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The Week in Art visit the site
3-10 Nov 2026
Openings, events, auctions
Berlin, Bruton, Cologne, Dubai, Dublin, Geneva, Istanbul, London, Los Angeles, Naples, New York, Paris, Seoul, Shanghai, Stockholm, Tokyo, Venice, Vienna
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▻ use the Daily Diary for all the latest events and updates!
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Berlin |
| Berlin, Friday 6 |
Esther Schipper:
Jenny Brosinski: Make A Wish
new paintings in Brosinski’s first solo exhibition with the gallery following their announcement of her representation - “Brosinski’s paintings are cool, serious, and at times funny, but also fragile and moving” - Jurriaan Benschop | opening reception |
Esther Schipper:
Sara Cwynar: Elephant
new videos, photographs, and a drawing employing a mix of analogue collage, digital modifications, and cinematic techniques - “a dense mix of historical references, found images, and traces of contemporary image worlds” | opening reception |
Bruton
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| Bruton, Saturday 7 |
Hauser & Wirth Somerset:
Emma Kunz
a major solo exhibition conceived in partnership with the Emma Kunz Foundation bringing together a rare selection of works that unfold across multiple galleries, offering an insight into the visionary practice of the artist, researcher, poet, and healer | opening reception |
Cologne
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| Cologne, Tuesday 3 |
Sotheby’s Cologne:
Modern & Contemporary Discoveries
auction: Tue 3-Thu 12
(viewing: Tue 3-Thu 12) | auction starts |
| Cologne, Thursday 5 |
Galerie Buchholz:
Vincent Fecteau: Christmas window
found photographs from Fecteau’s personal collection, chosen and arranged him for this year’s Christmas window | first day |
Galerie Buchholz:
Yair Oelbaum: Cowlick
“I’ve long photographed small, ambiguous objects and detritus. Their ambiguity was essential to their appeal to me. Their methods of capture were particularly bent on distorting and rewriting details” - Oelbaum | opening reception |
| Cologne, Saturday 7 |
Zander Galerie:
Candida Höfer: Between
conceived specially for the gallery’s spaces in Cologne, an exhibition by one of Germany’s foremost contemporary artists of colour photographs from 1983 to 2021 that focus on spatial situations of transition | opening reception |
Zander Galerie:
Introduction by Prof. (em.) Dr. Herbert Burkert | talk |
Dubai
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| Dubai, Thursday 5 |
JD Malat Gallery:
Kojo Marfo: Beyond the Visible
drawing on Marfo’s Ghanaian heritage and his concept of AfroGenesis - “human faces take on animal characteristics, while horses, flowers and decorative motifs emerge within elaborate arrangements of colour and form” | first day |
Dublin
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| Dublin, Friday 6 |
Kerlin Gallery:
An evening of music, art and drinks with DJ Donal Dineen | special event |
Kerlin Gallery:
Launch of specially commissioned prints by Nathalie Du Pasquier | special event |
| Dublin, Sunday 8 |
Kerlin Gallery:
Elizabeth Magill in Conversation with Paul Murray | talk |
Geneva
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| Geneva, Friday 6 |
Opera Gallery:
Introducing
conceived as an annual exhibition at the gallery in Geneva, this show brings together eight international artists whose distinct practices invite new perspectives and discoveries | first day |
Istanbul
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| Istanbul, Thursday 5 |
SANATORIUM:
Guido Casaretto: The Sea Peoples
curated by Domenico de Chirico, Casaretto’s focuses on the processes of geographical and cultural representation, investigating how traditions, objects, and craftsmanship drift from their original contexts through repetition, imitation, and relocation | opening reception |
London |
| London, Tuesday 3 |
The Redfern Gallery:
Lydia Corbett | Sylvette David: My Dance With Picasso
