the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

a group exhibition curated by Sophie Guo bringing together six artists “whose works give voice to silenced subjects and explore how suppressed histories and unaccommodated desires are made palpable through sound, ritual, materiality and form”

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming

new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models”

the gallery’s first exhibition of the Argentine-British artist and filmmaker is an almost museological presentation of works from her ongoing project exploring the ethics of photographing animals

new work by Barrois Jr. sees him reorient his focus toward the subject of time and the instruments through which it is captured

large-scale paintings, displayed alongside drawings as well as complementary works from the gallery offer an insight into Head’s approach to painting, revealing the processes, themes and visual connections that underpin his work

the Aboriginal artist’s first London exhibition begins with a childhood memory of visits to Melbourne’s National Gallery of Victoria and questions who is represented in museums, who decides, and who is left out

Turner’s first solo gallery exhibition is a site-responsive installation of dark wool and horsehair, which fills the ground-floor galleries and continues twelve metres up the façade of the Georgian townhouse

in this exhibition curated by Paola Lucente three contemporary artists - Chloe Bonfield, Kate Lyddon and Zulfiya Spowart - explore memory, inheritance, and the traces experience leaves behind

“work that is both playful and thought-provoking. The minimal interventions of the artist … turn a common sight into a contemplative artistic encounter” - Georgia Gerson

titled after a Frank O’Hara poem, Tomassini’s first solo exhibition brings together monoprints and bronze sculpture to reflect on transformation, metamorphosis, and becoming

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

an exhibition of works by Defne Tesal and Stephan Baumkötter - “in both artists’ work, depth emerges through material, touch and repetition rather than illusion. The surface becomes a space in itself: layered, tactile and open to continued looking”

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

paintings by six British artists whose practices were forged in the London art world of the 1990s - “painters who, against the prevailing weather, declared that painting remained a medium adequate to its moment”

“Emrys knows … that he is ‘dragging things forth’, that they remain a mystery to the rest of us, and only just within his own reach, as passing from memory, like dreams on waking, endlessly reconfigured” - John Gillett

six emerging Chinese artists selected from over a thousand open-call submissions make their debut on London's global art stage

an exhibition bringing together works made over the past decade where Baker began painting particular eBay furniture listings he found when moving house “a way of owning something before, or instead of, having it”

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the first exhibition at a major UK institution of one of the most influential and significant American sculptors of her generation

a new body of small-scale works in the form of votive objects, keepsakes, and bodily hybrids made in ceramic and textile

renowned for his work across art, architecture, and design, Holtrop’s inaugural exhibition with the gallery presents new functional artworks in cast glass that explore the dynamic relationship between light, space, and material

inaugurating their large new underground exhibition space, an exhibition foregrounding alternative perspectives on space, material, and craftsmanship - adding a fresh perspective to the gallery’s engagement with art, design, craft, and architecture

in its own dedicated and expansive space at the gallery, the Amsterdam-based studio unveil a new, interactive, and large-scale installation that “captures the movement of wind through the use of glass and light”

“I have sought to strip away every trace of artistic affectation until my objects reveal themselves as pure crystallisations of natural forces into essential forms” - Vízner

the British ceramic artist known for his highly tactile treatment of the ceramic vessel presents new molded and punctured pale porcelain, dark, rugged stoneware, liquid glazes, and thermally transformed granite

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting

sculptural artworks crafted in bronze and wood, anchored by the passage from molten force to settled calm, as Dubourg explores matter as language, power as form, and transformation as a site of meaning

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

spanning four millennia, a major exhibition bringing together ancient Egyptian artefacts with nineteenth- and twentieth-century paintings, drawings, rare books, and photographs to examine how Egypt was made, buried, recovered, and repeatedly reimagined

over twenty new works on paper by Gormley, some monumental in scale and each a direct trace of a place and a body, in an attempt to both subjectivise and universalise the question “where am I?”

the Dutch artist and designer continues his engagement in reinterpreting classical furniture - “sinuous, brushstroke-like shapes, which are created from sketches and rendered in patinated bronze, evoke the feeling of matter in flux”

these new paintings by the Japanese artist blur the boundary between figuration and abstraction with work that is introspective and reflective, focusing on phenomena observable in his everyday environment

in the New York-based artist’s first solo exhibition in London, new paintings which expand his thematic repertoire, bringing his distinctive attention to the glorious and the everyday in both public and private life

furniture, found objects, figures, costumes, painted surfaces, and images are dismantled, altered and recombined, moving between domestic spaces, film sets, and installations, in the artist duo’s first exhibition with the gallery

