the first and most comprehensive solo exhibition in the UK of Karamustafa’s practice spans four decades of work across painting, textile, video, installation, and mixed media

“works in the exhibition emerge through observation, documentation and other metabolizations of particular plant species in the Peruvian Amazon. The resulting sculptures … carry these experiences of particular beings and sacred places into another form”

in Birch’s first solo exhibition with the gallery and in London, new paintings that move between the intimate and the elusive, where drawing, memory, and atmosphere become ways of thinking through states of becoming

new works by Little, “intricate paintings from carefully staged arrangements assembled in his studio using cut paper, found objects gathered from the streets around his home, friends posing as models”

“in Hägglund’s drawings and paintings, networks and constellations never settle into a fixed pattern. Her sculptures likewise remain open-ended, with each constituent part distinct and visible” - Edmée Lepercq

large-scale paintings, displayed alongside drawings as well as complementary works from the gallery offer an insight into Head’s approach to painting, revealing the processes, themes and visual connections that underpin his work

the Aboriginal artist’s first London exhibition begins with a childhood memory of visits to Melbourne’s National Gallery of Victoria and questions who is represented in museums, who decides, and who is left out

“work that is both playful and thought-provoking. The minimal interventions of the artist … turn a common sight into a contemplative artistic encounter” - Georgia Gerson

new and recent works from four significant series by the German photographer, including the premiere of several new pieces - “an exploration of photography and a reflection on our changing relationship with the world around us”

curated by Bindi Vora, an exhibition celebrating the lives and resistance of gender fluid communities in India, examining how British colonial rule’s rigid controls on gender expression criminalised established third gender, queer, and trans communities

including newly commissioned work presented for the first time, this is the first solo exhibition of the French Vietnamese artist who works at the intersection of art and fashion photography

curated by Mark Sealy and Bindi Vora, a major new exhibition bringing together three feminist artists from across the Americas who use their body to bridge personal and collective memory, indigenous knowledge and relationships to land

an exhibition of historical works of Broodthaers in dialogue with Kurant’s speculative experimentation

“Emrys knows … that he is ‘dragging things forth’, that they remain a mystery to the rest of us, and only just within his own reach, as passing from memory, like dreams on waking, endlessly reconfigured” - John Gillett

six emerging Chinese artists selected from over a thousand open-call submissions make their debut on London's global art stage

an exhibition bringing together works made over the past decade where Baker began painting particular eBay furniture listings he found when moving house “a way of owning something before, or instead of, having it”

“explore the expansive resonances of a body of work, produced through a life-long commitment to experimentation” in London’s first comprehensive survey of the Guyanese-British ceramicist, painter and sculptor

the first exhibition at a major UK institution of one of the most influential and significant American sculptors of her generation

a new body of small-scale works in the form of votive objects, keepsakes, and bodily hybrids made in ceramic and textile

renowned for his work across art, architecture, and design, Holtrop’s inaugural exhibition with the gallery presents new functional artworks in cast glass that explore the dynamic relationship between light, space, and material

inaugurating their large new underground exhibition space, an exhibition foregrounding alternative perspectives on space, material, and craftsmanship - adding a fresh perspective to the gallery’s engagement with art, design, craft, and architecture

“I have sought to strip away every trace of artistic affectation until my objects reveal themselves as pure crystallisations of natural forces into essential forms” - Vízner

the British ceramic artist known for his highly tactile treatment of the ceramic vessel presents new molded and punctured pale porcelain, dark, rugged stoneware, liquid glazes, and thermally transformed granite

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

the New Delhi-based artist duo’s first solo exhibition with the gallery explores brass as a conduit for memory, history, and knowledge, highlighting their unique fusion of craft, design, and painting

sculptural artworks crafted in bronze and wood, anchored by the passage from molten force to settled calm, as Dubourg explores matter as language, power as form, and transformation as a site of meaning

the inaugural exhibition at the gallery's new Mayfair home “transforms the act of unveiling into part of the exhibition itself, with significant new works revealed through a choreographed sequence of automated unveilings”

spanning four millennia, a major exhibition bringing together ancient Egyptian artefacts with nineteenth- and twentieth-century paintings, drawings, rare books, and photographs to examine how Egypt was made, buried, recovered, and repeatedly reimagined

over twenty new works on paper by Gormley, some monumental in scale and each a direct trace of a place and a body, in an attempt to both subjectivise and universalise the question “where am I?”