the gallery’s first exhibition of Lydia Corbett / Sylvette David's work presents the paintings, drawings, and sculpture of an extraordinary artistic life and career | private view |
| London, Wednesday 4 |
Benjamin Rhodes Arts:
Evening with Emrys Williams | special event |
The Redfern Gallery:
Lydia Corbett | Sylvette David: My Dance With Picasso
the gallery’s first exhibition of Lydia Corbett / Sylvette David's work presents the paintings, drawings, and sculpture of an extraordinary artistic life and career | first day |
The Redfern Gallery:
Lydia Corbett in conversation with Isabel Coulton | special event |
Sotheby’s London:
Chinese Art
auction: Wed 4
(viewing: Fri 30 Oct-Tue 3 Nov) | auction |
| London, Thursday 5 |
David Zwirner:
No Plan at All: Prints from BORCH Editions
an exhibition of new and historical prints from the workshop and publisher, highlighting the history and production of the Copenhagen-based studio from its modest beginnings to its present-day collaborations with leading international contemporary artists | opening reception |
LBF Contemporary:
Pour aujourd’hui et pour l’avenir: Absher, Bonnard, Fell
twelve new paintings by Caroline Absher and Annice Fell, made in direct response to a rare early oil sketch by Bonnard and hung in dialogue with it - “the two artists take up Bonnard’s saturated palette, his figures absorbed into their surroundings” | private view |
The Mayor Gallery:
Miguel Chevalier: Beyond Retina
exploring the profound transformation of vision in the age of artificial intelligence, robotic drawings, dye-sublimation digigraphs on aluminium engraved with laser technology, 3D-printed sculptures, video works on screen and an interactive installation | first day |
National Portrait Gallery:
Winston Taylor Photo Portrait Prize 2026
both traditional and contemporary approaches to the photographic portrait as the prize showcases the work of talented young photographers, gifted amateurs, and established professionals | first day |
Osh Gallery:
Yuri Suzuki: Onomatopia
inspired by amusement parks, world fairs and expos, five intriguing dioramas created by the acclaimed sound artist imagine new ways of experiencing sound and space | opening reception |
Pontone Gallery:
Sam Jackson: What Remains of Her
“these pictures are not psychologically penetrative; the subjects are mostly unknowable and remote. They explore a pictorial iconography of mysterious regality, feminine guile and archetype” | first day |
Sprüth Magers:
Hyun-Sook Song
new paintings placed in conversation with earlier works in Song’s first exhibition in the UK | opening reception |
Timothy Taylor:
Pierre Soulages: Outrenoir
nine luminous late monochromes from Soulages’s iconic series, reflecting the breadth of his sustained exploration of the interplay between darkness and light | opening reception |
Twilight Contemporary:
Henry Glover and Miya Kosowick: Kept
ceramic, stoneware, porcelain, Corten steel, bent metal, and charred wood sconces exploring the sconce as a meeting point between contemporary art and design - “the familiar object becomes a site of ambiguity, where function gives way to symbolism” | opening reception |
| London, Friday 6 |
Institute of Contemporary Arts (ICA):
party done: Performance by Samra Mayanja | performance |
LBF Contemporary:
Pour aujourd’hui et pour l’avenir: Absher, Bonnard, Fell
twelve new paintings by Caroline Absher and Annice Fell, made in direct response to a rare early oil sketch by Bonnard and hung in dialogue with it - “the two artists take up Bonnard’s saturated palette, his figures absorbed into their surroundings” | first day |
Sprüth Magers:
Hyun-Sook Song
new paintings placed in conversation with earlier works in Song’s first exhibition in the UK | first day |
Vardaxoglou Gallery:
Kentaro Okumura
new paintings made in Tokyo, London, and Athens, over the past year | private view |
| London, Saturday 7 |
FreddieFoulkes Gallery:
Rear View
paintings, monoprints, and etchings by Michael Cox and Sophie Ives - depicting respectively the backs of paintings and the backs of women | private view |
