curated by Adam Charlap Hyman, an exhibition of mid-century furniture and design to celebrate the legacy of the Manhattan-based firm Vintage20

new paintings and sculpture by Whittle exploring pre-colonial themes and “marronage”

Varela’s first exhibition with the gallery, and in New York, sees him paired with the American-Cuban minimalist in an exhibition which explores presence and absence, color and space, and structure and transcendence

an exhibition of memorial poles from Yirrkala in Northern Australia, created by some of the area’s most important past and contemporary artists

curated by Luis Pérez-Oramas, a comprehensive overview of Miguez’ work, in his first solo exhibition at the gallery in New York

highlighting works from a pivotal period when Schwabacher moved from gestural abstraction to more nuanced exploration of color - “a visual language that would convert psychic pain ... into images of calm, stability, awe, and sheer joy” - Patricia L. Lewy

works from 1959-1964, shown publicly for the first time, in Kurz’s first solo exhibition in NYC for almost forty years

three new series from one of Japan’s most celebrated sculptors and installation artists in his first US solo exhibition for over five years

works by Leonora Carrington, Pilar Albarracín, Niki de Saint Phalle, Eulàlia Grau, Zhenya Machneva, Lucie Picandet, Virginie Yassef, and Julia Wachtel - eight radical female artists who laid the groundwork for future women artists

new woodcuts, screenprints, and etchings by New York-based artist duo explore “social and natural landscapes in the context of climate disaster, political activism, and global events”

new photographs in Mitchell’s debut exhibition in New York - “engaging with Southern gothic themes ... Mitchell employs superimposition, multiple exposures, and fragmented composition to assert material presence while picturing apparitions of the past”

new works by Simon - including an interactive sculpture and photographs that take an archaeological view of public attention and politics - “eerie, lyrical, and seductive, Simon’s pictures radiate beyond the present”

“I wanted to paint pictures about the world’s fastest animals living a fast life with a wild woman in Venice” - Ford

new panoramic paintings, her largest to date, in the Los Angeles-based artist’s debut solo exhibition with the gallery - “expansive, revelatory vistas of genesis and apocalypse”

new work by Core continues her examination of the meaning of authenticity and authorship with recreations of historical still-lifes and pieces which explore the tension between reality and photographic representation

in his first solo exhibition with the gallery - “Morimoto’s art creates an environment for reflection, offering a sanctuary where the ordinary is imbued with more profound meaning” - Larry Ossei-Mensah

an intricate selection of works by twenty-three artists from multiple generations which “distill the essence of the artist’s expression into an intimate, compact format”

graphic works, monoprints, multiples and unique pieces from the early 1960s to 1975 explore Roth’s radical printmaking and the genre of landscape

the debut of new large-scale abstract paintings by the British artist whose “characteristically expressive brushwork yields animated surfaces that pulse with the frenetic energy of their making”

new paintings by Breslow made during a period of immense productivity following the loss of her husband

a major two-part exhibition of works by the Mexican artist, hosted with kurimanzutto - the first in New York on the late artist in over twenty years

photographs from Soth’s recently completed eponymous body of work made during visits to undergraduate art programs across the country - exploring his subjects as well as his own position as an artist

celebrating Women’s History Month, a group exhibition with works by Henni Alftan, Gretchen Andrew, LaKela Brown, L’Merchie Frazier, Grace Hartigan, Andrea Joyce Heimer, Sheree Hovsepian, Ellen Lesperance, Dana Powell, Julia Rommel, and Lily Stockman

new and recent sculptures, both familiar and alien, as Erlanger works with models and dioramas, shifting between miniature and monstrous and examining what it means to call a planet home

photographs of Monet’s iconic gardens in France, in the debut exhibition by the American photographer - “her work reflects a deep and intimate knowledge of the site and its particularities, which only a lifetime of passionate study could allow”

vibrant paintings and the debut of new bronze sculptures in Henrot’s first major exhibition with the gallery in New York “address the friction between a nascent sense of imagination and society’s system of signs”

following his pavilion at the 60th Venice Biennale, the first exhibition in America of the rising star of the African art scene presents a cross-examination of the artist’s home country and the US

new and recent sculptures, animations and paintings by Opie, united by the theme of the walking figure

commemorating the one-hundredth anniversary of her birth, the first exhibition in the United States to show Adnan's works on paper in depth - representing nearly sixty years of creative output

new works by Condo in a two-part exhibition staged with Sprüth Magers offering “a glimpse into the artist’s creative process and limitless inventive drive in the medium of pastel on paper”

a special exhibition of recent oil paintings by Palme - “towers of ice cubes in hyperrealist detail. Inspired by ancient colonnades”

titled after a quote from Deleuze and Guattari, new work by Lapointe expanding on her examination of the ways the body - gendered or otherwise - finds resilience, freedom and protection in a world where it is made to feel fragile and “othered”