the Dutch artist and designer continues his engagement in reinterpreting classical furniture - “sinuous, brushstroke-like shapes, which are created from sketches and rendered in patinated bronze, evoke the feeling of matter in flux”

an exhibition of new and historical prints from the workshop and publisher, highlighting the history and production of the Copenhagen-based studio from its modest beginnings to its present-day collaborations with leading international contemporary artists

furniture, found objects, figures, costumes, painted surfaces, and images are dismantled, altered and recombined, moving between domestic spaces, film sets, and installations, in the artist duo’s first exhibition with the gallery

a single installation of 100 self-made spirit levels - “in a wonky world, on a round planet, with a serious abscence of level–headedness globally, this would seem a timely show”

in Camil’s debut solo exhibition in London and with the gallery, new works exploring the unstable boundaries between looking and being looked at

a series of works by Fautrier on display alongside "Figuren" - prints that celebrate obsessive layering and an incisive line that often cuts right through the underlying ground

a limited edition of ten sets of Tarot Major Arcana illustrated in sepia with the economy and freedom of the ancient Chinese calligraphers - “Tarot treated as movement … each stroke carries weight” - Leon Steinmetz

paintings, monoprints, and etchings by Michael Cox and Sophie Ives - depicting respectively the backs of paintings and the backs of women

in Ford’s first solo exhibition at the gallery’s London space, paintings and accompanying studies which extend his career-long investigation into the relationship between humans, animals, and the natural world

the gallery’s first solo exhibition with one of the defining figures of British Pop Art presents a substantial body of new work alongside significant pieces from across his career

the London-based artist draws on found photography, early internet aesthetics, and tabloid culture to explore the relationship between personal image-making and public memory

works by Raymond Pettibon, Atticus Wakefield, and Susan Kellaway

developed with curator Fiona Rogers, artist Justine Kurland, and collaborator and collector Sarah Miller Meigs, a group show exploring feminist strategies of collage

based around the 2013 discovery of the rare bronze sculpture Apollo, new paintings by Nashashibi in the first solo exhibition of her work in London since her 2020 National Gallery exhibition

an exhibition exploring the cultural exchange between Cuban communism and the French avant-garde in the 50s and 60s

the debut of works from Sherman’s new photographic series exploring identity as a continual process of construction over a lifetime

new large-scale paintings, multi-panel compositions, and sculpture by Simpson revealing the symbiotic relationship between her paintings, collages, and wider oeuvre

films and archival images in a major solo show by the American artist and activist - “Goldin’s extraordinary perspective, seen through the lens of her camera, invites you to understand how personal experience and political action are interconnected”

an exhibition of works spanning over fifty years and three distinct phases of Riley’s career, revealing the remarkable evolution of her exploration of visual perception

including many works publicly exhibited for the first time, a retrospective exhibition of the British fashion designer and artist which examines the relationship between fashion, process, and artistic expression at the core of his practice

a new installation and performance work about the act of complaining, in the first major UK presentation of Knight’s interdisciplinary practice, which draws on theatre, psychology, improvisation, and social exchange

eclectic and flamboyant fashion worn by 20-year-olds in Kitakyushu as they mark their entry into adulthood, with outfits, tactile displays, and video interviews following eight ‘new adults’ from first fitting to ceremony

a comprehensive exhibition of works on paper spanning fifty years of work by the Colombia-based artist whose fantastical drawings explore the subconscious, the body, and desire

twelve new paintings by Caroline Absher and Annice Fell, made in direct response to a rare early oil sketch by Bonnard and hung in dialogue with it - “the two artists take up Bonnard’s saturated palette, his figures absorbed into their surroundings”

named after an Old English word for “a gathering of people” Ryan’s new site-specific commission responds directly to the gallery’s archaeological site to bring ancient and contemporary London into dialogue

a faithful recreation of the Temple of Mithras, discovered in 1954 by Professor W.F. Grimes during excavations carried out following the Blitz

organised in collaboration with the artist’s estate and Gomide&Co, São Paulo - and exhibited in both the gallery space and Frieze Masters - an exhibition dedicated to Schendel’s unique material language

new sculptures by Warren across both Bethnal Green spaces - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren

across both Bethnal Green spaces, new sculptures by Warren - “I imagined this show as a retrospective being made by a slightly different version of me” - Warren

