“a rich overview of some of Jo Baer’s most distinctive works following her shift to figuration, celebrating her enduring legacy and her long-standing relationship with the gallery” - Susana Turbay Botero

in Cabaniuk’s first solo exhibition with the gallery, new paintings which explore the nuanced, complex, and paradoxical experiences of queer identity, intimacy, and “the subversive joy that comes with embracing personal and communal chaos”

recent paintings by the internationally renowned French artist - in a specially-designed exhibition installation of colourful painted zones

Welling is known for work which explores the history and technical specificities of photography - this joint exhibition across both gallery spaces provides a unique opportunity to see his pieces in conversation with those of the Bechers

the inaugural exhibition at the gallery’s new London space presents fifteen works – alongside two videos – by the French artist, exploring the plight of refugee children

new gunshot-pierced gold-plated panels and a single marble sculpture “explore a raft of opposing forces: domesticity and wildness, force and resistance, creation and destruction, perseverance and loss”

new works by Furter in an immersive installation emphasising the here and now and examining existential questions of human existence

over forty paintings and sculptures by Saint Phalle and Kusama in an exhibition which explores the Jungian concept of the “inner child” in their work

“Bertrand, however, evokes the décors staged on the record sleeves of certain electronic music pioneers. Repetitive, anonymous and generally uncopyrighted, this music from the 1970s-80s” - Paul Bernard

an extensive retrospective of the late artist, on the twentieth anniversay of the original exhibition - “West challenges us to take responsibility into our own hands: »do it yourself«, already at the gallery or later right at home” - Christian Malycha

paintings and an illusionistic wall installation as Ribbeck’s first solo exhibition in France presents his “intricately designed rhythmic and geometric sequences of forms and colors, which spread across the entire surface of the substrates and beyond”

works by Peter Bonde, Christian Eisenberger, Anna K.E., Boris Lurie, Florian Meisenberg, Manfred Peckl, Chloe Piene, Anselm Reyle, Rudolf Schwarzkogler, Luise-Finn Tismer, Anne-Mie van Kerckhoven, Gabriel Vormstein, Thomas Zipp, and Egon Zippel

four major “situations” from across the career of the leading Minimalist and pioneer of installation art

“not only a landscape but a state of being ... in these works, the mythic and the real collapse into one another, and we are invited to step through the frame, to follow Pan” - Gemma Rolls-Bentley

exhibited for the first time, a powerful series of rough and complex collages by Franco, based on LA and made from layers of images and signs, symbols and text

mannequin body-part sculptures and wall-mounted works by Fleury, set in response to a large body of drawings and cut-outs by Matisse, including works that have not been shown publicly before

an exhibition which “unveils the unseen - the physical and historical traces on the reverse of the canvas that offer deeper insight into an artwork’s journey” with works by artists including Braque, Fontana, Magritte, Morandi, Miró, Nicholson, and Picasso

a survey exhibition of twenty-five years of works by Caldicott, who “takes his practice to the limits of what can and cannot be justifiably termed photography”

extending beyond the gallery to include outdoor sculptures, this is the most comprehensive institutional exhibition of the leading figure in the Arte Povera movement to be presented in the UK

“in this exhibition, we viewers are psychic hitchhikers, dropped off on expertly realized yet dreamlike roadways, left to find a way to cope with gorgeous isolation. There’s an obvious direction in front of us but no beginning or end” - Marc Grigorov

with an installation, photograms, and video, this exhibition examines existence and extinction through spatial constructions and a multilayered perspective across various materials and media

curated by Lorenzo Madaro, paintings and works on paper from between 1983 and 1990 where Ciussi “sets aside the systematic nature of a geometric abstraction and modularity that he has been verifying with untiring commitment since the 1960s”

new tapestries, tuftings, and videos by Wood which examine overconsumption with a visual language of glitch art, body horror, and consumerism

painting, installation, embroidery and scent form “a sensory journey exploring ancestral memory, ritual and migration” in the Indonesian artist’s first solo UK exhibition

