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The Week in Art visit the site 28 Jan-4 Feb 2025
Openings, events, auctions Frankfurt, London, Los Angeles, Milan, Naples, New York, Paris, St. Moritz, Stockholm, Sydney, Venice, Vienna |
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Frankfurt
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Frankfurt, Saturday 1 |
FILIALE: Martin Kähler: picobello! |
first day |
London
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London, Tuesday 28 |
County Hall Pottery: Narratives in Clay six ceramic artists with “unique interpretations of storytelling, culture, and personal identity, expressed through the medium of clay” |
first day |
Emanuel von Baeyer: Differences in Between, Prints and Drawings works on paper by Marjorie Welish & Dan Walsh, Albert Oehlen, Bettina Mechtersheimer, Max Theo Kehl and Ellie Hayward, alongside drawings by Willi Geiger and Otto Dix |
opening reception |
LAMB: Palm Tree in My Mind’s Eye an exhibition which “aims to explore how a group of artists from indigenous communities in Brazil, Colombia and Venezuela, deeply rooted in the Amazon rainforest, channel its rhythms, forms and sacred geometries into their artistic practice” |
first day |
London, Wednesday 29 |
Cristea Roberts Gallery: Christiane Baumgartner: Sunken Treasure new large-scale woodcuts of landscapes and seascapes, paired with ethereal views of sunsets and horizons, “mark the tensions between nature and human conflict” |
opening reception + talk |
Cristea Roberts Gallery: Found Objects: Prints and Multiples from the 1960s an exhibition bringing together artists at the forefront of the printmaking scene in London and New York in the 1960s |
opening reception |
October Gallery: Material Sensibilities works which explore creative materiality, by Nnenna Okore, Naomi Wanjiku Gakunga, Susanne Kessler, LR Vandy, Jukhee Kwon, Sokari Douglas Camp and Sylvie Franquet, as well as Xanthe Somers, Theresa Weber, Gaia Ozwyn and Khadija Jayi |
opening reception |
Raven Row: Peter Hujar – Eyes Open in the Dark curated by John Douglas Millar and Gary Schneider, with Alex Sainsbury, this is the first exhibition to comprehensively present the work of one of tge leading figure in the downtown scene of 1970s and early 80s New York |
opening reception |
Ruup & Form: Subtle Connections: Water and the Space in Between co-curated with Stephanie Souroujon, an exhibition which explores “the profound relationship between water, materiality, and meaning”, with Yolanda López, Rebecca Scott, Ana Bridgewater, Natascha Maksimovic, and Katerina Knight |
first day |
Victoria Miro: At Home: Alice Neel in the Queer World curated by Hilton Als, this exhibition of works by the celebrated American painter focuses on her portraits of people from queer communities to extend an ongoing exploration of aspects of Neel’s work and its continuing relevance today |
private view |
London, Thursday 30 |
Alma Pearl: Porous Abstraction works by BLCKGEEZER, Hoa Dung Clerget, Sophie Goodchild, and Luca Longhi which “engage with themes of identity, memory, familial relationships as well as the vicissitudes of lived experience” |
private view |
Alma Pearl: Ivan Seal: prelude new paintings and a sound piece based on Jung in Seal’s first exhibition with the gallery |
private view |
Annely Juda Fine Art: Yves Zurstrassen: Décollage the gallery’s first exhibition of major works by the Belgian artist known for his experimental techniques and dynamic compositions redefining the language of abstraction |
opening reception |
Annely Juda Fine Art: Shaping Abstraction: Anthony Caro & Alan Green “by juxtaposing Caro’s groundbreaking sculptures with Green’s dynamic paintings, we witness a compelling interplay between the physical and the pictorial” |
opening reception |
Annely Juda Fine Art: Spotlight: Sammi Lynch “Lynch’s work is shown in juxtaposition with pieces by Anthony Caro and Alan Green, where her paintings constitute a lyrical counterpoint to Caro and Green’s genre-defining abstraction” – Anna Souter |
opening reception |
BEERS London: Martin Daiber: Onda Expansiva (Expanding Wave) “my working method has always had a constructive character, the painting is built up from fragments, and the painting seems to have exploded, and these fragments return as a result of an expanding wave, floating in space” – Daiber |
private view |
Barbican: Citra Sasmita: Into Eternal Land painting, installation, embroidery and scent form “a sensory journey exploring ancestral memory, ritual and migration” in the Indonesian artist’s first solo UK exhibition |
first day |
