Open: Tue-Sat 11am-6pm

244 West Florence Avenue, CA 90003, Los Angeles, United States
Open: Tue-Sat 11am-6pm


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Sat 15 Jul 2023 to Sat 26 Aug 2023

244 West Florence Avenue, CA 90003 Hat Trick

Tue-Sat 11am-6pm

Curated by Vin Thorpe

Chase Biado, Alex Cutler, Devon DeJardin, Jess Xiaoyi Han, Nicolas Holiber, Jack Jubb, Kathryn Kampovsky, David Leggett, Brendan Lynch, Stefan Robert Meier, Amadeo Morelos, Taylor Marie Meier Prendergast, Dylan Rose Rheingold, Nathan Ritterpusch, Rebekah Rubalcava, Runsy, Rachel Sharpe, Wilba Simson, Sol Summers, Lauren Tsai, Anne Vieux, Bwhitey, Jamie Gray Williams, & Scout Zabinski

Hat Trick at Rusha & Co. explores a triple-threat of artistic expression: sketched imagery, dimensional forms, and detailed renderings. Cohesive and distinct, yet fluid and permeable, these loosely-defined manifestations of the creative process, taken together, create an all-encompassing portrait of contemporary human existence.

Artworks

Anne Vieux

Acrylic and ink on canvas

53 1/2 × 60 in

Nicolas Holiber

Acrylic paste and oil on canvas

36 × 30 in

Scout Zabinski

Oil on canvas

16 × 20 in

Taylor Marie Prendergast

Charcoal and acrylic on canvas

72 × 60 in

Brendan Lynch

Oil on linen

11 × 14 in

David Leggett

Acrylic and collage on panel

16 × 16 in

Dylan Rose Rheingold

Oil, acrylic, china marker, charcoal on canvas

48 × 72 in

Lauren Tsai

Acrylic on canvas

50 × 65 in

Devon DeJardin

Graphite on hot pressed paper

51 × 51 in

Stefan Robert Meier

Acrylic on canvas

48 × 40 in

Chase Biado

Oil on canvas

32 × 40 in

Nathan Ritterpusch

Oil on canvas

12 × 14 in

Nathan Ritterpusch

Oil on canvas

12 × 14 in

Runsy

Graphite on paper

27 × 34 in

Rachel Sharpe

Rachel Sharpe

Pomegranate, 2023 oil on canvas

Oil on canvas

30 × 40 in

Jess Xiaoyi Han

Alkyd and acrylic on canvas

25 × 30 in

Wilba Simson

Charcoal on Fabriano Paper mounted to canvas fixed with archival UV protective varnish

63 × 46 in

Jack Jubb

Acrylic on linen-wrapped wooden panel

16 1/2 × 11 3/4 × 2 in

Alex Cutler

Oil on canvas

72 × 60 in

Brendan Lynch

Aluminum leaf, oil, and spray paint on canvas

30 × 40 in

Brendan Lynch

Aluminum leaf and oil on canvas

30 × 36 in

bwhitey

Oil on canvas

60 × 72 in

Installation Views

Each of the elements of our artistic hat trick occupies one of the three rooms of the historic firehouse cum gallery. The realm of the sketch gets our ball rolling in the building’s engine bay. The artists in this exercise embody a stream of consciousness, an amalgamation of forms, and an ever present aura of the artist’s hand. From the vibrant to the monochromatic, the human mind finds its way in the court through gestural strokes and a freestyle approach to the image.

A world of dimensional shapes is the second volley in the exhibition’s threepeat. From voluminous explorations of the trompe l'oeil to intense otherworldly narratives, the artists engage their skills in both figuration and abstraction to orchestrate entirely new worlds, characters, and journeys. This division manipulates form and composition, providing an escape from the pitch and slipping away from reality in favor of the absurd, the geometric, and the colorful.

Last in our huddle is the experience of the full render. An intense corporeality permeates through the works on view as artists blur the lines of reality with visceral figurations and manipulations of photorealism. Physical and internalized identities are reconceived through a change of direction. Figures and forms find free substitution by the artists’ hands in the representative side of the works on view.

Hat Trick goes to bat for a conception of contemporary art both inventive and groundbreaking. A trophy case of styles and mediums, Hat Trick breaks down preconceptions of how art can be understood by sharing their inherent similarities and the unifying thread within all artistic production: human connection. Emanating with an urgency of the present day, each of these artists has evolved from lineages of art history, the champions of minimalism, surrealism, expressionism (and more), to rethink the ways we see and inhabit the world around us.

Together, these artists are grouped into triple threats. On their own, each develops a distinctive visual language that cuts through the noise of the crowds to resonate with onlookers in plays that illuminate the hidden, the societal, and the internalized.

Courtesy of the Artists and Rusha & Co., Los Angeles

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