|
The Week in Art visit site 7-14 Jan 2025
Openings, events, auctions Berlin, Beverly Hills, Brussels, London, Los Angeles, New York, Paris, Seoul, Shanghai |
|
▻ use the Daily Diary for all the latest events and updates!
|
Berlin
|
Berlin, Friday 10 |
Galerie Buchholz: Peter Fischli, Gili Tal: Autumn on Everything |
opening reception |
Berlin, Saturday 11 |
Capitain Petzel: Jack O’Brien: Cascade in O’Brien’s debut solo exhibition at the gallery, a striking suspended sculpture that merges two grand pianos into a singular form, hovering mid-air. alongside smaller works created from repurposed materials partly sourced in Berlin |
opening reception |
Capitain Petzel: 25 for 2025 works by artists of the gallery program including Yael Bartana, Karla Black, Ross Bleckner, Monica Bonvicini, Isabella Ducrot, Thomas Eggerer, Anna Gaskell, Sanya Kantarovsky, Sean Landers, Zoe Leonard, Robert Longo, Alexandra Metcalf, Matt Mullican … |
opening reception |
Beverly Hills
|
Beverly Hills, Thursday 9 |
Gagosian: Alex Israel: Noir new paintings by Israel – “like the filmmakers before him, Israel is defining the noir tendency in his own way, through images. These are painted streetscapes” – Sam Wasson |
opening reception |
Brussels
|
Brussels, Saturday 11 |
Templon: René Wirths: I Can’t Get No the virtuoso painter unveils fourteen new works created over the past two years – “I have developed a new vocabulary … I allow myself to stage my great masters of art history through a new perspective” |
first day |
London
|
London, Tuesday 7 |
General Assembly: Vital a group show of emerging artists which engages with art historical dialogues about pictorial and visual language in our contemporary moment |
first day |
London, Wednesday 8 |
South London Gallery: Nairy Baghramian: Jumbled Alphabet |
tour |
London, Thursday 9 |
Ab-Anbar: Screening of Sambizanga by Sarah Maldoror |
special event |
Flowers Gallery, Cork Street: Jakkai Siributr an exhibition by one of Southeast Asia’s leading contemporary artists, known for intricately handmade texiles and installations which respond to societal issues in Thailand, migration and personal stories of grief and remembrance |
opening reception |
Flowers Gallery, Cork Street: In Conversation: Iola Lenzi and Jakkai Siributr |
talk |
GRIMM: Claudia Martínez Garay: Borrowed Air new work by the Peruvian artist “experimenting with diverse media and pushing the boundaries of her print and painting practice whilst maintaining the political power that makes her work increasingly urgent” – Diego Chocano |
private view |
lbf contemporary: Lawrence Perry: They Shoot Horses, Don’t They? an ambitious new body of work by the London-based figurative painter – “mythological tableau vivants that manage to be at once extraordinarily realistic and yet remain strange and surreal” |
private view |
Sim Smith: Jonathan McCree: Through The Wrong End Of A Telescope McCree presents cardboard sculpture, cast aluminium and folded metal sculpture, painting, drawing and film as he continues his exploration of body, painting and sculpture |
opening reception |
sketch: Michal Korman: The Rendezvous for an Innocent Walk new paintings exploring French gardens and interiors associated with Marie Antoinette, in the final exhibition of a year-long collaboration between sketch and Hong Kong and Shanghai-based Pearl Lam Galleries |
first day |
London, Saturday 11 |
David Zwirner: Readings from On Kawara’s One Million Years |
special event |
Serpentine North Gallery: Saturday Talks: Ruth Waters on Holly Herndon & Mat Dryhurst: The Call |
talk |
London, Tuesday 14 |
Galerie Max Hetzler: On Paper |
opening reception |
Pace, London: Acaye Kerunen: Neena, aan uthii Kerunen’s first solo exhibition in the UK features a new body of sculptures, sound installations, and performance that examine living forms of knowledge embedded within Ugandan communities |