Vardaxoglou Gallery:
Kentaro Okumura
new paintings made in Tokyo, London, and Athens, over the past year | first day |
| London, Monday 9 |
SQFT:Space Gallery:
Aurelie Freoua and Jonny Martin: Out of the Blue Green Red
| first day |
| London, Tuesday 10 |
Osh Gallery:
Yuri Suzuki: Onomatopia
inspired by amusement parks, world fairs and expos, five intriguing dioramas created by the acclaimed sound artist imagine new ways of experiencing sound and space | first day |
Los Angeles |
| Los Angeles, Saturday 7 |
Luis De Jesus Los Angeles:
Kim Garcia: a trace is not a map to you
Garcia’s debut solo exhibition with the gallery “embarks on an ambitious process of worldbuilding, deconstructing and reconstructing familial histories, artifacts, and archives through sculpture, inviting a spatial encounter with the past” | opening reception |
Luis De Jesus Los Angeles:
Danica Phelps: Reach
an exhibition of drawings that conceptualize the ebbs and flows of financial transactions, debt, mortgages, and Phelps’ own pursuit of financial stability as a mother and working artist | opening reception |
Roberts Projects:
Wendy Red Star: False Stars
new work that takes the Star Quilt through a series of material transformations - mirrored installations and works on paper that show the enduring symbolic resonance of the stars | opening reception |
Roberts Projects:
Collins Obijiaku: Wherever You Are, Remember Me
new portraits and still lifes bringing personal recollections into conversation with art-historical references, rendered in Obijiaku’s distinctive linework and graphic compositions | opening reception |
Naples
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| Naples, Friday 6 |
Alfonso Artiaco:
Tursic & Mille: Tutto, più o meno
“thirteen new paintings … in which any subject can change its nature through contact with paint … a promise of the absolute, immediately tempered by a qualification. Between the two, an interval opens in which painting acts” | opening reception |
Alfonso Artiaco:
Michel François
“sculpture is the underlying principle of François’ practice, informing his work across photography, video, installation and performance. His research centres on matter, space and the relations that emerge between forms, volumes and surfaces” | opening reception |
| Naples, Saturday 7 |
Alfonso Artiaco:
Tursic & Mille: Tutto, più o meno
“thirteen new paintings … in which any subject can change its nature through contact with paint … a promise of the absolute, immediately tempered by a qualification. Between the two, an interval opens in which painting acts” | first day |
Alfonso Artiaco:
Michel François
“sculpture is the underlying principle of François’ practice, informing his work across photography, video, installation and performance. His research centres on matter, space and the relations that emerge between forms, volumes and surfaces” | first day |
New York |
| New York, Tuesday 3 |
Hauser & Wirth Wooster Street:
Rashid Johnson. Birthday Boys
new mosaic works, suspended sculptural figures, and a film, that together consider the complex relationships between fathers and sons and how recognising another person’s uniqueness can become its own expression of attachment | opening reception |
| New York, Wednesday 4 |
Lisson:
Yu Hong: Field of Asura
Yu Hong’s debut at the gallery in New York is a monumental exhibition of new and recent paintings that extend her touching, allegorical, and apocalyptic approach to contemporary life | opening reception |
Lisson:
Myth Migration
inspired by Herrera’s shift in style following her move from Cuba to Paris, and including an early, never-before-seen work by her, this exhibition centers on a group of 20th-century artists who moved to spend formative time in new communities | opening reception |
Lévy Gorvy Dayan:
Bacon / de Kooning
this landmark exhibition focuses on the smaller-scale paintings of the late 1960s and 1970s by these two indelible figures of postwar art, juxtaposing their work and exploring their uniting artistic affinities | opening reception |
