new tapestries, tuftings, and videos by Wood which examine overconsumption with a visual language of glitch art, body horror, and consumerism

in Cabaniuk’s first solo exhibition with the gallery, new paintings which explore the nuanced, complex, and paradoxical experiences of queer identity, intimacy, and “the subversive joy that comes with embracing personal and communal chaos”

the inaugural exhibition at the gallery’s new London space presents fifteen works – alongside two videos – by the French artist, exploring the plight of refugee children

works by Peter Bonde, Christian Eisenberger, Anna K.E., Boris Lurie, Florian Meisenberg, Manfred Peckl, Chloe Piene, Anselm Reyle, Rudolf Schwarzkogler, Luise-Finn Tismer, Anne-Mie van Kerckhoven, Gabriel Vormstein, Thomas Zipp, and Egon Zippel

the Japanese artist returns to the gallery with a compelling new exhibition “of a Kyoto pottery workshop, of an ancestral craft passed down through generations, but also of a group of schoolgirls whose story might have remained forever buried”

the first solo exhibition by the London-based, Togolese-British artist examines conditions of oppression and empowerment, referencing and intersecting black, queer and female experiences

mannequin body-part sculptures and wall-mounted works by Fleury, set in response to a large body of drawings and cut-outs by Matisse, including works that have not been shown publicly before

an exhibition which “unveils the unseen - the physical and historical traces on the reverse of the canvas that offer deeper insight into an artwork’s journey” with works by artists including Braque, Fontana, Magritte, Morandi, Miró, Nicholson, and Picasso

with an installation, photograms, and video, this exhibition examines existence and extinction through spatial constructions and a multilayered perspective across various materials and media

Landy and Wearing’s first exhibition conceived together in over twenty years presents new work responding to Naples and its history, alongside works from the last three decades reflecting their ongoing personal and artistic relationship

four major “situations” from across the career of the leading Minimalist and pioneer of installation art

“in this exhibition, we viewers are psychic hitchhikers, dropped off on expertly realized yet dreamlike roadways, left to find a way to cope with gorgeous isolation. There’s an obvious direction in front of us but no beginning or end” - Marc Grigorov

an exhibition which explores the surreal and fragmented nature of perception

curated by Lorenzo Madaro, paintings and works on paper from between 1983 and 1990 where Ciussi “sets aside the systematic nature of a geometric abstraction and modularity that he has been verifying with untiring commitment since the 1960s”

exhibited for the first time, a powerful series of rough and complex collages by Franco, based on LA and made from layers of images and signs, symbols and text

having previously worked in a hyper-realistic mode, this new body of work marks Brunner’s return to the fundamentals of gesture, material, and surface

the gallery’s first solo exhibition of Benassi, whose work spans photography, installation, painting, performance, and sculpture

an exhibition which looks to British art history with five artists including the late pioneering abstract painter Gillian Ayres, Max Bainbridge, Max Boyla, Tim Garwood, and Caroline Jackson

curated by John Douglas Millar and Gary Schneider, with Alex Sainsbury, this is the first exhibition to comprehensively present the work of one of the leading figure in the downtown scene of 1970s and early 80s New York

exploring the way memories take shape, and blending reality with recollection and daydreams, oil paintings on canvas in artist-made porcelain frames alongside ceramic paintings mounted in treated wood, in Arildsen’s first solo exhibition in the UK

in Lu’s first UK solo exhibition, new paintings, installations, and sculpture transform the gallery into an immersive, enveloping environment

painting, installation, embroidery and scent form “a sensory journey exploring ancestral memory, ritual and migration” in the Indonesian artist’s first solo UK exhibition

an exhibition of the editions produced by the Dubuffet Foundation in 2024 with Galerie Lelong & Co. and Pace Gallery, to celebrate its 50th anniversary

to mark the first anniversary of Serra’s death, the gallery presents the first complete showing outside the US of his final works, focussing on two series of prints made using black oil stick

celebrating the influential exhibitions at Jean Pollak’s Galerie Ariel in 1950s Paris, works by artists including Camille Bryen, Jacques Busse, Youla Chapoval, Jean Deyrolle, Pierre Dmitrienko, Henri Goetz, Jean Le Moal, Maryan, and James Pichette

paintings, sculptures, and photographs from the past two decades which engage with postcolonial legacies and contemporary realities of his native Benin, in Hazoumè’s first exhibition in Greece