Oliver Bak, Eugène Carrière, Guglielmo Castelli, Enzo Cucchi, Enrico David, Leonor Fini, Anne Imhof, Alexej von Jawlensky, Conny Maier, Rosemarie Trockel and Andro Wekua - works which “interweave past and present in a dreamlike visual language”

in Boafo’s debut at Gagosian London, and his first solo exhibition in the UK, new portraits celebrating the Black figure and placed in a “transformative and involving design conceived by the artist in collaboration with architect Glenn DeRoche”

important works from two of the most significant periods of Schiele’s life, loaned from a prestigious private collection

celebrating the influential exhibitions at Jean Pollak’s Galerie Ariel in 1950s Paris, works by artists including Camille Bryen, Jacques Busse, Youla Chapoval, Jean Deyrolle, Pierre Dmitrienko, Henri Goetz, Jean Le Moal, Maryan, and James Pichette

new paintings of semi-closed metal shutters as “a threshold into an unknowable, impassable void” in Harrison’s first solo exhibition in the gallery’s London location

new and recent canvases and multi-panel paintings by the British artist - “bold, uniquely recognizable compositions, which reveal witty observations and subtly sophisticated meditations on the nature of visual representation itself”

an exhibition in which Wood-Evans “considers the mysterious and evocative allure of the nocturnal”

“everyday events, the reflections of changing seasons throughout the year, motifs from Twombly’s homes ... what all these still photographs touch upon is the poeticized nature and its intrinsicality as a parable and metamorphosis”

in Lu’s first UK solo exhibition, new paintings, installations, and sculpture transform the gallery into an immersive, enveloping environment

in Kimeze’s first solo exhibition in the UK, new paintings inspired by the resurgent popularity of roller skating in Black communities in London and beyond explore movement, flight and freedom

drawing on their 2023 invitation to the Vatican, an exhibition of photographs, painting, and sculpture by the two artists exploring how “devotion and provocation become inseparable, each sparking a pathway toward transcendence”

in the first retrospective in France of the British artist, photographs of Morris’s youth in London, his portraits of Bob Marley and the Sex Pistols, and his work with artists including Oasis, Lee ‘Scratch’ Perry, and Marianne Faithfull

sourced from the artist’s extensive collection of found online images, “Shearer’s images of sleep offer a quiet counterpoint to the culture of hyper-attention and incessant activity that dominates contemporary life” - Andrew Witt

an exhibition which looks to British art history with five artists including the late pioneering abstract painter Gillian Ayres, Max Bainbridge, Max Boyla, Tim Garwood, and Caroline Jackson

to mark the first anniversary of Serra’s death, the gallery presents the first complete showing outside the US of his final works, focussing on two series of prints made using black oil stick

the pioneering feminist artist’s first London retrospective showcases fifty years of her montage, photography, performance and sculpture - from early, punk, 1970s photomontages to new digital works shown for the first time

celebrating four decades of handmade ceramics by Harrison, reflecting the depth and range of his concerns, techniques, and recurring motifs

on the 25th anniversary of the Belmacz name, a transforming, three-month exhibition which creates “transitioning scenes, tableaus and clashes, amplifying the voices of our co-collaborators, constructing reverberations”

twenty photographs and a painting present “Heck’s unique fusion of photography and painting, characterized by a bold embrace of natural light, resulting in a stunning array of unapologetically beautiful and vividly colorful images”

seminal photographs from the early 1970s by this pioneer of conceptual and staged photography, which challenge conventional notions of gender and its representation

the first exhibition in the UK to focus specifically on portraits by an artist widely regarded as one of the greatest exponents of the genre

“a poetic exploration of time, memory, and inheritance, constructing a cartography of the artist’s most intimate universe ... in his practice, plexiglass becomes the evolution of the canvas, and tape, the evolution of paint”

a two-person “call and response” exhibition of paintings that contemplate “the manmade and natural worlds, wildness and domesticity, illusion and reality, and the blurry edges in between”

eight artists presenting a figurative exploration of the self, our connections with others, and the nuanced space that lies between

paintings, sculptures, and photographs from the past two decades which engage with postcolonial legacies and contemporary realities of his native Benin, in Hazoumè’s first exhibition in Greece

an overview exhibition of Wong’s works on paper from 1968 to 1997

an exhibition of the editions produced by the Dubuffet Foundation in 2024 with Galerie Lelong & Co. and Pace Gallery, to celebrate its 50th anniversary