recent oil paintings by Davidek that draw inspiration from the natural world, Asian art and botanical diagrams

an exploration of reality and imagination in this exhibition of self-taught artists including Bill Traylor, James Castle, Willard Watson (The Texas Kid), Purvis Young, Lonnie Holley, Jeanne Brousseau, James Edward Deeds, and George Widener

painting, sound, robotics, neon, marble, and hair in an immersive exhibition of new and existing work across seven diverse and site-specific environments

works from every decade of Kosuth’s career in a landmark exhibition to celebrate his eightieth birthday

early surrealist drawings and mixed-media “Congregations” assemblages in this first-of-its-kind exhibition exploring the impact of the Hungarian psychoanalyst on Ossorio’s art

an exhibition of tapestries by the two collaborators, who work with photography and weaving to “explore the tensions between beauty, fragility and loss”

a significant solo exhibition - in collaboration with Galleria Continua - which presents painting and sculpture spanning Pistoletto’s works from the early 1960s to the present

with works by Yuji Agematsu, Gilles Aillaud, Cecilia Bjartmar Hylta, Prunella Clough, Curtis Cuffie, Dominick Di Meo, Trisha Donnelly, Claudette Gacuti, Solomon Garçon, Alex Harsley, Henrik Olesen, Patrick Procktor, and Katsuhiro Yamaguchi

two- and three-dimensional abstract paintings and works on paper in the artist’s first solo exhibition with the gallery - “I use inverse perspective and conflicting light sources to redirect attention from pictorial space back to the viewer” - Hitchcock

recent new paintings which combine Denzler’s iconic distorted portraits with a newfound gestural expressionism, to examiine the complexities of identity and the human condition in the digital age

new still life paintings which explore the threshold between life and death, in Woods’ first solo show with the gallery

nearly fifty improvisatory candelabras by the New York-based ceramicist - “dancing doodles materialized from the air”

an exhibition which “captures the raw, edgy, and moody draw of downtown New York City while showcasing the hidden beauty in the overlooked and abandoned”

Edward Sullivan curates the first exhibition of Chervin’s prints in New York - “in the current exhibition we are deeply interested in suggesting the “universalist” significance of her compelling visual language”

two decades of self-portraits by one of the most important artists of post-war Germany

an extensive survey exhibition of paintings by the second-generation Abstract Expressionist painter, organised in collaboration with the Paul and Suzanne Jenkins Foundation

an exhibition of Maillol sculptures in conversation with new paintings by Orchard - “a dialogue between painting and sculpture that is beyond time, the exhibition represents visions of form, volume, and line, explored through the female figure”

works on canvas and paper which explore time, space, and nature - “color makes its own voice, canvas plays its own role, and artist performs as an artist” - Shim


drawing, raphia, textile, and sewing, among other techniques - “Andrianomearisoa transforms the ordinary into the extraordinary, reminding us that there is always the potential for something miraculous within the act of making’ - Larry Ossei-Mensah

works by artists including Timothy Bergstrom, Colby Bird, Layo Bright, Graham Collins, Anne-Lise Coste, David Kennedy Cutler, L’Merchie Frazier, Genevieve Goffman, Elias Hansen, Matther Kirk, Megan Reed, and Mariah Robertson

in his first exhibition at the gallery in New York, Guez re-contextualises found objects to explore the multi-ethnic and multi-religious heritage of his family and related communities

Ross’s first painting exhibition in thirty years - powerful graphite and ink works which reimagine his lifelong engagement with nature together with his evolving artistic process

a solo exhibition by the LA-based artist which immerses the viewer in all aspects of his studio practice - “Harris’ ornate artworks contain multiple layers of narrative which require deep contemplation, akin to a meditative experience” - James Casey

new line drawings, graphic mobiles and a marquetry, alongside a site-specific mural of hand-drawn circles on the walls of the gallery in an exhibition which focuses on Veilhan’s interest in geometry

curated by Melanie Kress, this highly personal project on display in Boston, Chicago, and New York sees Winant working from hundreds of film stills that she and her mother separately made driving across the US when they were teenagers

in collaboration with Public Art Fund, two new public artworks considering the music, performance and the Black history of New York

Bayraktar’s first solo exhibition in the US “is a site-specific dump, a living cemetery of mechanical toys, plastic containers, LED lights, videos, batteries, nylon sheets, fake plants, water, soil, and sand” - curated by Ulya Soley

“Graft opens connections between Puerto Rican communities across the city and reminds us of the centrality of the Caribbean to the history of New York City and the United States” - Melanie Kress

new paintings and drawings by the British artist, exploring and drawn from the eponymous activity-led, family-friendly setting

Old Masters, nineteenth century painting, classic modern, Italian post-war and contemporary art

Old Masters, Ancient and Modern works of art