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The Week in Art visit the site 1-8 Apr 2025
Openings, events, auctions London, Milan, Naples, New York, Palm Beach, Paris, Seoul, Sydney, Tokyo, Vienna, Zürich |
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▻ use the Daily Diary for all the latest events and updates!
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London
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London, Tuesday 1 |
Ab-Anbar: Poetry Event by The Fair Organ |
special event |
London, Wednesday 2 |
The Mayor Gallery: Klaus Staudt: A Sense of Serenity simple geometric forms encased in Plexiglas, which give the illusion of movement, in this exhibition of one of the leading exponents of constructive and concrete art in Germany |
private view |
Sotheby’s London: Old Master & 19th Century Paintings auction: Wed 2-Wed 9 (viewing: Thu 3-Wed 9) |
auction starts |
South London Gallery: Christina Kimeze |
book launch |
London, Thursday 3 |
David Zwirner: Rose Wylie: When Found becomes Given new and recent canvases and multi-panel paintings by the British artist – “bold, uniquely recognizable compositions, which reveal witty observations and subtly sophisticated meditations on the nature of visual representation itself” |
private view |
DES BAINS: Lara Smithson: CAUSE UNKNOWN Smithson’s installation takes the medical cases of the modern ME and the ancient “dancing plague” to explore historical and contemporary contradictions between health, ritual, religious fervor and guilt |
opening reception |
Hauser & Wirth: jazz meets art: Verena Loewensberg |
special event |
Kearsey & Gold: Leonard “Soldier” Iheagwam: BLACK STAR |
opening reception |
lbf contemporary: Benjamin Levy: Keeping Up With The Corbies new paintings where Levy explores class and image-making in Britain today – “intimacy and loneliness, camaraderie and isolation, in which we must all ask what price we pay for our obsession with luxury and the fetishisation of objects” |
private view |
Lisson Gallery: Oliver Lee Jackson: Intimacies “energetic fields of abstract marks that occasionally coalesce into floating forms approaching figuration” – new paintings in the American’s first exhibition with the gallery, and in London |
opening reception |
Lisson Gallery: Tunga in the gallery’s first exhibition of the late multi-disciplinary artist, ten pieces from a pivotal period in the work of one of the most important sculptors of his generation in Brazil |
opening reception |
Opera Gallery: Niki de Saint Phalle & Yayoi Kusama: Inner Child over forty paintings and sculptures by Saint Phalle and Kusama in an exhibition which explores the Jungian concept of the “inner child” in their work |
first day |
Opera Gallery: Daniella Portillo Portillo explores the emotional terrain of her native El Salvador through paintings which blur distinctions to create “an intentional ambiguity that captures the essence of memory itself” |
first day |
Pilar Corrias, Conduit Street: Pierre Knop: Fireflies Under Fever Sky new paintings by Knop in his first solo exhibition with the gallery – “kaleidoscopic landscapes – lush forests, imposing mountain ranges, chocolate-box village scenes and dramatic seascapes – that unsettle as much as they seduce” |
opening reception |
Pilar Corrias, Conduit Street: Prafulla Mohanti: ANANDA part of Gallery 2, the occasional programme of exhibitions by non-represented artists, abstract paintings from the 1960–90s by Mohanti, for whom painting is a form of meditation and life control |
opening reception |
rosenfeld: Abstract Expressionism: The Second Wave a dual exhibition of Cesare Lucchini and Stephen Pusey – two artists who have reinterpreted the legacy of first-generation Abstract Expressionism to bring fresh relevance to the movement |
private view |
Serpentine South Gallery: Giuseppe Penone: Thoughts in the Roots extending beyond the gallery to include outdoor sculptures, this is the most comprehensive institutional exhibition of the leading figure in the Arte Povera movement to be presented in the UK |
first day |
Sprüth Magers: Songs before Sunrise Oliver Bak, Eugène Carrière, Guglielmo Castelli, Enzo Cucchi, Enrico David, Leonor Fini, Anne Imhof, Alexej von Jawlensky, Conny Maier, Rosemarie Trockel and Andro Wekua – works which “interweave past and present in a dreamlike visual language” |
opening reception |
Tiwani Contemporary: Wura-Natasha Ogunji: space comma space comma space “through works on paper, the artist creates a memoir of her time inside the studio … the paper itself becomes a ritual space” |
opening reception |
London, Friday 4 |
Alma Pearl: Jhonatan Pulido: Reparación new paintings and a site-specific intervention which explore healing, restoration, and remembrance in relation to conflict and wartime violence |
opening reception |
Alma Pearl: Hannah-Sophia Guerriero: Veils of Space Guerriero’s debut solo exhibition in London – “sensuous and intimate are some of the adjectives that come to mind when confronted with Guerriero’s miniature paintings” |
opening reception |
October Gallery: Film Screening: Queer (2024) |
special event |
London, Saturday 5 |