“energetic fields of abstract marks that occasionally coalesce into floating forms approaching figuration” - new paintings in the Armerican’s first exhibition with the gallery, and in London

“extra-sensory portraits ... paintings of friends and collaborators - a reconstruction, of sorts, of people he likes to spend time with”

over fifty works in the debut retrospective exhibition celebrating the late artist’s wide creativity, and showcasing one of the most original painters to have emerged in recent years

seven artists from diverse Eastern backgrounds in an exhibition which “investigates the diverse outcomes of a meditative approach to artistic practice”

an exhibition of rare and monumental prints by the Catalan-Spanish painter, sculptor and ceramicist

a dual exhibition of Cesare Lucchini and Stephen Pusey - two artists who have reinterpreted the legacy of first-generation Abstract Expressionism to bring fresh relevance to the movement

Kelley’s final “Extracurricular Activity Projective Reconstruction”, one of the last videos he ever made, is shown alongside related works including never-before exhibited paintings of the cast, a lightbox, and sculptures made using props from the video

new self-portraits, seascapes, and paintings of family by Paul in exhibition which explores time, self-identity, and belonging

in the first of a series of exhibitions on Kruglyanskaya showing around the world this year - new paintings and drawings exploring the legacy of those artists and experiences that have shaped her practice

“these saccharine aesthetics are intentionally designed to captivate the viewer, only to expose the deeper truths beneath - how visual appeal has been commodified in modern society, shaping our perceptions of value, beauty, and identity” - Saša Bogojev

works by Abraham Kritzman and Philippe Van Snick - shown for the first time in dialogue with each other

an exhibition of still life paintings by the eminent Danish painter, sculptor, filmmaker, and author

the first solo exhibition with the gallery of the artist “whose sculptures, paintings, and environments seek less to be seen than to sharpen the act of seeing by revealing the contextual dimension of the elements composing them” - Alison Moss

more than twenty photographs shot on the streets of Rome, Sicily, and Venice - including the first exhibition of the complete Italy series - alongside iconic portraits of notable cultural figures

alongside new watercolors and a new panel work in the upstairs gallery, Cattelan takes over the main Shop with a presentation of editions, publications, and new merchandise

new paintings by Knop in his first solo exhibition with the gallery - “kaleidoscopic landscapes - lush forests, imposing mountain ranges, chocolate-box village scenes and dramatic seascapes - that unsettle as much as they seduce”

exploring the way memories take shape, and blending reality with recollection and daydreams, oil paintings on canvas in artist-made porcelain frames alongside ceramic paintings mounted in treated wood, in Arildsen’s first solo exhibition in the UK

Singh’s first institutional solo exhibition in London explores the full breadth of her practice, from large-scale oil paintings to intimate watercolours and ink drawings, to showcase her prolific career of over six decades

rare maguey fibre tapestries made by Central American craftspeople in association with Alexander Calder - who had a long-term fascination for folk art and indigenous manufacture

Smithson’s installation takes the medical cases of the modern ME and the ancient “dancing plague” to explore historical and contemporary contradictions between health, ritual, religious fervor and guilt

in the gallery’s micro-project space, a new sculpture by the London-based artist

curated by Sabina Jaskot-Gill, over 200 photographs in an exhibition of iconic images and portraits from the trail-blazing youth culture magazine

curated by Virginia Damtsa, more than fifteen artists in an exhibition of museum-quality, privately owned sculptures spanning over two millennia

“through works on paper, the artist creates a memoir of her time inside the studio ... the paper itself becomes a ritual space”

in the South Korean artist’s first solo exhibition, paintings ranging from the intimate to over two metres square explore the tensions between utopian beauty and unsettling realities

“spanning forty-two years of Gilmore’s practice, the exhibition focuses on her carefully constructed interior world, replete with Surrealist imagery and centred on portraits of family, placing domestic scenes centre-stage”

large luminous sculptures handcrafted in blown glass in the Finnish artist’s first solo exhibition

a group exhibition which explores materiality as both substance and concept in contemporary abstraction - “how texture shapes experience, how material defines space, and how a work’s weight and presence shift perception”