“through constructed forms, Maw creates lines that float, intersect, and cast shadows, allowing drawing to occupy space as a material presence”

with pieces by Edgar Degas, Elisabeth Frink, Kenneth Armitage, Reg Butler, and William Turnbull, a 20th Century masterpiece exhibition presented as part of the gallery’s wider spotlight on sculpture

looking the artist’s studio, new paintings by Freeman Bentley, presented in dialogue with 20th Century Masters including Braque, Dufy, de Chirico, Matisse, and Picasso

this first of three annual focused presentations showcases intimate self-portraits by the British American artist, musician, and writer, who examines intimacy, desire, consumer culture, and the complexities of contemporary identity

curated by Susanna Brown , an exploration of queer identity, community, and love through the lens of one of Britain’s foremost photographers

both traditional and contemporary approaches to the photographic portrait as the prize showcases the work of talented young photographers, gifted amateurs, and established professionals

this group exhibition curated by Salomé Burstein “brings together works that reveal the mechanisms behind what’s made to meet the eye”

the first UK exhibition of the work of the late Latvian artist - “painting takes form here as a slow construction, where the motif moves and transforms over time”

titled after the departed sun, and the light a body radiates, new works by four artists - Maitha Abdalla, Omar Kholeif, Mohamed Monaiseer, and Randa Maddah - who work across painting, spoken word and poetry, installation, mixed media, and sculpture

new paintings by Penny in an exhibition titled after the “feasts” we encounter throughout life - experiences, ideas, relationships, ambition, pleasure, success, and failure - and the instinct to survive one only to find an appetite for the next

in the first exhibition at the collaborative space, five artists who consider belonging, vulnerability, material memory, and the unstable boundaries between bodies, objects and places

addressing historical and modern slavery, migration, and the brutal realities of postcolonial Africa, the internationally renowned artist’s iconic masks made of repurposed plastic containers reflect on the precarious nature of the world we inhabit

the first solo exhibition in London since 2015 of the celebrated Colombian artist has a scenography by Cécile Degos and presents a major selection of paintings, drawings, and sculptures produced over almost six decades

curated in collaboration with Jane Alison, the gallery presents the first exhibition dedicated to Erica Brausen, a trailblazing gallerist of the post-war era, and founder of the legendary Hanover Gallery in London’s Mayfair

inspired by amusement parks, world fairs and expos, five intriguing dioramas created by the acclaimed sound artist imagine new ways of experiencing sound and space

new site-specific paintings in the first solo London exhibition by the New York-based artist - “Manning embraces an intensity of color and compositional movement to create works held at the apex of a tide, where one state has not yet yielded to the next”

new works exploring the intersections of power, wealth, and control with ecology, domesticity, and politics of everyday life - “mending becomes an act of care and resourcefulness, while acknowledging vulnerability and the possibility of repair”

Argote’s first exhibition at Perrotin London celebrates fifteen years of his eponymous paintings and sculptures originating from digital scribbles - exploring constraint and freedom while inviting the public to participate within the gallery space

Yumasheva’s first solo exhibition brings together two strands of painting - one where unresolved forms occupy the centre of the canvas, and another where fragments and colour relationships are isolated and examined through changes in scale and composition

new sculptures and large-scale paintings in an exhibition which “plays with borders and categorisations - where a painting stops, where one environment gives way to another and how we perceive what belongs where”

drawing on the gallery’s location, an exhibition of new paintings and performance making a connection between British military history and the histories of labour, craft, and production of Savile Row itself

the first European solo exhibition of the Mexican Surrealist painter and sculptor brings together paintings, works on paper, and painted ostrich eggs – the first time that this sculptural part of Bassi’s practice has been publicly presented

“these pictures are not psychologically penetrative; the subjects are mostly unknowable and remote. They explore a pictorial iconography of mysterious regality, feminine guile and archetype”

curated by Antony Hudek, the first institutional exhibition in the UK since her death reveals how Sturtevant’s radical conceptual practice continues to probe the power of images

the debut of ambitious sculptural and video work as Winder-Lind draws both on a 19th century English fable and the fabric of the gallery to create an entire world rendered in vivid and whimsical detail

a major survey of over 400 years of still life painting, tracing the changing essence and status of the genre from the 16th century to the present

the first ever recreation of the 2005 exhibition at the historic 12th-century Cistercian abbey, Abbaye de Silvacane, in France - “a renewed opportunity to consider Jenkins’s engagement with space, light, and process at a pivotal moment in his career”