“everyday events, the reflections of changing seasons throughout the year, motifs from Twombly’s homes ... what all these still photographs touch upon is the poeticized nature and its intrinsicality as a parable and metamorphosis”

drawing on their 2023 invitation to the Vatican, an exhibition of photographs, painting, and sculpture by the two artists exploring how “devotion and provocation become inseparable, each sparking a pathway toward transcendence”

important works from two of the most significant periods of Schiele’s life, loaned from a prestigious private collection

in the first retrospective in France of the British artist, photographs of Morris’s youth in London, his portraits of Bob Marley and the Sex Pistols, and his work with artists including Oasis, Lee ‘Scratch’ Perry, and Marianne Faithfull

an exhibition in which Wood-Evans “considers the mysterious and evocative allure of the nocturnal”

the first exhibition in the UK to focus specifically on portraits by an artist widely regarded as one of the greatest exponents of the genre

a group exhibition which explores materiality as both substance and concept in contemporary abstraction - “how texture shapes experience, how material defines space, and how a work’s weight and presence shift perception”

the pioneering feminist artist’s first London retrospective showcases fifty years of her montage, photography, performance and sculpture - from early, punk, 1970s photomontages to new digital works shown for the first time

“a striking collection of emotionally charged works that will resonate deeply with many” as Fiszer blends digital tools with generative techniques to produce these still and contemplative images

twenty photographs and a painting present “Heck’s unique fusion of photography and painting, characterized by a bold embrace of natural light, resulting in a stunning array of unapologetically beautiful and vividly colorful images”

the first solo exhibition with the gallery of the artist “whose sculptures, paintings, and environments seek less to be seen than to sharpen the act of seeing by revealing the contextual dimension of the elements composing them” - Alison Moss

more than twenty photographs shot on the streets of Rome, Sicily, and Venice - including the first exhibition of the complete Italy series - alongside iconic portraits of notable cultural figures

Welling is known for work which explores the history and technical specificities of photography - this joint exhibition across both gallery spaces provides a unique opportunity to see his pieces in conversation with those of the Bechers

four Ziggurat paintings by the artist trio, on view for the first time in Switzerland

new self-portraits, seascapes, and paintings of family by Paul in exhibition which explores time, self-identity, and belonging

new digital paintings and an interactive carpet in the German collective’s debut solo presentation at the gallery and in London

rarely seen paintings and drawings created from a variety of materials - “Burroughs’ art was an expedition into the unknown, his favourite destination”

Singh’s first institutional solo exhibition in London explores the full breadth of her practice, from large-scale oil paintings to intimate watercolours and ink drawings, to showcase her prolific career of over six decades

in the first of a series of exhibitions on Kruglyanskaya showing around the world this year - new paintings and drawings exploring the legacy of those artists and experiences that have shaped her practice

over fifty works in the debut retrospective exhibition celebrating the late artist’s wide creativity, and showcasing one of the most original painters to have emerged in recent years

Kelley’s final “Extracurricular Activity Projective Reconstruction”, one of the last videos he ever made, is shown alongside related works including never-before exhibited paintings of the cast, a lightbox, and sculptures made using props from the video

works by Finlay Abbott Ellwood shown alongside a collection of ancient objects selected by Dr Shanshan Wang

new paintings and works on paper by the London-based artist where complex layering and deliberate deconstruction marks a significant evolution in his exploration of the archaeology of the image

“Goldblatt’s photographs and van den Berg’s paintings [provide] a layered reflection on the histories embedded within South Africa’s landscapes”

“spanning forty-two years of Gilmore’s practice, the exhibition focuses on her carefully constructed interior world, replete with Surrealist imagery and centred on portraits of family, placing domestic scenes centre-stage”

an exhibition of still life paintings by the eminent Danish painter, sculptor, filmmaker, and author

this installation of 488 socks by the London based textile artist in the gallery’s 2024 Fashion Commission examines sustainability, both in fashion and in our lives more broadly

an exhibition of rare and monumental prints by the Catalan-Spanish painter, sculptor and ceramicist

titled after Homer’s epic, an exhibition by one of Spain’s most renowned contemporary artists who explores “navigation between the sky and the deep sea” with propellers, submarines, and airplanes constructing a poetic narrative of time, space, and life