opening reception |
Los Angeles
|
Los Angeles, Saturday 11 |
Luis De Jesus Los Angeles: Maggie Michael: Root Chords, Earth to Sky the debut exhibition of Michael’s paintings, both at the gallery and on the west coast – “Abstraction, a siren for expansive thinking, offers generous clarity and strangeness; also, brutal, base forms of beauty” – Michael |
opening reception |
Luis De Jesus Los Angeles: Margaret Morgan: Love Must Be Reinvented text-based installations and works on paper by Morgan – “developed through her praxis of walks in Griffith Park and her fascination with pareidolia – the ability to draw patterns and meaning out of random objects” |
opening reception |
parrasch heijnen: Yukine Yanagi: Silent Sonata Yanagi’s first solo exhibition with the gallery – “it is that energy and that life force that I search for within the work, a visceral kind of confrontation. It is energy contained, spewed out, an emblem of hope” – Yanagi |
opening reception |
Philip Martin Gallery: Sophie Treppendahl: The Nearness of You new works by the New Orleans-based painter “present familiar places to which we have never been” |
opening reception |
New York
|
New York, Thursday 9 |
Almine Rech: Marie Laurencin, Works from 1905 to 1952 Laurencin’s first solo exhibition with the gallery – “why … should Laurencin paint still lifes of “dead fish, onions, or beer glasses” when there was so much to explore in the rich and multilayered world of women and their desires?” – Hannah Stamler |
opening reception |
Friedrichs Pontone: Reginald Baylor: Amen Corner new works by the artist known for his bold, geometric works which “combine elements of abstraction, Pop Art, and Black cultural identity … to explore the iconic symbols, enigmatic figures, and dreamlike landscapes that bridge the past and future” |
opening reception |
Hirschl & Adler: Winold Reiss and the New American Portrait an exhibition showcasing the renowned German American artist’s portraits, offering a rare glimpse into his celebrated work |
first day |
Jack Shainman Gallery: Barkley L. Hendricks: Space is the Place curated by Elisabeth Sann – with an accompanying Soul Jazz Records playlist – this exploration into the relationship between celestial bodies and the human experience offers a look at the profound and visionary works of the renowned artist |
opening reception |
Kathryn Markel Fine Arts: Susan English: Still Light new work by the artist – “ethereal and minimal, Susan English’s paintings play with light and space” |
first day |
Kathryn Markel Fine Arts: Laura Bidwa: Each Bidwa’s first solo exhibition with the gallery presents recent paintings composed of layers of oil, latex, and spray paint on panels – “planes of color are disrupted by bold brushwork, building organic forms carefully laid down” |
first day |
Sean Kelly Gallery: Dawoud Bey: Stony the Road the New York debut of Bey’s newest photographic series and film centering on Richmond, Virginia – where African captives first arrived in the US in enslavement |
opening reception |
Sean Kelly Gallery: Ana González: Bruma paintings and tapestries of the threatened flora and fauna of her native Colombia in González’s first solo exhibition in New York |
opening reception |
Templon: François Rouan: Recorda thirty paintings and photographs by one of the leading lights of the French contemporary art scene in his first solo show in the city – coordinated by Alfred Pacquement |
first day |
Yancey Richardson Gallery: John Divola: The Ghost in the Machine works from Divola’s latest series, alongside selections from a seminal early series, offer a rare opportunity to trace the evolution of his practice and his examination of the process of image-making |
opening reception |
New York, Friday 10 |
