Landy and Wearing’s first exhibition conceived together in over twenty years presents new work responding to Naples and its history, alongside works from the last three decades reflecting their ongoing personal and artistic relationship

an exhibition which “invites us to reflect on the passage of time, the fragility of memory and our connection with nature, offering a meditation on the cyclical and ever-changing rhythms of life”

three bodies of work from across five decades in this “reflection upon a lifetime through Rattazzi's lens”

the gallery debut of this immersive installation in film and sound fills the entire exhibition space - “a work in light, illuminating the infinite beauty of chance”

captured in their distinct visual languages of ceramics and portraiture, the two artists create objects and images that evoke the Welsh word hiraeth - a deep, personal desire for the unreachable

new work in charcoal on vellum which explores themes of voyeurism, intimacy and representation - “Colwell’s drawings profess innocence even when they are ripe with knowing” - Hannah Hutchings-Georgiou

curated by Lorenzo Madaro, paintings and works on paper from between 1983 and 1990 where Ciussi “sets aside the systematic nature of a geometric abstraction and modularity that he has been verifying with untiring commitment since the 1960s”

Italian Modern, Post-War and Contemporary art

European artistic movements from the 60s to the present day