Zimmermann’s first solo exhibition at the gallery’s London space brings together for the first time his most recent body of epoxy-on-canvas works

in conversation with newer work, an opportunity to revisit paintings first shown at the gallery twenty years ago - “Krut demonstrates a Surrealist’s facility for perceiving links between the most disparate commonplace objects” - Andreas Leventis

in Camil’s debut solo exhibition in London and with the gallery, new works exploring the unstable boundaries between looking and being looked at

spanning three generations - and covering painting, drawing, prints, and sculpture - an exhibition of the best in modern and contemporary figurative art

“in a world where religious and cultural difference is so often used to separate, Wassall’s marionette suggests another possibility - that what unites these faiths might be as visible, and as luminous, as what sets them apart”

works spanning several decades reveal an artist continually attentive to the dignity, vitality and complexity of Black experience - “there is warmth throughout Lloyd’s work, but never sentimentality” - Cameron Amiri

titled after the 1911 novel by Frances Hodgson Burnett, an exhibition of contemporary painting from artists exploring subjects including and relating to the natural landscape - ideas of Arcadia and its assimilation into contemporary city life

curated by Ian Collins, this major exhibition includes rarely seen pieces from public and private collections as well as the first showing of Self’s eclectic multi-media installation of 365 wall-based works, ongoing since the year 2000

in Ford’s first solo exhibition at the gallery’s London space, paintings and accompanying studies which extend his career-long investigation into the relationship between humans, animals, and the natural world

the gallery’s first solo exhibition with one of the defining figures of British Pop Art presents a substantial body of new work alongside significant pieces from across his career

new and recent works on canvas by the multidisciplinary artist “whose approach is inspired by the visual fragments of everyday life, the energy of the city, and overlooked details within our surroundings”

alongside new drawings, sculptures, and editioned works on paper, the gallery presents the global premiere of Kentridge’s new stop-animation film, the twelfth in his globally acclaimed cycle of Drawings for Projection

earthworks, sculpture, tapestry, ceramics, and large-scale outdoor installations by world-renowned artists, all placed in conversation with the Foundation’s 70-acre estate

in an exhibition extending out of the gallery and across the landscape, “Rothschild combines hand-made processes with industrial fabrication to disrupt expectations through material, colour and composition”

the first major UK exhibition of the American land artist invites visitors to explore art shaped by light, language, and space - with early Concrete Poetry, photography, film, and two landmark installations

developed with curator Fiona Rogers, artist Justine Kurland, and collaborator and collector Sarah Miller Meigs, a group show exploring feminist strategies of collage

James D Wilson and Phil Shakespeare - “one is urban and the other suburban. Their subjects are very different and yet each artist builds their work from geometric forms and fragments of light and shadow”

based around the 2013 discovery of the rare bronze sculpture Apollo, new paintings by Nashashibi in the first solo exhibition of her work in London since her 2020 National Gallery exhibition

presented with Canvas Gallery, Karachi, new works by the acclaimed Pakistani artist bringing together “celebration and uncertainty, ornament and violence, authority and resistance in a body of work that is at once visually seductive and quietly charged”

an exhibition exploring the cultural exchange between Cuban communism and the French avant-garde in the 50s and 60s

in an expansion of his practice, Otero’s UK debut presents deeply personal work completed during a residency at the gallery in Somerset, translating his fascination with process, materiality and time into sculptural installations and moving image

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

new large-scale paintings, multi-panel compositions, and sculpture by Simpson revealing the symbiotic relationship between her paintings, collages, and wider oeuvre

curated by Ralph Rugoff, a major exhibition of the awe-inspiring work of one of the most influential artists of our time - in the same venue he presented his first major UK survey

an “imaginative, idiosyncratic and quietly provocative” multimedia exhibition by the Taiwanese artist known for a humorous practice that navigates between reality and the surreal

films and archival images in a major solo show by the American artist and activist - “Goldin’s extraordinary perspective, seen through the lens of her camera, invites you to understand how personal experience and political action are interconnected”

