“Tang approaches her process with a time-oriented perspective, using pierced paper as a highly original language to manifest time and space on the surface of paper, ultimately probing the deeper meaning of existence”

“Chingltu’s creations go beyond mere depictions of grassland landscapes or nomadic culture. They inspire audiences to explore, with poetic romanticism, the harmonious relationship between humanity and nature, tradition and modernity”

“the incarnation of his relentless experiments with light and cultural symbols ... in Pim’s hallucinatory space, the known world slowly dissolves, and for one suspended breath, the soul touches the unspeakable” - Jialing Sun

the gallery opens its new space with a group show featuring Jean-Marie Appriou, Iván Argote, Daniel Arsham, Sophie Calle, Julian Charrière, Johan Creten, Mathilde Denize, Hans Hartung, Gregor Hildebrandt, JR, Takashi Murakami, and Jean-Michel Othoniel

in a densely filled exhibition space, over fifty works including new and previously unseen pieces, in which Ahn explores the uncertainties of painting - between representation and abstraction, chance and inevitability, stimulation and receptivity

presenting Salz’s medium- and large-scale creations for the first time, an exhibition which explores the “essence of light and color, taking viewers into a realm between the tangible and the ethereal”

an exhibition highlighting Shawky’s pivotal early video works which used profound, playful and unexpected approaches to look at themes of East-West dichotomies and religious conflict

“representing Each Modern’s reinterpretation of post-war and contemporary Taiwanese art from a 21st-century perspective ... these works represent concrete and impermanent expressions of Eastern consciousness, evolving through cultural intersections”

with an installation, photograms, and video, this exhibition examines existence and extinction through spatial constructions and a multilayered perspective across various materials and media

nearly 100 works by over fifteen prominent artists from the East and the West, in an exhibition which explores the technical heritage and contemporary possibilities of printmaking and drawing

new large-scale mixed-media paintings and a new series of hanging sculptures in Sze’s first solo exhibition in Asia

collaborative paintings by the Walyalup (Fremantle) artist duo, in a departure from the usual gallery program - only the second presentation of non-indigenous artists since their relaunch and the artists’ first solo presentation in Gadigal (Sydney)

new paintings at APMA (Amorepacific Museum of Art) Cabinet, a project space in the headquarters of Amorepacific - “the night is a unifying force. It is when children dream and prisoners escape” - Ancart

an immersive environment with signature psychologically-charged clay-animation films alongside sculptural works, from the Swedish duo in their first exhibition at the gallery in Beijing

new sculptures in an immersive environment from the Portuguese artist in which she focusses on two non-Japanese designers who had strong ties to the country

organized with The Easton Foundation, works from the 1960s to 2008 including rarely exhibited sculptures and works on paper as well as a three-meter-long fountain installation and a steel and marble sculpture, both shown in Asia for the first time

paintings of ethereal, empty landscapes imbued with an unsettling, atmospheric calm in Webster's debut solo exhibition in Hong Kong

the first collaborative exhibition by the Brooklyn-based couple - “both Hughes and Eddy translate autobiographical material into abstract allegory, removed from their own lives ... to connect with the chaotic world through painting” - Heinz-Norbert Jocks

the German artist’s first solo exhibition in Japan presents “a dance of silences from various origins, moments of anticipation, and moments of calm after the deep emotional engagement that only music can inspire” - Andreas Schlaegel

“an aspiring manga professional turned rising star painter, Kuraya creates an oeuvre that revives the classic role of figure painting” - Shinyoung Chung

an immersive fabric installation, work on paper, paintings, and cut-out paintings in Mourad’s debut exhibition in Asia - “his quick strokes carry a sense of augury, a cartomancy in paint”

“stepping into Miyake’s artistic world is like venturing into a jungle where myth and adventure merge, where fantasy and danger collide” - Lin Ye, translated by Lingxuan Tang

to mark the gallery’s new space in Hannam, the first in a sequence of exhibitions based on “conversations” features gallery artists Angela Bulloch and Sojourner Truth Parsons presented with Salvo and Niki de Saint Phalle respectively