“the works on paper are records of occasions I need to remember: in this respect they resemble diaries” - Paul

inspired by William Gass’s philosophical text, an exhibition which explores the link between melancholia and intimacy

in the gallery’s micro-project space, a new sculpture by the London-based artist

new paintings by the New York-based artist - “botanical, landscape and figurative motifs poised between an exuberant exterior world and an energetic interior consciousness”

inspired by the work of poets Paul Farley and Michael Symmons Roberts, an exhibition of sculptural ceramic works which explore those in-between spaces where the urban and the rural coexist

nearly forty artists in an exhibition which expands on past collaborations by Williams and Perrotin - “as Black women are important figures of personal inspiration for Williams, their kaleidoscopic representation is the core matrix” - Louise Thurin

“passion potelet” translates as “bollard-love” - “ever since I spoke with Julien Berthier, I haven’t been able to stop looking at the bollards scattered throughout every city” - Samuel Gross


an exhibition of the renowned French-German artist’s atmospheric landscape photographs - “my ambition has always been to make a timeless photograph - one that can age well, far from being datable”

curated by Sabina Jaskot-Gill, over 200 photographs in an exhibition of iconic images and portraits from the trail-blazing youth culture magazine

an exhibition which “celebrates a diverse grouping of artists connected through their visual reinventions of the human figure and incisive portrayals of women”

hiding a darker narrative, new paintings and animations that explore submersion, ritual, and renewal

paintings and a new sculpture by the acclaimed artist, exploring identity, culture, and social issues

Long’s first solo exhibition in the UK presents an immersive installation alongside sculptural vessels and darned, stitched, and embroidered domestic textiles that expand on her exploration of memory, domesticity, and the passage of time

“miniature porthole-esque works, echoing the ‘love tokens’ of the Victorian era and the High Renaissance ... cool, calm, nude women who languor, always alone, across beds, plastic chairs or the gently burnt carpets of desert motels”

over twenty works on paper by Long and Nash, two artists have made nature, and natural materials such as wood and stone, the centre of their practice

“the images of Wesselmann’s hard member, even amid the flood of imagery made since he painted them, retain considerable spark, challenge, and an honest, healthy charge” - Brian Boucher

new paintings on aluminum from Fischer see him explore the imagery of online “fishing” and the definition of beauty

new paintings in Wateridge’s first solo exhibition since joining the gallery, evoking “a duality of familiarity and strangeness” with a combination of high-modern formalism and the cinematic

new enigmatic portraits, landscapes and interiors by the British artist - “I like other people to make up their minds when they look at my work” - Rothenstein

organized with Henriette Coray Loewensberg, and the support of Lionel Bovier, an exhibition of works from the period where this leading figure in the influential Zurich school of concrete artists broke from the strictures of movement

to coincide with her exhibition at Pitzhanger Manor & Gallery, an exhibition of new still lifes by Watt

the first comprehensive exhibition from his ongoing photographic project, selenium-toned silver gelatin hand-prints produced by Byrne in a specially-built darkroom - “the field of references accumulated across these photographs is broad and tolerant”

running the gamut from carved phallic deities to abstracted hardcore, this “survey of aroused physical manhood ... explores its obsession in depth”

new paingings of contemporary recreation in a digital age - post futurist-scenes that blur the line between the human and the mechanical

an exhibition of drawing, sculpture and the moving image as Banner explores language, conflict and gender

including work by both Picasso and Chagall, this exhibition celebrates the community of artists who gave rise to many of the twentieth-century’s masterpieces

works which have been out of the public eye for decades - “Leino’s works combine elements of Finnish nature with the tradition of American abstract painting in a way that has no other parallels in art history”

“united by their mastery of the craft and influence on the medium, the artists represented in the exhibition provide a thoughtfully curated overview of the modern masters of photography”

presented alongside a selection of her visionary Museum paintings, new works by Treister in the form of tarot cards, diagrams and AI-prompted works reimagining alchemical drawings of the 13th-18th centuries

new paintings by Adams - “brightly hued, faceted planes of acrylic paint and fabric collage ... present visions of Black Americana through figures engaged in everyday leisure and enlivened by individual daydreams and fantasies”

curated by Virginia Damtsa, more than fifteen artists in an exhibition of museum-quality, privately owned sculptures spanning over two millennia

sculptures created between 1962 and 2009 provide a survey of Chamberlain’s six-decade career and demonstrate his “sculptural choreographies of balance and rhythm, exertion, and velocity”

an exhibition of the late Swiss photographer - “his work, which moves between photography, sculpture, object and painting, is characterised by clear, reduced black and white pictures”

in Kimeze’s first solo exhibition in the UK, new paintings inspired by the resurgent popularity of roller skating in Black communities in London and beyond explore movement, flight and freedom

