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Noonan’s new work is his first use of 16mm film since the mid-2000s and plays across two large monitors highlighting the physicality of the film’s presentation and a sculptural prominence in the room
16mm film
20:35
Still from Mnemosyne, 2022. © David Noonan. Courtesy: the artist and Modern Art, London
London West End
Noonan’s new work is his first use of 16mm film since the mid-2000s and plays across two large monitors highlighting the physicality of the film’s presentation and a sculptural prominence in the room
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