October Gallery: What’s Left of a Radical Vision When it’s All Come True? A discussion on how do we maintain legacies of queer and radical vision |
talk |
London, Sunday 6 |
The Gallery of Everything: Made in Guatemala rare maguey fibre tapestries made by Central American craftspeople in association with Alexander Calder – who had a long-term fascination for folk art and indigenous manufacture |
first day |
London, Tuesday 8 |
Gagosian Davies St: Maurizio Cattelan: Bones new gunshot-pierced gold-plated panels and a single marble sculpture “explore a raft of opposing forces: domesticity and wildness, force and resistance, creation and destruction, perseverance and loss” |
opening reception |
Gagosian Shop, London: Maurizio Cattelan alongside new watercolors and a new panel work in the upstairs gallery, Cattelan takes over the main Shop with a presentation of editions, publications, and new merchandise |
first day |
Milan
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Milan, Tuesday 1 |
A arte Invernizzi: Talk and guided tour with Lorenzo Madaro and Francesca Pola |
special event |
Milan, Wednesday 2 |
Robilant+Voena, Milan: Minjung Kim. Repetitions twelve new works by the Korean artist at the gallery’s new Milan space, including her signature methodical works of burnt, cut and layered Hanji paper as well as pieces characterised by gestural forms |
private view |
Naples
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Naples, Friday 4 |
Alfonso Artiaco: Ann Veronica Janssens: UP |
opening reception |
Alfonso Artiaco: Ugo Rondinone: ORA BLU |
opening reception |
New York
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New York, Thursday 3 |
Kathryn Markel Fine Arts: Maeve D’Arcy: Off the Record and Other Stories recent paintings and a site-specific drawing and painting installation – “an exploration of mark making as language. Shrines, to-do lists, snippets of conversations, and old photos act as an evolving manifesto of observation” – D’Arcy |
first day |
New York, Friday 4 |
Friedrichs Pontone: Claudia Doring Baez: My Brother’s Mind Doring Baez’s first exhibition with the gallery is inspired by the 1975 film “The Night Porter” and her late brother’s photography, to explore “her desire to know her brother more deeply than anyone can ever know another person” |
opening reception |
Friedrichs Pontone: Kristi Kongi: Twilight in the Garden turning the gallery into a spiritual sanctuary, fourteen of Kongi’s recent paintings in the Estonian artist’s first solo exhibition in the US |
opening reception |
SANATORIUM at DIANA: Zeyno Pekünlü: Perfect Loop Pekünlü’s first solo exhibition in the US centers on a video, alongside a sound installation and works on paper to examine the vicious cycles encountered in everyday life |
opening reception |
Timothy Taylor: Michel Pérez Pollo: Bolero in the Cuban-born, Madrid-based artist’s first solo exhibition in New York, new large-scale paintings of abstracted glyph-like forms in earthen hues |
opening reception |
New York, Saturday 5 |
CARVALHO PARK: Élise Peroi |
opening reception |
CARVALHO PARK: Kristian Touborg, Marie Schumann, Elli Antoniou + Élise Peroi |
opening reception |
New York, Monday 7 |
Nagas: Leonor Fini: Small Faces the inaugural exhibition at the gallery’s new space 47 W 28th St presents some of Fini’s crucial lesser-known small-scale drawings – “complex, unsettling, and utterly hypnotic” |
first day |
New York, Tuesday 8 |
Sotheby’s New York: Prints & Multiples auction: Tue 8-Tue 15 (viewing: Fri 11-Tue 15) |
auction starts |
Upsilon Gallery: Shared Light: The Art of Alice Baber & Paul Jenkins an exhibition exploring the careers of the two artists, who worked alongside each other and were briefly married, presenting how their vitality, freedom, and innovative practices impacted the community of artists recognized during Abstract Expressionism |
private view |
Palm Beach
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Palm Beach, Thursday 3 |
Findlay Galleries Palm Beach: Belynda Henry: Recent Works the contemporary Australian artist’s works “express the internal meditative quality evoked by the landscape, illuminating these impressions in wondrous and imaginative paintings” |
first day |
Paris
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Paris, Tuesday 1 |
Carpenters Workshop Gallery: Batten and Kamp: From a Distance new hanging light sculptures and a minimalistic lounge chair by the collaborative art and design practice, exploring themes of place and memory with works that echo the designers’ belief in the future and longing for what is left behind |
first day |
Carpenters Workshop Gallery: Léa Mestres: Welcome to Mestresville new artworks by the artist and designer “who injects whimsy and nostalgia into a design world that she considers often too serious and self-aggrandising” |
first day |
Carpenters Workshop Gallery: Martin Laforêt: Studies new works in lacquered wood and concrete benches by the French designer which “embody the artist’s interest in the architecture of artificial contemporary landscapes” |
first day |
Emanuel von Baeyer x Galerie à Venir: Howard Smith & Celia Middlemiss: Breathe Space |
opening reception |