Marian Goodman Gallery: An-My Lê: DarkStar with two new cinematic series of photographs, one shot at night and one taken in the day and presented as a cyclorama, An-My Lê explores “the contradictory nature of the manifest and the sublime within the contemporary American landscape” |
opening reception |
Marian Goodman Gallery: Boris Mikhailov: Refracted Times two video works – from the late ’60s-70s and 2024 – alongside three iconic photographic series from the ’80s and ’90s in an exhibition dedicated to the acclaimed and groundbreaking photographer |
opening reception |
New York, Saturday 11 |
Berry Campbell Gallery: Elizabeth Osborne: Landscapes of the Mind’s Eye twenty-five paintings and works on paper, from 1969 to 2024, providing a comprehensive survey of Osborne’s distinctive approach to landscape painting |
opening reception |
Berry Campbell Gallery: In Focus: John Opper a focus exhibition presenting three paintings spanning three decades of the artist’s career – “I orchestrate color, line, and shape. My whole purpose is to produce an aesthetic response” – Opper |
opening reception |
Perrotin New York: Dora Jeridi: Humanity new paintings in Jeridi’s first solo exhibition with the gallery capture “an ambiguity between vulnerability and strength, between a febrile state and the expression of power, inviting us to consider what makes our humanity” – Hiji Nam |
opening reception |
Perrotin New York: Pieter Vermeersch: (((()))) “to Vermeersch, the experience of painting is still a powerful sensory and philosophical encounter, but one that is rooted in a desire to work with the contradictions of perception and matter, temporality and space” – David Rhodes |
opening reception |
Perrotin New York: Mathilde Denize: Sound of Figures “Denize encourages us again to think without bounds of a permeability of format and form, to appreciate the similar role of her paintings, garments, and ceramics, all evocative vessels” – Grant Klarich Johnson |
opening reception |
Paris
|
Paris, Saturday 11 |
Almine Rech, Turenne: Carlos Jacanamijoy: Olor a tierra “to define Jacanamijoy’s paintings is to construct the genealogy of a signature cosmology that is the outcome of an intercultural fusion between his ancestors’ traditions and his Western artistic baggage” |
opening reception |
Almine Rech, Matignon: Serge Poliakoff: Les étés de Poliakoff “the uniqueness of Poliakoff’s gouaches lies in their space for exploration and discovery” – Dr. Dimitri Ozerkov |
opening reception |
Semiose: Xie Lei: Mort heureuse “how can one represent ambiguity in painting?” asks the artist … “as a painter, you’re confronted with white and death every day. How is it possible to make something invisible appear?” – Victorine Grataloup |
opening reception |
Templon: Hervé di Rosa: Idols and Treasures 2020 – 2024 the gallery’s first exhibition of work by one of the founders of the Figuration Libre movement reveals “a vision of art without borders … effectively abolishing any hierarchy that values high culture over low culture” |
first day |
Templon: Prune Nourry: Vénus sculptures of women Nourry met at a support centre for female victims of violence in a project that continues her work exploring women’s role in society using the symbolism of clay |
first day |
Seoul
|
Seoul, Friday 10 |
Perrotin Seoul: Cabinets of Curiosities works by gallery artists including Takashi Murakami, Josh Sperling, and Nick Doyle together with art books, editions, posters, and goods in a pop-up store – alongside a “collector’s room” of vintage furniture and art pieces |
first day |
Shanghai
|
Shanghai, Thursday 9 |
Perrotin Shanghai: The Cloud Catcher curated by Evonne Jiawei Yuan, an exhibition of eighteen artists who “engage with the notion of clouds not only as a visual element but as a concept that embodies the fragility and transience of human beings” |
first day |
Shanghai, Friday 10 |