Carpenters Workshop Gallery: Living Now a wide-ranging group exhibition with works from the past twenty years representing some of the most recent perspectives and approaches in contemporary design |
opening reception |
County Hall Pottery: Dining with the Artists |
special event |
David Zwirner: Thomas Ruff: expériences lumineuses new and recent works alongside images surveying Ruff’s career, together demonstrating his experimental approach to photography and his in-depth examination of photographic genres through both analogue and digital processes |
opening reception |
Frith Street Gallery, Golden Square: Massimo Bartolini: Sparse Steps |
private view |
South London Gallery: Christina Kimeze: Between Wood and Wheel in Kimeze’s first solo exhibition in the UK, new paintings inspired by the resurgent popularity of roller skating in Black communities in London and beyond explore movement, flight and freedom |
private view |
South London Gallery Fire Station: Christina Kimeze: Between Wood and Wheel other new paintings by Kimeze and works on paper, shown alongside a newly commissioned tapestry made by Edinburgh’s Dovecot Studios |
private view |
Twilight Contemporary: Philip Sutton RA: Making History Dance curated by Sam Hanson, an exhibition of paintings inspired by William Shakespeare by one of of the influential generation that emerged from the Slade School of Art following the Second World War |
private view |
London, Saturday 1 |
October Gallery: Artists Xanthe Somers and Gaia Ozwyn in conversation with Curator Eleri Fanshawe |
talk |
domobaal: Lee Edwards: Absence is Presence meticulous A6 drawings on paper from the artist’s residency at Shiro–Oni in Japan – “these works present a direct response both to place as well as to the disconnect from his familiar surroundings and relationships” |
opening reception |
London, Sunday 2 |
The Gallery of Everything: Cocky: From The Erotic To The Divine |
opening reception |
London, Monday 3 |
Cardi Gallery: Highlights from the Collection |
first day |
London, Tuesday 4 |
Hauser & Wirth: Mike Kelley. Vice Anglais Kelley’s final “Extracurricular Activity Projective Reconstruction”, one of the last videos he ever made, is shown alongside related works including never-before exhibited paintings of the cast, a lightbox, and sculptures made using props from the video |
opening reception |
Hauser & Wirth: In Conversation: Grace Ndiritu and Tanya Barson on Mike Kelley |
talk |
JGM Gallery: What do you see? twelve First Nations artists showing “the plurality of styles and aesthetics of Indigenous contemporary art, and invite us to question both how and why these manifest in different geographic regions of the Australian continent” – Jennifer Guerrini Maraldi |
first day |
Kearsey & Gold: Woo Jung Ghil: Savouring Silence “Ghil is a London-based painter whose work reflects a profound engagement with the meditative process of repetition … for the artist, painting serves as an existential exploration of an inner sanctuary |
first day |
Los Angeles
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Los Angeles, Saturday 1 |
Luis De Jesus Los Angeles: Maggie Michael: Root Chords, Earth to Sky the debut exhibition of Michael’s paintings, both at the gallery and on the west coast – “abstraction, a siren for expansive thinking, offers generous clarity and strangeness; also, brutal, base forms of beauty” – Michael |
opening reception |
Luis De Jesus Los Angeles: Margaret Morgan: Love Must Be Reinvented text-based installations and works on paper by Morgan – “developed through her praxis of walks in Griffith Park and her fascination with pareidolia – the ability to draw patterns and meaning out of random objects” |
opening reception |
Milan
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Milan, Tuesday 28 |
Robilant+Voena, Milan: Priscilla Rattazzi. Between Worlds three bodies of work from across five decades in this “reflection upon a lifetime through Rattazzi’s lens” |
private view |
Naples
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Naples, Saturday 1 |
Thomas Dane Gallery: Michael Landy and Gillian Wearing: Art Lovers Landy and Wearing’s first exhibition conceived together in over twenty years presents new work responding to Naples and its history, alongside works from the last three decades reflecting their ongoing personal and artistic relationship |
private view |
New York
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New York, Wednesday 29 |
Hauser & Wirth Wooster Street: George Condo. Pastels new works by Condo in a two-part exhibition staged with Sprüth Magers offering “a glimpse into the artist’s creative process and limitless inventive drive in the medium of pastel on paper” |
