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a selective survey of Vantongerloo’s artistic research into colour and abstraction, and examines his influence on concrete art over a 50-year period
Oil on masonite
303.0 × 243.0 mm
© Angela Thomas Schmid/ 2020 ProLitteris, Zurich. Courtesy the Max Bill Georges Vantongerloo Stiftung and Hauser & Wirth. Photo: Jon Etter
Zürich
a selective survey of Vantongerloo’s artistic research into colour and abstraction, and examines his influence on concrete art over a 50-year period
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Gouache on paper
156.0 × 178.0 mm
Oil on masonite
303.0 × 243.0 mm
Oil on masonite
303.0 × 243.0 mm
Plexiglas, oil paint
570.0 × 785.0 × 260.0 mm
Gouache on paper
147.0 × 179.0 mm
Coloured plexiglass, nickel wire
315.0 × 242.0 × 150.0 mm
Bronze
162.0 × 172.0 × 110.0 mm
Gouache on paper
270.0 × 210.0 mm
Gouache and India ink on paper
150.0 × 150.0 mm
Gouache on paper
163.0 × 177.0 mm
Plexiglas, oil paint
570.0 × 785.0 × 260.0 mm
Cement, painted
520.0 × 285.0 × 190.0 mm
Chrome-plated brass
150.0 mm
Mahogany painted
65.0 × 165.0 × 65.0 mm
, 1934-1935
Gouache and India ink on paper
12.2 x 23.7 cm / 4 3/4 x 9 3/8 inches 36.4 x 46.4 cm / 14 3/8 x 18 1/4 inches (framed)
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