new large-scale mixed-media paintings and a new series of hanging sculptures in Sze’s first solo exhibition in Asia

“Chingltu’s creations go beyond mere depictions of grassland landscapes or nomadic culture. They inspire audiences to explore, with poetic romanticism, the harmonious relationship between humanity and nature, tradition and modernity”

“Tang approaches her process with a time-oriented perspective, using pierced paper as a highly original language to manifest time and space on the surface of paper, ultimately probing the deeper meaning of existence”

“the incarnation of his relentless experiments with light and cultural symbols ... in Pim’s hallucinatory space, the known world slowly dissolves, and for one suspended breath, the soul touches the unspeakable” - Jialing Sun

presenting Salz’s medium- and large-scale creations for the first time, an exhibition which explores the “essence of light and color, taking viewers into a realm between the tangible and the ethereal”

an exhibition highlighting Shawky’s pivotal early video works which used profound, playful and unexpected approaches to look at themes of East-West dichotomies and religious conflict

paintings and works on paper in Anstis’s first presentation with the gallery - “Anstis’ otherworldly scenes - where figures, often nude, commune amongst themselves and in the company of animals - present a dreamlike logic” - James Casey

organized with The Easton Foundation, works from the 1960s to 2008 including rarely exhibited sculptures and works on paper as well as a three-meter-long fountain installation and a steel and marble sculpture, both shown in Asia for the first time

paintings of ethereal, empty landscapes imbued with an unsettling, atmospheric calm in Webster's debut solo exhibition in Hong Kong

in a densely filled exhibition space, over fifty works including new and previously unseen pieces, in which Ahn explores the uncertainties of painting - between representation and abstraction, chance and inevitability, stimulation and receptivity

nearly 100 works by over fifteen prominent artists from the East and the West, in an exhibition which explores the technical heritage and contemporary possibilities of printmaking and drawing

a group exhibition which examines the work of female abstract artists across different eras through the lens of Japanese women artists

an immersive environment with signature psychologically-charged clay-animation films alongside sculptural works, from the Swedish duo in their first exhibition at the gallery in Beijing

“our feet are the contact point, the place where we connect to the earth. In these sculptures, there is both joy and trepidation at this contact point. The summit of joy tends not to arrive without traversing risk” - Armstrong

“stepping into Miyake’s artistic world is like venturing into a jungle where myth and adventure merge, where fantasy and danger collide” - Lin Ye, translated by Lingxuan Tang

an immersive fabric installation, work on paper, paintings, and cut-out paintings in Mourad’s debut exhibition in Asia - “his quick strokes carry a sense of augury, a cartomancy in paint”

“an aspiring manga professional turned rising star painter, Kuraya creates an oeuvre that revives the classic role of figure painting” - Shinyoung Chung

with an installation, photograms, and video, this exhibition examines existence and extinction through spatial constructions and a multilayered perspective across various materials and media

Dilg’s first solo exhibition in Korea - “there is a peculiar sense of timelessness, which allows a viewer to reflect on the age when the nature was wild and unknowable” - Yuki Higashino

new experimental vessel sculptures alongside intricate mosaic tablet works in the Japanese sculptor’s first solo exhibition in China

“Kim Keetae’s paintings remind us that what makes life genuinely ‘enchanting’ is our relationship to the unreachable, the incalculable, the unmanageable, the unpredictable”

“Naito explores moments when mind, hands, fingers, paper, paint, water, and brush become one”