Lévy Gorvy Dayan:
Jutta Koether: tRaVeLiNgliGHt
twelve new canvases created in direct dialogue with Alberto Giacometti’s Still Life with an Apple in Koether’s first solo exhibition at the gallery’s New York space | opening reception |
Lévy Gorvy Dayan:
Leoncillo and the Soul of Clay
in collaboration with Galleria dello Scudo, an exhibition focusing on the radical body of sculpture created in the last ten years of his life by the most significant sculptors of the twentieth century | opening reception |
| New York, Thursday 5 |
ACA Galleries:
John Baeder: America
in collaboration with MB Abram, an exhibition of paintings from Baeder’s personal collection, including his final series of matchbook covers completed in 2018 | opening reception |
Hauser & Wirth 22nd Street:
Zeng Fanzhi
new sculpture and paintings that conjure imagined celestial landscapes and topographies, in the celebrated Beijing-based artist’s first New York City exhibition in over a decade | opening reception |
Hauser & Wirth 22nd Street:
Cristina Iglesias. Possible Matter
the Spanish artist’s first New York exhibition with the gallery debuts an immersive dome installation alongside four wall-based sculptures exploring the shifting boundaries between the built and natural worlds | opening reception |
Jack Shainman Gallery:
Donyel Ivy-Royal: By the time the rain comes, we will be home
new oil paintings, ink drawings, and a large-scale installation in Ivy-Royal’s first exhibition with the gallery since the announcement of his representation | opening reception |
Luhring Augustine:
Jason Moran: STACKS
new and recent work by Moran continues his inquiry into the histories, objects, gestures, and ideas that shape jazz and its cultural landscape, explored through a range of materials including works on paper, sculpture, and video | opening reception |
Nagas:
Another World
works by six major artists of the Parisian Avant-garde and Surrealist movement - Roberto Matta, Louise Janin, Irène Lagut, Véronique Wirbel, Eric Cederberg, and Marcel Defize | first day |
Nara Roesler:
The Other
over twenty artists in this exhibition curated by Vik Muniz, that concludes the celebrations marking 50 years of Nara Roesler’s career as a gallerist | opening reception |
Nicola Vassell Gallery:
Pam Glick: PG-13
Glick’s debut solo exhibition with the gallery showcases the first body of work she has produced since returning to live in New York City after a 30-year hiatus | opening reception |
Pace:
Elmgreen & Dragset: TRANSITION
the debut one of the duo’s most ambitious projects to date - a 40-ton, traversable steel sculpture - shown alongside new wall works pursuing their longstanding interest in the performative aspects of architecture | opening reception |
Pace:
Li Hei Di: the year of mud
new paintings by the London-based artist situating Li’s oneiric, effervescent compositions in a mediated viewing environment - existing between figuration and abstraction | opening reception |
Pace:
Lucas Samaras: Boxes and Reconstructions
two seminal bodies of work by the influential Greek-born American artist, including never-before-seen fabric paintings from his pioneering yet little-known 1979 Reconstructions series | opening reception |
Sean Kelly Gallery:
Kehinde Wiley: What the Light Becomes
conceived of as a love letter to New York and a return to the subject of the city that launched Wiley’s career, new paintings and oil studies on paper shown alongside a film that delves into the histories and lives of several of the individuals portrayed | opening reception |
Tina Kim Gallery:
Kim Tschang-Yeul: Recurrence
an exhibition demonstrating the breadth of Kim’s work within his singular subject - “transforming the waterdrop into a sustained meditation on memory, materiality, repetition, and time” | opening reception |
| New York, Friday 6 |
CARVALHO:
Rosalind Tallmadge: Tenebrae
| opening reception |
CARVALHO:
Maximilian Rödel + Gabriele Beveridge: Nascent Bodies
paintings by Maximilian Rödel and glass-and-steel sculptures by Gabriele Beveridge - “these distinct experiences of the sublime find expression through radically different material and perceptual means” - Rebecca Birrell, PhD | opening reception |
GRIMM:
Arturo Kameya: Clavo torcido no teme martillo / A bent nail fears no hammer
new paintings by Kameya continue his visual exploration of Peruvian socio-politics, tracing the narratives and myths of everyday life, and interweaving the intensely personal with national identity and historical events | opening reception |
GRIMM:
Gareth Cadwallader: Goodnight Moon
“the paintings in Goodnight Moon feel generationally significant. They reflect how it is to live within a mesh of human connections and dependencies, how it feels to grieve, to love, and to be a father” - Hettie Judah | opening reception |
Luhring Augustine:
Jason Moran: STACKS
new and recent work by Moran continues his inquiry into the histories, objects, gestures, and ideas that shape jazz and its cultural landscape, explored through a range of materials including works on paper, sculpture, and video | first day |
Pace:
Elmgreen & Dragset: TRANSITION
the debut one of the duo’s most ambitious projects to date - a 40-ton, traversable steel sculpture - shown alongside new wall works pursuing their longstanding interest in the performative aspects of architecture | first day |
Pace:
Li Hei Di: the year of mud
new paintings by the London-based artist situating Li’s oneiric, effervescent compositions in a mediated viewing environment - existing between figuration and abstraction | first day |
Pace:
Lucas Samaras: Boxes and Reconstructions
two seminal bodies of work by the influential Greek-born American artist, including never-before-seen fabric paintings from his pioneering yet little-known 1979 Reconstructions series | first day |
Sean Kelly Gallery:
Kehinde Wiley: What the Light Becomes
conceived of as a love letter to New York and a return to the subject of the city that launched Wiley’s career, new paintings and oil studies on paper shown alongside a film that delves into the histories and lives of several of the individuals portrayed | first day |
| New York, Saturday 7 |
CARVALHO:
Rosalind Tallmadge: Tenebrae
| first day |
CARVALHO:
Maximilian Rödel + Gabriele Beveridge: Nascent Bodies
paintings by Maximilian Rödel and glass-and-steel sculptures by Gabriele Beveridge - “these distinct experiences of the sublime find expression through radically different material and perceptual means” - Rebecca Birrell, PhD | first day |
Yancey Richardson Gallery:
In Conversation: Karen Gunderson & Margaret Andera | talk |
Paris |
| Paris, Wednesday 4 |
Templon:
Gérard Garouste: Brisure
a previously unseen ensemble of paintings, drawings, and sculptures created over the past four years “shift the boundaries between painting and narrative, image and language, the visible and the invisible” | opening reception |
| Paris, Thursday 5 |
Zander Galerie:
Tina Barney: Beginnings
an exhibition dedicated to Barney’s early black-and-white photographs, with rarely seen works offering an intimate portrait of American East Coast society in the late 1970s | opening reception |
| Paris, Friday 6 |
Christie’s:
Collection Roger Therond, une passion française Online sale
auction: Fri 6-Tue 17
(viewing: Sat 7-Sat 14) | auction starts |
| Paris, Saturday 7 |
Semiose:
Françoise Pétrovitch: Tenir
“across the exhibition as a whole, a family of plinths, animals and gestures of affection takes shape, each containing its own worlds: worlds of colour, contaminated and transformed” - Julia Marchand | opening reception |
Semiose:
Adrien Chevalley: Têtebêche
“Chevalley uses fiction and a variety of artistic forms to contemplate alternative ways of existing with the environment that surrounds us … his work suggests that we view the world differently” - Nicolas Trembley | opening reception |
Sobering Galerie:
Night Bloom