opening reception |
New York, Thursday 30 |
Hauser & Wirth 22nd Street: Camille Henrot. A Number of Things vibrant paintings and the debut of new bronze sculptures in Henrot’s first major exhibition with the gallery in New York “address the friction between a nascent sense of imagination and society’s system of signs” |
opening reception |
Hauser & Wirth 22nd Street: Catherine Goodman. Silent Music the debut of new large-scale abstract paintings by the British artist whose “characteristically expressive brushwork yields animated surfaces that pulse with the frenetic energy of their making” |
opening reception |
Lincoln Glenn: Juanita Guccione: A Divine Gamble eighteen paintings unified by Guccione’s sensitive and singular approach, complicating our understanding of Surrealist iconography and style |
opening reception |
Robilant+Voena, New York: Rediscoveries: Five Centuries of European Painting nine artworks, from the fifteenth to the nineteenth centuries, each of which represents a significant art historical discovery from recent years |
private view |
New York, Friday 31 |
Luhring Augustine Tribeca: Treasures of the Medieval World presented with Sam Fogg, the fourth in a series of collaborative exhibitions showcasing medieval masterpieces in a contemporary context includes over forty rare pieces of sculpture, painting, ceramics, textiles, and the work goldsmith |
opening reception |
The Gallery at Soho Grand: Norman Reedus: In Transit an exhibition which “captures the raw, edgy, and moody draw of downtown New York City while showcasing the hidden beauty in the overlooked and abandoned” |
first day |
New York, Saturday 1 |
Colnaghi: Master Drawings New York an exhibition of 19th-century works on paper, “collectively demonstrating the remarkable artistic diversity of this period, from Neoclassicism through to Impressionism and beyond” |
first day |
New York, Monday 3 |
Lévy Gorvy Dayan: Pistoletto’s Journey: From Pop Art and Arte Povera to Artificial Intelligence |
talk |
New York, Tuesday 4 |
Michael Rosenfeld Gallery: Alfonso Ossorio & Nandor Fodor: The Search for the Beloved |
first day |
Paris
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Paris, Thursday 30 |
Galerie Mitterrand Temple: Keith Sonnier: Cat Doucet and Portal Series drawings and a neon – presented for the first time in France – by an artist who belongs to a generation which, since the 1960s, have challenged traditional art by experimenting with industrial materials such as felt, latex, glass flock, and plastic |
opening reception |
Paris, Saturday 1 |
Perrotin Marais: Nick Doyle: Business, Pleasure, Pressure, Release “through meticulously crafted vignettes of prosaic objects laden with strange melodramas and desperate longings, Doyle’s deadpan scenes tease at the gears of the machine that feeds us” – Sara O’Keeffe |
opening reception |
Perrotin Marais: Clear History works by artists including Oli Epp, Harrison Pearce, Tammi Campbell, Frank Brechter, Matthew Hansel, Devan Shimoyama, Ben Spiers, Salomé Chatriot, Maja Djordjevic, Ally Rosenberg, Liao Wen, Ry David Bradley, Sally Kindberg, Cary Kwok … |
opening reception |
St. Moritz
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St. Moritz, Thursday 30 |
Robilant+Voena: Jordan Watson. Easier to Breathe never-before-seen paintings by the American artist that encapsulate his vibrant style and alluring subject matter |
first day |
Robilant+Voena: Vincenzo De Cotiis. Archaeology of Consciousness artworks by the Italian artist and architect whose practice blends archaic idioms with futuristic expressions – “De Cotiis deconstructs their implied contexts and re-evaluates their vaulted forms in a new light” |
first day |
Stockholm
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Stockholm, Saturday 1 |
Galleri Magnus Karlsson: Susanne Johansson: The Unanswered Question Johansson’s new paintings and works on paper “shift between the familiar and the unfamiliar, between memories, associations and something more abstract” |
opening reception |
Sydney
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Sydney, Saturday 1 |
Art Leven: Balgo Horizons: Stories and Places Across Time artworks by working Warlayirti artists, alongside pieces from private collections representing the founding and early stages of the Balgo movement, offer a glimpse into the history and evolution of one of Australia’s most vibrant artist communities |
opening reception |
Venice
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Venice, Saturday 1 |