“references to Ophelia, di Chirico, Neo-Classicism, and Pop Art, Op Art, Street Art. A sensibility to me that appears as a lamentation of youth - but perhaps that's just me” - Andrew Salgado

presented in collaboration with Ani Molnár Gallery, the gallery’s first exhibition of the pioneering abstract artist presents work from the 1970s up to his death in 2020

recent work woven using data from Morris’s life, recorded on the scientific-medical device she has been using since 2005 - “invites viewers to consider the intersection of technological systems and human experience; of materiality and time”

including many pieces never shown before, this is the first UK solo exhibition of the late Eritrean-born American artist known for richly colourful, dreamlike paintings, reflecting European and American art as well as his native country

“in Helle’s sculptures, the horn of plenty has emptied its contents all over the voluptuous, hedonistic figures, which are decked in flowers, vines, fruit, gilding and all manner of lavish details”

the gallery celebrates its one-year anniversary with a Nicolas Sorbac and Christian Dominguez-curated exhibition bringing together a group of artists who challenge the limits of painting

“Müller’s fascination with the production and manufacturing of things through tales, images, patterns and materials ... keeps giving and building a world on top of a world that is slowly disappearing”


paintings, photographs, collages, and installations in an exhibition presenting two decades of the internationally celebrated portraitist’s vibrant, large-scale portraits of Black women at rest

Jeon’s first solo exhibition in France presents her paintings, which “capture the diffuse feelings that persist when you wake up, when what remains of your dreams are impressions, colours and hybrid shapes”

the debut UK exhibition of the established American painter who embodies the spirit of Abstract Expressionism, shown alongside pieces by Poons and Frankenthaler, two of her major influences

accompanying the exhibition at the gallery’s Grosvenor Square space, Murakami takes over the Shop in Burlington Arcade with new flower paintings in the upstairs space, and publications, prints, and merchandise downstairs

to coincide with Women’s History Month, a wide-ranging exhibition of works by female gallery artists, including Gretchen Andrew, Yuki Aruga, Madeleine Gross, Heather Horton, Park Jieun, Cha Jongrye, Sarah Muirhead, and Reisha Perlmutter

drawn from a private collection, a new exhibition of paintings and drawings by Bevan

a comprehensive exhibition with two new large installations, an early projection work, new in-wall Glassworks pieces, holograms, models, prints, and plans of Roden Crater, as well as other photographs, prints, and archival materials

Bowling’s first solo exhibition in France sees him continue to explore collage as a conceptual tool and technique, and features new works including four monumental paintings

a “dialogue” between Birch’s oil paintings and Youn’s kinetic sculptures

Josiah McElheny, Carrie Moyer, Hasani Sahlehe, Arlene Shechet, and Dan Walsh are five artists based on or around the East Coast whose painting and sculpture explores the legacy of modernism

Fenichel’s first UK solo exhibition - “she is one of the true rebels and is an extremely important, if somewhat under-recognized artist in art history” - Juri Koll

accompanied by a reflective text written by Rebecca May Johnson, Skupinska’s “practice takes shape through the slow and meditative work of gathering, mixing, and layering - altered by time”

“Choi’s paintings are pictures of places that are somewhere else ... that we can only be temporarily accessed through the imagination and, by extension, through the making of – and the looking at – painting” - Scott McCracken

in his first solo exhibition in the UK, over twenty paintings showing the Cuban-American artist’s “captivating and intuitive approach to abstraction”

new large-scale paintings and drawings by Dunham present his “innovative approach to myth-making and spatial-construction within his boundary pushing practice”

the debut of a new project, specially designed for the gallery space, from the artist who’s work “defies classification and explores a variety of mediums, aesthetic categories and sources of inspiration”

paintings informed by Abell’s deep connection with the Welsh landscape and mountains, the Welsh language, and with traditions of storytelling and religious devotion

new oils on canvas and gouaches on paper by Yoon in her first exhibition in France - “each painting has a life of its own, and it's my job to make it visible”

Hong Sooyeon’s first solo exhibition in London - “a compelling attempt within painting to merge traditionally Western and Eastern concepts concerning the nature of reality, and how to depict it in art” - Simon Morley

titled after the most distant known star, these works explore meaning, context, and “how time inscribes itself into images and objects”

a wide-ranging group exhibition with works from the past twenty years representing some of the most recent perspectives and approaches in contemporary design

curated by Maria do Carmo M. P. de Pontes, an exhibition of Marta Jakobovits and Anderson Borba, two artists whose practices are rooted in exploring materiality