“bringing together paintings and works on paper, Lynch’s mediations on process and gesture reveal the artists’s abiding interest in the interplay between expressionism and conceptualism; colour/non-colour; tactility and translucency” - Pujan Gandhi

drawing from the Islamic devotional practices of Sufism and Wahhabism in his ongoing Forbidden Prayers project, sculptural works in glass and mixed media held in acrylic casts of the artist’s right hand

a new installation and performance work about the act of complaining, in the first major UK presentation of Knight’s interdisciplinary practice, which draws on theatre, psychology, improvisation, and social exchange

the first photography show at Japan House London presents a rare opportunity to see the works of two of Japan’s most exciting artists

paintings and a sculpture by the Swiss-Italian artist - “the works operate at the scale of the body: figures lean, bend and fold, caught in postures that read as structural as much as physical”

a comprehensive exhibition of works on paper spanning fifty years of work by the Colombia-based artist whose fantastical drawings explore the subconscious, the body, and desire

“in this new body of work the artist reflects on the emotional contradiction of nostalgia - the impossibility of fully recapturing the dazzling immediacy of an experience once it had passed, and the lingering desire to try”

curated by Marie Perennès, an exhibition of drawings, paintings, and sculpture spanning the final decade of Herrera’s life - “the vital culmination of an eighty-year enquiry into line, form and colour”

the inaugural show at the gallery of one of the world’s foremost abstract painters, surveying his experimentation and mastery over the past six decades of pioneering work in a wide-ranging survey including some of his earliest extant works

named after an Old English word for “a gathering of people” Ryan’s new site-specific commission responds directly to the gallery’s archaeological site to bring ancient and contemporary London into dialogue

a faithful recreation of the Temple of Mithras, discovered in 1954 by Professor W.F. Grimes during excavations carried out following the Blitz

organised in collaboration with the artist’s estate and Gomide&Co, São Paulo - and exhibited in both the gallery space and Frieze Masters - an exhibition dedicated to Schendel’s unique material language

new sculptures by Warren across both Bethnal Green spaces - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren

across both Bethnal Green spaces, new sculptures by Warren - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren

“in celebrating this gathering of major work by Brown we are grateful for her sustained attention to the spaces where story-telling is revivified, bodies are inhabited, our fears and our delights are brought into magnificent focus” - Edmund de Waal

“through constructed forms, Maw creates lines that float, intersect, and cast shadows, allowing drawing to occupy space as a material presence”

accompanying the Christie Brown retrospective, a substantial analysis of 20th and 21st century figurative drawing practice

with pieces by Edgar Degas, Elisabeth Frink, Kenneth Armitage, Reg Butler, and William Turnbull, a 20th Century masterpiece exhibition presented as part of the gallery’s wider spotlight on sculpture

marking the fiftieth anniversary of the British painter’s death, an overview exhibition of his many themes and subjects, from landscapes and seascapes to portraits and surreal imaginings

looking the artist’s studio, new paintings by Freeman Bentley, presented in dialogue with 20th Century Masters including Braque, Dufy, de Chirico, Matisse, and Picasso

this first of three annual focused presentations showcases intimate self-portraits by the British American artist, musician, and writer, who examines intimacy, desire, consumer culture, and the complexities of contemporary identity

curated by Susanna Brown , an exploration of queer identity, community, and love through the lens of one of Britain’s foremost photographers

Crowther’s first solo exhibition at the Centre showcases her work, sculpted from naturally felled local timber, on all scales

“a large-scale storage unit containing works from each of Dzinic’s series occupies the gallery. Across three successive rotations, works move between storage and the gallery walls”

“the horizon is always far away. In a painting, however, it can be right in front of us … Nasu’s second solo exhibition at NISO, begins in the space that opens between these two distances” - Christian Domínguez Dietzel

Williams’s first solo exhibition in the UK expands on their previous investigations into horror films and the feminization of AI assistants, fusing art historical, literary, and pop culture references to create multivalent narrative compositions

titled after Mahmoud Darwish’s poem, this exhibition brings together new multi-panel embroidery works and vibrant mosaics that recontextualize the history and aesthetic traditions of Palestine

in the first exhibition at the collaborative space, five artists who consider belonging, vulnerability, material memory, and the unstable boundaries between bodies, objects and places

addressing historical and modern slavery, migration, and the brutal realities of postcolonial Africa, the internationally renowned artist’s iconic masks made of repurposed plastic containers reflect on the precarious nature of the world we inhabit

the first solo exhibition in London since 2015 of the celebrated Colombian artist has a scenography by Cécile Degos and presents a major selection of paintings, drawings, and sculptures produced over almost six decades

titled after Adriana Cavarero’s philosophy of relational identity, Kafantari’s first solo exhibition in London presents new paintings exploring one of the most enduring questions of human experience - how identity is shaped through encounter

curated in collaboration with Jane Alison, the gallery presents the first exhibition dedicated to Erica Brausen, a trailblazing gallerist of the post-war era, and founder of the legendary Hanover Gallery in London’s Mayfair

presented as part of London Design Festival, and centred on a 1965 Morris Mini Cooper S race car, an exhibition which brings together design, craftsmanship, and the culture of making.