ten gallery artists explore the idea of the night - “as atmosphere, sensation, memory, desire, solitude, artificial light, or psychological space” | opening reception |
Templon:
Pierre et Gilles: rose pour toi, rose pour moi
marking fifty years of the duo’s artistic partnership and including previously unseen portraits, this exhibition reveals the full breadth of their world, from popular devotion to pop culture | opening reception |
| Paris, Tuesday 10 |
Sotheby’s Paris:
Master Sculpture From Four Millennia
auction: Tue 10
(viewing: Sat 7-Tue 10) | auction |
Sotheby’s Paris:
Tableaux 1400 - 1900
auction: Tue 10-Tue 17
(viewing: Fri 13-Mon 16) | auction starts |
Seoul |
| Seoul, Thursday 5 |
Perrotin Seoul:
Mehdi Ghadyanloo: Paradise Opens Tomorrow
| first day |
Shanghai |
| Shanghai, Saturday 7 |
Bluerider ART Shanghai:
Ink Unbound - New Ink Series Chapter III
the third part of the gallery’s intercontinental series returns to the East with the theme of “unbound” - pointing to ink’s vital capacity to be reborn through breakthrough | opening reception |
| Shanghai, Monday 9 |
Almine Rech:
Tom Wesselmann: The Greatness of the Everyday
the first solo exhibition in mainland China of Wesselmann’s work spans four decades and explores the progression of his oeuvre and the bodies of work that have defined it | opening reception |
Lisson:
Sean Scully
in his first solo exhibition in Shanghai for over a decade, new works from the acclaimed artist’s celebrated Landline series | first day |
Perrotin Shanghai:
Lynn Chadwick: Hypercycle / Chapter III: Vigilants (1978-1995)
the last instalment of a three-continent, three-chapter retrospective of Chadwick’s work curated by Matthieu Poirier brings together sculptures from the late part of his career, examining the period in which his work reached its fullest maturity | first day |
Stockholm
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| Stockholm, Friday 6 |
Galleri Magnus Karlsson:
Anna Bjerger: Comma
“when working on these paintings, I have gathered motifs much like diary entries. Light, shapes, and associations are the main factors guiding my choices, but also intuition and doubt” - Bjerger | opening reception |
Tokyo
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| Tokyo, Wednesday 4 |
Taka Ishii Gallery:
Sterling Ruby: OCEAN
across two venues, Ruby’s latest works on paper, together with ceramics, and the first exhibition of new spray paintings in nearly a decade | opening reception |
Venice
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| Venice, Saturday 7 |
Victoria Miro Venice:
Celia Paul: Objects of Desire
new paintings by Paul which examine the act of looking and being looked at | private view |
Vienna |
| Vienna, Thursday 5 |
Galerie Kandlhofer:
Harminder Judge
“imbued with an indelible vibrancy and depth … transportive sculptural works that simultaneously reference Indian neo-tantric painting, as well as the abstract expressionist and colourfield movements of the 20th century” | opening reception |
Galerie Kandlhofer:
Focus On: Ambrose Rhapsody Murray
“through sewing, painting, installation, material experimentation, film and collaborative projects, her work investigates the colonial undercurrents of our lives … and the ephemeral and layered qualities of memory and remembering” | opening reception |
| Vienna, Friday 6 |
Galerie Kandlhofer:
Harminder Judge
“imbued with an indelible vibrancy and depth … transportive sculptural works that simultaneously reference Indian neo-tantric painting, as well as the abstract expressionist and colourfield movements of the 20th century” | first day |
Galerie Kandlhofer:
Focus On: Ambrose Rhapsody Murray
“through sewing, painting, installation, material experimentation, film and collaborative projects, her work investigates the colonial undercurrents of our lives … and the ephemeral and layered qualities of memory and remembering” | first day |
MEYER*KAINER:
Franz West
| opening reception |
| Vienna, Saturday 7 |
MEYER*KAINER:
Franz West
| first day |