“soft celestial forms with spiked edges” hang from the ceiling in this exhibition by interdisciplinary artist Peeraer

works created over the past decade, including new and unseen stone sculptures alongside abstract wall-based reliefs in stone, wood and iron in Dana’s first solo presentation at the gallery

a group exhibition with works by Richard Aldrich, Prunella Clough, Masanori Tomita, Anh Trần, and Terry Winters - “painting is a visualisation system for rearranging the ‘Reality Studio’- that’s William Burrough’s idea” - Winters

inspired by a Maya Angelou poem, “a journey deep into the complex and fascinating universe of Oda Jaune” with twenty oils on canvas which explore unconditional love

a solo exhibition by the artist, who lives and works in Cornwall, UK

gestural marks, vivid colours, monochrome compositions, and repetitive geometric shapes and patterns from three diverse artists who explore drawing as an intuitive as well as premeditated practice

“the vibrantly colorful geometrical structures in his paintings are like monuments placed upon pedestals, some of them proudly balanced, others wobbly and imperfect”

“a rich overview of some of Jo Baer’s most distinctive works following her shift to figuration, celebrating her enduring legacy and her long-standing relationship with the gallery” - Susana Turbay Botero

this installation of new ceramic works by Berrow - “unfolds into a more lavish offering: a journey through mythical spaces, first greeted by ancient wells brimming with water before moving through to a feast at the heart of the exhibition”

new and well-known works by the artist in an exhibition which creates “a space that invites viewers to dive deeply into the material and relationships of his various pieces”

new works by the London based artist - “Fathers shifts away from this conception of his work as a human construct, instead presenting it as an autonomous evolution of nature”

“an art of fundamentals: color, line, and the possibilities inherent in their variation and repetition”

a unique exhibition which focusses on the paintings created in and inspired by Basquiat’s visits to Switzerland

“Miotte’s oeuvre lies at the inflection point between control and freedom ... an artist who was always in motion” - Louisa Mahoney

a survey exhibition of twenty-five years of works by Caldicott, who “takes his practice to the limits of what can and cannot be justifiably termed photography”

sculptures, assemblages, installations, and works on paper from 1962 to 1980 in Caniaris’ first major retrospective in France

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

paintings and an illusionistic wall installation as Ribbeck’s first solo exhibition in France presents his “intricately designed rhythmic and geometric sequences of forms and colors, which spread across the entire surface of the substrates and beyond”

watercolour and oil paintings examining the Flemish still life tradition with writhing beasts and vanitas displays in Cruz’s first solo exhibition with the gallery

in four specially-created and monumental paintings “Butzer envisions things astutely and in earnest with shocking clarity: table, fruit, woman”

taking inspiration from a chessboard, new signature portraits by the Mallorcan artist sculpted with thick impasto oil paint and a palette knife

collaborative works and works by guest artists in the second part of the exhibition - “the exhibition space becomes an environment in which to experience the presence and power of images” - Ida Simon-Raynaud

“these saccharine aesthetics are intentionally designed to captivate the viewer, only to expose the deeper truths beneath - how visual appeal has been commodified in modern society, shaping our perceptions of value, beauty, and identity” - Saša Bogojev

with an emphasis away from his involvement with CoBrA this exhibition presents paintings and works on paper by Appel - pairing finished pieces with preliminary drawings where possible - to offer new insights into the artist and his methods

“new paintings, sculptures and installations as a Gesamtkunstwerk, creating an atmospheric living space with traces of the eponymous Lucy”

celebrating its first anniversary, the gallery launches a new programme of exhibitions with Blum, whose work “delves further into themes of dishonesty, deflection, and fiction within performance, sculpture, and storytelling”

brought together for the first time, recent large multilayered oil on canvas pieces alongside gestural works on paper invite reflection on how surroundings shape emotions and identities

“like these chouchous that form the base of a stool, or this windshield turned into a mirror. Here, one senses a love for life, the life that shapes things and always reappears” - Maïlys Celeux-Lanval

“Bertrand, however, evokes the décors staged on the record sleeves of certain electronic music pioneers. Repetitive, anonymous and generally uncopyrighted, this music from the 1970s-80s” - Paul Bernard

paintings and works on paper from 1988-1992 - alongside the installation Oil VII, first shown at the 2007 Venice Biennale - see Genzken explore concepts of abstraction, representation, and reality while combining technique and chance