new site-specific paintings in the first solo London exhibition by the New York-based artist - “Manning embraces an intensity of color and compositional movement to create works held at the apex of a tide, where one state has not yet yielded to the next”

in Collins’ first solo exhibition at the gallery he considers the “attic” as a metaphor for memory - “a space at the peripheries and recesses of consciousness where stories germinate, mutate and become myth”

a new solo presentation by the London-based artist, comprising a sculptural installation - of the Barking fish and chip shop run for forty years by his Italian immigrant grandparents - alongside an accompanying live performance

“since the day I decided I wanted to call myself a draftsman I try to draw every day. A little bit at least” - Ortiz

Argote’s first exhibition at Perrotin London celebrates fifteen years of his eponymous paintings and sculptures originating from digital scribbles - exploring constraint and freedom while inviting the public to participate within the gallery space

“Bradley has created intimate installations that explore memory and identity through photography from her archive, which she has juxtaposed with recent sculptures … these ‘memory rooms’ offer personal, interior spaces for self-reflection”

new work which “approaches painting as a form of enquiry into consciousness … Ramsden treats the act of painting as a way for the mind to reflect on itself”

drawing on the gallery’s location, an exhibition of new paintings and performance making a connection between British military history and the histories of labour, craft, and production of Savile Row itself

the first European solo exhibition of the Mexican Surrealist painter and sculptor brings together paintings, works on paper, and painted ostrich eggs – the first time that this sculptural part of Bassi’s practice has been publicly presented

“drawing on Rivers’ iconic foundational series … familiar celestial creatures and tumbling astronauts amid pulsating clouds of intense vaporous colour”

“in a post-modern world that devalues and discards the intellectual achievements of its past, Giannoni’s paintings invite us to take up the book, view the museum and immerse ourselves in the life of the mind, wherever it may lead us”

curated by Antony Hudek, the first institutional exhibition in the UK since her death reveals how Sturtevant’s radical conceptual practice continues to probe the power of images

the debut of ambitious sculptural and video work as Winder-Lind draws both on a 19th century English fable and the fabric of the gallery to create an entire world rendered in vivid and whimsical detail

a major survey of over 400 years of still life painting, tracing the changing essence and status of the genre from the 16th century to the present

the first ever recreation of the 2005 exhibition at the historic 12th-century Cistercian abbey, Abbaye de Silvacane, in France - “a renewed opportunity to consider Jenkins’s engagement with space, light, and process at a pivotal moment in his career”

to inaugurate its new space in Mayfair the gallery presents an exhibition curated by Péjú Oshin which “asks what fictive kinships we make of the walls that raised us”

“based on folklore, shamanism and embodied knowledges, the exhibition explores the states of emergence and transformation through new and selected works spanning freehand machine embroidery, textiles, ceramics, sculpture and drawing”

new paintings by Sujin Lee

a major solo exhibition of the prominent New Delhi-based artist and filmmaker whose distinctive lyrical films move between documentary, travelogue, and visual essay to explore the specific conditions of the Indian subcontinent

an interactive ten metre long sculpture made of 4,000 suspended yellow PVC tubes - by one of the pioneers of kinetic art

the painting, sculpture, printmaking, sound, and film in Caguiat’s first UK institutional exhibition explores the architecture, spiritual resonance, and symbolic qualities of sacred spaces, and the structures and rhythms of everyday urban infrastructure

the Mexico City-based studio founded by Isabel Abascal and Alessandro Arienzo presents a serpentine pavilion as the 2026 Serpentine Pavilion

works by Aziza, Erin Mommsen, Jordan Rubio, Julien Heintz, Maia Twombly, Nick Jensen, Nicholas Aliberti, Sage Schachter, and Zachary Merle - “across nine practices, personal histories are salvaged through deep engagement with material”

an exhibition of gouaches, drawings, lithographs, and tapestry work by one of the central figures in twentieth-century modernism

