artist celebrated for her poetic sculptures, installations, and drawings

curated by Virginia Damtsa, more than fifteen artists in an exhibition of museum-quality, privately owned sculptures spanning over two millennia

a significant solo exhibition - in collaboration with Galleria Continua - which presents painting and sculpture spanning Pistoletto’s works from the early 1960s to the present

recent cibachrome and inkjet prints, paintings, and video works unified by themes of biodiversity, preservation, contemporary anthropology, and the influence of media and technology on culture and society

celebrating the influential exhibitions at Jean Pollak’s Galerie Ariel in 1950s Paris, works by artists including Camille Bryen, Jacques Busse, Youla Chapoval, Jean Deyrolle, Pierre Dmitrienko, Henri Goetz, Jean Le Moal, Maryan, and James Pichette

“together, Iosilzon and Turner’s paintings and sculptures constitute a kind of gallery-based ‘Gesamtkunstwerk’” - Rebecca Birrell

“Turner’s installation is an accumulation of a collective body’s affects and associations, stories, impressions and sensations ... she invites us to watch them move, to be moved by them and move with them” - Rebecca Birrell

works by artists including Timothy Bergstrom, Colby Bird, Layo Bright, Graham Collins, Anne-Lise Coste, David Kennedy Cutler, L’Merchie Frazier, Genevieve Goffman, Elias Hansen, Matther Kirk, Megan Reed, and Mariah Robertson

the gallery offers a rare opportunity to see Wilhelm Lehmbruck’s sculptures alongside paintings by Eugène Leroy

part of the series dedicated to former Brockman Gallery artists, Westmoreland’s first solo exhibition at parrasch heijnen presents a five-decade selection of collage and assemblage examining the African American experience in the US

Lulua Alyahya, Valérian Goalec, Angélique Heidler, Zeynep Kayan, Valeria Schneider and Zinong Zhang “do more than offer a dreamy reflection on life, they provide a material kick, demanding that we do the work of thinking free(&)dom for ourselves”

early and rare works from the 1960s and ’70s that track Joseph’s development from vividly coloured, geometric compositions through to the muted rectangular and square paintings that would define the following decades of his career

the gallery’s first solo exhibition of paintings by the Austrian-born, Los Angeles-based artist and former member of the “Junge Wilde” group

new paintings exploring French gardens and interiors associated with Marie Antoinette, in the final exhibition of a year-long collaboration between sketch and Hong Kong and Shanghai-based Pearl Lam Galleries

the gallery’s first exhibition of major works by the Belgian artist known for his experimental techniques and dynamic compositions redefining the language of abstraction

an exhibition which highlights the radical and rebellious ways that British painter Coon and American sculptor DiMattio take on the histories and conventions of their mediums

works by BLCKGEEZER, Hoa Dung Clerget, Sophie Goodchild, and Luca Longhi which “engage with themes of identity, memory, familial relationships as well as the vicissitudes of lived experience”

a wide-ranging group exhibition with works from the past twenty years representing some of the most recent perspectives and approaches in contemporary design

with both rarely seen and new machine-assisted paintings and film, this is Groebel’s first solo exhibition with the gallery

painting, sculpture and installation in an exhibition exploring points of connection in the work of the two Bahamian artists

accompanying the exhibition at the gallery’s Grosvenor Square space, Murakami takes over the Shop in Burlington Arcade with new flower paintings in the upstairs space, and publications, prints, and merchandise downstairs

a comprehensive retrospective of Van Kerckhoven’s extensive career, with works from 1981 to the past year

“an art of fundamentals: color, line, and the possibilities inherent in their variation and repetition”

the first UK institutional solo exhibition by the celebrated American artist, writer and activist spans the breadth of his practice with new site-specific video, installation, performance, poetry, and prints in “a testament to survival, ordinary survival”

new works present Soowhan’s unique technique and imagery in the first solo exhibition in New York City of his meticulously detailed woodland spaces

new large-scale works pairing collage with airbrush and painting in a multimedia practice exploring the foundations of art, belonging, and Black culture in this exhibition by the London based multidisciplinary artist and musician

the virtuoso painter unveils fourteen new works created over the past two years - “I have developed a new vocabulary ... I allow myself to stage my great masters of art history through a new perspective”

Fenichel’s first UK solo exhibition - “she is one of the true rebels and is an extremely important, if somewhat under-recognized artist in art history” - Juri Koll

Ruby Neri, Patrick Martinez, Hugo McCloud, Sara Issakharian, June Edmonds, and Hilary Pecis in an exhibition of new work by six multigenerational artists with deep connections to the American West Coast

Simpson selects drawings from his own archive and ongoing work - “working drawings, thinking with the hand: problem solving, notes to self, visual reminders - purely functional” - David Risley

