Adams’ West Coast debut, as well as her inaugural solo exhibition with the gallery, presents eleven abstract paintings in an exhibition titled after a note from poet Patricia Spears Jones to philosopher Audre Lorde

new works by the New Orleans-based painter “present familiar places to which we have never been”

the debut exhibition of Michael’s paintings, both at the gallery and on the west coast - “abstraction, a siren for expansive thinking, offers generous clarity and strangeness; also, brutal, base forms of beauty” - Michael

new “Cyano-Collage” and “Wrinkled Texture” works in the first Los Angeles solo exhibition by the artist known for his experimental approach to photography

in conjunction with Getty’s “PST ART: Art & Science Collide”, and alongside associated archival materials, a presentation of Saar’s 1987 monumental altar assemblage

Yanagi’s first solo exhibition with the gallery - “it is that energy and that life force that I search for within the work, a visceral kind of confrontation. It is energy contained, spewed out, an emblem of hope” - Yanagi

paintings and works on paper where Flood explores how the passage of time is both experienced by the body and made visible on a landscape

text-based installations and works on paper by Morgan - “developed through her praxis of walks in Griffith Park and her fascination with pareidolia - the ability to draw patterns and meaning out of random objects”

in his first solo exhibition at the gallery’s Los Angeles location, works made by Argote between 2012 and 2024 that critique public monuments and the figures they commemorate

on the floor and against the walls, “still life” photographs, a sculpture, and a work made in collaboration with Jamal Cyrus in Hewitt’s first solo exhibition the gallery in Los Angeles

new works on paper by Crews-Chubb see him take an increasingly abstract direction and to uncover the timeless and universal rather than the contemporary and specific

new paintings by Israel - “like the filmmakers before him, Israel is defining the noir tendency in his own way, through images. These are painted streetscapes” - Sam Wasson

“since 1944 my painting has been concerned with the ‘magical’: the metamorphosis of the unreal into reality and, vice versa, reality into the unreal - and reality beyond itself into extra existences” - Feitelson

titled from the German word for “black-and-white” these new paintings and works on paper straddle the line between drawing and painting and allow Geerk to probe the emotional and psychological spaces of anxiety, uncertainty and disconnection

LACMA is the largest art museum in the western United States, with a collection of nearly 152,000 objects. The museum exhibits and interprets works of art from new and unexpected points of view that are informed by the region’s rich cultural heritage.