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Maiolino’s works in painting and sculpture explore notions of subjectivity and self, through techniques of fragmentation and abstraction “brought into the service of the active, desiring body”
Molded cement with pigment
18 1/2 × 15 3/4 × 1 3/8 in
© Anna Maria Maiolino. Courtesy the artist and Hauser & Wirth. Photo: Genevieve Hanson
St. Moritz
Maiolino’s works in painting and sculpture explore notions of subjectivity and self, through techniques of fragmentation and abstraction “brought into the service of the active, desiring body”
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Molded cement with pigment
18 1/2 × 15 3/4 × 1 3/8 in
![Anna Maria Maiolino, Entre Si [Among Itself], from Hilomorfos [Hylomorphs] series, 2016](https://www.galleriesnow.net/wp-content/uploads/2024/07/MAIOL76944-hires.webp)
Bronze and iron
12 3/4 × 56 3/4 × 12 3/8 in
Acrylic ink on canvas
1000.0 × 1200.0 mm
Marble powder and white cement
308.0 × 580.0 × 100.0 mm
Acrylic ink on canvas
90 1/2 × 35 3/8 in
Acrylic ink on canvas
2300.0 × 900.0 mm
Acrylic ink on canvas
39 3/8 × 47 1/4 in
Acrylic ink on canvas
900.0 × 1200.0 mm
Molded cement with pigment
9 1/2 × 11 3/8 × 6 3/4 in
Acrylic ink on paper
12 × 18 1/8 in
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![Anna Maria Maiolino, In-Out (Antropofagia) [In-Out (Antropophagy)], from the series Fotopoemação [Photopoemaction] (detail), 1973/74–2000](https://www.galleriesnow.net/wp-content/uploads/2019/10/Anna-Maria-Maiolino-In-Out.jpg)