“passion potelet” translates as “bollard-love” - “ever since I spoke with Julien Berthier, I haven’t been able to stop looking at the bollards scattered throughout every city” - Samuel Gross


the first presentation of these performative, personal works by Boothright exploring “the vertical as a symbol of time, transformation and mortality”

a landmark exhibition which presents the sculptor and poet’s tribute to the legendary Josephine Baker

new paintings by the New York-based artist - “botanical, landscape and figurative motifs poised between an exuberant exterior world and an energetic interior consciousness”

an exhibition which “celebrates a diverse grouping of artists connected through their visual reinventions of the human figure and incisive portrayals of women”

new paintings and a site-specific intervention which explore healing, restoration, and remembrance in relation to conflict and wartime violence

the gallery’s first solo exhibition of the London-based Dutch artist presents recent sculptural and photography that explores ecology and systems of production, examining the invisible infrastructures that shape our consumption

inspired by the work of poets Paul Farley and Michael Symmons Roberts, an exhibition of sculptural ceramic works which explore those in-between spaces where the urban and the rural coexist

works by artists including Alighiero Boetti, Jean Boghossian, Chiara Dynys, Emilio Isgrò, Anselm Kiefer, Claudio Parmiggiani, Michelangelo Pistoletto, and Yinka Shonibare exploring the book, not only for its literary content but also its symbolic value

to coincide with her exhibition at Pitzhanger Manor & Gallery, an exhibition of new still lifes by Watt

titled after Homer’s epic, an exhibition by one of Spain’s most renowned contemporary artists who explores “navigation between the sky and the deep sea” with propellers, submarines, and airplanes constructing a poetic narrative of time, space, and life

organized with Henriette Coray Loewensberg, and the support of Lionel Bovier, an exhibition of works from the period where this leading figure in the influential Zurich school of concrete artists broke from the strictures of movement

“a striking collection of emotionally charged works that will resonate deeply with many” as Fiszer blends digital tools with generative techniques to produce these still and contemplative images

new paintings on aluminum from Fischer see him explore the imagery of online “fishing” and the definition of beauty

“Goldblatt’s photographs and van den Berg’s paintings [provide] a layered reflection on the histories embedded within South Africa’s landscapes”

“united by their mastery of the craft and influence on the medium, the artists represented in the exhibition provide a thoughtfully curated overview of the modern masters of photography”

the gallery’s first exhibition of the late multi-disciplinary artist presents ten sculptures from a pivotal period in his work where he explored “more corporeal forms that incorporate multiple components, and which balance density with ephemerality”

over twenty works on paper by Long and Nash, two artists have made nature, and natural materials such as wood and stone, the centre of their practice

inspired by William Gass’s philosophical text, an exhibition which explores the link between melancholia and intimacy

new paintings where Levy explores class and image-making in Britain today - “intimacy and loneliness, camaraderie and isolation, in which we must all ask what price we pay for our obsession with luxury and the fetishisation of objects”

an exhibition of unique record sleeve designs by renowned artists and emerging talents - and Yinka Ilori etched-vinyl - in the ninth edition of the charity initiative combining music and art

nearly forty artists in an exhibition which expands on past collaborations by Williams and Perrotin - “as Black women are important figures of personal inspiration for Williams, their kaleidoscopic representation is the core matrix” - Louise Thurin

new paingings of contemporary recreation in a digital age - post futurist-scenes that blur the line between the human and the mechanical

presented alongside a selection of her visionary Museum paintings, new works by Treister in the form of tarot cards, diagrams and AI-prompted works reimagining alchemical drawings of the 13th-18th centuries

an exhibition of the late Swiss photographer - “his work, which moves between photography, sculpture, object and painting, is characterised by clear, reduced black and white pictures”

paintings and a new sculpture by the acclaimed artist, exploring identity, culture, and social issues

“miniature porthole-esque works, echoing the ‘love tokens’ of the Victorian era and the High Renaissance ... cool, calm, nude women who languor, always alone, across beds, plastic chairs or the gently burnt carpets of desert motels”

