the Japanese artist returns to the gallery with a compelling new exhibition “of a Kyoto pottery workshop, of an ancestral craft passed down through generations, but also of a group of schoolgirls whose story might have remained forever buried”

an exhibition of the editions produced by the Dubuffet Foundation in 2024 with Galerie Lelong & Co. and Pace Gallery, to celebrate its 50th anniversary

in the first retrospective in France of the British artist, photographs of Morris’s youth in London, his portraits of Bob Marley and the Sex Pistols, and his work with artists including Oasis, Lee ‘Scratch’ Perry, and Marianne Faithfull

the first solo exhibition with the gallery of the artist “whose sculptures, paintings, and environments seek less to be seen than to sharpen the act of seeing by revealing the contextual dimension of the elements composing them” - Alison Moss

“passion potelet” translates as “bollard-love” - “ever since I spoke with Julien Berthier, I haven’t been able to stop looking at the bollards scattered throughout every city” - Samuel Gross


nearly forty artists in an exhibition which expands on past collaborations by Williams and Perrotin - “as Black women are important figures of personal inspiration for Williams, their kaleidoscopic representation is the core matrix” - Louise Thurin

a comprehensive exhibition with two new large installations, an early projection work, new in-wall Glassworks pieces, holograms, models, prints, and plans of Roden Crater, as well as other photographs, prints, and archival materials

Jeon’s first solo exhibition in France presents her paintings, which “capture the diffuse feelings that persist when you wake up, when what remains of your dreams are impressions, colours and hybrid shapes”

Bowling’s first solo exhibition in France sees him continue to explore collage as a conceptual tool and technique, and features new works including four monumental paintings

the debut of a new project, specially designed for the gallery space, from the artist who’s work “defies classification and explores a variety of mediums, aesthetic categories and sources of inspiration”

new oils on canvas and gouaches on paper by Yoon in her first exhibition in France - “each painting has a life of its own, and it's my job to make it visible”

inspired by a Maya Angelou poem, “a journey deep into the complex and fascinating universe of Oda Jaune” with twenty oils on canvas which explore unconditional love

“these saccharine aesthetics are intentionally designed to captivate the viewer, only to expose the deeper truths beneath - how visual appeal has been commodified in modern society, shaping our perceptions of value, beauty, and identity” - Saša Bogojev

“Miotte’s oeuvre lies at the inflection point between control and freedom ... an artist who was always in motion” - Louisa Mahoney

sculptures, assemblages, installations, and works on paper from 1962 to 1980 in Caniaris’ first major retrospective in France

paintings and an illusionistic wall installation as Ribbeck’s first solo exhibition in France presents his “intricately designed rhythmic and geometric sequences of forms and colors, which spread across the entire surface of the substrates and beyond”

in four specially-created and monumental paintings “Butzer envisions things astutely and in earnest with shocking clarity: table, fruit, woman”

collaborative works and works by guest artists in the second part of the exhibition - “the exhibition space becomes an environment in which to experience the presence and power of images” - Ida Simon-Raynaud

“Bertrand, however, evokes the décors staged on the record sleeves of certain electronic music pioneers. Repetitive, anonymous and generally uncopyrighted, this music from the 1970s-80s” - Paul Bernard

works which explore the relationship between humans and nature, and reflect on the dynamics of collective memory and personal narrative - together examining the idea of printed or sculpted “imprint”

large luminous sculptures handcrafted in blown glass in the Finnish artist’s first solo exhibition

brought together for the first time, recent large multilayered oil on canvas pieces alongside gestural works on paper invite reflection on how surroundings shape emotions and identities

“like these chouchous that form the base of a stool, or this windshield turned into a mirror. Here, one senses a love for life, the life that shapes things and always reappears” - Maïlys Celeux-Lanval

from the Winner of the 2024 Dior Photography and Visual Arts Award for Young Talents, an intimate project which looks at the lives of two autistic brothers, living alone with their father who has cancer

installed on a giant frieze, Cognée’s landscapes use a unique painting technique and display “his unconditional love for the medium of painting and his caustic view of our disenchanted era”

“I draw in prose, but a few rhymes escape. Imagination must be used with caution; it’s too fast and flies off in all directions. Drawing, on the other hand, is slow, building closed forms and solid cages, beginning where speech ends” - Adami

exceptional photographs from her iconic “Subway” series in this exhibition showcasing the work of the New York artist widely regarded as one of the most important of her time

works from the 1950s, 1970s and 1980s in a new exhibition of the late Cuban artist - “one of the three great sculptors of Surrealism”