“bringing together paintings on birch panel, painted photographs and installation in the form of steel agricultural gates, the exhibition explores what it means to look closely, to slow down and to become attentive to one’s surroundings”

for its annual celebration of art, design and hospitality, the internationally acclaimed artist and designer known for her use of colour, geometry, and immersive environments reimagines sketch in a way only she can

Baldock’s immersive installation is centered around eighty-four wall-based clay masks and brings his “blend of craft, humour and joy” to India Mahdavi’s luminous interiors

curated by SLG New Curators, new work responding to the gallery in the South Korean multimedia artist’s first solo exhibition in the UK

spanning the Main Gallery and the Fire Station, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

spanning the Fire Station and the Main Gallery, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

organised in collaboration with Gió Marconi, Milan, an exhibition of fourteen works by Schifano dating from 1960 to 1967 when he was at the height of his expressive strength, “genuine masterpieces” - Marco Meneguzzo

Dodd’s exhibition centers on the goddess Diana and, having relocated from upstate New York to Scotland’s Moray Coast, uses materials from her new home like peat, copper ink, spirulina, cochineal, local herbs and powdered meteorite

“set within intimate domestic spaces, award-winning painter Ellis King captures the moments before composure returns - where frustration, grief, doubt and exhaustion are quietly absorbed before the routines of everyday life resume”

an exhibition of new work by the multidisciplinary artist which “challenges distinctions between the human and non-human, the present and the absent, the living and the dead”

new paintings by Delhanty - “charged with a vast sense of landscape, the vigor of hot climate and the turbulence of shifting weather - they are ablaze with the literal and metaphorical light for which the exhibition is named”

an exhibition bringing together key works from Baselitz’ breakthrough series of his formative years, widely regarded as one of the defining achievements of his early career and a landmark in post-war European painting

the first solo UK exhibition dedicated to the life and work of the self-taught painter - a central figure in 20th century African-American art - whose bold works on corrugated roofing, sheet metal, and found lumber filled the front yard of his homestead

the gallery pairs Michael Landy’s 1991 sculpture with paintings by the late John Tweddle, produced in New York between 1966 and 1970 and from the legendary Scull collection

the gallery presents, in collaboration with Grob Gallery, a solo presentation of early paintings, photograms, and abstract photographs made between 1952 and 1964 by one of the most influential photographers of the twentieth century

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

on the groundfloor Piers Alsop, William Lowry, Heeyoung Noh, Nika Neelova, and Salvatore Pione “treat the artwork as vessel for memory” - while Lucas Dupuy’s solo presentation downstairs “pushes the same question into architecture and form itself”

the gallery presents a group assembled by Ligon of earlier and new works “which conspicuously inform, contextualise, re-contextualise, appropriate and, somehow, ‘prompt’ one another”

a new single screen video installation by Pfeiffer - filmed across three interconnected sites the work traces the networks that sustain bullfighting, one of the world’s most enduring and contested public spectacles

an exhibition of new paintings and works on paper by Pozanti - “she builds forms that shift fluidly between flower, body, and current, resisting fixed identity in favour of continuous transformation”

“both Olúlòde and Reeve construct worlds where movement guides the viewer. Olúlòde’s figures swim, Reeve’s fabrics float in the wind … they explore intimacy from different starting points, but both culminate in a grasping, a holding, a unity, a beauty”

the London-based artist’s debut solo exhibition is inspired by the act of looking back and a childhood obsession with miniatures and examines the existential weight of what is missing by turning a feeling of emptiness into a palpable reality

the current Turner Prize nominee presents new sculptures exploring the relationship between tropical leisure, militarism and colonial memory

paintings and works on paper in the centenarian New York-based artist’s first solo exhibition in Europe - “tracing her remarkable contribution to the language of abstract painting over more than five decades”

these new paintings by Bas focus on overlooked characters - “capturing the interactions that make a transaction possible and the brief window that exposes a person\'s vulnerability or confidence”

new paintings by Thompson, who “invites viewers into the everyday lives of his subjects through vibrant domestic scenes, full of texture and pattern that create an expansive form of portraiture … weaving through time”

a survey exhibition celebrating the remarkable breadth of Davenport’s career from the late 1980s to the present

contemporary art and English winemaking brought together in a five-day pop-up at Florence Trust