Portillo explores the emotional terrain of her native El Salvador through paintings which blur distinctions to create “an intentional ambiguity that captures the essence of memory itself”

an exhibition of the renowned French-German artist’s atmospheric landscape photographs - “my ambition has always been to make a timeless photograph - one that can age well, far from being datable”

a comprehensive exhibition with two new large installations, an early projection work, new in-wall Glassworks pieces, holograms, models, prints, and plans of Roden Crater, as well as other photographs, prints, and archival materials

paintings, photographs, collages, and installations in an exhibition presenting two decades of the internationally celebrated portraitist’s vibrant, large-scale portraits of Black women at rest

new acrylic and oil paintings in Curtiss’s first solo exhibition with Gagosian, and in Paris - drawing on 18th- and 19th-century European painting and integrating influences from the Chicago Imagists, ukiyo-e, comics, and popular illustration

Haffendi Anuar, Elizabeth Gabrielle Lee and Koby Martin - three artists who explore belonging, identity, and the imaginary

in his first solo exhibition in the UK, over twenty paintings showing the Cuban-American artist’s “captivating and intuitive approach to abstraction”

including many pieces never shown before, this is the first UK solo exhibition of the late Eritrean-born American artist known for richly colourful, dreamlike paintings, reflecting European and American art as well as his native country

works by Finlay Abbott Ellwood shown alongside a collection of ancient objects selected by Dr Shanshan Wang

new hanging light sculptures and a minimalistic lounge chair by the collaborative art and design practice, exploring themes of place and memory with works that echo the designers’ belief in the future and longing for what is left behind

works from the 1950s, 1970s and 1980s in a new exhibition of the late Cuban artist - “one of the three great sculptors of Surrealism”

presented in collaboration with Ani Molnár Gallery, the gallery’s first exhibition of the pioneering abstract artist presents work from the 1970s up to his death in 2020

Guerriero’s debut solo exhibition in London - “sensuous and intimate are some of the adjectives that come to mind when confronted with Guerriero’s miniature paintings”

accompanied by a reflective text written by Rebecca May Johnson, Skupinska’s “practice takes shape through the slow and meditative work of gathering, mixing, and layering - altered by time”

part of Gallery 2, the occasional programme of exhibitions by non-represented artists, abstract paintings from the 1960–90s by Mohanti, for whom painting is a form of meditation and life control

a wide-ranging group exhibition with works from the past twenty years representing some of the most recent perspectives and approaches in contemporary design

simple geometric forms encased in Plexiglas, which give the illusion of movement, in this exhibition of one of the leading exponents of constructive and concrete art in Germany

an exhibition of drawing, sculpture and the moving image as Banner explores language, conflict and gender

new digital paintings and an interactive carpet in the German collective’s debut solo presentation at the gallery and in London

in memory of one of the most radical Swiss artists of our time, pieces from three pivotal groups of work in an exhibition to mark twenty years since his passing

the gallery celebrates its one-year anniversary with a Nicolas Sorbac and Christian Dominguez-curated exhibition bringing together a group of artists who challenge the limits of painting

“several protagonists airing a long, drawn-out parlance, each seeking to justify its presence on a platform constructed in a far more functional derivative to the materials of that on top”

“Janská’s practice is a meditation on form and perception, a delicate unravelling of selfhood tracing contours of femininity with an ethereal hand” - Luana Hildebrandt

“with an almost childlike joy, Paquet playfully deconstructs photographic techniques, returns to its essential elements, in order to celebrate a single component: The most important element is light” - Lillian Davies

recent work woven using data from Morris’s life, recorded on the scientific-medical device she has been using since 2005 - “invites viewers to consider the intersection of technological systems and human experience; of materiality and time”

Josiah McElheny, Carrie Moyer, Hasani Sahlehe, Arlene Shechet, and Dan Walsh are five artists based on or around the East Coast whose painting and sculpture explores the legacy of modernism

Jeon’s first solo exhibition in France presents her paintings, which “capture the diffuse feelings that persist when you wake up, when what remains of your dreams are impressions, colours and hybrid shapes”