“by juxtaposing Caro’s groundbreaking sculptures with Green’s dynamic paintings, we witness a compelling interplay between the physical and the pictorial”

meticulous A6 drawings on paper from the artist's residency at Shiro–Oni in Japan - “these works present a direct response both to place as well as to the disconnect from his familiar surroundings and relationships”

co-curated with Stephanie Souroujon, an exhibition which explores “the profound relationship between water, materiality, and meaning”, with Yolanda López, Rebecca Scott, Ana Bridgewater, Natascha Maksimovic, and Katerina Knight

new work by the Peruvian artist “experimenting with diverse media and pushing the boundaries of her print and painting practice whilst maintaining the political power that makes her work increasingly urgent” - Diego Chocano

paintings and video works by Li Ran, Liu Xiaodong, Laure Prouvost, Wael Shawky, and Shen Xin, explore how language shapes our perception and creates transformations in speaking, translating, listening, gazing and silence - curated by Yang Beichen

new “Cyano-Collage” and “Wrinkled Texture” works in the first Los Angeles solo exhibition by the artist known for his experimental approach to photography

“Saali’s paintings suggest nature’s cycles and growth processes, as if they were mimicking nature rather than just representing it”

Kerunen’s first solo exhibition in the UK features a new body of sculptures, sound installations, and performance that examine living forms of knowledge embedded within Ugandan communities

Sadik’s debut solo exhibition with the gallery, and in London, uses video to examine the lives of the Maghrebi youth of France, and especially second-generation emigres from former French colonies

an exhibition by Nathalie Junod Ponsard and Hans Kotter, artists who create immersive experiences to redefine our perception of space and challenge our sense of orientation

two video works - from the late ’60s-70s and 2024 - alongside three iconic photographic series from the ’80s and ’90s in an exhibition dedicated to the acclaimed and groundbreaking photographer

a comprehensive exhibition with two new large installations, an early projection work, new in-wall Glassworks pieces, holograms, models, prints, and plans of Roden Crater, as well as other photographs, prints, and archival materials

Laurencin’s first solo exhibition with the gallery - “why ... should Laurencin paint still lifes of “dead fish, onions, or beer glasses” when there was so much to explore in the rich and multilayered world of women and their desires?” - Hannah Stamler

“Droescher is interested in the process of weaving as an act of documenting the passage of time” - Victoria Tarak

“from Frank Vincent DuMond to Adolph Gottlieb, Paul Manship to Charles Alston, Charles Hawthorne to Wolf Kahn, Guy Pene du Bois to Augustus Saint-Gaudens instructors of the Art Students League have had a profound influence in molding American art”

“engaging with the flux of the cosmos, O’Neil’s dynamic images are akin to mindscapes or dreamscapes. She deconstructs the inextinguishable energy of matter into its base form - constituent dot-particles and waves” - Lilly Wei

curated by Kosovan artist Sislej Xhafa, this exhibition brings to Paris the work of fifteen artists who are shaping the country’s contemporary art scene

nine early paintings by the highly influential artist, from his formative period of 1959 to 1963

“works on paper, created between 1959 and 1963, during a period of radical experimentation when Kounellis began presenting the fundamental components of communication: numbers, arrows, symbols, and letters”


works on paper by Marjorie Welish, Albert Oehlen, Bettina Mechtersheimer, Max Theo Kehl and Ellie Hayward, alongside drawings by Willi Geiger and Otto Dix

“Lynch’s work is shown in juxtaposition with pieces by Anthony Caro and Alan Green, where her paintings constitute a lyrical counterpoint to Caro and Green’s genre-defining abstraction” - Anna Souter

“everyday events, the reflections of changing seasons throughout the year, motifs from Twombly’s homes ... what all these still photographs touch upon is the poeticized nature and its intrinsicality as a parable and metamorphosis”

the first exhibition in London of this key figure in Brazil's pop art and avant-garde movements, whose work shows the transformative power of art in addressing political, cultural, and societal issues

new and well-known works by the artist in an exhibition which creates “a space that invites viewers to dive deeply into the material and relationships of his various pieces”

in conjunction with Getty’s “PST ART: Art & Science Collide”, and alongside associated archival materials, a presentation of Saar’s 1987 monumental altar assemblage

an installation of new paintings and sculptural objects by von Hellermannn create “an environment that channels the fever of a daydream, where the real becomes remodelled by the subconscious”

assembled by the renowned gallerist William Mora, “an extraordinary private collection of eleven significant paintings by Australia’s most celebrated contemporary artist”

works by artists including Agnes Martin, Donald Judd, Ellsworth Kelly, Frank Stella, and Josef Albers in an exhibition that explores the linear, hard-edge elements of post-war printmaking

