new paintings and sculptures explore Cheung’s interest in the development of Modern China and continue his interest in revealing these lesser known histories of China and its invasion by the West
Financial Times newspaper, archival inkjet, acrylic, and sand on linen
570.0 × 820.0 × 50.0 mm
Titled, signed and dated on the back. Courtesy of the Artist and Almine Rech. Photo: Gordon Cheung Studios
Paris
new paintings and sculptures explore Cheung’s interest in the development of Modern China and continue his interest in revealing these lesser known histories of China and its invasion by the West
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, 2022
Financial Times newspaper, archival inkjet, acrylic, and sand on linen
2000.0 × 1500.0 × 30.0 mm
, 2020
Financial Times newspaper, bamboo and adhesive
540.0 × 545.0 × 20.0 mm
, 2020
Financial Times newspaper, bamboo and adhesive
715.0 × 530.0 × 25.0 mm
, 2020
Financial Times newspaper, bamboo and adhesive
465.0 × 610.0 × 20.0 mm
, 2022
Financial Times newspaper, archival inkjet, acrylic, and sand on linen
2000.0 × 1500.0 × 30.0 mm
, 2022
Financial Times newspaper, archival inkjet, acrylic, and sand on linen
570.0 × 820.0 mm
, 2020
Financial Times newspaper, bamboo and adhesive
490.0 × 695.0 × 20.0 mm
, 2020
Financial Times newspaper, bamboo and adhesive
535.0 × 730.0 × 20.0 mm
, 2020
Financial Times newspaper, bamboo and adhesive
550.0 × 760.0 × 25.0 mm
, 2020
Financial Times newspaper, bamboo and adhesive
515.0 × 505.0 × 20.0 mm
, 2022
Financial Times newspaper, archival inkjet, acrylic, and sand on linen
2000.0 × 1500.0 × 30.0 mm
, 2018
Financial Times newspaper, bamboo and adhesive
745.0 × 980.0 mm