Hong Sooyeon’s first solo exhibition in London - “a compelling attempt within painting to merge traditionally Western and Eastern concepts concerning the nature of reality, and how to depict it in art” - Simon Morley

curated by Maria do Carmo M. P. de Pontes, an exhibition of Marta Jakobovits and Anderson Borba, two artists whose practices are rooted in exploring materiality

one of Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in the garden of the gallery space

the debut of a new project, specially designed for the gallery space, from the artist who’s work “defies classification and explores a variety of mediums, aesthetic categories and sources of inspiration”

new and well-known works by the artist in an exhibition which creates “a space that invites viewers to dive deeply into the material and relationships of his various pieces”

new oils on canvas and gouaches on paper by Yoon in her first exhibition in France - “each painting has a life of its own, and it's my job to make it visible”

examining the challenging of convention and use of repetition, defining works by key postwar figures including De Maria, Fontana, Judd, Manzoni, Merz, Picasso, Rauschenberg, Serra, and Warhol

more than fifty aphorisms, remarks, slogans, and “other precepts of questionable significance” by Labelle-Rojoux, all written on colored paper

gestural marks, vivid colours, monochrome compositions, and repetitive geometric shapes and patterns from three diverse artists who explore drawing as an intuitive as well as premeditated practice

with works by Marc Bauer, Valérie Favre, Zilla Leutenegger, Teresa Margolles, Valentin Rilliet, Grace Schwindt, Shirana Shahbazi, Melanie Smith, and Francis Alÿs

inspired by a Maya Angelou poem, “a journey deep into the complex and fascinating universe of Oda Jaune” with twenty oils on canvas which explore unconditional love

works by Walead Beshty, Angela Bulloch, Sylvie Fleury, Liam Gillick, Douglas Gordon, John Giorno, Adam Pendleton, Gerwald Rockenschaub, Ugo Rondinone, and Steven Shearer

Bowling’s first solo exhibition in France sees him continue to explore collage as a conceptual tool and technique, and features new works including four monumental paintings

a video installation which uses social media as a performative space to explore the impact of it on the commodification of - particularly women’s - bodies

this installation of new ceramic works by Berrow - “unfolds into a more lavish offering: a journey through mythical spaces, first greeted by ancient wells brimming with water before moving through to a feast at the heart of the exhibition”

monumental sculpture, installations, and video - including new work shown for the first time - by one of the most powerful voices in contemporary Ukrainian art - “Kadyrova creates a space for reflection on the essential role of art in times of conflict”

“Perry’s practice - spanning collage, printmaking, and installation - explores personal memory in today’s hyper-technological world”

Welling is known for work which explores the history and technical specificities of photography - this joint exhibition across both gallery spaces provides a unique opportunity to see his pieces in conversation with those of the Bechers

twelve new works by the Korean artist at the gallery’s new Milan space, including her signature methodical works of burnt, cut and layered Hanji paper as well as pieces characterised by gestural forms

across both gallery spaces, an exhibition of works from the 1950s, 1970s and 1980s in a new exhibition of the late Cuban artist - “one of the three great sculptors of Surrealism”

a digital and physical limited-edition release by the legendary artist who revolutionised user interfaces during her work at Apple in the early 1980s

in conjunction with his estate, an exhibition to celebrate the life and work of the influential artist, humanist, and philanthropist

“in Helle’s sculptures, the horn of plenty has emptied its contents all over the voluptuous, hedonistic figures, which are decked in flowers, vines, fruit, gilding and all manner of lavish details”

works which have been out of the public eye for decades - “Leino’s works combine elements of Finnish nature with the tradition of American abstract painting in a way that has no other parallels in art history”

other new paintings by Kimeze and works on paper, shown alongside a newly commissioned tapestry made by Edinburgh’s Dovecot Studios

curated by Lucy Cowling and Andrew Price, an exhibition of artists whose work “finds poetics within the materiality of everyday life, resisting and rewriting the destructive forces of consumption and global circulation”

taking inspiration from a chessboard, new signature portraits by the Mallorcan artist sculpted with thick impasto oil paint and a palette knife

celebrating its first anniversary, the gallery launches a new programme of exhibitions with Blum, whose work “delves further into themes of dishonesty, deflection, and fiction within performance, sculpture, and storytelling”

new works in lacquered wood and concrete benches by the French designer which “embody the artist’s interest in the architecture of artificial contemporary landscapes”

installed on a giant frieze, Cognée’s landscapes use a unique painting technique and display “his unconditional love for the medium of painting and his caustic view of our disenchanted era”