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Don’t miss: exhibitions closing
Brussels, Geneva, Istanbul, London, Los Angeles, Melbourne, New York, Paris, Seoul, Shanghai, Taipei, Zürich
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Brussels
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| Brussels, Saturday 7 |
Almine Rech:
Hans Op de Beeck: Vanishing Point | |
Whitford Fine Art:
In Between the Lines | |
Geneva
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| Geneva, Saturday 7 |
Taste Contemporary:
The Darkroom, The Dye Lab and The Kiln | |
Istanbul
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| Istanbul, Sunday 8 |
Dirimart Dolapdere:
Ugo Rondinone: the sun and the mountain | |
London |
| London, Thursday 5 |
Emanuel von Baeyer:
Figuren | |
Pi Artworks:
Jyll Bradley: Power of What (Memory Room) | |
SQFT:Space Gallery:
Ellis King: Spilt Milk | |
| London, Friday 6 |
Grosvenor Gallery:
Adeela Suleman: The Rising Crescendo of the Band Baja | |
rosenfeld:
Ndidi Emefiele: A Longing for Home | |
| London, Saturday 7 |
Annely Juda Fine Art:
Nicola Turner: I Tear Secrets From Your Yielding Flesh | |
Annely Juda Fine Art:
What Remains Within | |
Ashley Saville:
Tess Tomassini: The Air Becoming No Air Becoming Air Again | |
Dirimart London:
Peter Zimmermann: still flowing | |
Frith Street Gallery:
Colin Self: Unseen | |
Gazelli Art House:
Project Space: Dominic Myatt | |
Goodman Gallery:
William Kentridge: A Nicely Built City | |
Lisson:
Ha Chong-Hyun | |
Lisson:
Carmen Herrera: Pulse, Pause, Repeat | |
NıCOLETTı:
Ana Viktoria Dzinic: Fundus: A Schizo Society’s Longing for the Armchair Psychology of Visual Cohesion (An Examination) | |
Palmer Gallery:
Mac Collins: Between the Rafters | |
Palmer Gallery:
The Door: Philip Ewe: Inheritance | |
Patrick Heide Contemporary Art:
Bernardo Ortiz: Peso Muerto | |
Pilar Corrias, Conduit Street:
Mary Ramsden: The Feeling of What Happens | |
Twilight Contemporary:
Thomas Mead: Damp | |
Victoria Miro:
Khalif Tahir Thompson: Send in the Clowns | |
ai.:
Spectral Kinship | |
domobaal:
Ansel Krut: Yawa Ekat Ro Ni Tae / Eat In Or Take Away | |
| London, Sunday 8 |
Opera Gallery:
Niovi Kafantari: The Necessary Other | |
Shapero Modern:
Alexander Calder: Art in Motion | |
Twilight Contemporary:
Henry Glover and Miya Kosowick: Kept | |
| London, Tuesday 10 |
David Gill:
Sebastian Brajkovic: L’Anima Enigma | |
SETAREH:
Yesterday | |
sketch:
Camille Walala | |
Los Angeles |
| Los Angeles, Friday 6 |
Mek Contemporary:
Rafael Megall: Idols In Bloom | |
| Los Angeles, Saturday 7 |
Lisson:
Oliver Lee Jackson: Form Follows Feeling | |
Perrotin Los Angeles:
Paul Pfeiffer: Olympia | |
Philip Martin Gallery:
Kwame Brathwaite: You and I | |
Melbourne
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| Melbourne, Saturday 7 |
Tolarno Galleries:
Andrew Browne: Lux Sublimata | |
New York |
| New York, Thursday 5 |
GOCA by Garde:
Masaaki Noda: FROM FORM TO FORCE | |
| New York, Friday 6 |
Jack Shainman Gallery:
Gordon Parks: Voices in the Mirror | |
| New York, Saturday 7 |
Gallery Henoch:
John Evans: The Shape of Stillness | |
Pace - 125 Newbury:
Asher Liftin: Recent Work | |
VeneKlasen:
Raphaela Simon: On the Street | |
| New York, Sunday 8 |
Stellarhighway:
Nearly Somewhere | |
Paris |
| Paris, Friday 6 |
Sobering Galerie:
Isidore Bishop-Sauve | |
Seoul |
| Seoul, Saturday 7 |
Kimreeaa Gallery:
Park Yelim: Earth Palimpsest | |
LKIF Gallery:
Megan Menzies: Neither Here Nor There | |
Shanghai |
| Shanghai, Thursday 5 |
Jenxuan Gallery:
No One Is Looking at You | |
| Shanghai, Saturday 7 |
SHENME ART Project & Consultancy:
Antonio Mancini: Between Two Centuries | |
Taipei
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| Taipei, Saturday 7 |
Each Modern:
BAY AREA | |
Zürich
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| Zürich, Saturday 7 |
Lullin + Ferrari:
Anne Morgenstern: Sunset Sour | |
Mai 36 Galerie:
Markus Saile: False Horizon | |
Mai 36 Galerie:
Hiroki Tsukuda: Inferno | |
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