Andy Warhol

Born: 06 August 1928, Pittsburgh, Pennsylvania, United States

Education: Carnegie Mellon University, Pittsburgh (1949)

Died: 22 February 1987, New York, United States

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Principal Galleries

 
 

Self-Portrait, 1963-1964

Acrylic and silkscreen ink on canvas
32 × 40 in
Courtesy Ordovas

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Five Deaths on Turquoise, 1963

Acrylic and silkscreen ink on canvas
30 × 30 in
Courtesy Ordovas

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Merce Cunningham, 1963

Silkscreen ink and black spray paint on linen
81 1/2 × 35 1/2 in
Courtesy Ordovas

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Piss Painting, 1961

Urine on linen
183 × 106.7 cm
42 x 72 in
Estate stamp and numbered PA45.142 on VErso

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Works Elsewhere

 

The House That Went To Town, 1952-1953

Graphite, ink and tempera on paper
217.0 × 277.0 mm
27.7 x 21.7 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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The House That Went To Town, 1952-1953

Ink and watercolor on paper
217.0 × 277.0 mm
27.7 x 21.7 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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The House That Went To Town, 1952-1953

Ink and watercolor on paper
215.0 × 280.0 mm
28 x 21.5 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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The House That Went To Town, 1952-1953

Ink on paper
217.0 × 277.0 mm
27.7 x 21.7 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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The House That Went To Town, 1952-1953

Graphite and ink on paper
217.0 × 277.0 mm
27.7 x 21.7 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Kissing Couple, ca. 1954

Ink on paper
235.0 × 168.0 mm
16.8 x 23.5 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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A is an Alphabet, 1953

Offset lithograph and graphite on paper
155.0 × 240.0 mm
each 24 x 15,5 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Children Playing Ring Around the Rosie (Happy December), 1954

Offset lithograph on colored paper
280.0 × 215.0 mm
21.5 x 28 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Masks, ca. 1956

Ink and tempera on paper
575.0 × 511.0 mm
51.1 x 57.5 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Dancing Sprites, ca. 1953

Ink and watercolor on paper
295.0 × 737.0 mm
73.7 x 29.5 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Untitled (Cats) (verso); Untitled (Rose) (recto), ca. 1954

Recto: ink on paper, verso: ink and watercolor on paper
735.0 × 584.0 mm
58.4 x 73.5 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Female Bust with Marbleized Background, ca. 1954

Ink and watercolor on paper
568.0 × 724.0 mm
72.4 x 56.8 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Young Man, ca. 1953

Ink on paper
452.0 × 360.0 mm
36 x 45.2 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Woman with Purple Hat (small), ca. 1953

Ink and tempera on paper
400.0 × 318.0 mm
31.75 x 40 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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The Nation's Nightmare, 1952

LP, drawing, and cover
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Sunset (See F. & S. IIA.85-88), 1972

Screenprint in colors on paper, unique trial proof, aside from the total edition of 632 unique impressions
image size: 94 x 92.8 cm paper size: 99.3 x 94 cm
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Beatle Boots (Negative), 1986

Synthetic polymer paint and silkscreen on canvas
1829.0 × 2032.0 mm
80 x 72 inches

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Jackie, 1964

Acrylic and silkscreen on linen
406.0 × 508.0 mm
50.8 x 40.6 cm

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Old Fashioned Vegetable (F. & S. II.54), 1969

Screenprint in colors
584.0 × 889.0 mm
890 by 585mm 35 by 23in
Signed in black ball-point pen verso, stamp-numbered 41/250 (total edition includes 26 artist's proofs), on smooth wove paper, unframed

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Mick Jagger (F. & S. II.143), 1975

Screenprint in colours
0.0 × 0.0 × 0.0 mm
1111 by 734mm 43¾ by 28⅞in
signed in pencil, also signed in black felt-tip pen by the subject, numbered 98/250 (total edition includes 50 artist's proofs), printed by Alexander Heinrici, New York, with the publisher's inkstamp verso, Seabird Editions, London

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Paramount (F. & S. II.352), 1985

Screenprint in colours
965.0 × 965.0 mm
965 by 965mm 38 by 38in
signed in pencil, numbered HC 6/10 (an hors commerce impression aside from the edition of 190), with the printer's blindstamp, Rupert Jasen Smith, with the publisher's blindstamp, Ronald Feldman Fine Arts, Inc., New York

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The Scream (after Munch) (F. & S. IIIA.58), 1984

Screenprint in a unique combination of colours with an experimental pale wash in the lower border at left and right
813.0 × 1016.0 mm
1015 by 813mm 40 by 32in
With the Andy Warhol Foundation for the Visual Arts inkstamp verso, annotated 'UP34.25' and 'VF' in pencil, printed by Rupert Jasen Smith, New York, on Lenox Museum Board, framed

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Diamond Dust Shadows (Two Works), 1979

Acrylic, diamond dust and silkscreen ink on canvas, in two parts
2655.0 × 2038.0 mm
Overall: 203.8 x 265.5 cm 80 1/4 x 104 1/2 in.

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One Multicoloured Marilyn (Reversal Series), 1979-86

Acrylic and silkscreen ink on canvas
406.0 × 508.0 mm
50.8 by 40.6 cm. 20 by 16 in.
Stamped with the artist's signature on the overlap

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Endangered Species (F. & S. II.293-302), 1983

Ten screenprints in colours
0.0 × 0.0 × 0.0 mm
each sheet: 965 by 965mm, 38 by 38in
Signed in pencil and numbered 125/150 (total edition includes 30 artist's proofs), with the printer's blindstamp, Rupert Jasen Smith, New York, with the publisher and artist's copyright inkstamp verso

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Chanel (F. & S. II.354), 1985

Screenprint in colours
0.0 × 0.0 × 0.0 mm
Sheet: 965 by 965mm, 38 by 38in
Signed in pencil, numbered 6/190 (total edition includes 30 artist's proofs), with the printer's blindstamp

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Flowers (Feldman & Schellmann II.6), 1964

Offset lithograph printed in colours
0.0 × 0.0 × 0.0 mm
Sheet: 586 by 586 mm, 23 by 23 in
Signed and dated in black ink in the upper right margin, from the edition of approximately 300

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Flowers, 1970

Screenprint

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