conceived by Saara Pritchard, this exhibition is the first to focus on the three artists, who worked in New York City during the 1960s, 1970s, and 1980s, often portraying mutual sitters, exhibiting together, and participating in public discussions

an exhibition exploring the careers of the two artists, who worked alongside each other and were briefly married, presenting how their vitality, freedom, and innovative practices impacted the community of artists recognized during Abstract Expressionism

two decades of self-portraits by one of the most important artists of post-war Germany

works by Leonora Carrington, Pilar Albarracín, Niki de Saint Phalle, Eulàlia Grau, Zhenya Machneva, Lucie Picandet, Virginie Yassef, and Julia Wachtel - eight radical female artists who laid the groundwork for future women artists

an intricate selection of works by twenty-three artists from multiple generations which “distill the essence of the artist’s expression into an intimate, compact format”

photographs of Monet’s iconic gardens in France, in the debut exhibition by the American photographer - “her work reflects a deep and intimate knowledge of the site and its particularities, which only a lifetime of passionate study could allow”

new works by Simon - including an interactive sculpture and photographs that take an archaeological view of public attention and politics - “eerie, lyrical, and seductive, Simon’s pictures radiate beyond the present”

an exploration of reality and imagination in this exhibition of self-taught artists including Bill Traylor, James Castle, Willard Watson (The Texas Kid), Purvis Young, Lonnie Holley, Jeanne Brousseau, James Edward Deeds, and George Widener

with works by Yuji Agematsu, Gilles Aillaud, Cecilia Bjartmar Hylta, Prunella Clough, Curtis Cuffie, Dominick Di Meo, Trisha Donnelly, Claudette Gacuti, Solomon Garçon, Alex Harsley, Henrik Olesen, Patrick Procktor, and Katsuhiro Yamaguchi

an exhibition of Maillol sculptures in conversation with new paintings by Orchard - “a dialogue between painting and sculpture that is beyond time, the exhibition represents visions of form, volume, and line, explored through the female figure”

drawing, raphia, textile, and sewing, among other techniques - “Andrianomearisoa transforms the ordinary into the extraordinary, reminding us that there is always the potential for something miraculous within the act of making’ - Larry Ossei-Mensah

in his first exhibition at the gallery in New York, Guez re-contextualises found objects to explore the multi-ethnic and multi-religious heritage of his family and related communities

Old Masters, Ancient and Modern works of art