Welling is known for work which explores the history and technical specificities of photography - this joint exhibition across both gallery spaces provides a unique opportunity to see his pieces in conversation with those of the Bechers

from the Winner of the 2024 Dior Photography and Visual Arts Award for Young Talents, an intimate project which looks at the lives of two autistic brothers, living alone with their father who has cancer

a digital and physical limited-edition release by the legendary artist who revolutionised user interfaces during her work at Apple in the early 1980s

curated by Lucy Cowling and Andrew Price, an exhibition of artists whose work “finds poetics within the materiality of everyday life, resisting and rewriting the destructive forces of consumption and global circulation”

a group exhibition which addresses aspects of demarcation, deconstruction, or dissolution of boundaries with works by Maja Bajević, Travis Boyer, Fabian Marti, Kenrick McFarlane, Paul Mpagi Sepuya, Tobias Spichtig and Christine Streuli

other new paintings by Kimeze and works on paper, shown alongside a newly commissioned tapestry made by Edinburgh’s Dovecot Studios

large luminous sculptures handcrafted in blown glass in the Finnish artist’s first solo exhibition

in artist duo’s first exhibition with the gallery, an invitation to step into a world of introspective and fragile everyday moments

“I draw in prose, but a few rhymes escape. Imagination must be used with caution; it’s too fast and flies off in all directions. Drawing, on the other hand, is slow, building closed forms and solid cages, beginning where speech ends” - Adami

drawn and monotype-printed works on paper by artists including Joe Bradley, Carroll Dunham, Shara Hughes, Tobias Pils, Ugo Rondinone, Tschabalala Self, Steven Shearer, Josh Smith, and Alex Hank

in conjunction with his estate, an exhibition to celebrate the life and work of the influential artist, humanist, and philanthropist

installed on a giant frieze, Cognée’s landscapes use a unique painting technique and display “his unconditional love for the medium of painting and his caustic view of our disenchanted era”

works which explore the relationship between humans and nature, and reflect on the dynamics of collective memory and personal narrative - together examining the idea of printed or sculpted “imprint”

an overview exhibition of Wong’s works on paper from 1968 to 1997

Khedoori uses cast aluminum, bronze, 3-D printing, resin, encaustic paint and paper to produce an ensemble of sculptural works that oscillate between constructed and deconstructed states

an installation which “explores myths, legends, gods, rituals, and their influence on our lives . . . the supersized form will complete a monumental Mother Goddess sculpture, contrasting with the male-centric Mithras religion of the temple”

ten artists who highlight the power of unconventional mediums in evoking personal and collective memories - in collaboration with Alice Black, Berntson Bhattacharjee, Carl Freedman, Gathering, Ginny on Frederick, Pippy Houldsworth, Union Pacific

around forty works on paper by artists from Balla to Cattelan and Moore to Rauschenberg in an exhibition which “traces the evolution of this flexible and intimate medium”

all new paintings and works on paper reflecting her reverence for the natural world, in Uman’s first solo exhibition in Switzerland - presented in partnership with Nicola Vassell Gallery, NY

new floral motif works on Japanese Gampi paper from the artist and writer whose career spans more than four decades - “Ducrot distills their forms into distinct compositions, emphasizing the physicality of her materials”

ninety-five etched copper plates line the gallery walls as a central structure creates a tension between the two-dimensional and the three-dimensional

“Bjerger’s paintings fundamentally convey a serene and observant reflection on the concrete and visible” - Karin Faxén Sporrong, translated by Gabriella Berggren

“Müller shows pictures with snippy self-irony that appear superficially direct and light”

across two of the gallery spaces, Eugenio Re Rebaudengo curates “a remarkable group of contemporary artists who are reshaping, expanding and challenging the boundaries of portraiture”

across two of the gallery spaces, Eugenio Re Rebaudengo curates “a remarkable group of contemporary artists who are reshaping, expanding and challenging the boundaries of portraiture”

Mahlangu’s first public work in the UK is a monumental, site-specific mural in the garden at Serpentine North

new and previously unseen drawings from one of the leading names in contemporary Belgian painting

“Kim Tschang-Yeul’s work, at the boundary of dolorism and a form of mysticism, is both masterful and mysterious” - Louma Salamé

exceptional photographs from her iconic “Subway” series in this exhibition showcasing the work of the New York artist widely regarded as one of the most important of her time

works from the 1950s, 1970s and 1980s in a new exhibition of the late Cuban artist - “one of the three great sculptors of Surrealism”