Victoria Miro Venice: Saskia Colwell: Skin on Skin new work in charcoal on vellum which explores themes of voyeurism, intimacy and representation – “Colwell’s drawings profess innocence even when they are ripe with knowing” – Hannah Hutchings-Georgiou |
private view |
Vienna
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Vienna, Thursday 30 |
Galerie Eva Presenhuber: Galerie Eva Presenhuber at Art Genève 2025 |
first day |
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Don’t miss: exhibitions closing Baku, Berlin, Gstaad, London, Los Angeles, New York, Paris, Tokyo, Vienna |
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Baku
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Baku, Friday 31 |
Gazelli Art House: Parallel Worlds |
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Berlin
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Berlin, Saturday 1 |
Galerie Bastian: Ulrich Erben: Shadow in Light |
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Gstaad
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Gstaad, Sunday 2 |
Almine Rech: Alejandro Cardenas: OLYMPIA |
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Patricia Low Contemporary: Parmen Daushvili: All the Mafia Missing from the World |
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London
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London, Wednesday 29 |
Hamiltons: Erwin Olaf: Bigger Than Life |
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London, Thursday 30 |
Fiumano Clase: Mixed Winter Exhibition |
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London, Friday 31 |
Felix & Spear: Paul Tonkin: Glimmering |
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Hazlitt Holland-Hibbert: Victor Pasmore & Patrick Heron: VIII São Paolo Biennial Great Britain 1965 revisited |
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JGM Gallery: True Fiction |
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The Mayor Gallery: Arteonics |
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London, Saturday 1 |
Arusha Gallery: Moving Principle |
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MAMOTH: Ding Hongdan: Still Mad |
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Michael Werner Gallery: Markus Lüpertz – Pierre Puvis de Chavannes |
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NıCOLETTı: Hugo Servanin: Environment 12 |
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Skarstedt: Jana Schröder: M.I.G.H.T. |
Virtual Visit! ▻ |
Upsilon Gallery: A Room of Her Own |
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Upsilon Gallery: Vlad Zorin: UNMASKED |
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London, Sunday 2 |
Serpentine North Gallery: Holly Herndon and Mat Dryhurst: The Call |
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Los Angeles
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Los Angeles, Saturday 1 |
parrasch heijnen: Yukine Yanagi: Silent Sonata |
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New York
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New York, Wednesday 29 |
Lisson Gallery: Sean Scully: Duane Street, 1981-1983 |
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New York, Friday 31 |
Upsilon Gallery: BEYOND THE SURFACE |
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New York, Saturday 1 |
Berry Campbell Gallery: Elizabeth Osborne: Landscapes of the Mind’s Eye |
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Berry Campbell Gallery: In Focus: John Opper |
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Fleiss-Vallois: Face to Face |
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GRIMM: Alex van Warmerdam: Apparitions |
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Paris
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Paris, Saturday 1 |
Bigaignon: What if it was all just a mirage |
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Loevenbruck: When painting is unveiled |
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Perrotin Matignon: Lionel Estève: Focus: Un Hiver à Athènes |
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Perrotin Matignon: Group Show |
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Tokyo
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Tokyo, Saturday 1 |
Taka Ishii Gallery: Kyoko Murase: Only Yesterdays |
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Vienna
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Vienna, Sunday 2 |
Galerie Eva Presenhuber: Galerie Eva Presenhuber at Art Genève 2025 |
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