Galerie Mitterrand St-Honoré: Agustín Cárdenas: The Memory of the Future works from the 1950s, 1970s and 1980s in a new exhibition of the late Cuban artist – “one of the three great sculptors of Surrealism” |
opening reception |
Paris, Wednesday 2 |
Gagosian, rue de Ponthieu: Difference and Repetition examining the challenging of convention and use of repetition, defining works by key postwar figures including De Maria, Fontana, Judd, Manzoni, Merz, Picasso, Rauschenberg, Serra, and Warhol |
first day |
Galerie Mitterrand Temple: Agustín Cárdenas: The Memory of the Future across both gallery spaces, an exhibition of works from the 1950s, 1970s and 1980s in a new exhibition of the late Cuban artist – “one of the three great sculptors of Surrealism” |
first day |
Sotheby’s Paris: Marc Chagall, La symphonie des rêves. Œuvres provenant de la succession de l’artiste auction: Wed 2-Wed 9 (viewing: Wed 2-Wed 9) |
auction starts |
Sotheby’s Paris: Art Moderne et Contemporain Day Auction auction: Wed 2-Fri 11 (viewing: Wed 2-Wed 9) |
auction starts |
Paris, Thursday 3 |
Bigaignon: Thomas Paquet: Oh Light! “with an almost childlike joy, Paquet playfully deconstructs photographic techniques, returns to its essential elements, in order to celebrate a single component: The most important element is light” – Lillian Davies |
opening reception |
Galleria Continua Matignon: Max Ernst & Joaquín Ferrer: Les surprises du hasard |
opening reception |
Gagosian, rue de Castiglione: Julie Curtiss: Suburban Lawns new acrylic and oil paintings in Curtiss’s first solo exhibition with Gagosian, and in Paris – drawing on 18th- and 19th-century European painting and integrating influences from the Chicago Imagists, ukiyo-e, comics, and popular illustration |
opening reception |
MEP – Maison Européenne de la Photographie: Amandine Kuhlmann – Cash Me Online a video installation which uses social media as a performative space to explore the impact of it on the commodification of – particularly women’s – bodies |
first day |
Zander Galerie: Jürgen Klauke: Transformer seminal photographs from the early 1970s by this pioneer of conceptual and staged photography, which challenge conventional notions of gender and its representation |
opening reception |
Paris, Friday 4 |
Carpenters Workshop Gallery: Batten and Kamp: From a Distance new hanging light sculptures and a minimalistic lounge chair by the collaborative art and design practice, exploring themes of place and memory with works that echo the designers’ belief in the future and longing for what is left behind |
opening reception |
Carpenters Workshop Gallery: Léa Mestres: Welcome to Mestresville new artworks by the artist and designer “who injects whimsy and nostalgia into a design world that she considers often too serious and self-aggrandising” |
opening reception |
Carpenters Workshop Gallery: Martin Laforêt: Studies new works in lacquered wood and concrete benches by the French designer which “embody the artist’s interest in the architecture of artificial contemporary landscapes” |
opening reception |
Paris, Saturday 5 |
Adrian Sutton Gallery: Adéla Janská: Collisions “Janská’s practice is a meditation on form and perception, a delicate unravelling of selfhood tracing contours of femininity with an ethereal hand” – Luana Hildebrandt |
opening reception |
Seoul
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Seoul, Thursday 3 |
Gagosian at APMA Cabinet: Harold Ancart: 좋은 밤 Good Night new paintings at APMA (Amorepacific Museum of Art) Cabinet, a project space in the headquarters of Amorepacific – “the night is a unifying force. It is when children dream and prisoners escape” – Ancart |
opening reception |
Sydney
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Sydney, Thursday 3 |
Art Leven: New Works By: Stephen Brameld & Jay Staples collaborative paintings by the Walyalup (Fremantle) artist duo, in a departure from the usual gallery program – only the second presentation of non-indigenous artists since their relaunch and the artists’ first solo presentation in Gadigal (Sydney) |
opening reception |
Tokyo
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Tokyo, Thursday 3 |
Perrotin Tokyo: Gregor Hildebrandt: Cherries Bloom in April the German artist’s first solo exhibition in Japan presents “a dance of silences from various origins, moments of anticipation, and moments of calm after the deep emotional engagement that only music can inspire” – Andreas Schlaegel |
opening reception |
Vienna
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Vienna, Wednesday 2 |
Galerie Lisa Kandlhofer: Hannah Perry: Film Stills “Perry’s practice – spanning collage, printmaking, and installation – explores personal memory in today’s hyper-technological world” |
opening reception |
Galerie Lisa Kandlhofer: Focus On: Soojin Kang: sometimes i think my head is so big because it is so full of dreams Kang explores the sculptural potential of woven materials, working with both textile and concrete to create sculptures that blur the boundaries between the organic and the industrial |
opening reception |
Zürich
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Zürich, Friday 4 |