Almine Rech: Jean Miotte: Return to China twelve paintings by the first Western painter to be invited to show his work after Mao’s regime – “Miotte was a born colorist” – Lydia Harambourg |
opening reception |
|
|
Don’t miss: exhibitions closing Brussels, Helsinki, London, Los Angeles, Monterrey, Naples, New York, Palm Beach, Paris, Seoul, Vienna, Zürich |
|
Brussels
|
Brussels, Saturday 11 |
Almine Rech: Sylvia Ong: The Light Between Us |
|
Templon: Valerio Adami: Narrations 2020-2024 |
|
Helsinki
|
Helsinki, Sunday 12 |
Galerie Forsblom: Raili Tang: Flower of Life |
|
Galerie Forsblom: Hannu Väisänen: Rose Window |
|
Galerie Forsblom: Kristo Saarikoski: Wishing Well |
|
Galerie Forsblom: Kristina Riska: Uncertainties |
|
London
|
London, Tuesday 7 |
Hurst Contemporary: The Longest Time |
|
London, Friday 10 |
Asprey Studio Gallery: Winter Exhibition |
|
London, Saturday 11 |
Alison Jacques: Lenore Tawney & Toshiko Takaezu: A Remarkable Friendship |
|
Carpenters Workshop Gallery: Nacho Carbonell: Escaping Forward |
|
Carpenters Workshop Gallery: Castro NYC: Futurespective |
|
David Zwirner: Zeinab Saleh: The space {between} |
|
Lisson Gallery: Anish Kapoor |
|
Maureen Paley: Merlin James |
|
Maureen Paley Studio M: Merlin James |
|
NISO: Cirrus: On Landscape |
|
Patrick Heide Contemporary Art: Oskar Holweck: One Zero Zero |
|
Pilar Corrias, Savile Row: Mary Ramsden: Desire Line |
|
Pippy Houldsworth Gallery: Tamar Mason: Seeing Shadows |
Virtual Visit! ▻ |
Pippy Houldsworth Gallery: The Box. Roland Hicks: Things Pile Up |
Virtual Visit! ▻ |
Pontone Gallery: Iain Faulkner: A Man Alone… |
|
Sylvia Kouvali: David Douard: EVE’RGREEN D’AZED |
|
Workplace: b chehayeb: tomboy heaven |
|
London, Sunday 12 |
South London Gallery: Nairy Baghramian: Jumbled Alphabet |
|
South London Gallery Fire Station: Nairy Baghramian: Jumbled Alphabet |
|
Los Angeles
|
Los Angeles, Saturday 11 |
Babst Gallery: Sophia Flood: Sun and Its Living Shadow |
|
Lisson Gallery: Hiroshi Sugimoto: Form is Emptiness, Emptiness is Form |
|
Louis Stern Fine Arts: Doug Ohlson: Private Values |
|
Sean Kelly Gallery: Candida Höfer: Europa / America |
|
Los Angeles, Sunday 12 |
Hauser & Wirth Downtown: Gustav Metzger. And Then Came the Environment |
|
Los Angeles, Tuesday 14 |
Hauser & Wirth Downtown: Jason Rhoades. DRIVE |
|
Monterrey
|
Monterrey, Friday 10 |
Colector: Federico Jordán: CAOSMOSIS |
|
Colector: Romain Froquet: TERRA INCOGNITA |
|
Naples
|
Naples, Saturday 11 |
Alfonso Artiaco: Diego Cibelli: Un vuoto che non ha luogo |
|
New York
|
New York, Friday 10 |
D’Lan Contemporary: The Hicks Collection: Emily Kam Kngwarray |
|
New York, Saturday 11 |
Anita Shapolsky Gallery: Abstract Art Yesterday and Today |
|
Hauser & Wirth 22nd Street: Lorna Simpson. Earth & Sky |
|
Hauser & Wirth 22nd Street: Thornton Dial. The Visible and The Invisible |
|
Hauser & Wirth 22nd Street: Annie Leibovitz: Stream of Consciousness |
|
Hauser & Wirth Wooster Street: Gary Simmons. Thin Ice |
|
Luhring Augustine Tribeca: Ayiti Toma II: Faith, Family, and Resistance |
|
Petzel: James Little: Affirmed/Actions |
|
New York, Tuesday 14 |
Leon Tovar Gallery: Marcelo Bonevardi |
|
Palm Beach
|
Palm Beach, Saturday 11 |
Findlay Galleries Palm Beach: Judy Dolnick |
|
Paris
|
Paris, Saturday 11 |
Galleria Continua Marais: Michelangelo Pistoletto: Nouvelle perspective |
|
Gagosian, rue de Castiglione: Jean-Michel Basquiat: Venus |
|
Seoul
|
Seoul, Sunday 12 |
Barakat Contemporary: Nicky Nodjoumi: Someone is coming with a flower |
|
Vienna
|
Vienna, Friday 10 |
Galerie Lisa Kandlhofer: Alicia Viebrock: Bellaboteurs |
|
Galerie Lisa Kandlhofer: YaYa Yajie Liang: I’m similar, not similar to something, but just similar |
|
Zürich
|
Zürich, Saturday 11 |
Mai 36 Galerie: Koenraad Dedobbeleer: That Is All There Is, Perception and Memory |
|
Mai 36 Galerie: Gowoon Lee: Shave And a Haircut, Two Bits |
|
apply to feature your gallery on GalleriesNow |
|
|
|