from the Winner of the 2024 Dior Photography and Visual Arts Award for Young Talents, an intimate project which looks at the lives of two autistic brothers, living alone with their father who has cancer

the acclaimed artist’s works “evoke the natural world across various scales, reflecting the duality of existence - simultaneously random and planned, organic and artificial, invoking both Color Field and Hard-edge aesthetics”

the gallery celebrates its 10th anniversary with this dual exhibition of textile-based works by Shinique Smith and Marcellina Akpojotor that “serve as conduits of ancestral knowledge, cultural histories, and imaginative possibility”

a unique exhibition which focusses on the paintings created in and inspired by Basquiat’s visits to Switzerland

classic and vintage masterpieces in the second of the gallery’s special two-part group exhibition - which includes a series of events, openings, and book signings - to celebrate the gallery’s thirty-year journey

continuing on from the gallery’s previous screenings of his work, this is the first UK exhibition of Conner’s Three Screen Ray

assemblages, textiles and drawings - inspired by the queerness of figures from fairy-tale and folklore - that exist somewhere between the fantastical and the real

new paintings in Parsons’s first solo exhibition with the gallery - “moments of feeling rather than recognition”

an exhibition with over a dozen artists which explores how physical materials are transformed into dynamic forms that resonate with both visual and conceptual weight

new paintings and a sound piece based on Jung in Seal’s first exhibition with the gallery

new works by Ally Fallon, Hannah-Sophia Guerriero, Isaac Jordan, Deborah Lerner, and Isobel Shore as the gallery hosts 2024 Apollo Painting School alumni

Dilg’s first solo exhibition in Korea - “there is a peculiar sense of timelessness, which allows a viewer to reflect on the age when the nature was wild and unknowable” - Yuki Higashino

immersive, site-specific installations that “blend cultural memory, linguistic structures, and history in a continuous process that crosses temporal boundaries, where meanings are not predetermined”

curated by Melanie Kress, this highly personal project on display in Boston, Chicago, and New York sees Winant working from hundreds of film stills that she and her mother separately made driving across the US when they were teenagers

other new paintings by Kimeze and works on paper, shown alongside a newly commissioned tapestry made by Edinburgh’s Dovecot Studios

works by artists including Oli Epp, Harrison Pearce, Tammi Campbell, Frank Brechter, Matthew Hansel, Devan Shimoyama, Ben Spiers, Salomé Chatriot, Maja Djordjevic, Ally Rosenberg, Liao Wen, Ry David Bradley, Sally Kindberg, Cary Kwok ...

“soft celestial forms with spiked edges”hang from the ceiling in this exhibition by interdisciplinary artist Peeraer

works by the Paris-based artists, who collaborate on performance, video, installation, and other formats to examine themes of memory, history, sexuality, and identity

the gallery presents a group of Wesselmann’s “steel drawings” for the first time

three bodies of work from across five decades in this “reflection upon a lifetime through Rattazzi's lens”

in collaboration with Public Art Fund, two new public artworks considering the music, performance and the Black history of New York

Pi Kai combines video games and oil painting to create immersive first-person perspectives

new drawing, installation, sculpture and video work form a fictional autobiography in Van de Velde’s first exhibition in the gallery’s Berlin spaces

cartoon figures in thick black lines on grounds of vibrant colour in a very personal exhibition of paintings by the Norwegian artist

curated by Edoardo Monti, an exhibition of five artists from Palazzo Monti, the residency/cultural institution he founded in 2017

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

lush paintings drawn from photographic studies of Greek resorts in the Romanian artist’s first solo exhibition with the gallery

works from 1970 to 2020 by Gorchov, who was one of the generation of painters who broke with the traditional rectangular frame in the 1960s, establishing a new link between sculpture and painting

ten artists who highlight the power of unconventional mediums in evoking personal and collective memories - in collaboration with Alice Black, Berntson Bhattacharjee, Carl Freedman, Gathering, Ginny on Frederick, Pippy Houldsworth, Union Pacific

an exhibition which “aims to explore how a group of artists from indigenous communities in Argentina, Brazil, Colombia and Venezuela, deeply rooted in the Amazon rainforest, channel its rhythms, forms and sacred geometries into their artistic practice”

curated by Christian Domínguez Dietzel, Brusatin’s latest series celebrates “nature’s cycles, fragility, strength, and the quest for meaning, inviting viewers on an introspective journey where the primordial and eternal intertwine”

“so many compelling, idiosyncratic, and revelatory new artists’ practices devoted to the depiction of people and their faces, each a fully realized vision insisting on being met on its own terms” - Sarah Lehrer-Graiwer

Davidson’s large-scale portraits reveal the personal stories and experiences of those whose lives were affected by the Troubles in Northern Ireland