Galerie Eva Presenhuber, Maag Areal: Steven Shearer: The Golden Recline sourced from the artist’s extensive collection of found online images, “Shearer’s images of sleep offer a quiet counterpoint to the culture of hyper-attention and incessant activity that dominates contemporary life” – Andrew Witt |
opening reception |
Galerie Eva Presenhuber, Waldmannstrasse: Wall Works & Sculptures works by Walead Beshty, Angela Bulloch, Sylvie Fleury, Liam Gillick, Douglas Gordon, John Giorno, Adam Pendleton, Gerwald Rockenschaub, Ugo Rondinone, and Steven Shearer |
opening reception |
Zürich, Saturday 5 |
Hauser & Wirth: In Performance: ‘Uman. A Fantastic Woman’ by ZHdK Fine Art Students |
performance |
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Don’t miss: exhibitions closing Boston, Chicago, Dublin, Frankfurt, London, Los Angeles, New York, Paris, Taipei, Tokyo |
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Boston
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Boston, Sunday 6 |
Public Art Fund in Boston: Carmen Winant: My Mother and Eye |
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Chicago
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Chicago, Sunday 6 |
Public Art Fund in Chicago: Carmen Winant: My Mother and Eye |
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Dublin
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Dublin, Saturday 5 |
Kerlin Gallery: Gerard Byrne: The Struggle With the Angel |
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Frankfurt
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Frankfurt, Saturday 5 |
Galerie Bärbel Grässlin: Stefan Müller: Linke Füße |
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London
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London, Wednesday 2 |
Stern Pissarro Gallery: School of Paris: Community and The Avant-Garde |
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London, Friday 4 |
Ab-Anbar: Hessam Samavatian: Earendel |
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London, Saturday 5 |
Amanda Wilkinson: Aileen Murphy: Crackers for Lorelei |
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GRIMM: Jonathan Wateridge: Vanishing Point |
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Modern Art Helmet Row: Place Revisited |
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October Gallery: William S. Burroughs |
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Pontone Gallery: Shifting Focus: Female Painters & Sculptors 2025 |
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Sylvia Kouvali: Ulrike Müller: Beside Myself |
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Twilight Contemporary: Cecilia Reeve: What the Water Gave Them |
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Upsilon Gallery: Francine Tint: Radical Acts of Beholding |
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Upsilon Gallery: Osvaldo Mariscotti: Recent Paintings |
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London, Sunday 6 |
Raven Row: Peter Hujar – Eyes Open in the Dark |
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London, Monday 7 |
Hurst Contemporary: Jorge K. Cruz: Just To Keep You Satisfied |
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Los Angeles
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Los Angeles, Saturday 5 |
Luis De Jesus Los Angeles: Derriann Pharr: I Am a Bloodstone |
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Luis De Jesus Los Angeles: Hugo Crosthwaite: Ex-voto |
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Los Angeles, Tuesday 8 |
Rele: Social Fabrics: Magic & Memories |
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New York
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New York, Tuesday 1 |
Lincoln Center: Nina Chanel Abney and Jacolby Satterwhite |
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New York, Saturday 5 |
Gagosian 541 West 24th St: Tyler Mitchell: Ghost Images |
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Gallery Henoch: Annette Davidek: Bouncing Forward |
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Gallery Henoch: Kevin Palme: Recent Paintings |
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Galerie Lelong & Co.: Etel Adnan: On Paper, 1960-2021 |
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Upsilon Gallery: Fernando Varela and Carmen Herrera: Form and Void |
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New York, Sunday 6 |
Public Art Fund: Carmen Winant: My Mother and Eye |
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Paris
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Paris, Saturday 5 |
Art: Concept: Pierre-Olivier Arnaud: Nouveaux Éléments. Part II |
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Galerie Max Hetzler: André Butzer: Frau am Tisch mit Früchten |
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Taipei
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Taipei, Wednesday 2 |
Each Modern: To Sway and Surround: Japanese Female Abstraction |
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Tokyo
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Tokyo, Saturday 5 |
Perrotin Tokyo: Sara Anstis: Bath |
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