“Miotte’s oeuvre lies at the inflection point between control and freedom ... an artist who was always in motion” - Louisa Mahoney

“like these chouchous that form the base of a stool, or this windshield turned into a mirror. Here, one senses a love for life, the life that shapes things and always reappears” - Maïlys Celeux-Lanval

sculptures, assemblages, installations, and works on paper from 1962 to 1980 in Caniaris’ first major retrospective in France

“Bjerger’s paintings fundamentally convey a serene and observant reflection on the concrete and visible” - Karin Faxén Sporrong, translated by Gabriella Berggren

drawn and monotype-printed works on paper by artists including Joe Bradley, Carroll Dunham, Shara Hughes, Tobias Pils, Ugo Rondinone, Tschabalala Self, Steven Shearer, Josh Smith, and Alex Hank

“on this French Riviera that he loved as much as I did, Karl was about to surround himself, for the first time, with a geometric, childlike and colourful decor. Fine, but why specifically Memphis?” - Paloma Picasso

“the vibrantly colorful geometrical structures in his paintings are like monuments placed upon pedestals, some of them proudly balanced, others wobbly and imperfect”

ninety-five etched copper plates line the gallery walls as a central structure creates a tension between the two-dimensional and the three-dimensional

new and previously unseen drawings from one of the leading names in contemporary Belgian painting

curated by Heinz Liesbrock, photographs by Adams and paintings by Albers bring two outstanding protagonists of art after 1945 into conversation to “emphasize that light is the basis of visual language”

works which explore the relationship between humans and nature, and reflect on the dynamics of collective memory and personal narrative - together examining the idea of printed or sculpted “imprint”

ten artists who highlight the power of unconventional mediums in evoking personal and collective memories - in collaboration with Alice Black, Berntson Bhattacharjee, Carl Freedman, Gathering, Ginny on Frederick, Pippy Houldsworth, Union Pacific

Mahlangu’s first public work in the UK is a monumental, site-specific mural in the garden at Serpentine North

Khedoori uses cast aluminum, bronze, 3-D printing, resin, encaustic paint and paper to produce an ensemble of sculptural works that oscillate between constructed and deconstructed states

Kang explores the sculptural potential of woven materials, working with both textile and concrete to create sculptures that blur the boundaries between the organic and the industrial

major works by Poliakoff alongside pieces by the artists who contributed to the perseverance of his chromatic explorations and created equally avant-garde works themselves

all new paintings and works on paper reflecting her reverence for the natural world, in Uman’s first solo exhibition in Switzerland - presented in partnership with Nicola Vassell Gallery, NY

Rondinone’s first solo exhibition at the gallery inaugurates their new location in Piazza dei Martiri with this homage to Vesuvius

new artworks by the artist and designer “who injects whimsy and nostalgia into a design world that she considers often too serious and self-aggrandising”

an installation which “explores myths, legends, gods, rituals, and their influence on our lives . . . the supersized form will complete a monumental Mother Goddess sculpture, contrasting with the male-centric Mithras religion of the temple”

“combining rigorous observation and fantastic imagination Bertalan's extraordinary drawings create mysterious microcosms. Imbued with the artist's philosophical and spiritual convictions”

around forty works on paper by artists from Balla to Cattelan and Moore to Rauschenberg in an exhibition which “traces the evolution of this flexible and intimate medium”

new self-portraits created in dialogue with Old Masters and the experience of being an anonymous figure immersed in the city - “one of the most talented, productive and committed artists of her generation” - Eddie Chambers

sculptural paintings and painterly sculptures by Josef Albers, David Annesley, Paul Feeley, Sheila Hicks, Vanessa Jackson, Sean Shanahan, William Turnbull and Fabienne Verdier in an exhibition that exploring the interplay between colour and form

curated by Almine Rech and Simon de Pury, recent paintings of “staggering beauty” by one of the great masters of abstraction

photography, video, painting, installation, and sculptural works by emerging and established artists exploring the dynamic interplay of figure-ground relationships in architecture, psychology, media, and literature

Ava Grauls, Diane Chappalley, Epona Smith, Evie Mae Jacobs, Guan Guan, and Hannah Lim - six extraordinary international female artists who explore ephemeral moments that encapsulate the essence of the feminine experience