“based on folklore, shamanism and embodied knowledges, the exhibition explores the states of emergence and transformation through new and selected works spanning freehand machine embroidery, textiles, ceramics, sculpture and drawing”

new paintings by Sujin Lee

a major solo exhibition of the prominent New Delhi-based artist and filmmaker whose distinctive lyrical films move between documentary, travelogue, and visual essay to explore the specific conditions of the Indian subcontinent

the painting, sculpture, printmaking, sound, and film in Caguiat’s first UK institutional exhibition explores the architecture, spiritual resonance, and symbolic qualities of sacred spaces, and the structures and rhythms of everyday urban infrastructure

works by Aziza, Erin Mommsen, Jordan Rubio, Julien Heintz, Maia Twombly, Nick Jensen, Nicholas Aliberti, Sage Schachter, and Zachary Merle - “across nine practices, personal histories are salvaged through deep engagement with material”

“bringing together paintings on birch panel, painted photographs and installation in the form of steel agricultural gates, the exhibition explores what it means to look closely, to slow down and to become attentive to one’s surroundings”

curated by SLG New Curators, new work responding to the gallery in the South Korean multimedia artist’s first solo exhibition in the UK

spanning the Main Gallery and the Fire Station, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

spanning the Fire Station and the Main Gallery, monumental sculptures made of steel, concrete, and other industrial materials associated with modernist architecture by the Polish artist whose practice explores architecture and urban transformation

organised in collaboration with Gió Marconi, Milan, an exhibition of fourteen works by Schifano dating from 1960 to 1967 when he was at the height of his expressive strength, “genuine masterpieces” - Marco Meneguzzo

new paintings placed in conversation with earlier works in Song’s first exhibition in the UK

an exhibition of new work by the multidisciplinary artist which “challenges distinctions between the human and non-human, the present and the absent, the living and the dead”

new installation, sculpture, and moving image by the two artists

an exhibition bringing together key works from Baselitz’ breakthrough series of his formative years, widely regarded as one of the defining achievements of his early career and a landmark in post-war European painting

the first solo UK exhibition dedicated to the life and work of the self-taught painter - a central figure in 20th century African-American art - whose bold works on corrugated roofing, sheet metal, and found lumber filled the front yard of his homestead

exploring the profound transformation of vision in the age of artificial intelligence, robotic drawings, dye-sublimation digigraphs on aluminium engraved with laser technology, 3D-printed sculptures, video works on screen and an interactive installation

celebrating the life and work of the artist, zoologist, and author with works from across his extraordinary eight-decade artistic career - including his monumental multi-panelled magnum opus The Gathering

the gallery’s first exhibition of Lydia Corbett / Sylvette David's work presents the paintings, drawings, and sculpture of an extraordinary artistic life and career

including both historic figures and the contemporary generation, an exhibition bringing together artists whose work has been shaped by Cornwall across nearly one hundred years

“spanning ceramics, metal and neon, the exhibition considers the point as both a mark and a moment: something carved, excavated, recorded, created or reached”

the gallery presents a group assembled by Ligon of earlier and new works “which conspicuously inform, contextualise, re-contextualise, appropriate and, somehow, ‘prompt’ one another”

a new single screen video installation by Pfeiffer - filmed across three interconnected sites the work traces the networks that sustain bullfighting, one of the world’s most enduring and contested public spectacles

nine luminous late monochromes from Soulages’s iconic series, reflecting the breadth of his sustained exploration of the interplay between darkness and light

the artist’s debut solo exhibition at the gallery - “in a series of moody, atmospheric nocturnes, Wootton-Davies interrogates issues of class, national identity and societal fracture”

new paintings made in Tokyo, London, and Athens, over the past year

paintings and works on paper in the centenarian New York-based artist’s first solo exhibition in Europe - “tracing her remarkable contribution to the language of abstract painting over more than five decades”

works by three emerging abstract painters whose distinct practices transform colour and material into evocative visual languages

these new paintings by Bas focus on overlooked characters - “capturing the interactions that make a transaction possible and the brief window that exposes a person\'s vulnerability or confidence”

small-scale works by over 50 artists, bringing together painting, drawing, printmaking, collage, sculpture, and mixed media

a survey exhibition celebrating the remarkable breadth of Davenport’s career from the late 1980s to the present

with glass and metal sculptures, ceramic sculptures with integrated sound, paintings, fabric works printed with images from his family archive, and video works, Ngoya explores his identity through family history